- 31/05/2025
Professor Montserrat and his wife Estelle can experience the psychological feelings of Mike Roscoe whose mind they control. Estelle loves the indirect happiness that controlling Roscoe gives her.
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Short filmTranscript
00:00:00Transcribed by â
00:00:30you have to wait a minute where is my advertisement young man what advertisement the one that should
00:00:51be in the case outside where is it what's it for my professional services oh so you're the famous
00:00:58professor mons are at where is the advertisement took it down didn't seem to interest the public
00:01:03like some of the others nobody's played out for the last couple weeks either there's five bob owen
00:01:08how can i conduct my practice without advertising tell me that like i said there's five bob owen
00:01:13there okay grandpa back it goes thank you maybe you'd like to do a bit of spade work on the little
00:01:21dolly who got lined up tonight eh grandpa
00:01:23still
00:01:51you're late for lunch Marcus. I'm sorry dear I got into an argument with that
00:01:58tobacconist fellow about the notice. oh bother I forgot to pay him. ready to eat now?
00:02:07any patience while I was out? only a man with a twitch in his cheek. he said he'd be back
00:02:23later. I wondered if he will. what's that? no nothing nothing
00:02:37come on Marcus. lunch is ready.
00:03:07do you really think it will work Marcus? of course. of course. when will you be ready to try?
00:03:16oh soon. very soon. how soon? well tomorrow perhaps. tomorrow? why not? all I have to do is to check the equipment if I'm smart.
00:03:25then we can test it. and then we can test it.
00:03:37we can test it.
00:03:42we can test it.
00:03:44we can test it.
00:03:46we can test it.
00:06:30Yes.
00:06:36It's ready.
00:06:37When can we test it?
00:06:39Now, tonight.
00:06:40If only...
00:06:41Marcus, but who can we use?
00:06:42It must be a stranger.
00:06:44Yes.
00:06:44Someone who doesn't know us.
00:06:46A complete stranger who need never know what has happened to him.
00:06:50Precisely.
00:06:52But it must be someone whose mind is plurible.
00:06:56Someone who's basically willing.
00:06:58But how can we find someone without explaining to him first?
00:07:01A drunk, perhaps.
00:07:03Oh, no.
00:07:03A mind confused by alcohol.
00:07:05It must be alert, able to respond.
00:07:07Someone young.
00:07:08Oh, a boy who's bored, out looking for something.
00:07:11Yes, but how could we find him?
00:07:12Oh, all these children out on the streets at night, taking pills to keep themselves awake.
00:07:17Yes, looking for new experiences.
00:07:19Exactly.
00:07:20You could persuade one of them.
00:07:21Offer him something new, exciting.
00:07:23Ah, he'd forfeit, of course.
00:07:25Of course.
00:07:26Then we'll get up here, in that room.
00:07:30He'd know nothing about it afterwards.
00:07:32It's perfect, Estelle.
00:07:33And no one will laugh this time.
00:07:37There's nothing to laugh at.
00:07:39Nothing at all.
00:07:53Have fun.
00:07:57She's a lovely girl.
00:08:01How long do you think all this can last?
00:08:06Girls?
00:08:07Funny man.
00:08:07I mean the club where they come wrapped up in.
00:08:09I like the dress.
00:08:10I think it's funny.
00:08:11You've been brainwashed by that precious flower.
00:08:12What's of yours?
00:08:13Well, he's a very nice man, and he's been very good to me.
00:08:16If I hadn't met him, I'd worry about that.
00:08:21Now, come on.
00:08:21Let's get out of here.
00:08:22Where do you want to go?
00:08:23I don't mind.
00:08:23It doesn't matter.
00:08:24Anywhere.
00:08:24Come on.
00:08:25I have a feeling it's going to be one of those.
00:08:28Mumbling about something.
00:08:30Not me, Boile.
00:08:30All right.
00:08:32I have a feeling it's going to be one of those.
00:08:38I'll see you.
00:08:39Oh, my God.
00:09:09Where's Nicole then?
00:09:19Still titivating.
00:09:20She's what?
00:09:20In the ladies, combing her toenails or something.
00:09:23I spent half my life waiting for that girl.
00:09:25Why, not worth waiting for, eh?
00:09:26It depends.
00:09:27On what?
00:09:28The state of her toenails, eh?
00:09:30Where do you think you're going?
00:09:32For a walk, what else?
00:09:34What about taking Nicole to dinner?
00:09:36You just landed yourself a job, mate.
00:09:38She's your girlfriend, not mine.
00:09:40Don't worry, I'll pay you back.
00:09:42That's not the point, Mike.
00:09:43You asked her out, not me.
00:09:45The point is I'm bald.
00:09:46Blue, black and bloody indigo.
00:09:48We're wandering about from club to club
00:09:50with no more idea of where I'm going
00:09:51than a blind camel in Oxford Circus, okay?
00:09:54So I'm going for a walk on my own by myself.
00:09:56Got it?
00:09:57No, I don't know what you're talking about.
00:09:59You wouldn't.
00:10:00We'll see you at the club later, then.
00:10:06Bloody artistic temperament.
00:10:08No, I don't know, I don't know.
00:10:26Oh, oh, oh.
00:10:27Oh, oh.
00:10:28Oh, oh, oh.
00:10:28Oh, oh.
