Valle Salvaje Cap 176 Completo - Valle Salvaje Ep 176 Completo
Valle Salvaje Cap 176 Completo:
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Valle Salvaje Cap 176 Completo:
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FunTranscript
00:00Victoria will give you all the money she gets from the sale of the small house.
00:04That's right.
00:06A lot of reals that I have a lot of you would be unable to get.
00:12And that you have accepted without any remorse.
00:15It's a bicoca. How can I refuse?
00:18You have no shame.
00:20I have little left.
00:22And your desire for justice?
00:25Put yourself in my place.
00:27Anyone who has had the life that I have had, would act in the same way.
00:32But Felipe has taken advantage of our trust.
00:36Things have happened like this.
00:39I was calm at home.
00:42Forgotten of everything and everything.
00:44And now I'm alone.
00:47Things have happened like this.
00:49I was calm at home.
00:51Forgotten of everything and everything.
00:53When from one day to the next, the two showed an excessive interest.
00:58One because he spoke, the other because he didn't.
01:02It is logical that being in the middle, I have taken advantage of their mutual corner.
01:07And his word?
01:10Speaking of business.
01:14It is the only word that is worth, ma'am.
01:17Well then you are not the man I had understood.
01:20The same?
01:22Older?
01:24And untamed?
01:28Inside these bags is what he asked me.
01:33And I have achieved it by getting rid of objects very dear to me.
01:38You look for your interests.
01:40I for mine.
01:43Excuse me, ma'am.
01:45Good afternoon.
01:47Explain to me ...
01:51Why are you looking for interests?
01:54Because you have betrayed me for money that Victoria does not have.
01:59Soon you will have it.
02:01As soon as you sell the house.
02:03Not so soon.
02:06Haven't you stopped to think that the small house will not be so easy to sell?
02:10If I'm not mistaken, you have not yet received any offer for it.
02:17I see you didn't know anything.
02:19Of course, I guess Victoria fell for it, right?
02:23Not a single offer, she says.
02:26Not a single one.
02:28And it could take months, even years, to sell.
02:33Tell me, Felipe, what will you do in the meantime?
02:37Wait until he gets old?
02:42Look at this money.
02:44It's here, now, for you.
02:47If you want it, you just have to reach out and take it.
02:54I don't want to tell you again.
03:08Take a breath.
03:11That's it, breathe in little by little.
03:14Very good, little by little.
03:17Good.
03:19The bath you asked for.
03:21Do you feel better?
03:23Mother, this will refresh you a bit.
03:26What happened to her?
03:28I don't know, and she doesn't know how to explain herself.
03:30Very good.
03:31Wouldn't it be better to call a galleon?
03:33No, no.
03:34No galleons.
03:36Mother.
03:37What happened to you?
03:39Don't treat me with so much love.
03:42I'm fine.
03:47Mother.
03:48Mother, what happened to you?
03:50Well, I started cleaning.
03:53Yes.
03:54And I lost my head.
03:56And I fell round.
03:58And from there...
04:02God, it was more than a fall.
04:04No, Matilde, no.
04:06At my age, everything seems more important.
04:09But that's what I'm tired of, going all day from here to there.
04:14Even so, we'll be calmer if I see a galleon, right?
04:17Yes, maybe.
04:18No, you don't need a galleon, really.
04:21No.
04:22He told me there are no galleons.
04:24That tonight I go to bed early and tomorrow I'm like a rose.
04:28No, Raymundo, that won't be enough.
04:29We have to know what the reason is.
04:31I've already told you the reason, Matilde.
04:33That I'm older.
04:35And I'm tired.
04:37And that I didn't sleep well last night.
04:39And I'm dizzy.
04:40It's not the first time it happens to me.
04:42What do you mean it's not the first time it happens to you?
04:44No, son, it's not the first time it happens to me.
04:46That when I sleep badly, I get dizzy.
04:48But that's it.
04:49Don't look at me like that.
04:51What a real apprehension, Jesus.
04:53You're making me nervous.
04:55Well, well, it's fine.
04:56If you don't want us to call anyone, we won't call anyone.
04:59That's it.
05:00But now, when you recover, you go to bed to rest.
05:02And now I'm going to finish cleaning myself.
05:04No, mother, for the love of God.
05:06Well, of course, it's clear who you are.
05:10Okay, we'll leave her alone.
05:12But wait here until I bring you a hot stew.
05:14I'm going to ask Luisa to prepare it.
