- 5/30/2025
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About Iranefarda TV Network:
IraneFarda is an independent, 24-hour Persian language television station. Its offices and studios are in London, UK. Its American branch is in Los Angeles, US. Iranefarda is not affiliated with any political or government group. Iranefarda TV features political, economic and business world and local news, hourly news updates, current affairs opinion and analysis, and educational programming with a strong line-up of locally produced shows featuring subject matter experts.
About Iranefarda TV Network:
IraneFarda is an independent, 24-hour Persian language television station. Its offices and studios are in London, UK. Its American branch is in Los Angeles, US. Iranefarda is not affiliated with any political or government group. Iranefarda TV features political, economic and business world and local news, hourly news updates, current affairs opinion and analysis, and educational programming with a strong line-up of locally produced shows featuring subject matter experts.
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TVTranscript
00:30Hello and welcome to you and welcome to this program that will be brought to the films of Jashvara film Fajr, we want to go to the film SADDAM.
01:00I hope you have a little bit more!
01:02What about this?
01:04It's like a second time.
01:06You do not know where the young man is.
01:08Who is like a tire?
01:10Like a tire!
01:12I am going to have a seat.
01:14100 dollars!
01:16I'm now in the car's neck.
01:18By the way, he's in 2004...
01:20...he comes to the screen...
01:22...and he's in the corner of the screen...
01:24...and he's in the back of the show...
01:26...and he's in the background...
01:28SANS SINEMA
01:30The price was about 36 to 37 billion
01:33And one candidate had a chance to do in the year
01:38It was a chance to have a chance to do this
01:42Now I would like to see this film
01:44SAD DAM
01:45According to Mr. RZA DROZKAR
01:49One of the best and best
01:52And the best of the SINEMA of Iran
01:54Let's talk about this film
01:55Welcome to the show.
01:57I'm going to show you how to do it.
01:59I'm going to show you how to do it.
02:01Hello everyone.
02:03Hello everyone.
02:05I'm going to show you that one of the films I've been watching
02:09is a film called The Siddam.
02:11Because of the film,
02:15there was a cut and a cut.
02:17But now I'm going to show you the film.
02:21I'm going to go back to the movie.
02:51I think that's what we call a film
02:55We call it the world of laughing
02:59And the one who's having to do it
03:01The film is the way we want to add a film
03:04But it is from the fact that we added a film
03:06With which we have to do it
03:08I'll show you how to do it
03:10I can only do it with a few words
03:12I'm going to add a bit of a word
03:13And I'll show you how to use it
03:14I'm going to add a ton of words
03:16And plan to plan
03:18With a lot of words
03:19I can tell you how to do this film
03:21or
03:23or
03:25or
03:27or
03:29or
03:31or
03:33or
03:35or
03:37or
03:39or
03:41or
03:43or
03:45or
04:07or
04:09or
04:11or
04:13why are you doing that?
04:15Do you mean that in a series of the series
04:17you have a model of the other one
04:19and that you come again
04:21I mean, I think in a series of the series
04:23I think I've seen a series of 10 seconds
04:25as a way of being
04:27because it's a kind of absurd
04:29and a fantasy
04:31and a fantasy
04:33and a fantasy
04:35and then this is the scene
04:37in a series of films
04:39and then this is the scene
04:41I can't believe that, I can't believe that.
04:43I can't believe that, too.
04:44I can't believe that, too.
04:47I can't believe that, too.
04:48You are so sad.
04:50You can't believe that, too.
04:51All these videos do you have to do in the video,
04:54and I can't believe it.
04:56That's why I'm in this video,
04:57this video is a new platform to the development of cinema cinema,
05:01so that they can't use the film to get
05:03and then they can't be a sample of it.
05:06So, like the film,
05:07and like the film,
05:07like the film's movie,
05:08I can't believe that.
05:09I mean it's bigger than the mundo.
05:12I mean it's bigger than the film.
05:19It's bigger than the movies.
05:27There is a film comedy which can be in a very small crowd.
05:32the way that the characters are not allowed to do that
05:44but I can't tell you how much the film is written on the way
05:49or I can't see that the film is written on the way
05:52. . .
06:22It's not that much.
06:24It's so nice.
06:26A similar to the one that we do have the pre-life
06:29I think we have a plan.
06:32We have a plan to find brand,
06:34and we have a plan to find it.
06:36And we have a goal.
06:38It's everything we have to find this,
06:41but this was the process I have to find.
06:43The process is made.
06:45We have a plan.
