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  • 5/28/2025
Transcript
00:00First of all, thank you Indian. Thank you so so much for all of you for coming and
00:23I hope you all like the content that we showed you. It's been a long journey. But only thing is, this is nothing short of any big film that you see, I can promise.
00:39Nobody of us is well known and we are a very very small team. But the idea that you saw, the execution and everything.
00:50I am sorry about that. I am sorry about that.
00:56I am a very small team. But if you look at the visuals and the concept of this film, it's a very small team.
01:08So, you said that in the film, it's very big.
01:11I mean, if you look at the film, you want a fight scene. If you look at a fight scene, you will have a big visual.
01:19That's what we dream, television filmmakers.
01:22You have a big idea. So, it's a love story. It's a very pure, honest love story. It's a journey of one guy.
01:30One person is lonely and you will have a magical love story. That is a story.
01:36It's a simple line of repel.
01:38I am very special. I am going to enhance a lot of music and a scene.
01:43But what we did was, we tried to weave the story and it came out very very well.
01:49We are insanely confident. And one more thing I wanted to convey was, like,
01:54If you look at the teasers, it's very honest.
01:58The core value of the sustainability, it's different.
02:01Many of you said that you don't have a meme dialogue,
02:04you don't have an exposure, you don't have an exposure,
02:06you don't have a viral video, you don't have a video,
02:08you don't have a video, but we went with honesty.
02:10Filmmakers' current time in the current time,
02:13it's a disappointing thing.
02:15They always have memes and memes.
02:19That's very sad.
02:20But I feel, honest cinema will always work.
02:23So, in this cinema, it is very honest at heart and big at heart.
02:27I don't want television cinema.
02:28That television cinema, bigger films, how well they are doing,
02:31is my inspiration.
02:32And if we can contribute to that and make them proud,
02:35that will be our success.
02:36I want to end with one thing is,
02:39at the end of the day,
02:42cinema is already a breach.
02:43If you reach it, it's the metric.
02:46Rather than, if you reach it, it's the metric.
02:49Cinema quality is not.
02:51I request all of you to support.
02:53It's a good film.
02:54And share it, tell it to anyone.
02:57Because that breach is very important for us.
03:00And one more thing is,
03:01when we are making the film,
03:03as a maker, I always thought,
03:05when we are making the film pieces,
03:06100% of the work is done.
03:08Once the film is completed,
03:10I don't want to make the film complete,
03:11then the actual game starts.
03:14To getting it to the audience,
03:15it's a struggle.
03:16It's a struggle.
03:17Because,
03:18Chinna cinema, we are competing with Reels.
03:20We tend it to compare just now.
03:22I have content,
03:23will the audience take it seriously,
03:24is a big task.
03:25So,
03:26that's where you all come in.
03:28Me,
03:29with the support,
03:30with the content,
03:31one tweet or one share,
03:33will massively help a small film,
03:35with a big idea.
03:36Because,
03:37Telugu cinema,
03:38is all about big ideas.
03:39And,
03:40we want to contribute,
03:41one big idea to that list.
03:42And,
03:43I want to say,
03:44TFI Boundally,
03:45all hail,
03:46Telugu cinema.
03:49So,
03:50I've said a lot,
03:51a lot,
03:52a lot,
03:53a lot,
03:54a lot,
03:55a lot,
03:56a lot,
03:57a lot,
03:58a lot,
03:59a lot,
04:00a lot,
04:01a lot,
04:02a lot,
04:03a lot,
04:04a lot,
04:05a lot,
04:06a lot.
04:07Goodplace,
04:08a lot of this film,
04:09there isn't no single name,
04:10but,
04:11it's a whole time.
04:13I'm related to that film.
04:14I'm talking about it.
04:16I'm talking about it.
04:17I'm talking about that film,
04:18and I'm talking about it.
04:20However,
04:21I don't know what it is.
04:22I'm talking about it.
04:23And I'm talking about this film.
04:25And I don't know how big,
04:26the next trend is for this film.
04:30I told him,
04:31and I said,
04:32We want you to feel that you are completely honest with all the departments and cryptids, we just made it.