05:19Mother, look at me.
05:20What?
05:21Hello.
05:22Don't make a mountain out of a molehill, son.
05:25I'm fine.
05:27And if I say I'm fine, it's because I'm fine.
05:30What a scare she gave me.
05:40She has made me doubt, I admit it.
05:43But what you are telling me does not agree with what you have told me, Mrs. Victoria.
05:49I'm telling you the truth.
05:51According to her, the house will be sold very soon.
05:54Because it is not true that I have no offers.
05:56She has lied to you.
05:57Or are you lying to me now?
05:59Felipe.
06:00Are you going to trust her before me?
06:04If I have to bet on one or the other ...
06:06Please, you know her.
06:07She knows perfectly well how to spend them.
06:11You have to remind her.
06:13No, it is not necessary.
06:15I remember perfectly her bad arts and that in case of carelessness she is able to stab you in the back.
06:21Without a blink.
06:23So?
06:25So ...
06:26It happens, ma'am.
06:29That in this case, your enemy has much more to lose than you.
06:34She will have no choice but to keep her word.
06:37She won't.
06:38She never does, Felipe.
06:40This time she will.
06:41She will see.
06:43In any case, keep those bags within your reach.
06:49In case we have to meet again.
07:00I love you.
07:12I'm sorry, I didn't know you were together.
07:15I'll leave you two alone.
07:17No, Ariadna, wait.
07:18Stay.
07:20Let's take advantage of the fact that the three of us have coincided.
07:24What do you mean?
07:26Well, it's been days since the three of us coincided alone.
07:32Well, I think that in the present we know the reason, it is better to leave it that way.
07:36Why?
07:41You and I are going to leave for a while and ...
07:45the three of us could do our part so that you at least have a cordial relationship.
07:49Let's see, Julio, I don't think it's the most convenient thing.
07:51Yes, it is.
07:52Yes, it is.
07:55The two of you have suffered a lot with this situation.
07:57The three of us have suffered in this situation.
08:00It's time to end so much misfortune.
08:02You are the most important people in my life and all I want is for you to be well.
08:05Yes, but right now it doesn't matter.
08:07No, it doesn't matter, Rafael.
08:09On the contrary, it is very important.
08:14We will leave for a while and we don't know when.
08:17And when we return, everything will be different.
08:21It has to be.
08:23Because we will have left the past behind.
08:25So far behind that we will have forgotten it.
08:33Do you agree with me?
08:42Chuchón doesn't know that I'm going to hit him with my wand as soon as he throws it in my face.
08:47Getting to your house for you must be the best time of the day, right?
08:50You don't know well.
08:51As soon as I finish here, I'm leaving.
08:54Yes, yes, I understand perfectly.
08:56My intention was not to entertain you.
08:58I'm also looking forward to getting to the big house and resting.
09:02But if I've come to talk to you about the cooks, it's because I don't have them all with me, Luisa.
09:08That woman's behavior scares me.
09:11She has her things.
09:13Her things, you say?
09:15It's to feed her separately.
09:17Come on, don't talk about her husband if he's her husband, that's another one.
09:22Do you doubt that they are married?
09:24I doubt everything, Luisa. I doubt everything.
09:27Well, I don't think they would lie about something like that.
09:30It would be strange if they lied, but they are strange.
09:33Or are you going to tell me that they seem ordinary and annoying people to you?
09:36I, Mr. Isabel, I feel like leaving her with the word in my mouth, but I have to go, really.
09:40And to top it off, the son shows up yesterday. The son!
09:48Yes, the son.
09:49The son? Yes, yes, yes, the son.
09:51And he didn't know he was coming?
09:53I had no idea, he hadn't told me anything. He showed up like that, without prior notice.
09:58What does he have a son with? A little one?
10:00Oh, he's a kid, he has nothing. Let's see if you think you could play with Pedrito.
10:04Pedrito, that boy is no longer 20 years old. Francisco is called Paramaseña.
10:10And they want him to be instructed so that over time he becomes an adult.
10:14You?
10:15The same one I'm wearing right now.
10:17Well, Amadeo said that if I were the best teacher,
10:22that if the little one has been working since he was little,
10:25that if he is very smart, that ...
10:27Anyway, I'm instructing him.
10:29He's destroying me.
10:31He's killing me.
10:32He's sleeping with the parents and he's going to teach the son.
10:35He shouldn't accept, right?
10:37But I've seen the boy very excited.
