- 5/31/2025
All Episodes of The Night Show with Ayaz Samoo: https://bit.ly/3Zdrq8B
Host: Ayaz Samoo
Special Guest: Saad Zameer Fareedi
Ayaz Samoo is all ready to host an entertaining new show filled with entertaining chitchat and activities featuring your favorite celebrities!
Watch The Night Show with Ayaz Samoo Every Friday and Saturday at 10:00 PM only on #ARYZindagi
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Host: Ayaz Samoo
Special Guest: Saad Zameer Fareedi
Ayaz Samoo is all ready to host an entertaining new show filled with entertaining chitchat and activities featuring your favorite celebrities!
Watch The Night Show with Ayaz Samoo Every Friday and Saturday at 10:00 PM only on #ARYZindagi
#thenightshow #ARYZindagi #muskanjunaid #ary #pakistanidrama
Join ARY Zindagi on WhatsApp ➡️ https://bit.ly/3rYhlQV
Instagram ➡️ https://www.instagram.com/aryzindagi
Facebook ➡️ https://www.facebook.com/aryzindagi.tv
Website ➡️ http://www.aryzindagi.tv/
TikTok ➡️ https://www.tiktok.com/@aryzindagi.tv
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FunTranscript
00:00I'm very cute, I'm very cute.
00:02Hi, Zameer Faridi.
00:03I've given you a better intro.
00:04My payment is bigger.
00:06I'll see how much I can do.
00:08I'm so sorry.
00:11I'm sorry.
00:12I'm a banker.
00:13I'm so far away from the acting.
00:14No, I'm not.
00:15I'm acting.
00:16I'm acting.
00:17One was a very difficult job.
00:18And then I was compromised.
00:19And I was in a struggle.
00:21It was a difficult time.
00:22It was a set career.
00:24I've been asked for something.
00:25Why do you want to do this?
00:26You didn't have a question.
00:28Yeah, I think it's a good plan for you.
00:30Because in my mind, the theatre was Omar Sharif's theatre.
00:33If you don't know about your life, you don't know anything about it.
00:36When you meet the woman, the woman is with her.
00:39When you meet the woman, the woman is with her.
00:41No.
00:42No.
00:43No.
00:44No.
00:45No.
00:46No.
00:47No.
00:48No.
00:49No.
00:50No.
00:51No.
00:52No.
00:53No.
00:58There's a nice girl.
01:00Good evening ladies and gentlemen.
01:02Your watching 다�anya True.
01:03What's the name of Samou?
01:05Sarah?
01:06Good evening ladies and gentlemen you are watching the national Times Talking World Day.
01:07How are you offering confident you can do this?
01:08She is so important.
01:09The world is the best friend.
01:11Her best friend a partner doesn't want her.
01:13Her best friend serves ki, you does come from her but he has taught you from her.
01:18That's why she mag and his team is?.
01:19She is an eleventh when she joins into her studio.
01:24She has the visual results that she sees her.
01:27and not only the small screen but the big screen, but also the theater
01:32where they perform the TV shows, they are in their cities.
01:36They are very beautiful and cute.
01:38Today you are watching them on their screen.
01:41They are playing drama.
01:42The drama is going on a parade.
01:44They are playing the parade.
01:45We are going to ask them what's their situation,
01:46what's their situation, what's their situation.
01:48I'm going to tell you about it.
01:49I'm going to tell you about it.
01:50Peace be upon you.
01:52Peace be upon you.
01:53How are you doing?
01:54Thank you very much for coming.
02:02Thank you very much for coming.
02:03Thank you very much for coming.
02:05Thank you very much for coming.
02:07And you have given me an intro.
02:09No sir, you deserve it.
02:10I think that I have said a little bit less.
02:11No, no, no.
02:12Look at my payment, I don't know how much I can do it.
02:15Saad, where do you think you should learn acting?
02:19I was basically a banker in banking.
02:25No, no.
02:27There is a lot of acting in banking.
02:29There is a lot of acting in banking.
02:31I am saying that you live in your life.
02:35But I think that my wife is a professional actor.
02:40My wife was going to go to acting.
02:45My friends and friends were talking to me.
02:49So they said that Napa is a place where there are courses.
02:53So I went with them.
02:54That was also a special thing.
02:55That was a good job.
02:56That was a good job.
02:57That was a good job.
02:58When I went there, they said,
02:59Why do you want to do this?
03:01You didn't have any answer.
03:02You didn't have any answer.
03:03When did you do that?
03:04That's it.
03:05Really?
03:06I went for that.
03:07Oh, wow.
03:08Then they said,
03:10You are going to have a play in the evening.