04:44I don't want to talk about the music here, but in the cinema, I feel like I'm going to play it.
04:53That's what I felt. I felt like we had a composition.
04:57We didn't do anything. I think I did what.
05:01I felt like this was a good point for me.
05:04I feel like this is something that I will glory in my life.
05:15This is something that I always tell to myself.
05:21I've been talking about this for a long time.
05:24I feel like I'm a big fan. I'm a big fan.
05:27I feel like I'm a big fan.
05:29If you're a big fan, I feel like you're a big fan.
05:32So, don't worry about it. Don't worry about it. Don't worry about it.
05:35Do support you.
05:37I feel like we have a long way to promote ourselves.
05:42We want to be content.
05:44Do support us.
05:46Remember Nilawe.
05:47Don't think you're confident about it.
05:48Remember that you're supporting some sensation very soon.
08:38But we have to reach to the audience and the audience will reach it to me.
08:42So we will definitely need you to support.
08:44Please do support us. Please do support a bunch of nobodies like me, like us.
08:48And please do support the film Niravai, the biggest musical out there now.
08:52And finally, I want to talk to you first time.
08:55Yeah, I want to talk to you first time, so I want to talk to you first time.
08:59Once again, I want to talk to you again. Thank you. Thank you so much.
09:02I want to talk to you first time Sai Bro, Samit Bro, and I want to talk to you first time.
09:08If you're a genuine fan of a story, you have to tell me a passion. Madden.
09:14If you're a bad choice, you can do that.
09:17And even if you're a right person, you want to talk to me as a leader,
09:22you can do a lot of things.
09:25And with all of them, I want to talk to you first time.
09:28Latif Ghani, assistant director, hero Garu, everybody, everybody supported me and I tried my best.
09:37I am happy to be with everyone.
09:39I am happy to be with everyone, but I am happy to be with everyone.
09:46Please, if you like it, share it, share J&D. Thank you, thank you so much.
09:53First, Lursist, MBS Parithwaj Karni Matarol Silkoor.
09:56Yes indeed, good evening.
09:58Good evening.
10:00As a person, this cinema has been created for the most part.
10:07It's a big journey.
10:09In this situation,
10:11I, Svamit,
10:13I have an opportunity to film a camera in that shooting.
10:17In the shooting, there are a lot of ideas.
10:20There are a lot of people who are traveling to us.
10:22There are a lot of dreams.
10:24This story can be seen in a cinema.
10:28I am going to show you how to execute it here.
10:31I don't like everyone else.
10:33Why?
10:34This cinema has no cash, no cash, no crew.
10:37But it's a dream, a passion, a passion.
10:42I call it, I call it, I call it, I call it a passion.
10:48So, I like to say to everyone, I give a real real real cinema.
10:54I can give a great support on the first step.
10:57I don't like it, but it's still a bad thing.
11:00I don't like it, I don't like it.
11:02I don't like it, I don't like it, I don't like it.
11:05I don't like it, I don't like it.
11:08I'm not a bad thing at all.
11:10I am a bad thing.
11:12You can share your emotions and share your feelings and promote your feelings.
11:19Thank you very much.
11:23Sister, tell us about your name.
11:25Hi, my name is Koti Mahmouda.
11:28I'm going to talk to you about the promotion center.
11:33I'm going to talk to you about some new things.
11:36I'm going to talk to you about some feelings.
11:40I'm going to talk to you about some new things.
11:43I'm already working on my first time story.
11:48I've been doing a lot of exercise.
11:52I've been doing a lot of exercise in the early've been years since I've ever done this time.
11:55I'm not always the actual work on this location.
11:57One kind of exercise is...
11:59I've had all lyrical videos, cryptos, visuals, music videos, and music videos.
12:08I have been working on all the films in Karyan Sarwagjation.
12:12I have been working on the film almost weeks.
12:14I don't know if I'm going to tell you.
12:16I have been working on this.
12:17Thanks everyone.
12:18Thank you, Samit, and Karyan Sarwagjation.
12:22Thank you, Kati Garu.
12:24Direct Garu.
12:25Generally, we have been working on a song for 3-5 minutes.