10:40And if he does well, he can help me, because I'm the one who doesn't give up, Luisa.
10:44Well, if he's committed and he's doing well, make the boy the best teacher.
10:48Yes, yes, that's what I'm doing.
10:50But if I have brought the son to school, it is not because there is any problem,
10:54but because yesterday he called Amadeo's father.
10:58And what's so strange about it if it's his father?
11:00It is assumed that Eva is also his mother, right?
11:04And he didn't call her mother.
11:06He called her Eva.
11:07By her name.
11:08Exactly.
11:10There are children who call their father by his name and even ...
11:13There are times when they put the two in front of him if he has very bad grades.
11:16One is going to call him one way and the other the other ...
11:19It can't be.
11:20Why not?
11:22Amadeo seems like a piece of cake to me and Eva has her character and ...
11:26Mr. Isabel, can we resume the conversation at another time, really?
11:30Oh, yes, really, I'm sorry, I'm sorry, it's just ...
11:32Yes, I know this is a life and death situation, I know.
11:35But neither you nor I are going to fix it tonight.
11:38Forgive me.
11:39You want to go, your son is waiting for you and I'm beating you up.
11:43I'm sorry, I have no forgiveness from God.
11:45Listen to me well, listen to me.
11:47They have just arrived and they are having a hard time.
11:49Don't distrust them.
11:51It's just that that woman ...
11:54That woman gives me tremendous distrust.
11:57Everything she says about that mouth smells like ambush to me.
12:00Mr. Isabel, no one can with you.
12:03No one.
12:05Listen to me.
12:07Wait to see and trust them.
12:11I have no choice but to be patient.
12:14Well, I hope it will be one day and tomorrow it will be another day.
12:18Man, it's cold.
12:19Yes, open up.
12:23I love you.
12:30He is so comfortable here.
12:32But he has no choice.
12:34Adriana, after all, is his biggest responsibility.
12:37Poor thing.
12:39He didn't sleep last night.
12:41I'm going to miss him so much.
12:44But I don't know what to tell him to convince him that it is the best for him.
12:49Are you convinced that it is so?
12:52As if my opinion mattered.
12:55You don't have to consult your brother at all.
12:59Mr. Hernando.
13:01No, that boy is much wiser than many who go to school and lack the most elementary education.
13:10Yes, I did it, the person who meddles in other people's conversations without being invited.
13:16Didn't you see that I was talking to my friend?
13:19I think breakfast is served at this time, right?
13:22If I'm not mistaken, I have woken up with a voracious hunger.
13:30Miss.
13:33Mr. Hernando.
13:40How dare you talk to him like that?
13:42Have you lost your mind?
13:44It is better that my father does not find out.
13:46Let him find out.
13:47You don't know what you're saying.
13:49Making a bad gesture to the marquis can be expensive.
13:52None of my family would dare to treat him as you have.
13:55On the contrary, they kiss the floor where they step.
13:57This is not your house.
13:59Here is a simple guest, whom I would like to see disappear as soon as possible.
14:03You don't have to swear it.
14:04At the right time he chose to stay here.
14:06He is a rude, rude man.
14:08A man without any kind of sensitivity, sharp and rude.
14:12He doesn't even respect his own son.
14:14You're right about that.
14:16Have you seen how he talks to him?
14:18He should be ashamed of himself.
14:20And yet he goes very high with her, as if he could show off his acts.
14:24He is used to having whatever he wants.
14:27Well, he was spoiled with me.
14:33Because only you can treat Leonardo with contempt, right?
14:37Do you think it's about that?
14:43Well, I'm not going to get into debates.
14:45Besides, we were talking about my brother.
14:48Don't change the subject now.
14:50Is there anything new with him?
14:52Things haven't changed between him and me.
14:55I don't know if he's changed.
14:57I don't know if he's changed.
14:59I don't know if he's changed.
15:01I don't know if he's changed.
15:04Things haven't changed between him and me, Irene.
15:06And they won't change.
15:08That I consider his father's treatment unfair is another story.
15:13I see.
15:17Why are you smiling?
15:20Because maybe you look more like Don Hernando than you think.
15:23How dare you say such nonsense?
15:26Remove it right now.
15:28I remove it, I remove it.
15:31Can we talk about Pedrito again?
15:34If that's what worries you the most.
15:57Good morning, Don Rafael.
15:59I just came from praying.
16:01It's very nice to come early and be able to enjoy the chapel by myself.
16:05You know I can use it whenever I want.
16:07And it suits me very well.
