Directed by Fielder Cook and starring Mia Farrow, Hal Holbrook and Martin Sheen.
Catégorie
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TVTranscription
00:00:00Satsang with Mooji
00:00:30¶¶
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00:01:30¶¶
00:01:40Thanks for the weekend!
00:01:42Any time.
00:02:00The white zone is for loading and unloading of passengers only.
00:02:19No parking is permitted.
00:02:30Miss me?
00:02:40You gotta be kidding.
00:02:41Don't be mean. Who else could I call to pick me up?
00:02:44You're a pain in the kishki, you know that?
00:02:46Right. We'll make it on time.
00:02:48Come on, come on. Stop clawing at me.
00:03:00Three o'clock? Three o'clock? Three o'clock?
00:03:06No, 3.20.
00:03:08Three o'clock?
00:03:10They've already taken the three o' clocks.
00:03:12Uh-oh.
00:03:14That's supposed to be done before you get here.
00:03:17I know, I know.
00:03:19There.
00:03:20You've been busy?
00:03:21I have not been idle.
00:03:23Oh, had any interviews?
00:03:25No.
00:03:26Oh.
00:03:28This is not a line, eh? Any prospects?
00:03:31Um, I hope.
00:03:33Same agent?
00:03:35Yes.
00:03:37I hope you have a better week.
00:03:40There you go.
00:03:45Rich again, but it hasn't changed yet.
00:03:50Excuse me. Don't tell me. I've seen you on the TV.
00:03:53I know I've seen you on the TV.
00:03:55It was you, all right.
00:03:57Um, here.
00:03:59Oh, go ahead. Sign it, honey.
00:04:01Okay, thank you.
00:04:02I'm sorry, I don't have a, um...
00:04:03Do you have a pencil?
00:04:04Yes, right here, Star.
00:04:13Um, thank you, ma'am.
00:04:15Never mind the pencil. Just get in the car.
00:04:17Why don't you get this thing fixed?
00:04:19What name did you sign? Peter Rabbit?
00:04:21Oh, it's too much. Right in front of the unemployment.
00:04:24Isn't it terrible? Why does it always have to happen to me?
00:04:27Come on. Some nutty old broad sees a rerun of yours and you're inundated with self-pity.
00:04:32Let's stop for a taco.
00:04:36I haven't got time.
00:04:38Not even for a taco? We could eat it in the car.
00:04:41It'll ruin my upholstery.
00:04:43But I'm dying of malnutrition.
00:04:46That'd be the most unserious death in the century.
00:04:49Why are you so mean?
00:04:50Because you look life squarely in the back of the neck.
00:04:55Well, what can I do?
00:04:56I-I-I haven't worked in so long.
00:04:58I have to have somewhere, right? Someplace to go.
00:05:02There's another taco stand!
00:05:04Tough.
00:05:10I know that's not fair to Jameson. I know.
00:05:13Since when are you worried about being fair?
00:05:18What's he like?
00:05:19He sails beautifully.
00:05:24He wants me to marry him.
00:05:26He's either brave or he doesn't know you.
00:05:29Harlan, there's another.
00:05:49Hey, come up and talk to me for a while.
00:06:03Dan, I was working when you called.
00:06:05I turned the typewriter up to very clever, but it doesn't write as well without me.
00:06:09Hey, Harlan.
00:06:10Thanks.
00:06:15Beep beep.
00:06:17Hi, Harvey. How's it going?
00:06:20Hi, Evelyn.
00:06:40Hello.
00:06:45Brooke Collier.
00:06:46Hi, I'm back.
00:06:47Can I have my messages, please?
00:06:50Where?
00:06:52Polo Lounge at 1230.
00:06:54What day did he call?
00:06:55Oh, I forgot if he'd be furious.
00:06:59Nothing from my agent.
00:07:01You sure?
00:07:03No, that's okay.
00:07:04I'll be home for a while.
00:07:06Mr. David Bevin, please.
00:07:22Hi, it's me.
00:07:23I'm home.
00:07:25Now, don't be angry.
00:07:28I had to get away for a while, but I'm home.
00:07:30I, I know I'm a monster.
00:07:34I admit it, I'm a monster.
00:07:41What's the difference where I've been?
00:07:44David, don't hang up.
00:07:46Talk to me.
00:07:48I missed you.
00:07:51Can you come over?
00:07:53Back as soon as you can.
00:07:56Just a second.
00:07:57Hi.
00:08:00Oh, hi.
00:08:01Where you been?
00:08:02San Francisco.
00:08:04What, David?
00:08:05I picked up your wig from the hairdresser.
00:08:06Sorry, I couldn't hear you.
00:08:07Louise was talking.
00:08:09Can you come over?
00:08:11I love you.
00:08:13And bring me a surprise.
00:08:16Okay.
00:08:22An avocado, a jar of mayonnaise, half a lemon.
00:08:26Girl, don't you ever go to the market?
00:08:33Special delivery letter for you Saturday.
00:08:34I signed for it.
00:08:37How was San Francisco?
00:08:38Fine.
00:08:40Is everything all right?
00:08:41Yeah, fine.
00:08:42Fine.
00:08:46Call me, you Agent Fink.
00:08:48Call me.
00:08:51You believe in ESP?
00:08:53Nope.
00:08:55What about God?
00:08:56Only if she's black.
00:08:58I did my horoscope yesterday.
00:09:00I have to watch my step till Saturn gets out of Gemini.
00:09:03Oh, Louise, I need work so badly.
00:09:06Don't worry, you'll get it.
00:09:07You're good.
00:09:08Thanks.
00:09:10I have another fan.
00:09:11A 13-year-old boy in Fargo, North Dakota.
00:09:14He has white mice.
00:09:15He named one after me.
00:09:17Aren't you gonna open it?
00:09:21Maybe.
00:09:23From your father?
00:09:27Daddy hasn't spoken to me since Christmas.
00:09:30Not one phone call.
00:09:31Nothing.
00:09:33Till this.
00:09:35Did you have a fuss with him?
00:09:38Fuss?
00:09:41I got... I got loaded.
00:09:43All by myself.
00:09:45I tore down the Christmas tree.
00:09:48Shrieked like a banshee.
00:09:50I broke all Daddy's Toby mugs.
00:09:53His most prized possession.
00:09:54I just smashed him against the wall.
00:09:57My brother had to come over from next door.
00:09:59He was holding me down.
00:10:04I just couldn't stand it anymore.
00:10:07Their hateful, sleepy, southern smugness.
00:10:11And my sister Ruthie looking at me the way she does.
00:10:14I left the next morning.
00:10:22I hate them.
00:10:26I love them.
00:10:44If you're just gonna stare at me, then you can get out right now.
00:10:58Just go!
00:11:04What'd he say in the letter?
00:11:06He told me not to call my mother anymore.
00:11:15He said I upset her.
00:11:29What a creep.
00:11:32Yeah.
00:11:34Right.
00:11:58Hey.
00:12:00David.
00:12:01Hi, Mo.
00:12:02Turn the light on.
00:12:03I can't see you.
00:12:11Who's the prettiest?
00:12:16No, don't touch that.
00:12:18It's my security bag.
00:12:20If you're nice, I'll let you wear it later.