03:13So you can get clarity.
03:15How is it?
03:16How is it?
03:17How is it?
03:18Because in my mind,
03:19the theater was Omar Sharif's theater.
03:21Yes.
03:22So I didn't know that theater is a proper start.
03:25Middle end.
03:26It's a play.
03:27Where is it?
03:28When we saw that play in the evening,
03:29the concept was clear from there.
03:32It was an experience of live performance that I felt.
03:37After that, I had an audition.
03:39Then I came to the audition.
03:41Then I came to Napa.
03:42I had an admission of both of them.
03:43When I started playing,
03:45they gave me a script.
03:47Then I got a character.
03:48Then I worked on the character's detailing.
03:50Then there was a dialogue.
03:52It was blocking the performance.
03:54Then I started to come to work.
03:56Then I was working there.
03:58How many years did Napa?
04:00Three years.
04:01I was working there for three years.
04:03Then I left my banking and everything.
04:05How much fun did you come to acting?
04:07How much fun did you come to acting?
04:08How much fun did you come to acting?
04:09And then I...
04:10But we often learn a thing,
04:12and our society also depends on that,
04:14that there is no money in theater.
04:16So there was a difference between a job,
04:18and a compromise in theater,
04:20and a struggle in the theater,
04:21was it difficult for financially?
04:22Yes.
04:23It was difficult.
04:24It was difficult.
04:25It was difficult.
04:26It was difficult.
04:27It was a set career.
04:28It was fixed salary.
04:29It was fixed salary.
04:30It was a 9 to 5 corporate job.
04:32It was a 9 to 5 corporate job.
04:33Then I left it in creative field.
04:36So it was difficult.
04:37It was difficult.
04:38And such jobs,
04:39where there are no timings.
04:40There are no timings.
04:41There are no timings.
04:42Full time.
04:43You know the time from home?
04:44No.
04:45You know the time from home?
04:46No.
04:47I don't know the time from home.
04:48So it was a full-time job.
04:49It was a big decision.
04:51It was a big risk for me.
04:52Yes.
04:53Yes.
04:54I think that the thing that I kept there
04:56was a passion that has developed lately.
04:59Plays and plays.
05:00And then from the teachers,
05:02they also got a lot of work.
05:03They also gave me a lot of work.
05:04And they also gave me a lot of work.
05:06You can continue to do this.
05:08So that's the thing that I kept in acting.
05:11I kept in acting.
05:12I kept in acting.
05:13Sir, you got a lot of work.
05:15You're talking about the earth and you're talking about the earth.
05:17You're talking about the earth.
05:18You're talking about the earth.
05:19You're talking about the earth.
05:20You're talking about the earth.
05:21I'm taking a lot of work.
05:22I'm going to do it.
05:23Exactly.
05:24It's just that.
05:25And when you don't have a light,
05:27you don't have a light.
05:29You don't have a light.
05:30So first,
05:31how does the experience of the screen?
05:32Because the theatre is all together a different thing.
05:34People think that the theatre and the screen is like one.
05:36No, it's a lot of people.
05:37Different ball game.
05:38Different ball game.
05:39If you talk about the first screen,
05:42if you talk about the first screen,
05:43then Fajr Raza is a director.
05:46His brother's thesis film was at the University of Karachi.
05:49Because when we were doing theatre,
05:51it was a place where the thesis film students were singing.
05:55Zabbist, K.U.K., I.V.S.K.
05:57They came to Napa.
05:58They came to Napa and offered a script.
06:00This was a season.
06:02So they cast me on K.U.K.
06:06I worked on partition.
06:08And in part of the presentation.
06:09Then we got a cut to one or two years ago.
06:13I called the Fajr that I'm talking about Big Bang.
06:18And we're making a drama.
06:20And you gave me a big brother.
06:21He offered me a character.
06:22Fahad Shaei.
06:23And I was there.
06:24I read the script,
06:26I gave him the character.
06:27So I got a little support that I have a lengthy character.
06:31I got a lengthy character in terms of recognition.
06:35And the performance of the show is also got a margin of performance.
06:39That's the name of Asmaish.
06:41Then the producers, Fahad, Dr. Ali Kazmi, and Ersalan,
06:48have to understand that my job came from their perspective.
06:54Then the story started, then Myri, Myri was the milestone by the way.
06:59Myri has a new game changed.
07:01Yes, absolutely.
07:03It's not only your drama, but the dynamics of our drama changed.
07:07Yes, absolutely.
07:07Because at that time, the rating of the drama didn't hit.
07:11After Myri, then, it was like this.
07:15Yes, it was like this.
07:16Yes, it was like this.
