FULL MOVIES ENGLISH SUB
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Category
🎥
Short filmTranscript
00:00:00Hey, how much to take you to my place, baby doll?
00:00:20Sorry, I don't do private dances.
00:00:22She'll strip for money, but you won't fuck a guy?
00:00:24I'm not a hooker.
00:00:25Show some respect.
00:00:26You fucking bitch.
00:00:28You fucking bitch.
00:00:29I'll show you respect.
00:00:30Mr. Morgan, I am so sorry.
00:00:33She's new here.
00:00:34I've got to train her better.
00:00:35Just have a seat.
00:00:36We'll be with you shortly.
00:00:37Sorry about that.
00:00:44You ungrateful bitch.
00:00:45You remember who saved your ass when you were knee deep in debt?
00:00:49Me.
00:00:54How are we doing with the search?
00:00:55Not good, boss.
00:00:56Still going.
00:00:58Find her.
00:00:59I don't care what it takes.
00:01:05I found the perfect woman for you.
00:01:06It's about time you settle down and get married.
00:01:08Her name is Carla.
00:01:09She's a daughter of a friend of mine.
00:01:11Dad, we've been over this.
00:01:13I don't need you to find me the perfect woman.
00:01:16Of course I do.
00:01:17You're an Ardwin.
00:01:18I have to make sure my son marries the perfect woman.
00:01:20So now all of a sudden you give a shit about me?
00:01:22You never cared when you drove mom away?
00:01:24Or when you sent me to that orphanage all by myself?
00:01:26Silence.
00:01:27How dare you?
00:01:28This is for the Ardwin family business.
00:01:30You're marrying Carla Jennings.
00:01:32End of discussion.
00:01:34Dad.
00:01:35Dad.
00:01:40I paid your 500 grand debt.
00:01:42And I gave you a job.
00:01:43Now if you want to quit so bad, pay me back.
00:01:47And get the fuck out of my club.
00:01:49Please, you know I don't have $500,000.
00:01:51Just give me another chance.
00:01:53Then get the fuck back in there.
00:01:55Apologize to that nice gentleman.
00:01:57And do whatever the fuck he tells you to do.
00:01:59Now if I get any more complaints from our clients,
00:02:02you will be sorry.
00:02:04Got it?
00:02:05Is there a problem here?
00:02:07No, sir.
00:02:09Everything's fine.
00:02:12She looks just like her.
00:02:15Will you marry me?
00:02:21Will you marry me?
00:02:25No, let's tell my father I've chosen a wife for myself.
00:02:27Are you sure, boss?
00:02:29She's a stripper.
00:02:31How about we make a deal?
00:02:33Name any price you want, and we get married.
00:02:36I hope my boss is right.
00:02:38I don't want to be a stripper.
00:02:40Name any price you want, and we get married.
00:02:43I owe my boss $500,000.
00:02:45He's not going to let me go until I pay it.
00:02:51Anything else?
00:03:00This is your house?
00:03:02It's our house now.
00:03:04Welcome.
00:03:11All right.
00:03:13Sign this agreement,
00:03:15and we'll be contractually married for a year.
00:03:17After that, you can file for divorce.
00:03:19Until then,
00:03:21you're part of the richest family in the country.
00:03:34My heart belongs to somebody else, though.
00:03:36I don't want you to know that I'm not attracted to you.
00:03:39We're just going to be married on paper.
00:03:42Is that so?
00:03:44Well, don't worry.
00:03:46I'm not attracted to you either.
00:03:48I just wanted the money.
00:03:50All right.
00:04:01Hey, where am I staying, by the way?
00:04:04In the guest room.
00:04:09Wow.
00:04:11I'm a total jerk. This isn't bad.
00:04:21It's been over ten years.
00:04:24I miss you so much.
00:04:39I miss you, too.
00:04:56Nass, I need you to find out everything you can
00:04:58about the woman I just married.
00:05:00See if she grew up in the same orphanage.
00:05:10Sorry, I didn't mean to.
00:05:12This is my bathroom.
00:05:14What do you think you're doing?
00:05:16Nice try trying to use your little tricks
00:05:18to get my attention.
00:05:20It's not going to work, though. Sorry.
00:05:22I wasn't trying to get your attention.
00:05:25Ugh.
00:05:30Do you mind turning that off?