16:09Especially when I need strength to face the day.
16:12I hope you've been comforted.
16:14Yes.
16:15Yes, but not just for the prayer.
16:18Why else?
16:20For seeing you.
16:22Although I admit that perhaps this meeting has been caused by my prayers.
16:30I won't bother you anymore. Have a good day.
16:35I wish you the same.
16:38Although ...
16:43Although?
16:44Maybe you can take time out in the afternoon to walk with me.
16:48We went out together a few days ago.
16:51Ursula, I'm very sorry, but I have a long day ahead of me.
16:56And I don't think I'll finish before dusk.
16:58Could you take time out later?
17:02It won't be soon, I'm afraid.
17:04Julio and his wife's march won't be too late.
17:07So we have to take advantage of the time to do the math.
17:11Anyway, so that I'm not bad when Julio and I are not.
17:16We'll have to postpone that walk to his march then.
17:20That's right.
17:22Perfect.
17:25Mrs. Vizoria.
17:27What a coincidence. Wait for Ursula.
17:31Excuse me.
17:32Don't you want to have tea with us?
17:34Well, I would love to, really.
17:36The only thing is that now I have a lot of work ahead of me and I would like to take advantage of a moment to start working.
17:41To be alone with my mother.
17:43Of course.
17:46Have a good day.
17:57I don't like your gesture. Come with me and tell me.
18:08I've already told him that he doesn't have to worry.
18:11I know very well what I'm doing.
18:13The face you had when I saw you didn't invite optimism, precisely.
18:17What were you talking about?
18:18About his brother's march with Adriana.
18:21He's accumulating work and ours is going slower.
18:25But it's going.
18:26Of course it's going, of course.
18:28Well, let it all be that.
18:30If, by any chance, anything else comes up ...
18:32I would tell him right away, of course.
18:34Good.
18:36Anyway, I would like to talk to you about something else.
18:41Tell me.
18:43Don Hernando.
18:46What happened to him?
18:47Nothing.
18:48And keep doing that.
18:50But living under the same roof, I have a task for you.
18:55What?
18:56That you take care that he is well attended at all times and that he does not have a single complaint from my house.
19:02What you say.
19:03I know very well the power that man has.
19:06And I would also like you to, as far as possible,
19:09introduce my name in the conversations you have with him.
19:12With the spirit of encouraging me.
19:16Count on it.
19:17That man has to improve his opinion of me.
19:20Whatever it takes.
19:25I don't know.
19:35What a palace this is.
19:37I wanted to live in one like this.
19:40Don't forget that you have not come here to live, but to work.
19:46No, yes.
19:47Just to be able to move around these rooms.
19:50And enjoy these magnificent stained glass windows.
19:55Excuse me, Miss Irene.
20:11Do you need anything, miss?
20:16I was just answering my correspondence.
20:18You can continue with what you were doing, don't bother me.
20:21What I was doing was telling Mrs. Isabel the excitement that makes me work at her house.
20:24Nothing that, if you don't talk, explodes.
20:30In the end ...
20:32Are you going to work here?
20:33It will start with Primer Lacayo.
20:35But Mrs. Isabel will teach me over time to be the butler.
20:39Someday.
20:40We'll see, we'll see.
20:41If she is up to Isabel, she will be a great butler.
20:44You are very kind, miss.
20:47One of the obligations of any good servant is to advance to the wishes of the masters.
20:53To know their tastes, their customs, and to know how to offer oneself.
20:58Always, always on time.
21:02What are you waiting for, butler?
21:04Ask her what she is offered.
21:10Don't bother.
21:11I don't need anything right now.
21:13Even so, let her ask, let her ask.
21:16She must know what her obligations are.
21:19Yes, of course.
21:21Excuse me, miss Irene.
21:22A question.
21:24How ...
21:26could you ...
21:28Don't bother.
21:29Really, I was just leaving.
21:32I need to clear my head and a walk will do me good.
21:35Later I will respond to the emissives that remain.
21:38Welcome to the service of the big house, Francisco.
21:41Thank you very much, miss.
21:42Miss Irene.
21:58What should I do now?
21:59Go after her?
22:00No.
22:01Stay, Francisco.
22:03And check that after the departure of any member of the family or guest,
22:07everything is politely collected in the room.
22:10Is there anything that you think shouldn't be here?
22:17Me.
22:19For God's sake, what will make you lose your patience?
22:22Aren't you looking at the table on which the lady has been writing?