00:12:23Thanks.
00:12:25I brought you a sandwich.
00:12:26You want me to cut a hole for the mouth?
00:12:27Oh, I'm so hungry.
00:12:33Did you bring me a surprise?
00:12:35Eat the sandwich.
00:12:39What's the surprise?
00:12:40Wait.
00:12:41Beautiful.
00:12:42Beautiful.
00:12:51Beautiful.
00:12:53Finish the sandwich.
00:12:54I don't want that.
00:12:55I want this.
00:12:58A Napoleon.
00:13:00Wasn't it?
00:13:02I don't know how you stay alive.
00:13:05I'm a plant.
00:13:06You just have to water me every day.
00:13:09Love me every day.
00:13:11Do you love me?
00:13:14Where have you been the last three days?
00:13:16I don't want to talk about it.
00:13:18I do.
00:13:20Just leave it alone.
00:13:21Where?
00:13:22Why can't you be like Harlan when I don't want to talk about something?
00:13:25He just keeps quiet.
00:13:27He's not in love with you.
00:13:32Are you so sure?
00:13:34I'm sure.
00:13:38He's always here.
00:13:40Just a few doors away.
00:13:41Or I'm always over there when you're not here.
00:13:45Why do you do this?
00:13:47Aren't things bad enough the way they are?
00:13:50David, you know I just do it to bug you.
00:13:53You know there's nothing between Harlan and me.
00:13:56Don't be upset.
00:13:58Tell me where you've been.
00:14:01Not now.
00:14:11When I finish this, will you take me for a ride?
00:14:19Can we go down to the beach?
00:14:20That big old rock where the seals are?
00:14:23We can scruff around in the sand.
00:14:25Eat junk food.
00:14:26Look at the stars.
00:14:28Oh, please let's.
00:14:30Can't.
00:14:32What do you mean, can't?
00:14:33It's tax time.
00:14:34I've got a client coming to dinner.
00:14:35I don't want to hear about your stupid business appointments.
00:14:38You're just lying.
00:14:39I have a lot of work to do.
00:14:42Work?
00:14:45You call being a business manager work?
00:14:48All you do is tell people who have too much money
00:14:50that they spend too much money.
00:14:53Well, go tell them.
00:14:54Get out.
00:14:56Why do you have to be like this?
00:14:58I'll be anything I like.
00:15:00And I don't love you.
00:15:01I think you're the most selfish man I know.
00:15:04You go on living with someone you don't love.
00:15:06Find someone else to be a bit player in your life.
00:15:08I'm sick of it.
00:15:09And I'm sick of you.
00:15:14I'm sick of me too.
00:15:16Not enough.
00:15:18I don't feel married.
00:15:19I never did.
00:15:20But you are a boy.
00:15:21And you're having your cake and eating it too.
00:15:24I'll find a way to tell her.
00:15:26If you knew Letty, you'd know how hard that is.
00:15:28Don't call her Letty in front of me.
00:15:29I don't want to hear Letty.
00:15:30I don't want to hear her name.
00:15:35Okay.
00:15:42David.
00:15:59I do love you.
00:16:00I do love you.
00:16:01I do love you.
00:16:02Letty.
00:16:03I do love you.
00:16:05Shepherd.
00:16:06Is it all right to go in?
00:16:28Anytime.
00:16:35Come in.
00:16:36Do I have a prayer of getting it?
00:16:44You've got more than a prayer.
00:16:45You've got me working for you.
00:16:52It's a big one, Brooke.
00:16:55Are you scared?
00:16:57Can I read for it?
00:16:59You'll read for them tomorrow.
00:17:01You're sure they said I could read for it?
00:17:03It's not just look time.
00:17:04An interview.
00:17:05Absolutely guaranteed, you're reading.
00:17:07It's a great part and you're perfect for it.
00:17:09And I'm free tonight to work with you on the important scenes if you'd like.
00:17:13Uh, no, I, um, I think I work better alone.
00:17:20This one could really make it happen for you, Brooke.
00:17:25Why do you think I'm around here after everyone's gone home waiting for you to pick up the script?
00:17:29You've got talent.
00:17:30You've got talent.
00:17:31I mean it.
00:17:32You've got all the moves.
00:17:35We were on our way once, huh?
00:17:37I pushed open a lot of doors for you.
00:17:42I could have had you working all the time if financial gangrene hadn't lost up this business.
00:17:47I know.
00:17:47No calls, please.
00:17:52I really got a feeling it's going to happen for you again.
00:17:54Come on, let's go out to dinner.
00:17:55Hey, love, you are really uptight.
00:18:08Come on, relax.
00:18:11You get the part.
00:18:12Everything's going to be all right.
00:18:15Listen up.
00:18:19You're going to be winging again, kid.
00:18:20Jules, listen, um, my work is the only thing I can't beg for or do that for.
00:18:30It's the only thing that lets me like me a little.
00:18:42Be on time at the studio.
00:18:46Brooke.
00:18:47Yes?
00:18:49Uh, close the door.
00:18:50Yeah.
00:19:12When I don't answer, it means I'm not here.
00:19:14I'll call you later.
00:19:20Harlan.
00:19:29I'm busy, now beat it.
00:19:30Harlan, please, it's desperation time.
00:19:31What do you think you're doing?
00:19:32I'm up for a part at UI, a movie.
00:19:34I know, I know, but this isn't TV.
00:19:36It's a feature, a flick.
00:19:37I've got to read for them in one hour.
00:19:39Great, now take off.
00:19:39I didn't get the script till eight last night.
00:19:41I've been working ever since.
00:19:42Harlan, you know what this means to me.
00:19:44Yeah, listen, would you mind leaving?
00:19:46I have company.
00:19:46Yeah, I know, I know.
00:19:47I didn't want to bother you before, but she should have left by now.
00:19:50UI is miles away.
00:19:51I'll never make it unless you take me.
00:19:53No, I'm not going.
00:19:53I take a cab, but I'm broke.
00:19:55No.
00:19:55She won't mind you, won't be gone that long.
00:19:57Who is it?
00:19:58Sylvia?
00:19:58No.
00:19:59No?
00:19:59Who?
00:20:00Come on.
00:20:01Can I borrow your car, then?
00:20:02No.
00:20:03What am I going to do?
00:20:05Listen, you've got no driver's license.
00:20:07You have 13 tickets.
00:20:08You'd never make it past the two posts in the driveway.
00:20:27OK, don't expect me to stay strung out here waiting for you.
00:20:30Got enough for the bus?
00:20:33Well, they're not coming out here to read you.
00:20:35How do I look?
00:20:38Helen, I'm scared.
00:20:40They'll never know unless you're on the carpet.
00:20:43Go, tiger.
00:20:45Non-myoho, renge kyo.
00:20:46No.
00:20:54Interview with Dr. Alvin A. Sussman, clinical professor of medicine at UCLA.
00:21:00In answer to your question, Mr. Webb, yes, allergists have been working on...
00:21:05Yeah.
00:21:06...subtuent asthmatic attack of...
00:21:07I want to talk to you a minute.
00:21:08Got a deadline, Louise.
00:21:10I'm worried about it.
00:21:11Yeah, well, later.
00:21:12I know she's down there.