00:05:32No.
00:05:34I'm sorry.
00:05:37Do you mind turning that off?
00:05:41I just thought the carpet needed some cleaning.
00:05:43You're here to be my wife, not a maid.
00:05:48Who are you?
00:05:52Wait, you're that stripper.
00:05:55What are you doing in Edward's house?
00:05:57I am who are you?
00:05:59I am Edward's fiancé.
00:06:03Edward, you're marrying a stripper?
00:06:05I thought I was your fiancé.
00:06:07My father arranged for us to get married
00:06:09only for the sake of our families.
00:06:11We wouldn't be happy even if we did get married.
00:06:13But I would be happy, Edward.
00:06:15Carla, you know I have someone that I love.
00:06:19She's the one I'm waiting for.
00:06:23I don't know who the fuck you are,
00:06:25but if you think you have a chance against me,
00:06:27you're dumber than I thought.
00:06:30Miss, get it straight.
00:06:32I'm not competing with you.
00:06:35Stop it.
00:06:37Edward!
00:06:39Are you defending her now?
00:06:41I'm not dumb, bitch.
00:06:43Just wait.
00:06:45Wow, you've got a lot of admirers, huh?
00:06:48Any more that I need to watch out for?
00:06:50Look, if you see me in the living room,
00:06:52don't show your face.
00:06:54Same will go for me.
00:06:56Your house, your rules.
00:06:58Your house, your rules. Big deal!
00:07:07Hi, I'm Velma.
00:07:10I've worked a lot of odd jobs in the city.
00:07:16Waitressing and working in nightclubs.
00:07:21All for a chance to act.
00:07:29I'm also looking for someone.
00:07:34And I hope that one day he sees me on screen.
00:07:43That way he knows that I'm still here.
00:07:59Walker, I hope you see me.
00:08:17That's okay, Sarah.
00:08:19Velma doesn't need to dine with me.
00:08:22Bring my food to my room and I'll eat there.
00:08:24Yes, it's fine.
00:08:27I usually don't eat with people anyway.
00:08:30By the way, I'm going out for a bit today.
00:08:33Where you go is none of my concern.
00:08:37Fine!
00:08:41Is he always this big of a jerk?
00:08:43Excuse him, ma'am. He's just used to living alone.
00:08:47I'm sorry, Sarah. It must be difficult dealing with him every day.
00:08:51It's okay.
00:08:58Yeah, I'll be right there.
00:09:12Okay, sit.
00:09:14So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:20Is it true?
00:09:21I didn't know that he was a billionaire until after we were married.
00:09:24You're joking! How did you manage that?
00:09:27Shh! I just signed a contract. It's fake.
00:09:31What? Well, who cares? What are you waiting for? Seal the deal.
00:09:35And you know that I can't think about anyone but Algar?
00:09:38T, it's been ten years since you two escaped the orphanage.
00:09:43I mean, Algar could be anywhere. He could be dead.
00:09:45He's not dead!
00:09:47Okay, it's okay. I'm sorry.
00:09:50So, what's your plan?
00:09:53Keep things the way they are, I guess.
00:09:56Except now I can focus more on acting and not dancing in strip clubs.
00:10:01Hey, that's exciting, right? That's something you've always wanted to do since you were a kid.
00:10:05Is that audition today?
00:10:07Yeah.
00:10:15Hi, I'm here for the audition.
00:10:18You think you can just show up like that, you slut?
00:10:24Are you stalking me?
00:10:26Oh, don't flatter yourself. I'm the lead of this production.
00:10:30She's not auditioning.
00:10:32Sorry.
00:10:34You can't do this! I worked so hard for this opportunity!
00:10:37Oh, like stripping for men and fucking them in strip clubs?
00:10:41Got it! I was dancing, that's it!
00:10:44What's the fucking difference?
00:10:46I eat girls like you for breakfast.
00:10:49Let's go, Derek.
00:10:52Let's go, Derek.
00:10:56No! Please! Wait!
00:11:05Be quiet.
00:11:21Let's go.
00:11:43Boss.
00:11:45Get the details.
00:11:47Tell her she moved to a high school not far from here.
00:11:50Her husband auditioned for films.
00:11:52She worked at nightclubs to make a living.
00:11:55Bad relationship with her parents.
00:12:04But not an orphan.