22:26That table shouldn't be there. I'll take it.
22:28The table should be there. Leave that.
22:32I mean what's on it.
22:35But Miss Irene said she was coming back.
22:37And when Miss Irene comes back, everything must be perfectly collected.
22:42The replaced papers and the inkwell.
22:45Now I understand.
22:46You explain yourself in a way ...
22:51But what are you doing sitting down?
22:52Up!
22:54Never sit down.
22:56Carefully.
22:57But where are you going with that?
22:58No, no, no.
22:59Collected, but there.
23:07No.
23:22Hello.
23:24Hello.
23:28I came to talk about what happened yesterday.
23:35I don't know if it's a good idea.
23:38Rafael, we can't pretend it didn't happen.
23:45Adriana, what happened was a mistake. We both know that.
23:49What?
23:52Yes, please.
23:54Something that won't happen again.
23:59But that's what you want, that it doesn't happen again.
24:04Yes, of course, but because it's the best for everyone.
24:08Please, don't look at me like that. Don't you agree?
24:15Are you going to tell Julio?
24:19I tried because I thought it was the most honorable thing, but I haven't been able to.
24:23After all, it would hurt him more and he doesn't deserve it either.
24:28We have already caused him enough damage and I feel quite guilty about it.
24:32So you and I ...
24:35You and I are never going to ...
24:40Adriana.
24:42We can't keep taking advantage of his generosity.
24:46You're going to go to France with him. You're going to start a new life there.
24:51The less we drag the past, the better.
24:53The more the better.
24:58From the bottom of my heart, I wish you all the best there. From the bottom of my heart.
25:03Rafael, that's what you want.
25:06That we separate forever.
25:08That we pretend that we have never loved each other, as if we did not continue to love each other.
25:12Adriana, but your departure is the best for both of us.
25:15Don't you think we deserve a little peace of mind at once?
25:20Look at yourself, please. Look at yourself.
25:23Your state of mind is not being the best these days.
25:25Rafael, don't speak for me.
25:26Don't say anything, it's worth denying it.
25:29You are not well.
25:36Don't touch me.
25:41It's okay.
25:43It's okay, don't accept it.
25:45I feel it because recognizing it would help you change.
25:49In any case, I do this for both of us.
25:52Not just for you, for both of us.
26:11What? Do you like your job?
26:13Yes, yes. Of course I like it.
26:16And not just because it allows me to be close to my father.
26:22And your mother too, right?
26:25Yes, yes. Of my father and my mother. Of both.
26:29Both are just as important to me.
26:32You know, the more the merrier.
26:35But you only tend to mention the first one.
26:38Don't think so. He will look like you.
26:41So you are very close to both of them?
26:44Yes, the normal thing.
26:46And tell me, did you leave the village already married or were you just dating?
26:51Excuse me?
26:53Your parents, who are we talking about?
26:56I was aware of the candlesticks.
26:58Because when I work, I like to focus only on one thing.
27:01Well, for your own good, I recommend that you learn to do two things at the same time.
27:05I was asking you if your parents ...
27:07If my parents left the village married.
27:09That's it.
27:10Yes, they left the village married and then they went there to look for the garbanzos.
27:13They were young, full of enthusiasm.
27:16Because there was no work in the village, right?
27:19That's what I think, since I was not born.
27:26And the village was ...?
27:28Small, very small.
27:30Four houses, barely.
27:32A big one.
27:34I ask you for the name of the village.
27:36Your parents must have told me, but I have forgotten.
27:39Ah, well ...
27:40Valdecerna.
27:43Valdecerna ...
27:46I don't know him.
27:48Of course, how are you going to know him?
27:50Didn't I tell you that there are four houses?
27:52Besides, you are not from this region.
27:54No, I'm not.
27:56More reason.
27:59And does he have a church?
28:01Yes, well, a chapel.
28:04To say church would be to exaggerate.
28:05Does he have a long way to put the mantel?
28:08It's heavy.
28:11Put them there.
28:12Let's see.
28:22Don't you want to see me?
28:24No.
28:26No?
28:28No, I don't want to.
28:30I mean, if you want to see me, you can.
28:33I'm not going to see you.
28:35I'm not going to see you.
28:37It's not that I don't want to see you.
28:39Well, I'm not going to see you.
28:40I would like to speak with you for a moment.
28:51Sit down, please.
28:52I'll take care of it right away.
28:53He is very busy.