00:21:14She just won't answer the door.
00:21:16She just sits there and waits to hear something from that agent.
00:21:20Well, I let her keep the script.
00:21:22That's promising.
00:21:23Why don't I let her know?
00:21:25You have to chop that agent up and feed him to your cat.
00:21:28It doesn't need agents to give him gas.
00:21:31What if she doesn't get the bar?
00:21:33You know what she tried to do to herself once before?
00:21:36She's in worse shape now than she was then.
00:21:38You're writing fiction again?
00:21:53Call her.
00:21:59You want to know she's okay.
00:22:01She'll talk to you.
00:22:02Hello, are you still in the world?
00:22:10Louise is up here driving me out of my skull.
00:22:13Well, she won't leave until she hears you haven't cut your throat.
00:22:15Can you help on this problem?
00:22:19Good girl.
00:22:20She's okay.
00:22:22If she doesn't want to talk, she'll let you know as soon as she hears anything.
00:22:25Now, will you let me get to work?
00:22:27You eat anything?
00:22:29No.
00:22:30You want me to fix something?
00:22:31No.
00:22:31She is a good actress, isn't she?
00:22:41It's about the only decent thing I can say about her.
00:22:44She's a human being.
00:22:47Only on Ash Wednesday.
00:22:53You look so evil now.
00:22:58You monster.
00:22:59We could poison her, couldn't we?
00:23:04Slip glass in her buttermilk.
00:23:07Little slivers of shimmering glass in David's wife's buttermilk.
00:23:12It wouldn't be a bad thing to do, would it?
00:23:16It seems fair.
00:23:26I have another idea.
00:23:28You sing that song that makes me laugh.
00:23:36You sing that song that makes me laugh.
00:23:38The one you sing when you're loaded?
00:23:40Oh, yes.
00:23:51Mr. Jules Werthmann, please.
00:23:53Oh, yes.
00:23:53Mr. Jules Werthmann, please.
00:23:55Oh, yes.
00:23:55Mr. Jules Werthmann, please.
00:23:57Hello, Jules, it's Brooke Collier.
00:24:05Yes, I was just wondering if maybe you'd heard something by now.
00:24:08Yes, I was just wondering if you'd heard something by now.
00:24:23Yes, I was just wondering if you'd heard something by now.
00:24:27Of course, I'm not upset, Jules.
00:24:37I'd just rather not discuss it now.
00:24:41Jules, please, there are people here.
00:24:45Jules, I have people here, a party.
00:24:49Right.
00:24:51Yes, it was a nice try.
00:24:53Okay.
00:24:56Okay.
00:24:57Okay.
00:25:24Okay.
00:25:24One day.
00:25:25Okay.
00:25:37Yes, I feel good.
00:25:43I see.
00:25:44I see.
00:25:46Okay.
00:26:48Hello, Jamie?
00:26:52You said any time.
00:26:56Come and get me.
00:26:58We'll get all clutchy and jump off one of those beautiful bridges of yours.
00:27:03Yes.
00:27:04I'll marry you.
00:27:08Don't go too fast.
00:27:28It's almost there.
00:27:29Yeah.
00:27:30Ooh!
00:27:31Almost slipped.
00:27:32Watch the paint.
00:27:33Yeah.
00:27:34Ooh!
00:27:35Oh, Louise!
00:27:36That hurt.
00:27:37I didn't mean to bust it up.
00:27:39Middle of the floor.
00:27:41Thanks.
00:27:42Thanks.
00:27:43Oh, don't sit on it.
00:27:45Oh, my head feels like cotton candy.
00:27:48I gotta get this whole thing packed.
00:27:50Hey, do you want a toaster?
00:27:52It's practically new.
00:27:53Yeah, that'd be nice.
00:27:54Here.
00:27:55Look at this place.
00:27:56What are you gonna do with them?
00:27:57Put her out with the trash.
00:27:58They pick up today.
00:27:59Hi, Harlan.
00:28:00Splitting?
00:28:01For good.
00:28:02I was gonna tell you later.
00:28:03I called Jameson at 4 o'clock this morning.
00:28:04He's flying down to get me tonight.
00:28:05Run, sheep, run.
00:28:06Harlan, don't pick on me.
00:28:08I'm so jumpy I can't think straight.
00:28:09Okay, I'll be out most of the day.
00:28:10So, goodbye.
00:28:11Locked in all that jazz.
00:28:12Harlan?
00:28:13Harlan!
00:28:14You only got three glasses left.
00:28:15That's why I'm getting married.
00:28:16You think you're not even gonna miss me?
00:28:17Right.
00:28:18But you will, won't you?
00:28:19Okay, I'll go.
00:28:20I'll go.
00:28:21I'll go.
00:28:22I'll go.
00:28:23You'll go.
00:28:24You'll go.
00:28:25I'll go.
00:28:26I'll go.
00:28:27I'll go.
00:28:28I'll go.
00:28:29I'll go.
00:28:30I'll go.
00:28:31I'll go.
00:28:32I'll go.
00:28:33I'll go.
00:28:34I'll go.
00:28:35Okay, I'll try.
00:28:36Do you think I'm copping out?
00:28:38Probably.
00:28:39Probably.
00:28:40What's the difference?
00:28:41Nobody cares.
00:28:42Why should they?
00:28:43Caring has to be your bag.
00:28:44I'd care if I knew I could make it.
00:28:47Nobody ever has it made.
00:28:49Can you accept that?
00:28:50I hate you.
00:28:51I hate you a lot.
00:28:52Sounds fair.
00:28:54Why couldn't you and I have fallen in love?
00:28:57We just got lucky.
00:28:59Some girl's gonna catch you.
00:29:02Sure, why not?
00:29:04I'm poor and ugly and male and miserable.
00:29:06Every chick in the world should want me.
00:29:08You're the best friend I ever had.
00:29:11Well, it's a pretty tacky neighborhood.
00:29:19What am I gonna do without you?
00:29:21Believe me, I need the rest.
00:29:24Paul, go to the unemployment office with me.
00:29:26I'm late.
00:29:27I'll see you.
00:29:32David?
00:29:33Hi.
00:29:34I'm just calling to say goodbye.
00:29:35I'm going away with Jameson tomorrow.
00:29:37Forever.
00:29:38Don't shout.
00:29:39Do you want to take me somewhere?
00:29:40Now?
00:29:41What'll you have in San Francisco?
00:29:43A big white house.
00:29:44Where you can see the bridges arched like cats over the bay.
00:29:46And married to some man you hardly know.
00:29:47Someone you spent two weekends with because you were angry with me.
00:29:48I'm just calling to say goodbye.
00:29:49I'm going away with Jameson tomorrow.
00:29:50Forever.
00:29:51Don't shout.
00:29:52Do you want to take me somewhere?
00:29:53Now?
00:29:54What'll you have in San Francisco?
00:29:55A big white house.
00:29:56Where you can see the bridges arched like cats over the bay.
00:29:58And married to some man you hardly know.
00:29:59Someone you spent two weekends with because you were angry with me.
00:30:00I was angry with you.
00:30:01You told me he was just a friend.
00:30:02I lied.
00:30:03What a tramp you can be.
00:30:04See me as I am.
00:30:05I can't let you go away.