00:10:29yes give us a wimpy please
00:10:59you're looking very bored young man you're talking to me as a matter of fact I am I've been watching you this evening are you from the FBI or something no I wonder if I might join you seems you just did perhaps I'm up and give you some coffee no thanks I don't drink yes
00:11:27what is it you do want I could offer you an unusual evening I doubt some extraordinary experiences what are you selling blue movies nothing as dull as that cheap hash it's not worth the trouble mason this would be worth the trouble
00:11:52oh come now there's nothing you really have to do is there
00:11:56okay lead me to it
00:12:03so you found someone more oh yes who's this sir
00:12:15this is my wife Estero my assistant for a good many years good on you
00:12:21perhaps I should introduce myself I'm professor Marcus Montserrat but undoubtedly you've heard of me not that I recall
00:12:30oh come on come on where are all these multicolored miracles of yours then eh
00:12:36you seem patient to stand you're wasting my time
00:12:40you don't go
00:12:41well let's get off with it then whatever it is
00:12:43that's right in here
00:12:47go on in that room
00:12:49you're kidding
00:12:55for forty years I've been acclaimed as one of the world's greatest hypnotist
00:13:10really for you mate no no not on the stage not a cheap theatrical act a medical hypnotist a practitioner
00:13:18Marcus
00:13:19and during those years I've refined enriched my powers
00:13:23now Marcus that's enough
00:13:24if you two want to start an argument feel free I don't mind really
00:13:27to allow with the aid of light and the use of sound
00:13:29I've brought them to a pitch never dreamed of in the annals of the human mind
00:13:34eh
00:13:35come and sit down young man
00:13:36what in this thing
00:13:37yes sit down
00:13:38I'm too young to die
00:13:40you said you wanted something new something you've never done before
00:13:44yeah but I didn't think that
00:13:45no harm will come to you we guarantee it
00:13:48sit down when I adjust these
00:13:50what's it supposed to do then
00:13:52dazzling indescribable experiences
00:13:56complete abandonment with no thought of remorse
00:14:00intoxication with no hangover
00:14:02ecstasy with no consequence
00:14:05you
00:14:08see what you can come up with
00:14:10legal to the blue leader up relax
00:14:25clear your mind empty your mind of all thought
00:14:28hey what's going on
00:14:43hey
00:14:45what's going on
00:14:47I'm
00:14:48I'm
00:14:49I'm
00:14:50I'm
00:14:51I'm
00:14:52I'm
00:14:53I'm
00:14:54I'm
00:14:55I'm
00:14:56I'm
00:14:57I'm
00:14:58I'm
00:14:59I'm
00:15:00I'm
00:15:01I'm
00:15:03I'm
00:15:04I'm
00:15:05I'm
00:15:06I'm
00:15:07I'm
00:15:08I'm
00:15:09I'm
00:15:10I'm
00:15:11Oh, my God.
00:15:41Oh, my God.
00:16:11Oh, my God.
00:16:41Oh, my God.
00:17:11Oh, my God.
00:17:17Everything's all right so far.
00:17:19Get up out of the chair.
00:17:30Go into the next room.
00:17:37Okay.
00:17:38You come in, then?
00:17:44Yes.
00:17:45You go on.
00:17:45Close the door.
00:17:56Close the door.
00:17:56It's working, Marcus.
00:18:08Yes, we can control him.
00:18:10You've used a distance through the door.
00:18:12But erecting is mine.
00:18:14Oh, we've done it, Marcus.
00:18:17Keep concentrating.
00:18:19Hold him.
00:18:19Hold him.
00:18:21Have you go into the kitchen?
00:18:24It's perfect.
00:18:37Let me try.
00:18:40Keep concentrating.
00:18:41Feel his mind.
00:18:43What shall I have him do?
00:18:46Have him pick something up?
00:18:48Yes.
00:18:48An egg from the fridge.
00:18:55The third from the left.
00:19:03Break the egg!
00:19:03My hand, Estelle.
00:19:06It's as though I had an egg all over my hand.
00:19:09Now, water, tap water.
00:19:21Oh, mine too.
00:19:23My goodness, Estelle, we are feeling all his sensations.
00:19:28Everything he touches, we touch.
00:19:30It's as if we were him.
00:19:32Let's send him away and see if it works at a greater distance.
00:19:49I broke one of your eggs.
00:19:52That's all right.
00:19:53It's perfectly all right.
00:19:55Now, my boy, I want you to leave here.
00:19:58Once outside this house, you will remember nothing of what has happened here.
00:20:02You'll be perfectly normal, except you'll remember nothing of all this.
00:20:06From now on, we are going to control your mind.
00:20:09From time to time, you'll put thoughts into your head, and you will obey those thoughts.
00:20:14Understand?
00:20:17Now, go, my boy, and remember nothing.
00:20:26Put there, Estelle.
00:20:27Sit here.
00:20:28We'll follow his movements for a while.
00:20:32Oh, Marcus, this could be wonderful.
00:20:34Concentrate, concentrate.
00:20:42We still have him.
00:20:43I can feel his footsteps on the pavement.
00:20:45I never dreamed this could happen, even at this distance.
00:20:53To get inside another's mind so completely to feel transmissions from his very nerve ends.
00:20:57We need something more positive.
00:20:59A prolonged sensation.