28:54Imagine, with the imminent departure of Don Julio, there are many documents that must
28:59be left ready so that Mr. Rafael does not find himself with surprises.
29:04I will not entertain him much.
29:05Fine.
29:06Fine.
29:09What do you want?
29:10To know how the sale of my house is going.
29:14If you have already received offers.
29:15Some letters, inquiring about details.
29:17Every now and then I inform you of the price, everyone goes back.
29:20They do not consider it fair.
29:22No, but you are the one who has to set the price and I have to accept it, ma'am.
29:26Be patient.
29:27Do you have any way to boost the sale?
29:30I don't know, maybe writing to those interested so that they come to know the property personally.
29:34They would understand that you are in a hurry to sell it and they would try to take advantage of it.
29:38So you don't recommend it?
29:39No.
29:40Well, something will have to be done.
29:41Ma'am, the house is good, really, it will be sold.
29:45When?
29:46I wouldn't know how to tell you, maybe.
29:49Maybe it will take a while, but the most important thing is that you do not show impatience.
29:53Very well.
29:54It is not that I have a pressing need, it is not that.
29:58It is that I am surprised that it takes so long to sell when, as you say, the house is good.
30:02Better than good, yes.
30:06If you'll excuse me, I should take some documents to the duke, if you don't mind.
30:15Thank you, Don Atanasio.
30:16Any news, let me know.
30:18Count on it.
30:33Do you have something to tell me?
30:37I have spoken with Don Atanasio, the secretary of the duke.
30:43So you have good news to give me.
30:45He has sent me a very good offer for a wealthy business.
30:50Magnificent.
30:51The sale can be closed.
30:55So you'll have the money soon.
30:56When?
30:57It's a matter of days, a couple of weeks at most.
31:07If it's a done deal, I don't mind waiting.
31:12So I could attend your wedding with the duke.
31:15You don't have to stay, Felipe.
31:17In fact, you can leave today.
31:19Tell me where and I'll get you the money.
31:21I have to remind you that this is not an option.
31:25Don't take me for a fool.
31:27I'll leave the valley when I have the rooms in the factory, not before.
31:31Don't you trust me?
31:32I'll go between a rock and a hard place.
31:35I know you well enough to know that if you marry before you send me the money, I won't
31:40see a king.
31:41No, ma'am.
31:42I'll stay here.
31:43Are you sure?
31:44Go meet the royals.
31:45I want them before the wedding.
31:46I'm not the kind of woman who likes to be squeezed.
31:47On the way she goes, she can run out of nothing.
31:57You and I know that this will not happen.
32:01Mrs. Mercedes's offer is still standing, so I'll leave with one amount or another,
32:06but with nothing, never.
32:08We have a deal.
32:09And I will respect it.
32:11Listen to me, Felipe.
32:12Go and I'll get you the money.
32:14I'm not going to take any risk.
32:17We'll keep seeing each other around here.
32:19Ma'am, it's been a pleasure to greet you.
32:23Have a nice day.
32:38If you've come to see how I'm doing, you see.
32:41I'm perfectly fine.
32:43I'm just resting a bit, but I'll be back to work right away.
32:46I'll think about it.
32:47I've just come to have some tea with you.
32:49Very good. Thank you very much.
32:53I see you've recovered quickly. I'm glad.
32:57I told you yesterday, but you didn't believe me.
32:59That's why you came to watch me.
33:01That's not true.
33:02Oh, you're not going to give me that with cheese, are you, Matilde?
33:05Let's see if I'm going to keep an eye on you all day long.
33:09I'm not a little girl.
33:11And I'll tell my son that too.
33:14Well, I see you're back to being the usual.
33:19Matilde, but if I'm going to have a fainting,
33:23it's the most normal thing in the world.
33:25It's time for you to arrive.
33:27The attacks are coming.
33:29I don't know where they're coming from, but they're coming.
33:31And what do we have to do, Matilde?
33:33Well, learn to live with them and not give them the most importance.
33:36Well, if you say so.
33:38The next time we see you lying on the floor, no matter how long it is,
33:41we'll take it with much better humor.
33:43Well, don't start laughing either.
33:46I was kidding, Reymunda.
33:48Poor Athanasius doesn't know how scared he was.
33:51Oh, that boy of mine.
33:53You're not going to complain.
33:55Be grateful to have him as a son.
33:58I'm not complaining.
34:00I know he's a good person.
34:02Then take advantage of him.
34:04Enjoy him, Reymunda.
34:06Stop fighting.