07:17After Myri, then, it was like this.
07:20It was like that after you, to introduce yourself,
07:24or if you go to production house or call you,
07:29then you know that Myri is in Myri.
07:31We have seen him.
07:32It got a title.
07:33Yes, it got a title.
07:34So now, Parwarie, which is going on, is amazing.
07:37It's a lot of others.
07:38It's a different story.
07:39Yes.
07:39And Kamal Kast, director, very great.
07:44Meesam, and then production house.
07:46Yes, absolutely.
07:47Meesam, my third is my daughter, Myri, and then Parwarie.
07:52And it's fun to work with them.
07:55I've worked with many directors.
07:57And all of them are very sweet.
07:59And it's a different flavor.
08:03So, Meesam, I trust.
08:06I guess Meesam, the USP is that the chemistry of domestic relations.
08:11The chemistry of domestic relations is made.
08:15The family, which is one of your emotions,
08:18which is the chemistry of domestic relations,
08:20which is the chemistry of domestic relations,
08:20which is a lot of shooting.
08:21Yes, absolutely.
08:22There is something in Meesam.
08:23This is something in Meesam.
08:25And it's a very good observation.
08:32It's a very good observation.
08:34It's a very good observation.
08:35It's a very good observation.
08:36So, they also do the casting.
08:37So, every character, they do their own script.
08:42And every time they sit right.
08:44Masha'Allah.
08:45In this case, Laki, or Durandesh,
08:48the casting that they do,
08:50they really do the casting.
08:51Yes, absolutely.
08:52So, your character is in this moment.
08:54We have seen it in the beginning.
08:56What is going on in the future?
08:57In the future, there is also a little surprise.
09:01Really?
09:02Yes.
09:02What about your answer?
09:03Overall.
09:04Overall.
09:05Overall.
09:05In the story, there are some
09:08of the fish and fish.
09:12That means that we are going to increase a lot of weight.
09:16This is a lot of weight.
09:17It's a lot of weight.
09:19Look, I have used a small expression.
09:21The audience is going to go
09:23further, what is going on in the future?
09:25No, further.
09:26What is the difference?
09:27No, further.
09:28What is the difference?
09:29Why are you talking about it?
09:32Why are you talking about it?
09:32Why are you talking about it?
09:33No, it means that there are twists and turns in the story.
09:38There are twists and turns.
09:39And whatever will happen in the future,
09:41the story of the story will almost turn around.
09:45Okay.
09:46It will turn around and it will turn around.
09:49Because the people in the future and the other family will also turn around.
09:53The people directly will turn around and the characters will turn around.
09:58So, in each character's graph, there will be anything else.
10:00Anything else.
10:01Anything else.
10:02Now, there are very light hearted and very beautiful things.
10:05But further, the audience will be very happy.
10:09We will see you in the break.
10:11We will see you in the break.
10:13Welcome back from the break.
10:17You are watching the Night of the Asamo.
10:19It is a very cute and cute.
10:21The man is with the Zameer Farid.
10:23Are you really cute?
10:25I am.
10:27I am.
10:29Cutie.
10:31Cutie is not a simple.
10:33I am.
10:37Obviously, when you are familiar with us,
10:40and when you are familiar with us,
10:42people don't know about us.
10:44People think that this girl is a sweet girl.
10:46He will be single.
10:47So, after the marriage office,
10:49you will be able to come.
10:51I will not come.
10:52I will not come.
10:53When we are coming,
10:54then you will not come.
10:55I will not come.
10:57I will not come.
10:58I will not come.
10:59I am very happy and I will stay in the world.
11:02We will not come.
11:04We have not asked you.
11:05We have given you what the answer was.
11:07We have not asked is been delivered.
11:09It is not a mystery.
11:11This is not the case.
11:12We get mad.
11:13People get love and other fans.
11:15Every fan is different.
11:17You get a selfie.
11:18You get some pictures.
11:20You get some autograph.
11:21You make mad.
11:22When they get mad,
11:23they will be Hosts with the Gamer.
11:26That's the one who said,
11:27I don't get mad.
11:28Do you get a friend?
11:34Brother, I'm joking.
11:36I'm joking.
11:37I'm joking.
11:38Please listen to my brother.
11:42When you get angry, what do you get?
11:45You get to every person, right?
11:46Yes.
11:47For a while, you go out of the house.
11:50Go out?
11:51Yes.
11:52Okay.
11:53You don't know how much you're in your house.
11:56You don't know how much you're in your house.
11:58I'm joking.
12:04Okay.
12:05It's like that.
12:06You're not dealing face-to-face here?
12:08You're using technology?