00:21:00Intense heat of the coolness of water.
00:21:03Water, that's it.
00:21:04Water.
00:21:07I can hear music.
00:21:09Even sound is transmitted.
00:21:11Oh, Mike.
00:21:18Hi.
00:21:19Return of the prodigal.
00:21:20Have a good time.
00:21:21Come on, let's sit down.
00:21:22It seems to be ambushed.
00:21:29Where have you been, Michael?
00:21:30Having an oldie with a hamburger.
00:21:32All this time?
00:21:33Especially the economy-sized hamburger.
00:21:35Cheers.
00:21:38Horrible stuff.
00:21:39I'll get some reloads.
00:21:42You pay, then.
00:21:45There you go, Shiloh.
00:21:49Come on, let's get out of here.
00:21:51What about Alan?
00:21:51He'll have to look after himself for a change.
00:21:53Let's go.
00:21:54I want to take you someplace.
00:21:55That sounds very dangerous.
00:21:57Come on.
00:21:58Well, we can't just leave Alan like that.
00:22:00It'd be hurt.
00:22:01You wouldn't mind just leaving me a few minutes ago.
00:22:03That's different.
00:22:04Why?
00:22:05Well, I mean, you wanted to be on your own.
00:22:07I never want to be on my own.
00:22:08Come on, let's go.
00:22:11Look, leave a note, if you like.
00:22:13Yeah.
00:22:43Bastard.
00:22:53He's responding perfectly, Marcus.
00:22:55I know just where to send them.
00:23:06What are we doing?
00:23:08Going for a swim.
00:23:09Are you crazy?
00:23:10In this cold?
00:23:10Mm-hmm.
00:23:11In the pool, private.
00:23:12How do you get in?
00:23:14I've got my own personal open sesame.
00:23:16Come on.
00:23:16Oh.
00:23:17Oh.
00:23:17Oh.
00:23:48Where ever do you think of that?
00:24:05I don't know.
00:24:06I just came to.
00:24:06Right out from the blue.
00:24:08Mike Mercury.
00:24:09Yes, me.
00:24:12Hey, voila.
00:24:12I'll go and see if I can turn on the blue lights and you go on down, all right?
00:24:19Right.
00:24:20Okay.
00:24:20I'll go.
00:24:50It's transmitting perfectly.
00:25:06Feel the water all around me.
00:25:09Oh, it's wonderful.
00:25:09Oh, it's too much.
00:25:23He's exhausting me.
00:25:25Stop him.
00:25:26No, no.
00:25:27Let the boy enjoy himself, Estelle.
00:25:29All we have to do is to stop concentrating and our sensations will get less and less.
00:25:35We'll get him back when we want him.
00:25:37Of course, dear, of course.
00:25:38Now, relax, relax, let go.
00:25:50We must keep it secret, the process.
00:25:52Oh, no.
00:25:53It must be used to help people.
00:25:54Ah, to help us, Marcus.
00:25:56But only if we handle it right.
00:25:58But not just us.
00:26:00Other people as well.
00:26:01Old people like us who don't have what we have.
00:26:04We haven't been able to afford anything for years.
00:26:21Not since that reporter, with nothing better to do, decided to investigate your practice.
00:26:26You know that.
00:26:27Now, why are we so different?
00:26:28Well, we're not locked up in some old people's home, for one thing.
00:26:44Don't you see?
00:26:45No, I don't.
00:26:46Well, they could enjoy the sensations of swimming, but by proxy, of course, just as we did now.
00:26:52Take long, long holidays.
00:26:54How do you propose to do that?
00:26:56Well, find somebody who'll set up a foundation and send just one person, a transmitter, so to speak, on a long, long cruise.
00:27:05And all these sensations and experiences will be relayed back to the old people lived at home.
00:27:13Yes, it sounds wonderful, Marcus.
00:27:15Ah, then you do see.
00:27:17Yes.
00:27:18You must feel proud.
00:27:21These sensations and the control.
00:27:23You've achieved something remarkable.
00:27:24I'd almost forgotten the control.
00:27:27It was there.
00:27:28That boy, we were making him do things.
00:27:30He was ours.
00:27:31He is still.
00:27:32An enormous extension of hypnotic power, I grant you.
00:27:36But we've stumbled on something greater by far.
00:27:40I must write up a reporter thing about it.
00:27:42Convince people that it works.
00:27:44And try to find someone to finance it.
00:27:46And make sure it's put to a good use.
00:27:48Marcus.
00:27:48Marcus?
00:27:49Yes, dear?
00:27:51The report.
00:27:52What about it?
00:27:54Must we do it yet?
00:27:55Why not?
00:27:56What do you mean?
00:27:57These papers, with their scornful stories about your work, haven't they wrecked our lives for years?
00:28:06That's all over now.
00:28:07Thirty years.
00:28:08With no money, no reputation.
00:28:10And all because of these lies.
00:28:13Don't we deserve something for all those years, Marcus?
00:28:17Nobody else.
00:28:18Just you and me.
00:28:18We have the boy now.
00:28:23Let's use him.
00:28:24Give ourselves a few things we haven't had for so long.
00:28:28Why not?
00:28:29Those powers would be used for other people.
00:28:32Yes, of course.
00:28:34But just for a while.
00:28:36Just for a little while.
00:28:38Let us use the boy.