06:47The purpose is,
06:49But you can see in the production film and in the different parts of the film
06:55You can see it's a way to get rid of it
06:57It is very good
06:59It is a good friend and partner that I have done
07:03I can see it is good
07:05If it is a good one, it is a different thing
07:10I can see it is a good one
07:10This film is a good one
07:12But I think it is a good one
07:16و این که رفتن به سراغی فیلم سخت
07:19این تنظاه عاشقاله نمید
07:20فیلم کومیدی واقعی سخته
07:23و ساختنش سخته
07:25درابردنش سخته
07:26انرژه بیشتری میتلبه
07:27حساسیت بیشتری داره
07:29جامعه به نسبت بهش ریسپانس جدی تری داره
07:31به فیلم های کومیدی میتونه ماندگار تر بشه
07:34خیلی خیلی خیلی خیلی ملو
07:36میخوام بگم که مثلا یه جوری این فضای این فیلمه
07:38like interesting
07:39like interesting
07:40and it would be
07:41to see a
07:46that you can
07:47make a thing
07:48that you can
07:49but that you can
07:50do
07:51you can
07:52do
07:53yes
07:54and
07:55I can
07:57do
07:58show
07:59that
08:00that
08:01looks
08:02like
08:03you
08:05Yes, in a moment we have one thing to do
08:07I'll just see if you're going to look at it
08:09Until then you'll see that you're going to make it
08:14It's in my opinion
08:16There is a lot of weird
08:18To be a bit more
08:22The situation you put into it
08:24That it may be more famous
08:29This situation isn't really
08:31But I'm going to look at it
08:35That's a little bit of a dream.
08:36It's a hard time.
08:38It's a bit of a character.
08:40This is a comedy cinema cinema.
08:43It's a bit of a different style.
08:45I don't want to put a picture on it.
08:47But something else is different.
08:48A model of a different model.
08:50This is a model of a different model.
08:52This model of a model that has been in front of us.
08:56And our friends, in terms of a way,
08:58this film has been around.
09:01And it's a film that has been in front of us.
09:04It's a different perspective.
09:06I'm very happy that you have a good time.
09:08Hopefully, until the next episode,
09:10God bless you and be free and free and free.
09:14Or be free.
09:34I'm going to talk to you about what's going on.
10:04We can all of you read about it.
10:07She says,
10:10we don't have to do it.
10:13We don't have to.
10:16We don't have to do it.
10:19We don't have to do it.
10:21It doesn't exist.
10:24Because in those days,
10:27it is a strange.
10:29We remember that
10:32When they come to Islam, they make his own hand over.
10:36They make his own hand over.
10:41They make his own hand over.
10:44The idea is that you can write his own hand over.
10:49I can put his own hand over.
10:53This is how you can do it to him.
10:56But it's not a whole life
11:01I don't want to make an example
11:03If you do a lot of research, you can write a lot
11:06Or if you don't have a question
11:08Then you can give a father to your father
11:11You can give a lot of you
11:13This is the truth of the truth
11:15This is the truth of the truth
11:17But the truth of the truth is the truth
11:20What does it have to be?
11:22This is the truth of the truth
11:24I will wish you two or three
11:26That's exactly how it works
11:28It's the truth of the truth
11:30It's the truth of the truth
11:32It's the truth of the truth
11:34We can even assume that
11:35Even the truth of the truth
11:37The truth of the truth
11:39Even the truth of the truth
11:43I am not afraid that
11:44These people by me
11:46I know that
11:48They are not afraid of these people
11:50They can't do it until they can't do it until they can't do it until they can't do it.
11:56But for example, an officer has a lot of shahnamahs.
12:01For example, the shahnamah is a place where it is in the air and air and air and air.
12:15He can name a photo or not
12:18without calling the name of the photo
12:21Then the photo of the Salutator
12:24Because this photo of the reflection
12:27Is inspired by this color
12:33For today, this photo of the photo
12:38With the photo photo of the photo
12:40It's going to be yellow and red
12:43He said, this is the paose of the room.
12:45This one piece of room is a place for a short space which brings up this place.
12:51That would create no strings, but also leave the room.
12:53It is a place that can be shot by table, also small, and small.
12:58This place would be a place for him.
13:00Then, he would say that it would take a cold.
13:03There are many of them who are in the show of Firdausi, actually, are not in it.
13:13So Firdausi is where it comes from?
13:16In fact, Rostam doesn't exist in the name of Rostam.
13:20Rostam, because of some of them who say that it is a form of Firdausi,
13:27no, it is a form of Firdausi.
13:30The Firdausi is a form of Firdausi.