12:10Yes, technology.
12:11Technology, yeah.
12:13Very good.
12:15So, brother, what do you get angry about?
12:19You don't give time.
12:20You're on the phone.
12:21You're on the phone.
12:22You're on the phone.
12:23You're on the phone.
12:24Yeah.
12:25You're on the phone.
12:26You're on the phone.
12:27You're on the phone.
12:28I think there's no fixed thing like this.
12:30No, I think there's no fixed thing.
12:31No.
12:32A short, no.
12:33I'm just kidding.
12:34You look at that.
12:35You're on the phone.
12:36You're on the phone.
12:37You're on the phone.
12:38Yes.
12:39there is also a struggle, a fight, a love, something
12:42more than you can go out and sleep
12:45for a while, you will have to sleep for a while
12:48so there is no struggle
12:51there is no struggle, there is no struggle
12:54and the gender and women also have a different experience
12:57I think that
13:00there is a small thing and there is no big thing
13:03so this is a great relationship
13:06I will say a lot of beauty.
13:08That's it.
13:10We had to take a look at the other hand.
13:12We had to take a look at the other hand.
13:14We have to take a look at the other hand.
13:16We want to take a look at the other hand.
13:18Yes.
13:20Okay, what did he come to the acting of his wife?
13:24Yes, he told us.
13:26That's a good thing.
13:28His dream was his?
13:30That's a good thing.
13:32Yes, he was.
13:34That's it.
13:36He also had a shock.
13:38He did it?
13:40He did it.
13:42He did it.
13:44He did it.
13:46He did a few trauma in his work.
13:48Then he saw that he had a difficult job.
13:50He did it.
13:52No, he did it.
13:54He did it.
13:56He did it.
13:58He did it.
14:00He did it again.
14:02He did it.
14:04He did it.
14:06He did it.
14:08What was it?
14:10What was it?
14:12What was it?
14:14We will not hit anyone directly.
14:16I had an audition.
14:18It was a serial?
14:20It was a film?
14:22It was a film.
14:24I was a film.
14:26I didn't watch it.
14:28I was not seeing it.
14:30I was watching it.
14:32I didn't watch it.
14:34I didn't watch it.
14:36I was not watching it.
14:38Before going to the theater, do you feel like a hard pound company?
14:44Yes, absolutely.
14:47There is a stage anxiety and there is a buzzer of the audience.
14:55There is a candle and you are coming out.
14:58When it's settled.
15:00Yes, the audience is coming out.
15:02This is my place and how are you?
15:04This is the normal voice.
15:06Which play is it?
15:08You are coming out.
15:10You are standing there.
15:13At that time, it comes to the end.
15:17You are saying that stage anxiety is not only a big legend.
15:24Mohin Akhtar Sahib.
15:26What?
15:27Your career is 50 years old.
15:29Absolutely.
15:30He also said that I am going to the stage now.
15:34Absolutely.
15:36Stage fright, stage anxiety.
15:38Stage fright.
15:39That's what happens.
15:40And I guess this is what you do humble.
15:42This is what you do humble.
15:43Where you come to the stage.
15:45No, no, no.
15:45No, no.
15:46Then the stage is telling you.
15:47Then the stage is going out.
15:48Yes.
15:49Then the stage is going out.
15:50There are palpitations.
15:51Yes.
15:52You can listen to your heart beats.
15:53Yes.
15:54But the moment you enter the stage.
15:56Then you open it.
15:57Then you open it.
15:58Yes.
15:59Yes.
16:00This is a great beauty.
16:02Yes.
16:03You get your energy with your audience.
16:05Yes.
16:06And you start 15-20 seconds.
16:09Seconds.
16:10You connect it.
16:11Then you say that you start to start.
16:13Start to start.
16:14Start to start.
16:15If you start to start.
16:16It's a very good thing.
16:17You start to start.
16:18Okay.
16:19If you become a villain in Saad Mahiri, then you get to hear the stories on Instagram.
16:26You get to know.
16:27What happened?
16:28You get to know.
16:29You get to know.
16:30Actually, people who are our audience.
16:33They feel that this drama is the only one.
16:38They have a lot of comments.
16:40They say, they say, they say, you are like this.
16:45You have to say, you are like this.
16:46You have to tell them a great deal.
16:48Yes.
16:49You can also tell them all.
16:52I have to tell them you.
16:54I have to tell them.
16:55You have to tell them.
16:56You have to ignore them.
16:57You can ignore them.
16:58You can ignore them.
16:59You can block them.
17:00They can delete them.
17:01Our audience is like that.
17:02They get to meet in some malls or married.
17:04They have to see this.