00:30:06I won't be away.
00:30:07I'll just be somewhere else.
00:30:08I'll just be somewhere else.
00:30:09What a tramp you can be.
00:30:10See me as I am.
00:30:11I can't let you go away.
00:30:12I won't be away.
00:30:13I'll just be somewhere else.
00:30:14Miss me.
00:30:15What did you say your name was sir?
00:30:16That's not funny.
00:30:17What's funny is wanting someone who doesn't belong to you.
00:30:43I love you, fat lady.
00:30:47Yes, sir. Here I am.
00:30:49Any old time, right up till flight time.
00:30:59Hey, Brooke?
00:31:02Hmm?
00:31:03Here's one for you.
00:31:04A news item about a newly organized group
00:31:06that believes all animals should be fully clothed.
00:31:09You're making that up?
00:31:11No, it's right here in the paper.
00:31:12They think dogs, cats, et cetera,
00:31:14and running around naked is indecent.
00:31:16They invite new members,
00:31:18but they don't want any crackpots.
00:31:25You get it.
00:31:37Since Daddy isn't here,
00:31:38wouldn't you like to give me away?
00:31:39I think you ought to be put away.
00:31:41Thanks for staying.
00:31:45I'll send you a bell.
00:31:51Hi.
00:31:52Oh, thank you.
00:31:53Oh, Brooke.
00:31:55Put her down.
00:31:56You don't know where she's been.
00:31:57Charlyn Webb.
00:31:58Oh, hello.
00:31:59I apologize, I miss you.
00:32:00Oh, yes.
00:32:01Brooke told me about you.
00:32:03You're her neighbor.
00:32:03My claim to fame.
00:32:05Charlyn, don't be modest.
00:32:06He's a very important medical writer,
00:32:08and he's working on a lot of other things.
00:32:09Am I?
00:32:11Well, it's nice to have met you.
00:32:14And congratulations.
00:32:15Thanks.
00:32:16I'm sorry you have to run off.
00:32:17You can't just go.
00:32:19It's rude.
00:32:19I have to read this to my cat.
00:32:22Take care.
00:32:35Well?
00:32:36Hungry?
00:32:38Uh, no.
00:32:40Well, I have to finish packing.
00:32:42You're way behind schedule.
00:32:44Several years.
00:32:45Never mind.
00:32:46You can do it later tonight.
00:32:47I'm glad you're here.
00:32:54So am I.
00:33:01Come on.
00:33:13Let's go out to dinner.
00:33:13Oh, Jamie, I can't just sit.
00:33:17I mean, not right now.
00:33:19Would you take me for a walk?
00:33:20We can look in shop windows,
00:33:21or go up in a balloon,
00:33:23or take me for a drink
00:33:24and pretend I just came to town.
00:33:26Now?
00:33:26Now?
00:33:29All right.
00:33:35Anything.
00:33:35pale, so pure, white.
00:33:47I want to live on that street.
00:33:50You can.
00:33:52What?
00:33:52You mean go to France?
00:33:54Sure.
00:33:54Why not?
00:33:57Did you know that your trio was drunk
00:33:59from the time he was a little boy?
00:34:00screaming half crazy,
00:34:03but, oh, boy,
00:34:04he could paint.
00:34:06Well, don't you think
00:34:07he might have painted better
00:34:08if he'd been sober more often?
00:34:11No.
00:34:13No.
00:34:15Like some French writer said,
00:34:17life will arrange itself,
00:34:19but badly.
00:34:20I mean,
00:34:21if everyone were happy,
00:34:22there would be no art.
00:34:24Look at Switzerland.
00:34:25All they produce
00:34:26is chocolate and watches,
00:34:27right?
00:34:28You're not making any sense to me.
00:34:31Well, that's all right.
00:34:33I like it.
00:34:34You be what you are.
00:34:37I'll take care of everything else.
00:34:42Now all I have to worry about
00:34:43is my work.
00:34:44Mm-hmm.
00:34:46You won't need it.
00:34:48I'll be enough career for you.
00:34:51No.
00:34:52Wait a minute, Jamie.
00:34:53We never talked about that.
00:34:55Don't you see
00:34:57that could be my gift to you?
00:34:58The whole of me.
00:35:00What I do, my work,
00:35:02is as much a part of me
00:35:03as anything else.
00:35:16I want to go home.
00:35:20Don't do that.
00:35:21I hate hand patterns.
00:35:23You make me feel safe, Jamie.
00:35:35I'll float through all those
00:35:37enormous haunted rooms
00:35:39and make love to you
00:35:40and all the ghosts within.
00:35:43Well, that's lovely,
00:35:44but in the meantime,
00:35:47let's get some dinner.
00:35:47I want to see my friends.
00:35:53We'll have a party.
00:35:55A party?
00:35:56Why?
00:35:57Because I want a party.
00:35:59You're going to come on.
00:36:07You will?
00:36:07Promise.
00:36:09I'm going to take you.
00:36:11When?
00:36:13Brooke.
00:36:14Brooke!
00:36:15Brooke!
00:36:16I'm talking to you.
00:36:17Why haven't you returned
00:36:18any of my calls?
00:36:20What's the matter with you?
00:36:21Leave the lady alone.
00:36:22I'm the lady's agent.
00:36:24I'm sure you are.
00:36:26I've left two messages
00:36:27on her service.
00:36:27Will you kindly have her call me?
00:36:29You go and sit down.
00:36:36Taxi!
00:36:39Watch it, you stupid idiot!
00:36:41Almost hit me!
00:36:42Idiot, you could have been killed.
00:36:52Anytime!
00:36:55No.
00:36:56Now's a good time.
00:36:58Feel right.
00:37:00Come on now, sit up straight.
00:37:06Hey, Jamie.
00:37:08Better go away.
00:37:10Can't cope with me.
00:37:12Nobody can.
00:37:16Let me worry about that.
00:37:20Hey, did you know
00:37:21that the last time
00:37:22the last time
00:37:24I tried to kill myself
00:37:25I was completely sober?
00:37:29Doesn't surprise me.
00:37:31No?
00:37:34Sure as hell surprised me.
00:37:38Sure did.
00:37:42Then there's my father's cousin,
00:37:47Miss Wilma Swift.
00:37:49She's single,
00:37:50unsexed,
00:37:51underslung,
00:37:52and thin as a crawling vine.
00:37:54Hey, do her with that southern accent.
00:37:56Okay.
00:37:56Well, good morning, Brooke.
00:38:00Nice to see you back home again.
00:38:06I hardly come to town anymore
00:38:08since those Negroes
00:38:09been eaten at our counters.
00:38:11They'll be in our tea rooms next.
00:38:13That girl really gets it on.
00:38:16When she takes off
00:38:17on a southern relative,
00:38:18she really cracks me up.
00:38:20Well, she comes from
00:38:21a good family, I understand.
00:38:23Her father's a surgeon.
00:38:24Yeah, he's a cutter.
00:38:27Well, she was probably
00:38:28a lot to handle.
00:38:29She still is.
00:38:30But I guess you can afford
00:38:32to pay for a shrink.
00:38:35That won't be necessary.
00:38:37She needs one.
00:38:40You are rich, aren't you?
00:38:43Oh, I'm well off, yes.