13:34And it is not a form of Firdausi.
13:36In the meantime, we think that the Firdausi is a form of Firdausi.
13:42And this is the form of Firdausi.
13:44Now, I think that the Firdausi is a form of Firdausi,
13:49and I believe that if we all have the form of Firdausi,
13:54the Firdausi is a form of Firdausi,
14:00and of course, the Firdausi is a form of Firdausi.
14:06If we tell our doctor, we will receive a form of Firdausi,
14:12we will receive a form of Firdausi.
14:17There are a few similarities between the priests and the Firdausi
14:23and the Firdausi in the Shahnamah,
14:26and the Firdausi,
14:27or the Firdausi,
14:29like, the Firdausi,
14:32the Firdausi,
14:39or the Firdausi,
14:41or theías of Firdausi,
14:43of the Firdausi,
14:45I guess the number better ke 언ores come to this pundा we are
14:51likened to that Nafina is only in Iran.
14:56According to me, the Iranian people who put the flag of the flag of China
15:03will likely be from the Chinese people to the United States and the countries of Europe to the countries of Europe.
15:18In the following statement of the 40s of Iranian people,
15:23My name is Dr. Hamid Berengi.
15:25We received a report from NASA.
15:28We received the first year of their life and their lives in Iran
15:33until we received a visit to America.
15:36Today we will continue our efforts with them.
15:40Hello, Dr. Dr.
15:42Thank you very much for your attention to your attention.
15:46Hello, Dr. Hamid Berengi.
15:48Thank you very much.
15:50I'm doing my job in the reception of the U.S.
15:55Thank you very much for your attention.
16:00I am very happy that you have accepted the introduction to a student.
16:02Dr. Dr. in earlier, we received the contact information in America
16:06and MRFA.
16:08You're welcome to thepur exam.
16:11Do not know the Separation 가운데 you are from the U.S.
16:13I was mistaken.
16:15We must tell you that the rescue is very happy.
16:18Thank you very much. Thank you very much.
16:23When I was in America, I was in Los Angeles.
16:28My brother came to the river and came back to me and we went to them.
16:37My brother came to me and came back to UCLA in Los Angeles and there was a course in the U.C.L.A.
17:05and after that, I went to the U.S.C.
17:12which is a course in Los Angeles.
17:16After that, I had a course in the first place where I was in America.
17:29There was a course in two courses in the U.C.L.A. and one of the U.S.C.
17:39and the courses in the U.C.L.A.
17:42How did you do this course in which courses were?
17:46Well in the U.C.L.A..
18:09the movement of the world or the world of the world.
18:15Mr. Dr., do you understand that your start of the
18:34Thank you very much.
19:04Thank you very much.
21:10So for your time I flew in here, I will be interested in the team.
21:14that is where NASA is, in San Jose.
21:17So that's how you can get your experience.
21:20Dr. Well, in the way, do you have a good performance
21:21in your situation with NASA?
21:23Dr. Well, do you have a good performance
21:25and you can do that in your story?
21:26Dr. Well, it's totally fine.
21:28Dr. Well, I still do.
21:29Dr. Well, in the time when I was a medical doctor,
21:33I worked with a doctor,
21:35and I started to work with a doctor.
21:37Dr. Well, my doctor has been working with a doctor.
21:40Dr. Well, I just had a question.
21:42Do you follow your~~~~?
21:44High-seeing, your studies could 쿠ldre did you receive the Master He dit?
21:48Can you explain your What list Tiny?
21:51Yes, MICHAEL MEETS did you know that?
21:53Yes, definitely.
21:55In the U.S.C., we gaveVI offers published Justin Smith.
22:06and I worked with Professor Keith Price
22:13and the work of the work was that we worked in JPL
22:25on the topic of planning AI.
22:37Planning AI was working on JPL
22:45and I worked on JPL
22:49and I worked on JPL
22:55it was provided in NASA
23:01With one of the contacts on NASA
23:11Yes, in 1986, when I was working with my doctorate and after the conversation between me and my doctorate and my doctorate and my doctorate and my doctorate and my doctorate and my doctorate and my doctorate and my doctorate.
23:41and then I sent selif to mom.
23:50and I said to him that they would not be interrupted and because I don't understand theDr you know you.
24:01from my doctorate and my doctorate and my doctorate just sent me.
24:06This is the result of a doctor.
24:09After I started, I got a little bit more.
24:13Dr. Henry Lam, Dr. Lam, Dr. Lam, I was talking to him.
24:21After I went to California California, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam, Dr. Lam.
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