00:12:06No name changes.
00:12:08And definitely never been to an orphanage.
00:12:12I wanted it to be her so bad.
00:12:16Of course it can't be Helen.
00:12:18You've been looking for this girl for ten years.
00:12:21Who is she?
00:12:23Someone more important to me than life itself.
00:12:42Oh, my God.
00:12:44It is her!
00:12:50Find me the location where this photo was sent.
00:12:52Got it. Photo's been sent.
00:12:54Good. Where is she?
00:12:56Oh.
00:12:58Out like a lame.
00:13:00I guess marrying Edward won't solve everything.
00:13:03Oh, I've got it.
00:13:05Do whatever you want with her, and clean it after you're done.
00:13:12Okay.
00:13:24I've been searching for you for so long, and you were right here.
00:13:42Boss, he's gone.
00:13:44Find him. And keep this between us.
00:13:46Got it.
00:13:48Oh, God. Save me.
00:13:50Come on. I got you.
00:14:04Oh, God.
00:14:06Oh, God.
00:14:08Oh, God.
00:14:10Oh, God.
00:14:12I'm sorry.
00:14:15I can't tell you who I am.
00:14:17Not yet.
00:14:34We'll need your names once we're out of here, right?
00:14:37Yeah, we're starting a new life.
00:14:39I'll be...
00:14:41Telma. What about you?
00:14:43Algar.
00:14:45Helen!
00:14:47Where are you?
00:14:49We have to run quick.
00:14:51Trying to escape again?
00:14:53I warned you it's not gonna work.
00:14:55Looks like I gotta give you some real punishment.
00:14:57You go first.
00:14:59At least one of us needs to escape.
00:15:01No, you go.
00:15:03She's gonna kill you.
00:15:05I won't let her catch me.
00:15:07Just go. I'll find you.
00:15:09Let's meet at the amusement park.
00:15:13I'll wait for you, Algar.
00:15:19Oh, you're not going anywhere.
00:15:21I'll bring her back.
00:15:23Rest assured.
00:15:25After I'm done with you.
00:15:27I'll wait for you, Algar.
00:15:35What happened?
00:15:37Nothing to worry about.
00:15:39Just some issues with the film crew, but...
00:15:41Why are you being so nice to me?
00:15:43No reason.
00:15:45Here, take this card.
00:15:47It's unlimited.
00:15:51No reason.
00:15:53Here, take this card.
00:15:55It's unlimited.
00:15:57Spend it however you want.
00:15:59Why are you doing this? I don't want your money.
00:16:03Well, if you need money, just let me know
00:16:05and you can stop looking for
00:16:07odd jobs.
00:16:11Odd jobs?
00:16:13Acting is my dream.
00:16:15I danced in strip clubs
00:16:17for a living, but
00:16:19people like you
00:16:21born from a silver spoon wouldn't understand that.
00:16:23Then stop doing it.
00:16:25We're in a contract marriage,
00:16:27right?
00:16:29I won't interfere with your life
00:16:31and you can't meddle in mine.
00:16:33Acting is something that I've
00:16:35always wanted.
00:16:37And besides,
00:16:39I'm not going to take your money besides the number
00:16:41that we agreed on.
00:16:43You need to rest now.
00:16:49Do you mind?
00:17:09Look at this mess.
00:17:11Clean it up if you even think
00:17:13about going to bed.
00:17:19Eat up.
00:17:29Eat up.
00:17:31You must be starving.
00:17:33Nah.
00:17:35You probably worked hard for this.
00:17:37Come on, take it.
00:17:43I can't believe she locked you out for three days
00:17:45and made you do all this.
00:17:47You made it easier for me.
00:17:49No, get back before she sees you here.
00:18:09Excuse me,
00:18:11I'm calling to ask about my audition.
00:18:13I'm sorry,
00:18:15your name has been blacklisted
00:18:17from reproduction.
00:18:19What?
00:18:23This is the dude
00:18:25who told Thelma I sent you those pictures.
00:18:35How about a drink?
00:18:37There are two glasses of scotch there.
00:18:39Pick one.
00:18:41I'm sorry, Mr. Ephardt.
00:18:43Please.
00:18:45Just a friendly gesture from the boss.
00:18:49One more thing.
00:18:51Only one of those glasses is poison free.