00:28:40We deserve it.
00:28:41Use him for what?
00:28:45We can choose.
00:28:46Marcus.
00:28:48All right, Esther.
00:28:54Just for a little while.
00:28:56We can choose.
00:28:58Anything.
00:29:09Thanks, Michael.
00:29:15Can I come up?
00:29:18Why not?
00:29:33Go and look for Alan.
00:29:34Otherwise, he goes mad.
00:29:38Okay, you're the boss.
00:29:39For once, I am.
00:29:40I am.
00:29:40I am.
00:29:54I am.
00:30:02Good morning.
00:30:25Good morning.
00:30:31Anything in particular you were after?
00:30:33Well, I'm looking for a telephone, as a matter of fact.
00:30:44How's that?
00:30:46Well, let's face it, that's not going to do anything for anybody, is it?
00:30:50Got anything else?
00:30:52No, that's it, Alfred.
00:30:53Well, in that case, you're not much used to me, are you?
00:31:23It's so beautiful, Marcus.
00:31:30They'd have it insured.
00:31:32Well, all things like that are insured.
00:31:39They wouldn't suffer in the least if they lost it.
00:31:42If it, well, got burnt by fire, let's say.
00:31:47Now, would they?
00:31:49All right, Estelle, just this time.
00:31:52But please, never again.
00:31:56Michael, is that you?
00:31:58The geese are flying tonight.
00:32:11What's that?
00:32:12Password, love.
00:32:13Now, come on, let me in.
00:32:14It's cold.
00:32:15Okay, come up.
00:32:16I'm nearly ready.
00:32:17Why is it the girls always claim to be nearly ready when they're walking around half-nake?
00:32:33Maybe those are not sorts of them.
00:32:35Could well be.
00:32:36All right, Marcus.
00:32:38Let us put ourselves in touch.
00:32:40Concentrate and we'll get in.
00:32:52It belongs to you and I.
00:32:55Come on and join me out of the country.
00:33:10And the day is fine, and the pretty girl has a hand in mind, in the country.
00:33:40And the day is fine, and the day is fine, and the day is fine.
00:34:10And the day is fine, and the day is fine, and the day is fine.
00:34:40And the day is fine, and the day is fine, and the day is fine.
00:35:10And the day is fine, and the day is fine.
00:35:12And the day is fine, and the day is fine.
00:35:17Hello?
00:35:18Eh?
00:35:19Do what?
00:35:20Oh, yes.
00:35:21Hang on.
00:35:22I'll catch you.
00:35:23Hang on.
00:35:24Hang on.
00:35:25I'll catch you.
00:35:26Hang on.
00:35:27What?
00:35:28There's some French bird on the phone for you.
00:35:30Hang on.
00:35:31What?
00:35:32There's some French bird on the phone for you.
00:35:33Oh.
00:35:34Thanks, love.
00:35:35Thanks, love.
00:35:36Oh, I wish I were your age.
00:35:39Oh?
00:35:40Nicole?
00:35:41You study all?
00:35:42Mike?
00:35:43Well, that's a bit sudden, isn't it, even for the boy wonder?
00:35:50Sure.
00:35:51Sure.
00:35:52Sure.
00:35:53I'll be finished here in about ten minutes.
00:35:56Yeah!
00:35:57That's great, love.
00:35:58I'll see you later, then.
00:36:00Bye.
00:36:01Bye.
00:36:07Uh, Ron?
00:36:09All right, then.
00:36:10You can go.
00:36:11Thanks, Ron.
00:36:12Hey.
00:36:13Make sure she's on the pill.
00:36:16You dirty old foreman, Ron.
00:36:22Down the street.
00:36:24To the right.
00:36:31But lead up too much now.
00:36:34?
00:36:37Yeah?
00:36:38Still hurt?
00:36:39Yeah?
00:36:40The Finland?
00:36:41I?
00:36:42I'm the slave to this.
00:36:44I don't know.
00:36:45We'll use the Connection IP.
00:36:46Said, I don't know if the name is true.
00:36:48That's good.
00:36:49My clue.
00:36:50Should I shoot me?
00:36:51I know.
00:36:53Oh!
00:36:54I'll have to find it.
00:36:55modified.
00:36:57I've never seen the emotional form,
00:36:58and finally started on the chapter there.
00:36:59My cue is a catch-up at the kapitaque.
00:37:00You keep tearing me apart all morning till night
00:37:23And I'm trying to resist but it just ain't right
00:37:30You make me feel like I've never felt before
00:37:33I'll tell you now I can't stand it anymore
00:37:37So please, give me what I want, give me what I want, your love
00:37:45Please, give me what I want, give me what I want, your love
00:37:51I realize how much I need in you, love
00:38:00It's a driving force, there's nothing I can't do
00:38:03No thanks
00:38:05You make me feel like I've never felt before
00:38:07I'll tell you love I can't resist you anymore
00:38:11So please, give me what I want, give me what I want, your love
00:38:17You know these moods of his as well as I do
00:38:19Better in fact
00:38:21I'm sorry, I'll never leave
00:38:23What for?