34:08But we don't fight anymore.
34:10You know what I mean.
34:12If this revenge is not for one thing, it will be for another,
34:14for which they will be like the dog and the cat again,
34:16without understanding each other.
34:18My son has already turned away, thanks to you.
34:21And you?
34:23Me? What?
34:26What are you waiting for to turn away, Reymunda?
34:29You know that this revenge is not going to bring you anything good.
34:32The conversation is over, Matilde.
34:34Reymunda, please. Matilde.
34:37Listen, I appreciate you, you don't know how much.
34:40But nothing or no one, not even you,
34:43will tell me what I have to do or what I don't have to do.
34:46Excuse me.
34:57Wait a minute.
34:59What's going on?
35:01That piece ...
35:03It wasn't there.
35:05What do you mean?
35:08I have a good memory.
35:12They say you lose it over the years.
35:15I would swear that when I went to freshen up,
35:18that piece was a little further to the right.
35:21No?
35:23You didn't move it by chance?
35:25No.
35:27And even if you're right,
35:29I'm not saying you have it,
35:31I'll try to prove it.
35:38I was supposed to.
35:40Now stop distracting me
35:42and add that I'm better than you playing the others.
35:47Have you called me, Mr. Marqués?
35:50Yes, Bernardo, go ahead.
35:55Maybe now would be a good time for you to go for a snack.
35:58Because I want to talk to Bernardo.
36:00Yes, and it must be confidential.
36:02The hunts on the fly, Perilla.
36:05Why do you take that board?
36:07We're not done yet.
36:09I prefer to avoid temptation.
36:11To cheat.
36:13If you were the one who moved that one.
36:17Now I've seen you like that.
36:20Does it bother you a little?
36:22No, no, no, Bernardo.
36:24On the contrary, it doesn't.
36:26It doesn't bother me at all.
36:28It's just that ...
36:30I don't know.
36:32On the contrary, it doesn't know.
36:34It doesn't know what I enjoy about your company.
36:39That truant.
36:41Bernardo.
36:51I think everything you've thought for dinner is fine.
36:55But the rabbit changes it for a chicken.
36:59You don't like the rabbit?
37:01It's not to Mrs. Victoria's liking.
37:04We would finish earlier if you gave me a list with everything that the lady doesn't like.
37:08Because the rabbit is already prepared.
37:10And now you start preparing a chicken.
37:12Well, let's see.
37:13If you prepare it in Pepitoria, it's not like you're going to take it all afternoon, right?
37:17Well, if it's not ready for dinner, don't blame me.
37:21It's your fault for bringing the rabbit.
37:24Why do you bring a rabbit if Mrs. Victoria doesn't like it?
37:26That she likes the chicken.
37:28That now I have to start preparing a chicken.
37:30With all the work I have.
37:31Now, a chicken.
37:33Useless, you are useless.
37:37I only bring you what you ask of me.
37:40It's not your fault, Amadeo.
37:42Thank you, Mrs. Isabel.
37:47I wanted to take advantage, since I am lucky to find myself in your presence,
37:53to thank you for what you have done for my son.
37:55Ah, it doesn't matter.
37:57Yes, yes, yes, it does.
37:59I think it does, Mrs. Isabel.
38:02Well, it's nothing definitive. Let's see how it goes.
38:06But you have opened the doors for him.
38:09And that is a gesture that honors him.
38:11Francisco has told me that your wife and you left town when you were young.
38:17Yes.
38:18Yes.
38:19And that you married in San Tirso del Olmo.
38:22San Tirso ...
38:23Yes, indeed, in San Tirso del Olmo.
38:27Yes, it is a very beautiful town.
38:29That's where Seba and I got married.
38:31Do you know San Tirso del Olmo?
38:33No, I don't have Orgutos.
38:34Well, it has a beautiful church, huge, with an altar that we fill with flowers and everything.
38:39And a beautiful wedding, San Tirso del Olmo, yes.
38:45And how did you get to talk about that?
38:50It came up in the conversation.
38:52Ah.
39:22Victoria.
39:23I already know what you are going to tell me.
39:25Don't come into your bedroom without your permission.
39:27But like it or not, we have to talk.
39:29You and I have nothing to talk about.
39:32Yes, Mercedes, yes.
39:34We have lost the game of hands.
39:36For me, everything that has to do with you is not a game, Victoria.
39:40Well, look, I'm going to give you the reason.
39:43Because I suppose that selling your sister's jewels will not have been too fun for you.