00:38:46Mm.
00:38:46I like the sound of that.
00:38:48Sounds classier than rich.
00:38:52You really think you can help her?
00:38:53He's dead.
00:38:55He grins no more.
00:38:57I want her.
00:39:02You're scary.
00:39:03Yeah.
00:39:05So is she.
00:39:08Hey, Louise!
00:39:09Can I please have my drink?
00:39:12Coming!
00:39:16She's had enough.
00:39:18You tell her that.
00:39:23And then there's my auntie,
00:39:27Mrs. Claude Wigginton,
00:39:29that pile of prissy southern slush.
00:39:31I used to call her wigwam
00:39:33when I was a kid.
00:39:34Now she understands
00:39:36the Negro situation,
00:39:37as she calls it.
00:39:39They are just God's children,
00:39:41my dear.
00:39:42And they look to us
00:39:44to care for them,
00:39:45for decent Christian charity.
00:39:48Now that's what's lacking.
00:39:50None of them would want to vote
00:39:51if we cared for them proper.
00:39:53Now, Brooke,
00:39:54you know I'm not prejudiced,
00:39:56but I think we ought to send
00:39:57all the Negroes back to Africa.
00:39:58They'd be much happier than that.
00:40:00I'd send everybody back
00:40:01where they came from.
00:40:02Declare the country
00:40:03a national park.
00:40:05Where's my drink?
00:40:06Oh, it got poured in the sink.
00:40:09We'll see about that.
00:40:11It'll work.
00:40:13Excuse me.
00:40:14Hi, hon.
00:40:15How you doing?
00:40:16Marlon.
00:40:16Hi, Jerry.
00:40:17Cornbread with the chicken tonight.
00:40:19Oh, you've had enough.
00:40:21Well, you haven't,
00:40:22that's for sure.
00:40:27How about a glass of wine?
00:40:29Specialty of the house.
00:40:31Oh, I'd like to,
00:40:32but I got a lot of orders
00:40:34on that truck.
00:40:35No, let him wait.
00:40:37Jerry, Jerry,
00:40:38this is my last night.
00:40:40I'm going off
00:40:41with that strange man over there,
00:40:43and I'll never see
00:40:43any of you ever again.
00:40:45Or eat chicken dandy.
00:40:46So you have to have a drink.
00:40:48Okay.
00:40:49But a quick one.
00:40:50Okay.
00:40:52May I help, Brooke?
00:40:53Uh, yeah.
00:40:54Could you get a platter?
00:40:56Oh, wait, Kim.
00:40:56Kim, this is Jerry.
00:40:58Kim's new upstairs.
00:40:59Jerry's a very fine actor.
00:41:00Hello.
00:41:01Now come and meet Jameson.
00:41:03Of course,
00:41:04the entire Mau Mau situation
00:41:06was deplorable.
00:41:07However,
00:41:07I do think
00:41:08that if Kenyatta
00:41:08hadn't been quite so
00:41:09misled,
00:41:10he might have done
00:41:11a great deal of good for Kenya.
00:41:12But I think that if Kenya
00:41:13continues to be...
00:41:14Just a moment, love.
00:41:16It continues to behave
00:41:16in the sort of
00:41:17civilized fashion
00:41:18we've come to expect
00:41:19in the last few years.
00:41:20It'll be quite a habitable place again.
00:41:22I'm sorry, love.
00:41:22Jamie, meet Jerry.
00:41:24Jerry,
00:41:24what is your last name?
00:41:26Keller.
00:41:26Keller.
00:41:26She's running off with you.
00:41:29You're a lucky man.
00:41:30Well, not exactly running off.
00:41:32We're getting married.
00:41:36Are we really?
00:41:38What fun!
00:41:43A man.
00:41:45A man in the Beverly Hills Hotel
00:41:50promised to give me
00:41:51his only five-leaf clover
00:41:53if I'd stay with him.
00:41:54You think I should've?
00:41:56No.
00:41:56Oh, I'll be here.
00:41:57Give me.
00:41:58Don't try it.
00:42:00Hey, Jerry,
00:42:01don't go.
00:42:01Have one more drink with me.
00:42:03Have to.
00:42:04Mmm.
00:42:06I lose a customer
00:42:07and a friend.
00:42:09Wish you all the best, Brooke.
00:42:12Oh, what do I owe you?
00:42:14Uh,
00:42:15$8.75.
00:42:16Oh, here.
00:42:17I'll get this.
00:42:18No, no.
00:42:18It's my party.
00:42:19Oh, it's nothing, Brooke.
00:42:20Forget it.
00:42:21Just don't.
00:42:22Is it $8.75?
00:42:24I said no.
00:42:25That's all right.
00:42:26Here.
00:42:27Keep the change.
00:42:29You keep the change.
00:42:31No.
00:42:32Don't touch me.
00:42:33Here, girl.
00:42:34You better eat something.
00:42:37No more.
00:42:38No more.
00:42:39You filthy, stinking snake.
00:42:49You bloody scum.
00:42:50I'll kill you.
00:42:52I'll kill you.
00:42:53Cool it.
00:42:54Cool it.
00:42:55Come on.
00:42:55I'll kill him.
00:42:57Let me go.
00:42:58Cool it.
00:42:59Evil.
00:43:00You.
00:43:01Come on.
00:43:01Let me.
00:43:02Harlan, damn you.
00:43:03Let me go.
00:43:04Let me go.
00:43:05It's hot.
00:43:10I can't stand it anymore.
00:43:14Are you hurt?
00:43:16Are you hurt?
00:43:18Cool it.
00:43:19It's OK.
00:43:22I need you.
00:43:24Daddy, let me come home.
00:43:27Daddy, let me come home.
00:43:30I can't fight anymore.
00:43:32I need a real home.
00:43:38Daddy.
00:43:39Daddy.
00:43:41Daddy.
00:43:43Daddy.
00:43:46Daddy.
00:43:50It's OK.
00:43:56Hmm.
00:44:02You and Louise go.
00:44:19I'll handle this.
00:44:23This?
00:44:26And this to you?
00:44:29That's all I am to you.
00:44:30That's what I feel like when you touch me.
00:44:36Like this.
00:44:38And me.
00:44:40A bag of garbage.
00:44:45Come on, James.
00:44:47Come on.
00:44:49Collect your garbage.
00:44:52Dig your hands into it.
00:44:55Smell it.
00:44:56It's all yours, man.
00:44:57Come on.
00:45:00Come on.
00:45:14Hello, reservations.
00:45:15Paul Jameson speaking.
00:45:17When's the next plane for San Francisco?
00:45:21I want two first class seats.
00:45:25Fine, I'll pick them right up.
00:45:26I want two other produits.
00:45:27I want two other than that.
00:45:28I want two other people.
00:45:29Once again, I'm waiting on their Etsy to visit him.
00:45:30If you put them at home.
00:45:31Come on.
00:45:31See you tomorrow.
00:46:01Where's the key for this thing?
00:46:06I have no idea. Somewhere.
00:46:08Could she suffocate in there?
00:46:10She doesn't have air for two hours.
00:46:12Well, I want her out.
00:46:15She will when she wants to.
00:46:17She just unclicks the lock from the inside.