00:38:24You love the idiot, not me
00:38:26I'm not in love with mine
00:38:28You love the idiot, not me
00:38:34You love the idiot
00:38:35I'm not in love with mine
00:38:38I love the idiot
00:38:41PHONE RINGS
00:39:11PHONE RINGS
00:39:41PHONE RINGS
00:40:11PHONE RINGS
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00:40:51PHONE RINGS
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00:41:26PHONE RINGS
00:41:31PHONE RINGS
00:41:36PHONE RINGS
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00:42:01we did it marcus yes we did it you have your fur she's wonderful thank you you better wait a bit
00:42:13before you try to pick it up oh sir yeah well that's what you wanted yes then i didn't realize
00:42:20what you didn't realize what i didn't realize it would be like this i don't understand what
00:42:28do you mean yes you do i saw you you enjoyed it didn't you how could have i enjoyed it
00:42:36a policeman coming at you it was dangerous that was the most exciting part i saw your face
00:42:45you did enjoy it i know that i did too it's wrong it's still wrong to be human we all want to do
00:42:53things deep down inside ourselves things we can't allow ourselves to do i'm right aren't i
00:43:01but now we have the means to do these things without the fear of the consequences
00:43:09you're right estelle i i did enjoy it
00:43:19you're right
00:43:26you're right
00:43:30you're right
00:43:34Who is that?
00:44:02It's me, Nicole.
00:44:04What do you want?
00:44:06Can I come up?
00:44:08Please.
00:44:12Okay, come up.
00:44:22I couldn't remember a bloody thing.
00:44:26It was peculiar, I don't know.
00:44:30Poor Michael.
00:44:32Can you remember walking out on me?
00:44:34I remember leaving here, sure, but I don't know why.
00:44:38I felt I had to do something, go somewhere.
00:44:42What?
00:44:44That's what I can't work out.
00:44:46But I obviously did it.
00:44:48And you can bet your bottom dollar it wasn't any misdrive.
00:44:52Sorry about waking you up, love, but I was a bit scared, you know.
00:44:58I bet it's the first time you ever admitted to that.
00:45:02Yeah, maybe it is.
00:45:06Yeah, maybe it is.
00:45:08Yeah.
00:45:10Yeah.
00:45:12Yeah.
00:45:14Yeah.
00:45:16Yeah.
00:45:18Yeah.
00:45:20Yeah.
00:45:22Yeah.
00:45:24Yeah.
00:45:26Yeah.
00:45:28Yeah.
00:45:30Yeah.
00:45:31Yeah.
00:45:32Yeah.
00:45:33Yeah.
00:45:34Yeah.
00:45:35Yeah.
00:45:36Yeah.
00:45:37Yeah.
00:45:38Yeah.
00:45:39Yeah.
00:45:40Yeah.
00:45:41Yeah.
00:45:42Yeah.
00:45:43Yeah.
00:45:44Yeah.
00:45:45Yeah.
00:45:46Yeah.
00:45:47Yeah.
00:45:48Yeah.
00:45:49Yeah.
00:45:50Yeah.
00:45:51Yeah.
00:45:52Yeah.
00:45:53Yeah.
00:45:54Yeah.
00:45:55Yeah.
00:45:56stop reading over those markers it's all past I've just seen a policeman stop a man on a motor
00:46:10bicycle why what is he doing wrong speeding well you ever experienced speed once in an ambulance
00:46:19after I cracked up my leg I mean real speed I never have you know it must be magnificent oh terrifying
00:46:26but magnificent we'll have it Marcus real speed when's your afternoon offer today Saturday remember
00:46:37and so it is that's two blackouts in 24 hours you should see a doctor
00:46:43I'm healthy enough lots of green bed
00:46:49not that was your mouth for my mouth my prerogative so you've got the afternoon off let's go someplace
00:46:58where always no country out of the smoke oh Alan's got a bike would he let you use it no but if I
00:47:07just sort of borrow it for a while
00:47:08sounds like your bike Alan okay love okay right let's go
00:47:21a bleeding nerve hello friend of yours that's your word for it there was a bird with him
00:47:35same one I took out last night oh yeah
00:48:05Mike slow down Michael
00:48:30you
00:48:31you
00:48:40you
00:48:44you
00:48:45you
00:48:48I
00:48:49you
00:48:50I
00:48:52you
00:48:57me
00:50:30Michael!
00:50:31Michael!
00:50:33Oh!
00:50:39Oh!
00:50:47Oh
00:51:10Run it quickly
00:51:17Good boy, Mark.
00:51:38Good boy, Mike.
00:51:47That was the best thing we've had yet, Marcus.
00:52:06I dreamed that you could sink to this.
00:52:09Oh, Marcus, it was beautiful.
00:52:11Incredible.
00:52:12Bye.
00:52:13God, they still must be out of your mind.
00:52:16Separation.
00:52:18Never before.
00:52:19Oh.
00:52:20I'll stop you, Estelle.
00:52:24How, Marcus?
00:52:26Just tell me how, if nothing else has proved one thing.
00:52:29What?
00:52:30My will is stronger than yours.
00:52:33You can't stop me.
00:52:35Tried to then, didn't you?
00:52:36I could feel your mind working against mine, but I won, didn't I, Marcus?
00:52:41You can't win all the time.
00:52:43Not when you're asleep.
00:52:45I'll bring the boy back here.
00:52:47Deprocess him.
00:52:48Set him free.
00:52:49I'll never let you do that, Marcus.
00:52:52Never.
00:52:53I'll go for the police.
00:52:54Tell them everything.