39:49I see that now you are willing to talk.
39:53I come to warn you of one thing.
39:55We are feeding a monster that has decided to devour us both.
40:01What happened to Felipe?
40:03His ambition has failed.
40:05And we have to put an end to this nonsense.
40:08If we want to get rid of him, we have to reach an agreement, you and me.
40:14And what do you suggest we do?
40:17We will both withdraw our offers simultaneously.
40:20That will force him to leave the valley.
40:22Otherwise, we will end up ruined.
40:24Let's see if I understand it.
40:26You, who is the person I hate the most about this land, are offering me a deal.
40:33Let's call it a truce.
40:35For our mutual benefit.
40:38I don't want to lose the money I get from selling my house.
40:41And you can't offer him more.
40:43Unless it's your body.
40:45He already gave it away once. He may be willing to do it again.
40:49But what about later?
40:51Because he will keep asking for more and more.
40:53And we have to stop him.
40:55Do you really want us to withdraw our offers simultaneously?
40:59That will force him to leave.
41:02I don't see another solution.
41:04Because you will never get your way, Mercedes.
41:06Yes, but you will win without any opposition and without spending a single real.
41:10Tell me, what will I get out of all this?
41:13I hate you as much as you hate me.
41:16But I would gain something with all this settlement.
41:20No, no.
41:22The simple idea of settling with you is unbearable to me, Victoria.
41:27I prefer ruin.
41:31Think that kings with more aversion than we have
41:34have come to sign agreements for mere convenience.
41:38We have a common enemy.
41:40And we want to defeat him.
41:43Yes or no?
41:46No.
41:50Maybe this will help you make a decision.
42:14I love you.
42:27Is something wrong, Adriana?
42:29No.
42:31No, Julio, I'm fine.
42:33I know you.
42:35You're thinking about our departure, aren't you?
42:39Think about the amount of new things we will find there.
42:43About the possibility that we may start a new journey together.
42:49Maybe I'm wrong and you're thinking about Pedrito.
42:53He hasn't finished accepting his departure, right?
42:59If you want, I can talk to him.
43:02No, Julio, there's no need.
43:04If I'm like this, it's not because of him.
43:07I'm also going to miss everything we left behind.
43:10This house.
43:12My family.
43:14But I imagine your side, going down this road together ...
43:16Julio, shut up, shut up, please, shut up.
43:23My state has nothing to do with our departure.
43:27My state has nothing to do with our departure.
43:36If not with something that happened yesterday.
43:43Explain yourself, I beg you.
43:48Julio, yesterday I went to Alpajar to see your brother.
43:52I felt the need to do it, at least to explain to him about my departure.
43:58Of course.
44:00And we argued.
44:02Angrily.
44:07And unintentionally ...
44:15I ended up giving myself to him.
44:21To be continued.
44:52If you really loved Adriana, if you loved her half as much as I love her,
44:56I would let her ...
44:57And that's what I'm trying to do!
44:58Don't lie!
44:59I'm not lying to you!
45:00We both want to distance ourselves from each other, yes!
45:03But you know what?
45:04What? What, Rafael?
45:05It's just that the other day I was having a few drinks with Mrs. Isabel.
45:07And at no time did she complain about you.
45:09I would do it for the vagina.
45:10But I promise you that she was only interested in us and our family history.
45:14What do you mean by our family history?
45:16The next time you decide to lie to those you hire,
45:19come to an agreement.
45:20And so you will not end up fired.
45:22Tiza says goodbye to us.
45:23Well, if I say goodbye to them.
45:28And that contempt?
45:29What did it come to?
45:31What's wrong with me?
45:32Nothing.
45:33What do you mean nothing?
45:34Has she stopped loving me?
45:36Yes.
45:37Raimunda.
45:38Raimunda.
45:39My God.
45:40Raimunda, answer me, please.
45:42After Pilar's death, Mercedes is not a person to trust.
45:45She is not in her right mind.
45:46And that is something that everyone in the valley knows.
45:48I thought you were determined to do anything to ruin this marriage.
45:52And I was.
45:54You are not being frank with me.
45:55No.
45:56I know you had a hard time with Miss Bárbara.
45:58Yes.
45:59That girl.
46:00What a character she has.
46:02As for my father, I ask you to be careful.
46:03He has many ways to hurt.
46:05And I love to put them into practice.
46:07You have changed overnight.
46:08He avoids me, he is more distant.
46:10What am I to you?