00:18:53You should have known better
00:18:55what would happen
00:18:57when you kidnapped Thelma.
00:18:59Here, I'll do it for you.
00:19:01Hold it.
00:19:05Go!
00:19:07Go!
00:19:13Take him away.
00:19:21This
00:19:23is what I've become, Thelma.
00:19:25I hope you never
00:19:27see me like this.
00:19:29Ruthless,
00:19:31merciless.
00:19:33Both glasses
00:19:35have silenced the man.
00:19:37I simply can't forgive him
00:19:39for what he did.
00:19:43Thelma, will you forgive me?
00:19:53What the fuck happened to you?
00:19:55How did he find you? What happened?
00:19:57Oh, you can't
00:19:59even talk now?
00:20:01God, you're fucking useless.
00:20:05Inform every production you can reach.
00:20:07Thelma will never be an actress.
00:20:09Make sure of it.
00:20:13Go!
00:20:25Are you okay?
00:20:27I've been blacklisted
00:20:29by every production company,
00:20:31even the Actors Guild.
00:20:33What am I going to do?
00:20:35Hey, don't lose heart, okay?
00:20:37I happen to know of an audition
00:20:39going on today, if you're interested.
00:20:41Since when did a good friend of mine tip me off?
00:20:43Now, come on. Let's go.
00:20:45All right? It's better than moping around here.
00:20:47Come on.
00:20:51Here it is.
00:20:53So I can just go in there, just like this?
00:20:55Yes, I got everything set up, okay?
00:20:57Just go ahead, go in, and do your thing.
00:20:59You got this.
00:21:01Break a leg.
00:21:07What is she doing?
00:21:13Who is she?
00:21:15Nobody.
00:21:17She's not here for the audition, too, is she?
00:21:19Well, in that case,
00:21:21we're in for a treat.
00:21:25Karla Jenny?
00:21:27You're up next.
00:21:29You ready?
00:21:31Yeah.
00:21:33Karla Jenny, you're up next.
00:21:53I can't believe it!
00:21:55It was you all along!
00:21:59That's right.
00:22:01I never thought you'd find me,
00:22:03but it must come to an end.
00:22:07Oh, no!
00:22:19Cut!
00:22:23I'm sorry.
00:22:25Were you shot,
00:22:27or did someone just step on your toe?
00:22:29Sorry, Ben, I was just a bit nervous.
00:22:31Miss Jennings,
00:22:33we are making a thriller
00:22:35with a tragic ending.
00:22:37What you just did was borderline comedy.
00:22:39Excuse me?
00:22:41Do you know how close I am with your investor?
00:22:45Sir, she was indeed
00:22:47recommended for the role.
00:22:49May we give her another chance?
00:22:51No!
00:22:53No, no, no, no, no.
00:22:55We are creating art
00:22:57that appeals to our audience,
00:22:59and she is clearly
00:23:01not right for the role.
00:23:03Next!
00:23:05I'm sorry, Miss Jennings.
00:23:07That was great.
00:23:09Maybe another project,
00:23:11or another...
00:23:13What are you still doing here?
00:23:15I thought you were blacklisted.
00:23:17So it was you.
00:23:19If that's the best you've got,
00:23:21then I'm not that worried.
00:23:23You think you can do better than me?
00:23:25You're nothing.
00:23:27Yeah,
00:23:29show us what you've got.
00:23:31Thelma?
00:23:33Hi.
00:23:35Come here.
00:23:47So it was you.
00:23:49All this time!
00:23:51That's right.
00:23:53I never thought you would find me.
00:23:57But now it must come to an end.
00:24:01No!
00:24:03This can't be it for us.
00:24:11Cut!
00:24:13Well, that was
00:24:15amazing!
00:24:17You fully captured
00:24:19that role.
00:24:21Congratulations, you got the part.
00:24:23What?
00:24:29What about me? You promised me.
00:24:31Oh, come on, you have to admit,
00:24:33she was exceptional.
00:24:35She was perfect for the part.
00:24:37Pearl, you killed it!
00:24:39You were great.
00:24:41I'm Alex. Looks like we're going to be
00:24:43scene partners. Thelma.
00:24:45Hey, do you want to go somewhere more private?
00:24:47We could talk about the script.
00:24:49Yeah, sure.
00:25:01What the fuck?