00:46:20She got in there once before.
00:46:22It says she was shipping herself to another world.
00:46:26Everybody has their trunk, you know?
00:46:31I asked you both to leave.
00:46:36Oh.
00:46:40Oh.
00:46:41Okay.
00:46:44Let's go.
00:46:46Party, pooper.
00:46:49David, hello.
00:46:50How are you?
00:46:52Where is she?
00:46:52Uh...
00:46:59She's in the, um...
00:47:04Yoo-hoo.
00:47:06David's here.
00:47:22Hi, David.
00:47:28I have to talk to you.
00:47:29Not now.
00:47:30Uh, David, this is...
00:47:31I know who he is.
00:47:33I have to talk to you.
00:47:34I have to talk to you.
00:47:34I have to talk to you.
00:47:35I have to talk to you.
00:47:36I have to talk to you.
00:47:37I have to talk to you.
00:47:37I have to talk to you.
00:47:38I have to talk to you.
00:47:39I have to talk to you.
00:47:39I have to talk to you.
00:47:40I have to talk to you.
00:47:40I have to talk to you.
00:47:41I have to talk to you.
00:47:41I have to talk to you.
00:47:42I have to talk to you.
00:47:43I have to talk to you.
00:47:43I have to talk to you.
00:47:44I have to talk to you.
00:47:45I have to talk to you.
00:47:46I have to talk to you.
00:47:47I have to talk to you.
00:47:48I have to talk to you.
00:47:49I have to talk to you.
00:47:50I have to talk to you.
00:47:51I have to talk to you.
00:47:52I've left her. It's over.
00:48:12You're falling apart, you raggedy hag.
00:48:19Did you hear what I said?
00:48:21I've left my wife.
00:48:22I've left my wife.
00:48:52I've left my wife.
00:49:08Don't sweat it. He's not man enough to handle her either.
00:49:10He's not man enough to handle her either.
00:49:12I've left my wife.
00:49:14I've left my wife.
00:49:16I've left my wife.
00:49:18I've left my wife.
00:49:20I've left my wife.
00:49:22I've left my wife.
00:49:24I've left my wife.
00:49:26I've left my wife.
00:49:28I've left my wife.
00:49:30I'll do it.
00:49:46Hi.
00:50:03Go back to sleep. I just have to call the office.
00:50:168-5-1-1-4-4-2.
00:50:23David Bevan.
00:50:275-5-5-2-3-6-8.
00:50:34Letty, please, don't get hysterical.
00:50:37I'm sorry about just taking off last night, but you know how impossible I've been lately.
00:50:42I just had to get away by myself for a few days.
00:50:46I don't know. Up the coast somewhere.
00:50:50Yes, I'm all right, darling.
00:50:53Look, I'm in a gas station. I'll call you back tonight.
00:50:57Now, don't worry.
00:51:00Yeah.
00:51:02Love you, too.
00:51:12Can I have some hot milk with this, please?
00:51:15And an aspirin.
00:51:17Could I have two aspirins, please?
00:51:19You want one?
00:51:23Yeah, okay.
00:51:25No.
00:51:26Maybe a cup of coffee.
00:51:27No, forget it. I don't want anything.
00:51:29Man of instant indecision.
00:51:31You are miserable, aren't you?
00:51:33You are miserable, aren't you?
00:51:34You have been ever since you told her.
00:51:35You are miserable, aren't you?
00:51:36You have been ever since you told her.
00:51:37We're almost to Carmel. We could stay there.
00:51:41For how long?
00:51:42Tonight?
00:51:43Forever?
00:51:44You have to be back in the office Monday.
00:51:45Client with a tax problem.
00:51:46So what else is new?
00:51:47What do you mean?
00:51:48You have to be back in the office Monday.
00:51:49Client with a tax problem.
00:51:50So what else is new?
00:51:51What do you mean?
00:51:52What about your wife?
00:51:53Isn't she going to be a problem?
00:51:54No.
00:51:55No.
00:51:56No.
00:51:57No.
00:51:58No.
00:51:59No.
00:52:00No.
00:52:01No.
00:52:02No.
00:52:03No.
00:52:04No.
00:52:05No.
00:52:06No.
00:52:07No.
00:52:08No.
00:52:09No.
00:52:10No.
00:52:11No.
00:52:12No.
00:52:13No.
00:52:14No.
00:52:15No.
00:52:16No.
00:52:17No.
00:52:18No.
00:52:19No.
00:52:22No.
00:52:23No.
00:52:24No.
00:52:25No.
00:52:26No.
00:52:27No.
00:52:28No.
00:52:29No.
00:52:30No.
00:52:31No.
00:52:32No.
00:52:33No.
00:52:34No.
00:52:35No.
00:52:36No.
00:52:37Thank you Perry.
00:52:38No.
00:52:39Ron, full of these.
00:52:40No.
00:52:41No.
00:52:42No.
00:52:43Honey, I don't mind.
00:52:45Okay.
00:52:46No?
00:52:47something noble like that.
00:52:49Yeah, something like that.
00:52:56I always know when you're lying.
00:52:58You didn't tell her anything, did you?
00:53:00I said I was going away for a while. I said that.
00:53:04Look, it'll work out.
00:53:10You want it just the way it was.
00:53:13You did this just to get rid of Jameson.
00:53:17I wouldn't have gone with him anyway.
00:53:24I'm glad.
00:53:26We had the whole weekend.
00:53:28Don't be a glutton, David.
00:53:30We both had what we wanted.
00:53:32Take me home.
00:53:47I'll carry it in.
00:53:52Goodbye.
00:53:56I'll call you.
00:53:57Don't try it.
00:53:59Unless you want me to call your wife.
00:54:04Unless you want me to call your wife.
00:54:06Hello.
00:54:07Hello, Mother.
00:54:08Hi.
00:54:09Yes, yes, I'm all right. I'm fine.
00:54:11How are you?
00:54:12How are you?
00:54:13I figured Daddy would be at the hospital.
00:54:14Mother, would you ask him if it would be all right if I came home for a while?
00:54:29I promise I won't be any trouble.
00:54:30Really?
00:54:31You sure?
00:54:32Oh, I can come right away. I'll make reservations tomorrow.
00:54:36I miss you both so much.
00:54:38How's Brian?
00:54:39And Ruthie?
00:54:41Oh, yes, and you too.
00:54:43I miss you both so much.
00:54:48How's Brian?
00:54:49Oh, I can come right away. I'll make reservations tomorrow.
00:54:55I miss you both so much.
00:54:59How's Brian? And Ruthie?
00:55:03Oh, yes, and you too.
00:55:07Bye.
00:55:19Harlan?
00:55:45Harlan?
00:55:49Harlan?
00:55:53Red Cross have you given?
00:55:55I'm all gave out.
00:55:57She wants to sleep with you.
00:56:01Spare me the cutes.
00:56:09Please, I have to talk to you.
00:56:11Come on, it's late and I'd like to crash.
00:56:19I hate that stupid thing!
00:56:23Let me get some sleep.
00:56:25Harlan, please.
00:56:27I know I'm a monster.
00:56:29I know how crummy I behaved last night.
00:56:32But I...
00:56:36I feel so unreal.
00:56:38So alone.