17:05They have to see this.
17:06It's a very interesting thing.
17:07When I get to know live people.
17:09They are completely opposite.
17:12They are doing good work.
17:15You are doing good work.
17:16No data?
17:17No data.
17:18No data.
17:19I think when they get to know live people.
17:21They see that.
17:22They are a normal man.
17:24They are doing good work.
17:25They are doing good work.
17:28They are doing good work.
17:30They are doing good work.
17:32They are doing good work.
17:34They are doing good work.
17:35They are doing good work.
17:36They are doing good work.
17:38They are doing good work.
17:39They are doing good work.
17:40They are doing good work.
17:42They are doing good work.
17:44They are doing good work.
17:46They are doing good work.
17:47They are doing good work.
17:49They are doing good work.
17:50That's what I did, I was getting money, so I did it.
17:54Actually, I'm not like that.
17:57Do you understand this kind of person?
17:59No, as such, I don't understand this kind of person.
18:02We'll come.
18:04We'll come.
18:06Okay, so you're in a showbiz,
18:09but you have a sanjeeet?
18:14Yes, I can say it.
18:16Yes, it's sanjeeet.
18:18From the beginning?
18:20From the beginning?
18:22From the beginning?
18:23I'm a little introvert.
18:25Okay.
18:26But now, because I'm doing so much work,
18:30so I've got a balance of the sanjeeet.
18:34But for an introvert,
18:36it's difficult to talk about an introvert.
18:40Yes.
18:41There are so many people standing in front of the cast,
18:43crew standing in front of the cast and performance,
18:45it's difficult to do that.
18:46I think that's because of the craft.
18:48Yes, because of the craft,
18:50as often as often as often as often as often as often as often as often as often as often as often as often as often.
18:55So they've opened up?
18:56Yes, it's a good job,
18:58then I can adjust it from my opinion.
19:00I don't have to sit and sit down,
19:02I can do a conversation with free.
19:04Even if I'm a genuine introvert,
19:07it will always be the same.
19:09It's a shell.
19:11It's a shell.
19:13I think this is because of acting
19:15and because of the work.
19:17You have to meet so many people.
19:19You have to face the audience.
19:21It's not going to be such a problem.
19:23But if you look at it,
19:25I'm in my house.
19:27It's a good feeling.
19:29It's a good feeling.
19:31It's a good feeling.
19:33It's a good feeling.
19:35It's a good feeling.
19:37It's a good feeling.
19:39It's a good feeling.
19:41It's a good feeling.
19:43It's a good feeling.
19:45It's a good feeling.
19:47It's a good feeling.
19:49We're going to break.
19:51We'll see you in the next video.
19:57Welcome back.
19:59I'm here.
20:01Khabib, Khabib Suleiman.
20:03Palu Palu.
20:05We're going to talk about Palu Palu.
20:07Hey Palu Palu,
20:09we're going to talk about power play.
20:11We're going to try and try.
20:13We're going to try.
20:15Okay.
20:17Mairi or Parwarish?
20:19Mairi.
20:21Okay.
20:23If you offer at a time three movies,
20:25one action,
20:27one romantic,
20:29one horror.
20:31Action.
20:32Okay.
20:33Your most favorite co-actor?
20:35My most favorite co-actor?
20:37Any one.
20:38Any one.
20:39Any one.
20:40Any one.
20:41With this, you've enjoyed it.
20:43I've enjoyed it.
20:44I've enjoyed it with everyone.
20:46But,
20:47if you want to give one of your power play,
20:51then
20:52I'm happy.
20:53I'm happy.
20:54Very good.
20:55I'm happy.
20:56I'm happy.
20:57I'm happy.
20:58You've enjoyed it.
20:59I'm happy.
21:00I'm happy.
21:01I'm happy.
21:02Okay.
21:03I'm happy.
21:04Okay.
21:05I'm happy.
21:06I'm happy.
21:07I'm happy.
21:08I'm happy.
21:09I'm happy.
21:10I'm happy.
21:11I'm happy.
21:12I'm happy.
21:13I'm happy.
21:14I'm happy.
21:15I'm happy.
21:16I'm happy.
21:17You've had to do this.
21:18It's a TV series of TV.
21:19Can you just go over?
21:20Can you do this?
21:21Did you say that you need to do?
21:22I'm happy to be able to be able to do this?
21:23I am happy to be able to have a theatre play.
21:24I am happy to be able to have an theatre play.
21:27One of my beard.
21:28I am a director.
21:29Amir Shankar,
21:30Bangal Raskar,
21:31a Australian director,
21:32was doing this a few years ago.
21:33In that particular,
21:34I had a very heart of doing this.