12:30So, we have been working on the 11th song for half an hour.
12:34So, do you want to see the content?
12:37That is the difference.
12:39Normally, we have cut-to-song, dance, etc.
12:42But, this is interesting.
12:44We have music through the story.
12:46So, every song is a progression in the story.
12:49Every scene treatment.
12:51The music is still alive.
12:53So, that is something different.
12:55So, if you look at the cinema,
12:57you won't realize that you don't feel like playing.
13:01So, that is the only difference.
13:03In the first part, we have music.
13:05So, the story is even through music.
13:07That is the difference.
13:08That is the difference.
13:09I think it's true.
13:10It's true.
13:11I think it's true.
13:12It's true.
13:13It's true.
13:14It's true.
13:15It's true.
13:16It's true.
13:17It's true.
13:18It's true.
13:19It's true.
13:20I am not sure.
13:21I am not sure.
13:22It's true.
13:23But, I am not sure.
13:24It's true.
13:25It's true.
13:26That is something interesting.
13:27That old thing is even though,
13:28You know,
13:29or you know,
13:30that smoking is there.
13:33So,
13:34it's a character trait.
13:35And, it's a very interesting character.
13:36And, that is
13:37that
13:38who is
13:39yes,
13:40Yes.
13:41And,
13:42actress who played
13:43she is a doctor.
13:44So,
13:45she also smoked.
13:46So, she knows.
13:47So, actually
13:48Sorry.
13:49Very sorry.
13:50I thought you asked.
13:51I have asked him
13:53youсь.
13:53There is no way to ask.
13:54It's like the duration of this part and the duration of this part is like the story of this part.
14:04As I said, I would like to tell you how simple it is.
14:09I would like to tell you everyday songs.
14:12I would like to tell you the story of this part and I would like to tell you.
14:19So, when you're in the dance, you're telling a story.
14:22You're taking photos, you're taking photos, you're taking photos.
14:25You're taking photos.
14:26So, there's a number of things.
14:28In one part, we presented you the entire data of what he's feeling.
14:32So, in the end of the part,
14:34I thought, okay, this is 4 minutes later.
14:36I can't go to this calculation.
14:37How much of the scene is that,
14:39we conclude that we showed that entire drama.
14:42Where did I get this question?
14:44How did I get this question?
14:46How did I get this question?
14:47Yeah, yeah.
14:48Definitely, definitely.
14:49There's no doubt about it.
14:50There's no song, separate type of stuff.
14:51We're talking about the story in the cinema.
14:55Yeah.
14:56Dr. Rar.
14:57This is Sharath Andich from Teluguon.
14:59Actually, it was a teaser and the music was awesome.
15:03My question is,
15:04what is the heroine?
15:06The heroine,
15:09she's a doctor.
15:12So, probably, she's saving life somewhere.
15:15So,
15:16she's saving life somewhere.
15:18So,
15:19just a short shot,
15:20she's saving life.
15:21Yes.
15:22That was very perfect.
15:23Yeah.
15:24And,
15:25you know,
15:26you know,
15:27you know,
15:28you know,
15:29you know,
15:30you know,
15:31you know,
15:32you know,
15:33you know,
15:34you know,
15:35you know,
15:36you know,
15:37you know,
15:38you know,
15:39you know,
15:40how are you emotions,
15:41right?
15:42Actually,
15:43I have to tell you something.
15:44The 11th emotion is a surprise in the film.
15:46And,
15:47the 11th emotion is Arjun's character,
15:49the lead character,
15:50played by Samuel.
15:51In general, you can choose your emotions in love.
15:58That is the main point.
16:01Sir, in the last rain shot and songs,
16:08Aashiki 2 cinema has been talking about.
16:13Because it's a pure love story, but it's also a musical love story.
16:18Any connections?
16:20One connection is, the girl is a singer.
16:23Aashiki is a singer.
16:24Atiti, the character.
16:26She is also a singer.
16:27Atiti, nothing else.
16:29That is the only resemblance.
16:32It's an honest, emotion-driven story.
16:35You have a career.
16:37You can choose raw emotions in the character.