00:56:40You know me better than anyone, won't you help me?
00:56:42I have this selfish problem running my own life.
00:56:46But I need you.
00:56:48You hold together the bits and pieces of me.
00:56:52You need a bib, baby.
00:56:54I've run errands.
00:56:55I've held your hand.
00:56:56Listened to your wails.
00:56:58Wiped your nose.
00:57:00When you choked down that half bottle of pills,
00:57:02I was a clown that carted you off to the hospital.
00:57:04Well, those were just little courtesies one neighbor extends to another.
00:57:10But when you come on with this self-pity jazz, you're bored with me.
00:57:22What I really came to tell you is that I'm going home.
00:57:25Okay.
00:57:27You don't mean that.
00:57:29It's not okay.
00:57:30I can tell by your voice.
00:57:34Harlan, listen.
00:57:35I'm not giving up.
00:57:36I'll be back.
00:57:37Ha!
00:57:38The hell if it is, you probably will.
00:57:44I'm scared.
00:57:46I'm really scared.
00:57:48What's so different about that, huh?
00:57:50Go home.
00:57:51Crawl back into the womb.
00:57:53Or stand on your own feet.
00:57:55I've tried.
00:57:56You've tried.
00:57:57You've tried everything.
00:58:00Indulgence, self-destruction, rage,
00:58:03drink.
00:58:04Men.
00:58:05You've used every dodge there is to avoid the pain of growing up.
00:58:09The clinic is closed for the night.
00:58:14Harlan, you're right.
00:58:19You're right about me.
00:58:20You always are.
00:58:21I'm going to stay with you.
00:58:22For as long as you want me.
00:58:26Don't you want me?
00:58:27Don't you want me?
00:58:28Hmm?
00:58:29Don't you?
00:58:30You slob.
00:58:31You miserable slob.
00:58:33Any port in a storm, right?
00:58:34Huh?
00:58:35Anyone you think is vulnerable.
00:58:36I'm going to stay with you.
00:58:37I'm going to stay with you.
00:58:38For as long as you want me.
00:58:40Don't you want me?
00:58:42Hmm?
00:58:43Don't you?
00:58:44You slob.
00:58:45You miserable slob.
00:58:48Any port in a storm, right?
00:58:49Huh?
00:58:50Anyone you think is vulnerable.
00:58:51Anyone you can clob or step on to get you out of the messes you make for yourself.
00:58:55Beautiful.
00:58:56You're the end, you baggy little tramp.
00:58:57Is that what you think of me?
00:58:58It's what you think of yourself.
00:58:59Okay, lady.
00:59:00You want to stay?
00:59:01Is that what you want?
00:59:02Is that what you want?
00:59:03It better be all you want, because it's all you're going to get from me.
00:59:06No!
00:59:07No!
00:59:08No!
00:59:09No!
00:59:10No!
00:59:11No!
00:59:12No!
00:59:13No!
00:59:14No!
00:59:15No!
00:59:16No!
00:59:17No!
00:59:18No!
00:59:19No!
00:59:20No!
00:59:21No!
00:59:22No!
00:59:23No!
00:59:24No!
00:59:25No!
00:59:26No!
00:59:27No!
00:59:29You lying phony.
00:59:31I know how you feel.
00:59:32You love me.
00:59:34You're just afraid.
00:59:36Afraid!
00:59:37I'm sick of your daily bloodbath.
00:59:39Pick up your jacks, little girl!
00:59:41Quit!
00:59:42You quit a long time ago!
00:59:45Medical reporter, what about all those great stories you were going to write?
00:59:48You don't even try anymore!
00:59:51Don't give me that female spur in the gut.
00:59:53I know what I am.
00:59:54I don't need any fantasies to cover it up.
00:59:56You don't care anymore, but I know what I have.
00:59:59Prove it.
01:00:26I'm back in the world.
01:00:35I'll send out that warning to the people.
01:00:38I'm not going home, eh?
01:00:41I'll send out that warning to the people.
01:00:45I'm not going home.
01:00:50I'll send out that warning to the people.
01:00:55I'm not going home.
01:00:57I called my agent this afternoon. I have an interview.
01:01:01Once more into the breach, huh?
01:01:04It's a network pilot.
01:01:05Every ingenue in the area will be there with a gorgeous smile and shaky knees.
01:01:14Wear slacks.
01:01:15So, if I don't get it, I'll just go on smiling and shaking with the rest of the world, right?
01:01:25If you need any bread for now, I can lend you some.
01:01:28No, I still have unemployment coming, and there are always some schlocky jobs around.
01:01:34Right. Hang in there.
01:01:36Okay.
01:01:45Haaland! Haaland!
01:01:59Haaland! Hey, man!
01:02:09Haaland!
01:02:11Haaland!
01:02:14Haaland!
01:02:15Harlan, it's me! Stella for Star!
01:02:18I got it! Watch out for the grease!
01:02:20I got it, Harlan. I'm in. I made it.
01:02:22It's the lead. It's the lead. I'm the girl.
01:02:24The whole freaky pilot is mostly me.
01:02:26That's great.
01:02:27Oh, wow. Where am I? Where am I?
01:02:29It's real. Real.
01:02:31Start shooting next week.
01:02:34Harlan, stop with that greasy stuff.
01:02:36I'm taking you to dinner.
01:02:37I don't want to work. Dinner at the Bistro.
01:02:39Dessert La Scala. I'm fine.
01:02:41La Scala, dessert?
01:02:42Come on, drag out the dress shirt.
01:02:45Friend, neighbor, citizen, ratfish.
01:02:47Harlan Webb.
01:02:48For you, nothing but the best.
01:02:49We live!
01:02:51Harlan, it was magic.
01:02:53Boom, you're it, they said.
01:02:55You'd like to believe it was magic, wouldn't you?
01:02:57That's why you picked your lousy profession,
01:02:59the promise of instant magic.
01:03:01Listen, chicky, your work's sold.
01:03:03Who cares? I've got it made.
01:03:05After you make the pilot, they still have to sell it.
01:03:08They're too much. Maybe I shouldn't take it.
01:03:11I'll have to give up my unemployment check.
01:03:13Don't knock it. It's untaxable green.
01:03:14I'm not!
01:03:15What have you got against my being happy?
01:03:18Eat, Star.
01:03:20Here. You want some ketchup?
01:03:30You want some pickles?
01:03:32You want some mustard?
01:03:34You want a kiss?
01:03:43Hey, thanks for dinner.
01:03:45My pleasure, sir.
01:03:46So, where are you going?
01:03:48Walk around a bit.
01:03:49Don't go. I mean, now.
01:03:52As the joke goes, your plays are mine.
01:03:56You mean it? Coffee?
01:03:58Not if you're gonna try to tie us up
01:04:01into one of your romantic, spidery little packages.
01:04:05All we got going is a tawdry sort of friendship.
01:04:09Yeah, right.
01:04:10I can get pretty emotional and sneaky.
01:04:13You better watch out.
01:04:14Don't worry about me.
01:04:15My father once told me never to get involved with a girl
01:04:18who has more problems than I have.
01:04:23I don't want you to get involved.
01:04:27I just want you to kiss me.
01:04:45I just want you to kiss me.