21:35But,
21:37I had a great heart.
21:38At this point,
21:39I didn't understand TV from the Oscars.
21:40I did not manage.
21:41That was his source.
21:42So,
21:43that was his source.
21:44Okay.
21:45If you have street food, then what do you do?
21:50Chana chaat
21:54Diet chana chaat
21:55Everything is adjusted with all the chana chaat
21:59Put a little
22:00Put a little
22:01It's not bad, it's light
22:03What do you say, it's bad?
22:04It's not bad, it's heavy food
22:06If you have a chana chaat, then I'll ask you
22:08How much of a chana chaat is
22:11Okay, I don't want to do the chana
22:14Otherwise I won't do the chana chaat
22:16But you don't want us to do the chana chaat
22:19Okay
22:201 number of cier Auchan
22:211 number?
22:21Yes, I want to do the chana chaat
22:26What do you say ?
22:29Wheel of Tibetan
22:40Yeah, okay, I have a lot of progress,iß'. Okay, give me a dash?
22:45That means I will just receive some battles in the shoes.
22:49Yes, no never.
22:54there is no exchange.
22:57Okay, my dad tells me it will, dash.
23:02Hmm.
23:04My hin кус has beenει...
23:06You have made a test match with power player.
23:12Our third day started.
23:14Yes.
23:15I forget my husband.
23:17You forget my husband.
23:19Okay.
23:20Most recent celebrity crush.
23:23Don't do that.
23:25You don't have a crush.
23:27You can think about it.
23:29We don't do anything.
23:31You don't have a crush.
23:34There is no one.
23:36Yes.
23:37It doesn't happen.
23:38You don't have a crush on someone.
23:40If we talk about him,
23:43then I will do his job very well.
23:46I feel like my brother is scared.
23:50No, no, no.
23:51Helen Mirren is a Hollywood actress.
23:54Okay.
23:55Okay.
23:56The three things?
23:58The three things?
24:00The three things?
24:02The three dances arekelnyes.
24:05For the three dances.
24:07And…
24:09That's why-
24:10For the seventh Platz
24:11Which is what you like?
24:12For the seventhști the only pegar.
24:14Okay.
24:15The number three dancers are really satisfied?
24:17Uh…
24:18Uh…
24:19I am going to sing a song, I am going to sing a song, I am going to sing a song.
24:25Raahat.
24:26Raahat or Chaahat?
24:28Chaahat, Chaahat.
24:29Sorry.
24:30Chaahat, Chaahat, Chaahat.
24:32Chaahat, Fatih Ali Khan, Dhingchik Pooja.
24:35Dhingchik Pooja, wow, wow, wow.
24:36What a good choice is it?
24:37Eye to eye.
24:38Eye to eye.
24:39Taher Ali Shah.
24:41Taher Ali Shah.
24:42Okay.
24:43If you give a superpower, then what will happen?
24:47Invisible.
24:49Where will you go?
24:50Location, tell me.
24:51Besides, what do you want to do?
24:53I want to go to the entire world.
24:56I want to go to the entire world, where you can't go, no go areas, I want to observe.
25:06I want to go to Antarctica.
25:10What is it?
25:11Do you feel like you are going to go to the entire world?
25:14Yes.
25:15Yes.
25:16It's a mistake, but it's a mistake.
25:19It's a mistake.
25:20But it's a mistake.
25:21It's a mistake.
25:22It's a mistake.
25:23It's a mistake.
25:24I want to see.
25:25It's a mistake.
25:26It's a mistake.
25:27Okay.
25:28Okay.
25:29If you have to take something from them, then what will you take?
25:31Okay.
25:32Fahad Mustafa.
25:33I want to take tips on success.
25:36Success on success.
25:37Okay.
25:38We're all right.
25:39Yeah.
25:40Faisal Quraish?
25:41Acting tip.
25:42Acting tip.
25:43Wow.
25:44Humayun Sahi?
25:45Humayun Sahi…
25:48Humayun Sahi…
25:50Humayun Saheed's…
25:51Productions house.
25:52No.
25:53No.
25:54Die.
25:55Die.
25:56Die.
25:57Die.
25:58Die.
25:59Dhanish Tehmour?
26:01His car
26:03Dhanish Tehmour?
26:05That's what we use in the drama.
26:07Okay?
26:11Okay, Bahaj Ali?
26:15Bahaj Ali
26:19I would like to buy his clothes
26:23Bahaj's wardrobe is empty
26:25Very good. Okay.
26:27We have a few colleagues.
26:29You can see their personality and guess their password.
26:31What kind of password will they be kept?