00:25:03Hitting on the wrong girl, buddy.
00:25:05Edward, what are you doing?
00:25:07I need to go talk to Thelma.
00:25:09How about you shoot another day?
00:25:15What are you doing?
00:25:17Can you explain yourself?
00:25:19I don't owe you any explanations.
00:25:21So you're seeing new guys?
00:25:25What? No!
00:25:27We were just acting out a scene.
00:25:29You two get real close? Like a couple?
00:25:31I was just doing my job.
00:25:33There's nothing wrong with it.
00:25:35And besides, even if I was seeing someone,
00:25:37it would be none of your business!
00:25:45Yay!
00:25:47I heard you got the lead role.
00:25:49That's amazing. I knew you'd kill it.
00:25:51Janet, what is Edward doing here?
00:25:53Who?
00:25:55Come on, you know who I'm talking about.
00:25:57Oh, um...
00:25:59Gosh, you still don't know, do you?
00:26:01Know what?
00:26:03Well, he's actually the investor
00:26:05of this movie.
00:26:07This is his project.
00:26:13Why did you bring me here then?
00:26:17Well, it was actually his idea.
00:26:21Hello?
00:26:23Hi, is this Gene?
00:26:25Who is this?
00:26:27This is Edward Ardoin.
00:26:29I recently invested in a film project,
00:26:31and I want you to take your friend, Thelma.
00:26:33I think she'll be great for a lead role.
00:26:35Wait, wait, you're Edward Ardoin?
00:26:37I wired the payment to your account.
00:26:41Wait, wait, wait!
00:26:45I still can't believe I spoke
00:26:47to the legendary Edward Ardoin.
00:26:49I can't believe you knew
00:26:51all this time and you didn't tell me.
00:26:53Oh, well, don't look at me.
00:26:55I'm just the middle man doing somebody else a favor, okay?
00:26:57And you still got the lead.
00:26:59It's amazing.
00:27:01But, you know,
00:27:03a lot of people say that Edward's not very nice.
00:27:05He's like a stone-cold man.
00:27:07Why is he being so good to you?
00:27:09Yeah, I don't get it either.
00:27:11I mean, women must be
00:27:13throwing themselves at him.
00:27:15Why? Would he help you?
00:27:23Maybe he's...
00:27:25Maybe he's fallen for you.
00:27:27Oh, come on.
00:27:29That's impossible.
00:27:31He said some pretty harsh stuff earlier, so...
00:27:33Well, is that why you look all gloomy?
00:27:35What happened? Did you guys fight?
00:27:37He saw me doing a scene
00:27:39with another actor and...
00:27:43That's...
00:27:47Why do you care
00:27:49what he thinks, though?
00:27:51Come on, girl.
00:27:53This does not sound like you.
00:27:55Are you sure you haven't fallen for him, too?
00:27:57No, it's just...
00:27:59There's something about him
00:28:01that's familiar.
00:28:03Like...
00:28:05Like...
00:28:07I've seen him before.
00:28:09Hmm.
00:28:21Hmm.
00:28:27Thank goodness you're here, Helen.
00:28:29This place is depressing.
00:28:31I don't know if I could make it without you.
00:28:35You're the one protecting me.
00:28:37I can't stand watching you getting hurt.
00:28:39You're as sweet as a sugar pea.
00:28:41Can I call you Sugar Pea?
00:28:43Sure, as long as I can call you
00:28:45My Little Rock.
00:28:47My Little Rock?
00:28:49Like a rock I'll never break.
00:28:51Deal.
00:29:01Elgar...
00:29:03What have you done to me?
00:29:09I see your face everywhere.
00:29:19Oh, good.
00:29:21Just in time.
00:29:31Damn.
00:29:33Why are you being so nice to me?
00:29:39Look, I'm
00:29:41sorry about today.
00:29:43It was stupid of me
00:29:45to react that way.
00:29:47No, I mean, why did you help me
00:29:49get the role for your film?
00:29:57Well, you won't take my money
00:29:59and I can't allow
00:30:01the wife of Edward Ardoin to just work
00:30:03a regular job.
00:30:05Oh.
00:30:07Okay, so that's why.
00:30:09We're all rich people.
00:30:11What was that?
00:30:13Nothing. This is great.
00:30:17You know,
00:30:19you can be real sweet sometimes.