00:52:56They laugh at you.
00:52:58I'm going to stop you, Estelle.
00:53:01I'll go for the police.
00:53:02I'll go for the police.
00:53:03I'll go for the police.
00:53:04You'll never deprocess him, Marcus.
00:53:05Ah!
00:53:06Oh, no, no.
00:53:09No!
00:53:09Oh.
00:53:10No!
00:53:10No!
00:53:11No, that's...
00:53:12No!
00:53:14No, that's...
00:53:15No!
00:53:16No, that's...
00:53:17No, no!
00:53:18No!
00:53:19Oh, no!
00:53:20No, that's...
00:53:21No!
00:53:21No!
00:53:22No!
00:53:23There's no point now in even getting the boy back, Marcus.
00:53:46I'll stop you if it's the last thing I do.
00:53:49It's no good, Marcus.
00:53:51You can't stop me.
00:53:53You can't stop me.
00:54:23You can't stop me.
00:54:24You can't stop me.
00:54:25I'm sorry.
00:54:30Hello?
00:54:31Hello?
00:54:32Hello?
00:54:33Hello?
00:54:34Hello?
00:54:35Hello?
00:54:36Hello?
00:54:37Hello?
00:54:38Hello?
00:54:39Hello?
00:54:40Hello?
00:54:41Hello?
00:54:42Hello?
00:54:43Hello?
00:54:44Hello?
00:54:45Hello?
00:54:46Hello?
00:54:47I'm sorry.
00:54:48Hello?
00:54:49Hello?
00:54:50Hello?
00:54:51Hello?
00:54:52Hello?
00:54:53Hello?
00:54:54Hello?
00:54:55Hello?
00:54:56Hello?
00:54:57Hello?
00:54:58Hello?
00:54:59Hello?
00:55:00Hello?
00:55:01Hello?
00:55:02Hello?
00:55:03Hello?
00:55:04Hello?
00:55:05Hello?
00:55:06Hello?
00:55:07Hello?
00:55:08Hello?
00:55:09Hello?
00:55:10Hello?
00:55:11Hello?
00:55:12Hello?
00:55:13Hello?
00:55:14Hello?
00:55:15Hello?
00:55:16Hello?
00:55:17Hello?
00:55:18Hello?
00:55:19Hello?
00:55:20Hello?
00:55:21Hello?
00:55:22Hello?
00:55:23Hello?
00:55:24Hello?
00:55:25Hello?
00:55:26Hi, hello?
00:55:27Hello?
00:55:28Hello?
00:55:29Hello?
00:55:30Hello?
00:55:31What are you looking for, Nicole?
00:55:32Some kind of trouble and I wanted to help but after this
00:55:40After this what nothing not again
00:56:02Who is it? Audrey, it's me, Mike. Who? Mike Roscoe, love.
00:56:25How goes it, love? It's all right. I haven't seen you for ages. Why have you come here? Come in.
00:56:32I just thought I'd pop round and see how you work. Want a cup of coffee? Yeah, thanks.
00:56:44Sugar? No, thanks. I should have remembered that at least.
00:56:54Mike, why did you come here? Really, I mean. Is it trouble with Nicole?
00:57:02Yeah, I thought of.
00:57:08It's a bit complicated. Tell me.
00:57:12I'm sorry, Audrey. I had to talk to somebody.
00:57:15You can talk to me, can't you?
00:57:21Yeah, I guess so.
00:57:22How are you feeling, Mark?
00:57:31I'm sorry I had to do that.
00:57:33But I couldn't have you getting out of here just as we were going to have our little contest.
00:57:39Now, could I?
00:57:44It's all so hazy.
00:57:46Like, half the time, I don't know why I'm doing things.
00:57:50And then I hold periods when I can't remember anything at all.
00:57:54Nothing.
00:57:55Did you explain to Nicole?
00:57:56What did she say?
00:58:09Did she try and understand?
00:58:10No.
00:58:24No.
00:58:25No.
00:58:28Mike, what did Nicole say?
00:58:30No.
00:58:31No.
00:58:32No.
00:58:33No.
00:58:34No.
00:58:35No.
00:58:36No.
00:58:37No.
00:58:38Mike?
00:58:39Mike?
00:58:52Mike, what's the matter?
00:59:03Are you all right?
00:59:04It's no good.
00:59:18You can't hold me back now.
00:59:21Somehow.
00:59:23Someway.
00:59:25At any cost.
00:59:27Estelle, at any cost.
00:59:29Boy, you're coming on strong now.
00:59:37Turning me on now.
00:59:41I feel kind of droopy.
00:59:44Oh, baby, you move me.
00:59:48Well, you get me to the stage where I feel fine.
00:59:52And then you tell me that I got a door the line.
00:59:56No, baby, nothing.
00:59:57No, baby, nothing.
00:59:59I said I'm getting nothing.
01:00:02Oh, sweet, sweet nothing.
01:00:07Well, that's all I ever get from you.
01:00:10Oh, you excite me.
01:00:13When you touch my hand.
01:00:17So why try to fight me?
01:00:19I just don't understand.
01:00:24Well, you get me to the stage with my feet off the ground.
01:00:28And then you turn around and say, down, girls, out.
01:00:32Well, well, well.
01:00:33Oh, baby, nothing.
01:00:36I said I'm getting nothing on all.