16:41Aashiki is more built on careers.
16:44Singing and all.
16:45This is nowhere close to it.
16:47And you have 11 songs.
16:50So, what is the runtime of the film?
16:53So, in the present generation, there are songs.
16:56One song is okay to accept.
16:58What is the point of view?
17:02Anaji?
17:03That was never the case.
17:04Because there were a lot of films.
17:07If you had a lot of films or a lot of film,
17:10but you had a lot of films or MIHS.
17:11About to know more than 10 or 11 songs.
17:13But the only difference is in the story with the drive.
17:23We never were afraid. This is nothing new. It was already tested.
17:27It was already tested in the cinema, in the blockbuster.
17:31And you can choose in the narrative.
17:34Now, you want to learn about the 11th part.
17:37And in the narrative, you can choose the resemblance to choose.
17:41But, you have to learn about the 11 songs and the 11 emotions in marketing.
17:46Because we wanted to present more content.
17:49You can choose one teaser, a miracle video.
17:53You can choose the audience.
17:57So, as much as possible content you can choose.
18:01Which will connect.
18:02If you look at the 11 emotions,
18:04You have to see the face of love.
18:08You can choose the character, the character, the character, the character, the character.
18:13Somewhere, you have to relate.
18:15And that one relatability, if they can come to the theatre,
18:18That will definitely surprise them.
18:23So, that's the only marketing thing we wanted to say.
18:2611 emotions, then we are revealing.
18:29If you don't connect with 10 emotions,
18:31Come to the theatres, the 11th emotion will surprise you.
18:34And what is the runtime of the film, sir?
18:36And what is the runtime of the film, sir?
18:37What is the title?
18:38What is the meaning of that?
18:39What is the title?
18:40What is the meaning of that?
18:41What is the title?
18:42That was coined by our lyricist.
18:46I thought it's very interesting.
18:50Because, the title of the title is classic love stories.
18:54There are many other hit cinema lyrics.
18:58So, we thought, something that's original.
19:01It was a very short 70 years old.
19:04And one or two syllables here.
19:07So, Milagay was very nice.
19:11It was very nice.
19:13It was very nice.
19:14It was very nice.
19:15It was very nice.
19:16It was very nice.
19:17It was very nice.
19:19So, two, it's one of those Jean-Star characters.
19:22It was so funny.
19:23That was something we went with Milagayin.
19:25Yes.
19:26I really liked that.
19:27Starting is a few words.
19:30You will see your video,
19:31you are reading your videos,
19:32you are reading a video.
19:33Everyone is very nice.
19:34As you ask,
19:35you would like to tell the story,
19:36but a lot of the content,
19:38What will happen at you?
19:41You will reach out some people,
19:44the most important,
19:45but there is good content,
19:46It's an experimental movie in a cinema. It's not an easy thing in a cinema.
19:53Because when you play 4 or 5 songs, it's a type of type.
19:57So, you can play 9 songs. It's a type of type.
20:01It will be good.
20:04You can use classic love stories.
20:10If there is a known person or a known hero, there are a lot of expectations and attainability factor.
20:19There are already a star and a feeling.
20:21But, we have a relatable love story.
20:24More than anything, faces and people are more relatable.
20:28So, once they choose, they are only seeing themselves as characters.
20:32So, without this story, you will never see them as newcomers.
20:44Otherwise, they are 200% guaranteed.
20:46Because they weren't all in with their characters.
20:49Saumet, how we played Arjun.
20:51It's tremendous.
20:52He wrote the character.
20:53But, it's very out of the box.
20:58And nothing short of any big hero.
21:00It's not a big hero.
21:02It's not a big hero.
21:03It's not a big hero.
21:04It's not a big hero.
21:05It's not a big hero.
21:06Even Shureishi, Aditi's character.
21:09She is a doctor by profession.
21:12In film making and story, she believed in it.
21:15And, it's a dream to be in a theatrical film.
21:20So, when we narrated the story, she was more excited about the character.
21:25And, the way she pulled off Halithi's character.
21:27There was a lot of depth in that character.
21:29So, she pulled off a reunion.