26:33Ahmed Ali Akbar?
26:35Silence.
26:37Silence?
26:39I think that he's a bad person.
26:41I think he's a bad person.
26:43He's a good person.
26:45He's a bad person.
26:47He's a bad person.
26:49His password is a bad person.
26:51Okay.
26:53Maria Vaasthi?
26:55Optimistic.
26:57Optimistic?
26:59Okay.
27:01Numan Ijaz?
27:03Grace.
27:05Grace.
27:07Okay.
27:09Savera Nadeem?
27:11Discipline.
27:13Very good.
27:15Javed Shaykh?
27:17Handsome.
27:19Handsome.
27:21Maya Khan?
27:23Energetic.
27:25Energetic. Very good.
27:27Paras, Masroor?
27:29Malang.
27:31Hajra Yaameen?
27:33Hajra Yaameen?
27:35Curly.
27:37Curly.
27:39Curly. Yes.
27:41Curly Tails.
27:43G. Salim Miraj.
27:45Salim Miraj.
27:47Jani.
27:49Talent.
27:50No doubt.
27:51Hibali.
27:53Sensible.
27:55Sensible very good.
27:57Okay, It is a sensible job with us.
27:59We are going to talk to the break after we'll see you.
28:01Welcome back from Bhagavad Gita and what's in the nana show, I am Mr. Mawzeed.
28:09Hello.
28:11They start the ceremony, like they have been here.
28:14They have been here.
28:16They have been here.
28:18They are very cute and very cute.
28:20My dear friend Zameer Faridi.
28:22What did you get to the best compliment?
28:24The best compliment I received was from Ziya Miyyuddin. I played a tweet and told me that it was good energy.
28:38Wow, Ziya is the best, so it is an award.
28:44Okay, the next game is Face Off.
28:47Now let's go to your love. We will give you a name. We will give you a name.
28:54Okay, first let's start. Ladies first.
28:58Ladies first, ladies first.
29:00You can do it, you can do it.
29:04Okay, is it Hibaba Bukhari or Sara Khan?
29:08Hibaba Bukhari.
29:10Hibaba Bukhari or Aliza Shah?
29:13Hibaba Bukhari.
29:14Hibaba Bukhari or Aram Shah Khan?
29:16Hibaba Bukhari.
29:17Hibaba Bukhari ya Koma Elnir?
29:19Hibaba Bukhari.
29:21Hibaba Bukhari ya Ushna Shah?
29:23Oh, Ushna Shah.
29:24She is the same.
29:25Iushna Shah?
29:26Ushna Shah.
29:27Ushna Shah ya Durf išga?
29:28Aushna Shah.
29:29Ushna Shah ya Ikraj Aziz?
29:30Ikraj Aziz.
29:31Ikraj Aziz Yeakab Aziz ya Qubra?
29:34Ikraj Aziz.
29:35Ikraj Aziz ya Iak Rajayā Ali?
29:37Ikraj Aziz.
29:38Ikraj Aziz ya Sajalk Ali?
29:42Sajal Ali ya Haniyah Amir?
29:45my husband
29:50my husband
30:03house
30:09okay
30:10Look at the message.
30:12See who it is?
30:14Are you from this conference or Shugo Asad?
30:16Shugo Asad.
30:17Shugo Asad or Sumar Abbas?
30:19Sumar Abbas.
30:21Sumar Abbas or Hamza Suhail?
30:23Sumar Abbas.
30:24Sumar Abbas or Useaman Khan?
30:25Sumar Abbas.
30:26Sumar Abbas or Zawiyar Numan?
30:28Sumar Abbas or Muni Bhatt?
30:31Sumar Abbas.
30:32Sumar Abbas or Junaid Khan?
30:34Sumar Abbas.
30:36Sumar Abbas or Firuz Khan?
30:37Samar Abbas
30:40Samar Abbas
30:44Samar Abbas
30:47Bilal Abbas
30:51Bilal Abbas
30:54Bilal Abbas
30:55Bilal Abbas
30:58Bilal Abbas
31:00Bilal Abbas
31:02Bilal Abbas
31:05Faisal Qureshi
31:10Faisal Qureshi
31:11It's so good in your heart
31:14Faisal or Fawad Khan?
31:17Fawad Khan
31:18Fawad Khan or Fahad Mustafa?
31:21Fahad Mustafa
31:22Fahad Mustafa is the king
31:24Very good answer
31:26Ok, now we have only wrong answers
31:29If you have questions, you can answer the question
31:32You can answer the question
31:34We have to leave you
31:36Your name?
31:38My name is
31:42Sumbul Aftab
31:44Sumbul?