01:00:40Baby, nothing.
01:00:43Well, that's all I ever get from you.
01:00:46Yeah, I love it.
01:00:47Now, all the money I get now
01:01:02I'll give it all to you
01:01:06I even bought your sweater
01:01:09And your hipsters, too
01:01:12Well, you get me to the stage with my feet on the ground
01:01:18Say, down, girls, out.
01:01:23Oh, baby, nothing.
01:01:26Yeah, I said I'm getting nothing.
01:01:29No, no, baby, nothing.
01:01:33Well, that's all I ever get from you.
01:01:36Oh, baby, sweet, sweet nothing.
01:01:38Yeah, I said I'm getting nothing.
01:01:48That's all I ever get from you.
01:01:51Baby, sweet, sweet nothing.
01:01:52I suppose that's for our benefit.
01:02:14Independence and so.
01:02:16Well, he's met that girl before.
01:02:19He always said he couldn't stand her.
01:02:20Look.
01:02:22The other woman's been saying
01:02:23how strange he's been recently.
01:02:25Maybe he's finally flipped.
01:02:34Well, he certainly hasn't lost his charm.
01:02:37That's if he ever had any.
01:02:39Leave him alone, Ellen.
01:02:42Bye-bye.
01:03:05Bye-bye.
01:03:06Bye-bye.
01:03:08Bye-bye.
01:03:09Bye-bye.
01:03:09Are you sure you know where we are?
01:03:19I know where we are.
01:03:21Where then?
01:03:24We'll see.
01:03:39Look, I don't like this.
01:03:43Don't be doubted, it's just up there.
01:03:44Now come on.
01:03:45I'm going back.
01:03:47Come on.
01:04:09Why have you brought me here?
01:04:15To sing for us.
01:04:16Us?
01:04:20Yes, us.
01:04:22That's why you came, so let's hear you.
01:04:24But the club, where?
01:04:26When we get to the club, I'll sing.
01:04:27What, they've got a group, a band, a...
01:04:29Sing.
01:04:29But I can't.
01:04:30Not here, not just like that.
01:04:32Sing.
01:04:32I want to hear you again in your right surroundings, so come on, sing.
01:04:39Come on, get on with it.
01:04:46Sing.
01:04:50Stay away from them.
01:04:52Stay away.
01:05:00No.
01:05:09Nothing, nothing you can do at all.
01:05:35And nothing yet can compare with tonight's achievement.
01:05:39leave.
01:05:50Beep.
01:05:52Beep.
01:06:01Beep.
01:06:04Beep.
01:06:04Beep.
01:06:05Beep.
01:06:07Beep.
01:06:08Can I help you?
01:06:34She's a pickles.
01:06:36I'm kosher.
01:06:37Something special.
01:06:39Liver sausage, sauerkraut and gherkin.
01:06:42You are not hungry then?
01:06:44Want to lose a few inches?
01:06:46I will lose a few shillings.
01:06:48Please don't.
01:06:49You look okay to me, my dear.
01:06:52Yes?
01:06:54Cheese and pickles, ham, gherkin, sauerkraut, liver sausage.
01:06:59What can I do you for?
01:06:59Nothing, thanks.
01:07:01Excuse me.
01:07:02This place is not a bar shelter, you know.
01:07:04One espresso, please.
01:07:05They're coming.
01:07:05What's wrong?
01:07:11Hey, this is the girl.
01:07:16He couldn't have...
01:07:17Oh, no, not Mike.
01:07:18He pretty near killed me.
01:07:20Look at this.
01:07:24Another killing as well.
01:07:26That's not...
01:07:27You can't think that, Alan.
01:07:30But I'm thinking, love.
01:07:31Two girls have been killed.
01:07:33One we saw him with last night and one near that shop of his.
01:07:35What can we do?
01:07:36Go to the fuzz.
01:07:37We used to be guessing.
01:07:38Let's hope I'm guessing wrong.
01:07:39We still have to call the cops.
01:07:41Can't we talk to him first?
01:07:42I mean, he might have an alibi.
01:07:44Yeah, yeah, that's a point.
01:07:45Please, Alan, let's go and see him.
01:07:47Okay.
01:07:48Oh, he won't be at the shop, though.
01:07:49Not at this time.
01:07:50Perhaps in the flat.
01:07:51We'll try there, then.
01:08:00Here!
01:08:01You are talking short.
01:08:04Hey, Marker.
01:08:05You happy, Marker?
01:08:15Marker.
01:08:17I'm talking short.
01:08:21I know your littlebies.
01:08:39You're having me...
01:08:43You're having me.
01:08:47I know you're having me.
01:08:48You're having me.
01:08:49You haven't eaten it.
01:09:00Eat not.
01:09:03Eat to keep you strong.
01:09:07Go away, Stella.
01:09:10If you don't keep strong, you won't be able to have any...
01:09:17...competitions with me.
01:09:23Keep away from here.
01:09:26Damn, you'll eat!
01:09:36What's your fret?
01:09:37Hello. How good is it?
01:09:39Fine. Is that a late one?
01:09:41It's early.
01:09:42I've done one in three o'clock.
01:09:44Go on, which one was this?
01:09:46Old times.
01:09:48Seventh, you want to give a bit more to your old woman, not so much to the bookmakers.