00:30:21This is delicious.
00:30:23I'm glad
00:30:25you like it.
00:30:27Sweet pea.
00:30:31Good morning, ma'am.
00:30:33Edward is left already.
00:30:37I saw you were cooking
00:30:39last night. I watched your utensils.
00:30:41Uh, yeah.
00:30:43It was Edward.
00:30:45He is the cook.
00:30:47Edward.
00:30:49Gotta go.
00:30:51Okay.
00:30:57What is going on?
00:30:59What are we waiting for? Let's get started!
00:31:01One of our lead roles
00:31:03is not here yet.
00:31:05The one thing
00:31:07I ask everyone here
00:31:09is to be professional.
00:31:11Sorry, guys.
00:31:13Traffic was nightmare.
00:31:15Alright, I'm ready to start.
00:31:17Wait, I thought that she
00:31:19didn't get the part.
00:31:21Well, how about that?
00:31:23Looks like I'm gonna be playing your bestie.
00:31:25After this,
00:31:27nobody's ever gonna remember you.
00:31:29We'll see about that.
00:31:3342 Delta, take two.
00:31:35Ready!
00:31:37And action!
00:31:39You have to leave now!
00:31:41Not without the love of my life.
00:31:43I'll wait for him no matter what!
00:31:51Cut!
00:31:53What do you think you're doing?
00:31:55She's playing my role.
00:31:57Carla.
00:31:59What the hell
00:32:01was that? That wasn't even in the script.
00:32:03I was just adding some extra touch to it.
00:32:05You know, for the sake of art.
00:32:07Art?
00:32:09That doesn't make any sense.
00:32:11And who gave you the authority
00:32:13to change my script?
00:32:15It's fine.
00:32:17She can hit me.
00:32:19Oh. Thelma, are you sure about this?
00:32:21It's all good if it's
00:32:23all for the sake of the effect.
00:32:25Wow.
00:32:27I knew I was right. I'm choosing you as my
00:32:29leader.
00:32:31Back to one, please.
00:32:33Yes, thank you. Can you pick up my script?
00:32:35And action!
00:32:37You have to leave now!
00:32:39Not without the love of my life.
00:32:41I'll wait for him no matter what!
00:32:45Edward?
00:32:51Good to see you here.
00:32:53Were you watching me?
00:32:55Me and Thelma make a perfect team, don't we?
00:32:57Jay, have these two switch roles.
00:32:59I want Thelma
00:33:01to do the slapping
00:33:03since it's all for the sake of art.
00:33:07But Thelma is the lead.
00:33:09Yeah, that wouldn't make any sense.
00:33:11We can't make more changes to the script
00:33:13and we're already behind and...
00:33:15Better get right to it, then.
00:33:17You don't have to do this for me.
00:33:19I'm not doing it for you.
00:33:21I'm doing it for my own investment.
00:33:27All right.
00:33:29We have added a line
00:33:31to the script
00:33:33and we are going to
00:33:35We have added a line to the script
00:33:37so now Thelma,
00:33:39Carla's new line
00:33:41will be your cue for the slap.
00:33:43Got it?
00:33:45All right.
00:33:47And...
00:33:49Action!
00:33:51You have to leave now!
00:33:53Not without the love of my life.
00:33:55I'll wait for him no matter what!
00:33:57But what if he's dead?
00:33:59What if he finds somebody else?
00:34:01Are you just going to spend the rest of your life
00:34:03with him?
00:34:07Then I'll be sure
00:34:09to leave no room for regret.
00:34:13Cut!
00:34:15Oh!
00:34:17That was perfect, Thelma!
00:34:19You handled that
00:34:21perfectly.
00:34:23Thelma, were you not supposed to slap Carla
00:34:25after that line?
00:34:27No need for that.
00:34:29I think that my character is above that kind of pettiness.
00:34:33Bye.
00:34:39I'm going to expose you, Thelma.
00:34:41Sooner or later.
00:34:53Where are you,
00:34:55my little rock?
00:34:57I'm doing fine.
00:34:59Don't you worry.
00:35:03You know it's bad to waste food.
00:35:05Do you think you deserve to be punished?
00:35:07Yes, Headmistress, I do.
00:35:11Ma'am, Helen's sick. That's why she couldn't finish.
00:35:13Isn't that sweet?