21:31So, once you choose, the chemistry and the chemistry.
21:35It's nothing less than any known faces.
21:39Okay.
21:40And, they are not a big hero.
21:41But, they are just telling me that.
21:43So, they are not a big hero.
21:44So, they are not a big hero.
21:45So, they are not a big hero.
21:46So, they are not a big hero.
21:47Nothing.
21:48Hi, Andy.
21:49This is Prajavani.
21:50You have seen a movie chase.
21:52You have seen a movie chase.
21:54You have seen a movie chase.
21:55You have seen a movie chase.
21:56How are you taking a movie chase?
21:58How are you taking a movie chase?
22:00You have seen a lot of scenes in action?
22:02How are you experiencing all the dreams?
22:04Yeah.
22:05And, the films are very, most of them, we had talents.
22:10But, there will be a huddle in making process.
22:13But, how we overcame it and the netlab path was the biggest task.
22:19was the biggest task. So, I think there is a lot of craftsmanship, knowledge and we know we can do it.
22:27There is confidence in the team and there is a driving force and there are hurdles.
22:32There are hurdles across and there is more passion and rawness.
22:38And all of us on the team are very obsessive filmmakers and the craftsmanship and everybody are very obsessive with films.
22:47So, that is one of the driving force.
22:49And there is no shortage of talent in anybody.
22:52And for an example, I don't want to, like, Baratwaj has to go to lyrics.
22:57If you take Baratwaj out and put anybody's big name, you will feel the lyrics are on par.
23:04In the cinematography, if you want to make a big name, that will be on par.
23:09So, that is how it is.
23:12Exactly, you can do that too.
23:15Actually, the teacher and the songs choose, you can do that too.
23:20Yeah, exactly.
23:21There are a lot of visuals and all the best.
23:25Thank you so much.
23:26Thank you so much.
23:27The director is a song.
23:28And the music director is one of the songs.
23:29And then the music director is the music director.
23:31So, it is a lot of musical classic films and songs.
23:35All of the songs are available.
23:37And it is a lot of tunes.
23:40Thank you so much.
23:41Thank you so much.
23:42So, the director is the story of the song.
23:44And the thing is, the story of its life is not.
23:45No, it's completely in the story.
23:47I mean, the phases of his life are fast.
23:50I mean, when he comes to a song, he starts to talk to him.
23:56I mean, there's no idea.
23:58It was going through the character.
24:00I mean, there's no lyrics.
24:03I mean, there's no lyrics.
24:05I mean, there's no lyrics.
24:07I think that's all.
24:09I mean, there's no lyrics.
24:11I mean, there's no lyrics.
24:13What we are being called as a cinema.
24:15I think that's all.
24:18Director Garo.
24:19The Metro City has been being counted in the old film.
24:24Actually, in the last 10 years.
24:26So, to go back to the cinema,
24:28there are female smokers worldwide.
24:32And doctors and IT employees.
24:36They're trying to smoke all the pressure in the field.
24:39So, you're going to assemble the smoke in the cinema
24:42or else you can use the cinema character or use the bite acronym.
24:48Like real life resemblance, it's a very large portrayal.
24:53But smoking used in cinema is very larger than life.
24:57So, like any in television, smoking is presented as a larger than life thing rather than a realistic thing.
25:06So, it's not realistic, it's a character trait and it has a very like narrative apart.
25:14That's a surprise thing.
25:16But it is presented as a character trait and it's very larger than life portrayal.
25:20Nothing related to it.
25:22That's it.
25:23Normally, I don't know if my mom is a lot of luck.
25:29But I don't know if your mom is a lot of smoke.
25:33There is a continuation question.
25:35Actually, there is no one element of smoking.
25:37There are many elements inside the film.
25:40If you look at it, maybe...
25:42Even the workshops?
25:43No, not just smoking.
25:44Okay.
25:45Do you want to do workshops?
25:47Yeah, yeah.
25:48Do you want to do workshops?
25:50Yeah, yeah.
25:51Do you want to do workshops?
25:52No, no, no.
25:54Okay, sir.
25:56Looks very good.
25:59All the rest.

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