01:09:51Yeah, very funny.
01:09:55Yeah, this bird that's got done in.
01:09:59I picked her up in the cab.
01:10:01Go on, when was this?
01:10:02Last night from Blazes Club with a young fella.
01:10:05I can have my fun without you.
01:10:10Damn you!
01:10:12Not when you're drunk.
01:10:14What do you mean?
01:10:17My will is stronger.
01:10:19I've proved it.
01:10:20Twice I did.
01:10:22Your mind's a fog.
01:10:24That's what you think.
01:10:26That you're wrong.
01:10:45Try the door.
01:10:51Mike.
01:10:52Try the bedroom.
01:10:53Yeah.
01:11:03Well, looks like he came back here last night anyway.
01:11:06I wish he was still there.
01:11:07At least we could talk to him.
01:11:10Maybe he's at the shop.
01:11:11He'll love that place if he's got no money to talk to.
01:11:13I suppose so.
01:11:15Let's do the funny.
01:11:16Okay, fine.
01:11:36Hello?
01:11:37Hello, Mike.
01:11:38This is Alan.
01:11:39Nicole and I want to talk to you.
01:11:41At least he's there.
01:11:46Yeah.
01:11:48Come on.
01:11:58All right, Marco.
01:12:00You think I can't still hold him, all right?
01:12:03I'll show you.
01:12:04How?
01:12:05If you try anything, Estelle, using that boy, I will prevent you.
01:12:11How will you do that?
01:12:13In the only way I can.
01:12:16Ha!
01:12:17Just you try.
01:12:23Hmm, okay, less bastard.
01:12:34I'll show you.
01:12:35That was a good idea, George.
01:12:36Oh, but that's a good idea.
01:12:37I'll have it again, George.
01:12:38I can't wait to tip up like this just because the boys in the house.
01:13:08Mike! Let us in. We want to talk to you.
01:13:32Michael, unlock the door, please.
01:13:38What do you want, anyway? I thought we went on speaking terms.
01:13:43To hell with that. It's about that girl.
01:13:45What girl?
01:13:46The one you went out with. The singer.
01:13:48What the hell are you talking about?
01:13:50You were the last girl I went out with. Not that it didn't be much good.
01:13:52Last night at the club.
01:13:53The kid who sang with the group. Laura.
01:13:56That's slag. You must be joking. I wouldn't look at her.
01:13:58I'm very busy. I've got a lot to do. Would you two lovebirds mind leaving me alone?
01:14:04Michael, we must talk to you.
01:14:05Why?
01:14:06Laura was killed last night. And another girl, too.
01:14:11He must work somewhere. Try looking for a letterhead. Something will give us an idea of where.
01:14:17Well, that's not going to be much use today. Everything's closed.
01:14:20Well, it's better than nothing.
01:14:21We're not going to get anywhere if we wait around here looking for bloodstains or something damn stupid.
01:14:25Well, that's true enough.
01:14:38Well, you don't remember coming to the club at all. Then, where were you?
01:14:41I don't know.
01:14:42You must have some idea. You shut up here, then what?
01:14:44I went for a walk.
01:14:45Where to?
01:14:46To see a friend.
01:14:46Who?
01:14:47That's my business.
01:14:48A girl.
01:14:48So? What if I did?
01:14:49A girl called Audrey Woods.
01:14:51Yeah, we used to go out together.
01:14:53Audrey Woods was killed last night.
01:14:56And you killed her, didn't you, Mike?
01:14:58No. I don't remember.
01:14:59You don't remember much, do you?
01:15:01Some things, yes.
01:15:02Like blackouts when you kill people.
01:15:03I don't know what you're talking about. I don't kill anybody. Remember that? Never!
01:15:06You were with two girls last night. One you admit to seeing, the other you remember nothing about.
01:15:11Both murdered. If you didn't do it, who did?
01:15:14I don't know. I keep telling you. I can't remember things.
01:15:17Do you remember going swimming with me?
01:15:18Yes.
01:15:19Or being on a motorbike?
01:15:20Yes.
01:15:20Or fighting me in the garage?
01:15:22Yes.
01:15:22Or killing two girls?
01:15:23No!
01:15:26Now, get out. Leave me alone.
01:15:28Come on, Mike. Tell the truth.
01:15:29Get out of here! Leave me alone! Go on, get out!
01:15:32Disrespective.
01:15:33Then, no. Kill.
01:15:38Michael, what's the matter?
01:15:44No!
01:15:46Oh!
01:15:47Put it down, Mike.
01:15:49He can't get help. Quick!
01:15:50Oh, my God.
01:16:20Oh, my God.
01:16:50Oh, my God.
01:17:20Oh, my God.
01:17:50Oh, my God.
01:18:20Oh, my God.
01:18:50Oh, my God.
01:19:20Oh, my God.
01:19:50Oh, my God.
01:19:52Oh, my God.
01:20:20Oh, my God.
01:20:22Oh, my God.
01:20:24Oh, my God.
01:20:26Oh, my God.
01:20:28Oh, my God.
01:20:32Oh, my God.
01:20:36Oh, my God.
01:20:38Oh, my God.
01:20:44Oh, my God.
01:20:46Oh, my God.
01:20:48Oh, my God.
01:20:56Oh, my God.
01:20:58Oh, my God.
01:21:08Oh, my God.
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