00:35:15Too bad.
00:35:17She's getting more punishment because of you.
00:35:19Isn't that sweet?
00:35:21Well, if you so insist,
00:35:23you can take it for her!
00:35:25No. Get off.
00:35:27You're right.
00:35:33Found the worker
00:35:35who leaked info to our computer.
00:35:37A manager who's worked with us
00:35:39for 20 years.
00:35:41What do we do with him?
00:35:43Uh...
00:35:45Fire him.
00:35:47Zoom if we need to.
00:35:49Can't have disloyalty in the company.
00:35:51It might ruin him and his family.
00:35:53So be it.
00:35:55All right.
00:35:57So be it.
00:35:59All right.
00:36:27Elker?
00:36:45Elker?
00:36:51Elker?
00:36:57Elker?
00:37:17Where's my...
00:37:27Oh, no, no, no.
00:37:43Morning.
00:37:45What are you doing?
00:37:47Nothing.
00:37:49Uh...
00:37:55Nothing.
00:37:59I...
00:38:01Carried you to your bed last night
00:38:03and that was it.
00:38:05No, seriously.
00:38:07What are you doing?
00:38:09Nothing, sweet pea.
00:38:11What did you just call me?
00:38:13Uh...
00:38:15Sweet pea.
00:38:17You said it in your sleep last night.
00:38:23I see. Well, don't ever do that again.
00:38:25Sure.
00:38:39Hi.
00:38:41Could you maybe explain
00:38:43this scene a little bit? I'm not sure if I get it.
00:38:45I mean, it is pretty straightforward.
00:38:47Just do what it says without improvising.
00:38:51Well, um...
00:38:53You were so great yesterday.
00:38:55I want to go over this one part.
00:38:57Now, when you say this line
00:38:59about...
00:39:01We'll see who wins.
00:39:03Nos.
00:39:05What am I doing this afternoon?
00:39:07Well, it's kind of
00:39:09a very important meeting.
00:39:11Did you forget?
00:39:13Canceled.
00:39:15Send them my apologies.
00:39:17What?
00:39:19So, what do you normally do
00:39:21when you're not working?
00:39:23Uh, I do striptease.
00:39:25Oh.
00:39:27I was thinking more along the lines
00:39:29of going to the movies.
00:39:31There's actually a good one out right now.
00:39:33I mean, maybe if you're interested
00:39:35we could try to catch it together?
00:39:37Sorry, but I really need to focus
00:39:39on this job right now.
00:39:41You're a really interesting person
00:39:43to talk to, you know that?
00:39:45Edward!
00:39:47Are you here to see me?
00:39:49Oh, you puddle dad.
00:39:51Aww.
00:39:53Edward?
00:39:55It's not for you.
00:39:57I'm sorry.
00:39:59Why is she so talkative?
00:40:01Go put the snacks in the lounge.
00:40:03Got it, boss.
00:40:05Edward?
00:40:07What's your name again?
00:40:09Actually, it doesn't matter.
00:40:11What were you talking
00:40:13to my wife about?
00:40:21Oh.
00:40:23Thelma, I had no idea
00:40:25that you were married.
00:40:27Oh, don't worry about it, man.
00:40:29We were just talking about
00:40:31stuff in the script.
00:40:33Is that right?
00:40:35Hey, so you must be
00:40:37Edward Ardwin.
00:40:39I've heard a lot about you.
00:40:41I'm Alex.
00:40:43Cool. Bye, Alex.
00:40:45Yeah, I'll see you later, Thelma.
00:40:47No, you won't.
00:40:49Good, you guys are all here.
00:40:51Edward brought snacks.
00:40:53They're in the lounge if anyone wants them.
00:40:55Yes, I'll come.
00:40:57Snacks.
00:40:59Edward doesn't usually
00:41:01come to set this often.
00:41:03He's quite the busy man.
00:41:05I think he's here to see you.
00:41:07He's here to see Carla, not me.
00:41:09Oh, please. Can you not see
00:41:11the way he looks at you?
00:41:13Whatever.
00:41:15Speak of the devil.
00:41:17I will give you two some privacy.
00:41:19Wait. No, don't.
00:41:21Okay.
00:41:27You're getting out of hand.
00:41:29Don't forget, I'm the one who hired you.
00:41:31Excuse me?