31:46Wrong answer
31:48Ok
31:50Ok
31:52Sumbul Bhaji
31:53What are you doing?
31:55I'm eating
31:56I'm eating
31:57Ok
31:58Your first love
31:59Ptang
32:01Ptang
32:03Ptang
32:04Ptang
32:05Ptang
32:06I want to make a dash like you
32:09Kangaroo
32:10Kangaroo
32:11Kangaroo is the best way to make you
32:12Very good
32:13The best way to kill a dog
32:17Tell you to kill a dog
32:19Kill a dog
32:20Kill a dog
32:21Tell you to kill a dog
32:23Ok
32:24Why do you kill a dog
32:25Why do you kill a dog
32:27Why do you kill a dog
32:28To kill a dog
32:29What do you kill a dog
32:30Waaah
32:31Sumbul Bhaji
32:32Sumbul
32:33You say
32:35You have to leave your tutorial on YouTube
32:37You know
32:38That will be a lot of fun
32:39Ok, my love is the love
32:40I love the love
32:41I love the love
32:42I love the love
32:43Wrong answers only
32:44Wrong answers only
32:45I love the love
32:47I love the love
32:48I love the love
32:49Very good
32:50One job in our life
32:51I need to do
32:52You should go to your head with your head.
32:54You should go to your head with your head with your head.
32:56Very good.
32:58Okay. If someone is angry, how should you make it?
33:03You should not make it.
33:04You should not make it.
33:05You should leave your head with your head.
33:07Favorite travel destination?
33:13Wrong answer only.
33:14Yes, sir.
33:15Wash room.
33:16Okay, sir. Thank you.
33:22Thank you very much.
33:24You have told us about the places that we do not know.
33:27No, no.
33:28You have done the work that we do not know.
33:30You have to get our knowledge.
33:32You should do it somewhere.
33:34But don't do it.
33:35Don't do it.
33:36Wrong answer.
33:37Okay, sir. Headphones panel.
33:39Okay.
33:40We have seen your acting talent.
33:41There are some songs that you can play.
33:43You have to play.
33:44Okay.
33:45You have to play.
33:46Yeah, the
33:55Oh-oh-oh-oh-oh-oh.
34:01Wow.
34:08Wow.
34:10It's a dream that has happened
34:14Now there was a dream that was ended
34:17That's why I was crying
34:20The night of this
34:24That's why I was crying
34:26I feel sad
34:28Why did you cry?
34:30Why did you cry?
34:32What were you I mean?
34:36My heart didn't cry
34:38I didn't cry
34:40I can ask you to give you so much of the forgiveness.
34:45Sorry.
34:46Okay.
34:47The next song.
34:50Do you have any help?
34:55Yes.
34:56Do you have any help?
34:57Yes.
34:58Do you have any help?
35:03Yes.
35:04Oh my god, I can do my name, so I can do my own work.
35:15Oh my god, I can do my name, so I can do my own work.
35:27Oh my god, I can do my own work, so I can do my own work.
35:34Okay, now the next song.
35:37Oh my god, I can do my own work.
35:44Oh my god, I can do my own work.
35:49Oh my god, I can do my own work.
35:56Oh my god, I can do my own work.
36:03Oh my god, I can do my own work.
36:09Oh my god, I can do my own work.
36:15After that.
36:20Off of
36:22It's a profound exercise.
36:25It's a profound surgery, so I can do my own work.
36:29Oh my god, I can do my own work.
36:32I have no idea, I have no idea.
36:38I have no idea, I have no idea.
36:44That's what I have done.
36:46What happened?
36:48Your fault is your fault.
36:49Put it on my head, brother.
36:51I'm not sure, I'm going to say it.
36:53Where did you keep it hidden from there?
36:55Okay.
36:56Where did you keep it hidden from there?
36:58It was true.
36:59No, it was true hidden from there.
37:01Thank you very much.
37:03Thank you very much.
37:05Thank you very much.
37:06Thank you very much.
37:07Thank you very much.
37:08Before you go and love your fans,
37:09do you want to say something?
37:10I am very happy.
37:12Do you respect your parents?
37:16Do you empathize with people?
37:19Do you promote positivity in your life?
37:23Wow.
37:24Thank you very much sir.
37:26We will see today's episode.
37:28We will have a new episode.
37:30Thank you very much.
37:32.
37:33Thank you very much.
37:37Yeah, we will be back.
37:39Thank you very much.
37:42You are amazing.
37:44Thank you so much for.
37:48Thank you so much, everyone.
37:50Every time I found that,
37:51I'm glad that I am here,
37:52you are positive.
37:54Pretty child contact everywhere.