01:04:53Down on the stairs, they'll break my lease.
01:05:11Who's in the Junior?
01:05:12How many boys do we have?
01:05:14How many of them got up high?
01:05:42How many boys do we have?
01:05:44How many boys do we have?
01:05:50Twice we did it your way,
01:05:52once you did it my way and you didn't do it.
01:05:54You tried but you didn't do it!
01:05:56No I did it!
01:05:58Ron wasn't doing it right!
01:06:00You didn't do what he said we were supposed to do!
01:06:02I did it your way, I did it his way!
01:06:04The only way I know how!
01:06:06You did it now!
01:06:08You know you can do that!
01:06:10If you don't get right, listen, listen, if you don't do it, nobody else can do it.
01:06:14You do it, you believe it, you can do it.
01:06:17Yeah?
01:06:18Okay, I'll try.
01:06:18No, just, just, just say yeah.
01:06:20Yeah.
01:06:20Yeah?
01:06:21Really yeah?
01:06:22Really yeah.
01:06:23All the way?
01:06:24All the way.
01:06:25Now do it again.
01:06:26Okay.
01:06:40Harlan, what do you think?
01:06:59Shh, come on, tell me, how was I?
01:07:03Brooke.
01:07:04Oh yeah, Jules.
01:07:07Yeah, how was it?
01:07:08Fine.
01:07:09I get so squeamish watching myself, really, tell me.
01:07:12Really, you were really very good.
01:07:13Really, it was all right?
01:07:14It's a fine, fine performance, better than all right.
01:07:16I've got to talk to you, you know.
01:07:18Right, listen, I've got a meeting upstairs straight away, so why don't you meet me back at the office in about an hour?
01:07:21Office in an hour, okay, I'll be there, thank you.
01:07:26You think they liked it?
01:07:28Come on, say something.
01:07:31Well, I always thought acting was kind of a secondary art.
01:07:33Harlan, don't put me on now, please.
01:07:36Come on.
01:07:37Don't you know when you're good?
01:07:38You know, you know I don't.
01:07:40Oh, for Pete's sakes.
01:07:42You were good.
01:07:44You were good.
01:07:45Really good?
01:07:45Did you believe everything she said?
01:07:47Kid, you've got a great career.
01:07:49Believe me.
01:07:50I was good.
01:07:51A sensation.
01:07:52Sarah Bernhardt, no less.
01:07:53I was really good.
01:07:53Oh!
01:07:56Beautiful, beautiful.
01:07:57It's all gonna be so beautiful.
01:07:58You know what I'm gonna do after I make it?
01:07:59What?
01:08:00I want a dog, I want a baby, and I'll knit you a new stove.
01:08:04Watch it.
01:08:05Watch it.
01:08:05You're getting sneaky and emotional again.
01:08:08Hang in there.
01:08:10Okay.
01:08:10I can be ahead, you know.
01:08:12Gotta work at it, but I can be ahead.
01:08:15Okay.
01:08:15Listen, let's take Jules to dinner, huh?
01:08:17Okay.
01:08:17Celebrate?
01:08:18You pay.
01:08:19Okay.
01:08:26Sit down.
01:08:27Can't.
01:08:28I'm too excited.
01:08:30Well, don't be.
01:08:32We didn't get it.
01:08:35The sponsor feels your image is too
01:08:37offbeat for his stupid cat food.
01:08:41The network can't budge him.
01:08:44And neither can I.
01:08:45I don't know how else to tell you,
01:08:49but they're replacing you.
01:08:51Jules?
01:08:53It has nothing to do with your performance.
01:08:56You are one hell of an actress.
01:08:58I saw it, you saw it, they know it.
01:09:01Now, you're ten miles ahead of where you were
01:09:02before we did this pilot.
01:09:06Hello.
01:09:08Yes, speaking.
01:09:10Yes, Freddie, I know it's important.
01:09:11I've been trying to get back to you, too,
01:09:12but can you make it fast?
01:09:15Fred, I know that.
01:09:18I'm here to make deals,
01:09:19but you're jamming me with my client.
01:09:23No, Freddie, I've got to get his price.
01:09:25Freddie, don't give me budget, please.
01:09:28He's name value.
01:09:28You need him.
01:09:29You know that.
01:09:32Freddie,
01:09:33you're talking to Jules.
01:09:36Come on, man.
01:09:38Now, you pay it and you've got it.
01:09:39All right?
01:09:40Get back to me, will you?
01:09:41Right.
01:09:41Bye-bye.
01:09:41Bye-bye.
01:09:41Bye-bye.
01:09:42Bye-bye.
01:09:43Brooke.
01:09:51I haven't lost faith in you.
01:09:52Please don't lose faith in yourself.
01:09:55We'll swing with other projects.
01:09:58Look, you've lost parts before.
01:10:00You've been passed over.
01:10:02But this time, you did a great job.
01:10:03Yeah.
01:10:04Yeah.
01:10:06Yeah.
01:10:07Brooke.
01:10:14Now, stop it!
01:10:16It's not the end of the world.
01:10:18This is a great piece of film on you,
01:10:19and I promise you,
01:10:20I'll hammer it on every door and down.
01:10:21They'll all see it.
01:10:22Just get a hold of yourself.
01:10:28All right, just relax.
01:10:30Take it easy.
01:10:31How did you get here, Brooke?
01:10:34Harlan?
01:10:35All right, I'll get him.
01:10:42You better get in there.
01:10:44I know it doesn't make any sense.
01:10:46She was great, but she didn't get it.
01:10:48They're going to go with another actress.
01:10:49Damn you all.
01:11:08Damn you all.
01:11:12And most of all,
01:11:14damn me.
01:11:15a
01:11:40a
01:11:40a
01:11:41a
01:11:42a
01:11:42a
01:11:42a
01:11:42a
01:11:43a
01:11:45Put your right arm, put your arms down and hold your neck up.
01:11:56Okay.
01:12:07Yes.
01:12:08Dr. Holland?
01:12:09Yes.
01:12:10Are you going to stay?
01:12:12Yes.
01:12:35I'm invisible.
01:12:37Yes.
01:12:39No, you're not.
01:12:41No, you're not.
01:12:43Darling.
01:12:45No?
01:12:46No.
01:12:56Hey, hey.
01:12:57Huh?
01:12:58No.
01:13:06You want to go?
01:13:14Let's go.
01:13:15You want to get down to the beach?
01:13:16Yeah.
01:13:17Can I have a taco?
01:13:18Sure.
01:13:19What else can I have?
01:13:21What else can I have?
01:13:22What else can I have?
01:13:23What else do you need?
01:13:24You want to go.
01:13:25Come on.
01:13:27Yeah, I think I'm going to go.
01:13:28Stand right, let's go.
01:13:29Come here, sv.
01:13:30рь�man.
01:13:31Come here.
01:13:32Lord, I'm going to go.
01:13:33I need coffee.
01:13:34Come here.
01:13:35No.
01:13:36You want me to stay here?
01:13:38Come here.
01:13:39Want me to stay here?
01:13:40Come here.
01:13:41Come here.
01:13:42Come here.
01:13:43Come here.
01:13:44Come here, let's go.
01:13:46Come here.
01:13:47Come here.
01:13:48Come here.