00:41:33Stay away from Alex. Got it?
00:41:35What are you talking about?
00:41:37There's nothing going on between us.
00:41:39Besides, you came here to see Carla.
00:41:43So you're jealous.
00:41:45What are you talking about?
00:41:47I'm not jealous.
00:41:51What are you doing?
00:41:53Carla and I aren't together.
00:41:55I'm here for you.
00:41:57You really expect me to believe that?
00:41:59Don't look.
00:42:05Yeah, girl?
00:42:09What?
00:42:21Jean, are you absolutely sure?
00:42:23Yes. Positive.
00:42:25I used to know this guy from the streets
00:42:27and he and Algar drifted around for months.
00:42:29So where is he?
00:42:31Well, they later got separated
00:42:33so he has no idea after that.
00:42:35But that's gotta mean that
00:42:37Algar's still alive, right?
00:42:39Oh my goodness. Thank you so much.
00:42:41You have no idea how much this means to me.
00:42:43It's been ten years.
00:42:47Don't forget, you are married too.
00:42:49What are you gonna do?
00:42:51I'll divorce him once our contract is up.
00:42:53I needed the money.
00:42:55Algar will understand.
00:42:57I don't know.
00:42:59Edward seemed really into you.
00:43:03Actually, Jean, I think I should
00:43:05keep my distance from him.
00:43:07You okay?
00:43:09Yeah.
00:43:13Want to tell me what happened?
00:43:15I just want to be alone for a bit.
00:43:17Okay?
00:43:19Is this about Carla?
00:43:21I told you, I went to see you.
00:43:23Not her.
00:43:25Edward, I don't care who you're seeing.
00:43:27I just want to be alone for a bit, okay?
00:43:29Is this about Carla?
00:43:31I told you, I went to see you.
00:43:33Not her.
00:43:35Edward, I don't care who you're seeing.
00:43:37We're only married on paper, right?
00:43:41Is this because we're moving too...
00:43:43fast?
00:43:51Is this about Carla?
00:43:53I told you, I went to see you.
00:43:55Not her.
00:43:57Edward, I don't care who you're seeing.
00:43:59We're only married on paper, right?
00:44:02Is this because we're moving too...
00:44:04fast?
00:44:08I just think that we should keep our distance.
00:44:10Please.
00:44:18Thought she was playing hard to get, huh?
00:44:20Maybe she doesn't want to seem too eager.
00:44:22I mean, why would anyone
00:44:24reject you?
00:44:26It's impossible.
00:44:28Come on.
00:44:30Let's get to the set.
00:44:34Hey, Thelma.
00:44:36You'll be wearing this dress for the next scene. Is that okay?
00:44:38That's fine.
00:44:42So you think you could just take whatever you want?
00:44:48I thought this was my
00:44:50personal changing room, like it's
00:44:52always been.
00:44:54Carla, this room is for the lead role.
00:44:56Yours is outside.
00:44:58Well, actually, I'm all done here.
00:45:00Carla loves taking things that aren't hers.
00:45:02Be my guest.
00:45:04Use it.
00:45:06Aren't you
00:45:08quite generous, then?
00:45:10Edward's not here, so you can drop the act.
00:45:12We actually need to get
00:45:14back to work, if there's nothing else.
00:45:16Actually, I can finish my
00:45:18makeup myself.
00:45:22Go on.
00:45:24What do you want to talk about?
00:45:26Oh, a deal?
00:45:30Who the fuck do you
00:45:32think you are?
00:45:34Well, as far as I know, I'm Edward's wife.
00:45:40Gun or deal?
00:45:42Stop picking fights with me. Stop giving me
00:45:44a hard time on set, and I won't take
00:45:46anything away from you. I'll actually
00:45:48help you with whatever you and Edward
00:45:50have going on.
00:45:52Alright, deal.
00:45:54I'm done
00:45:56with this room, by the way. It's yours
00:45:58if you still want it.
00:46:00I don't need your pity!
00:46:14Don't you have, like, business to run?
00:46:16What are you doing here all day?
00:46:23Hey, um,
00:46:25actually, about what happened,
00:46:27I think that we should talk.
00:46:29Why don't you
00:46:31meet me in the lounge after we wrap up?
00:46:33Why can't we talk now?
00:46:35I want it to be a surprise.
00:46:37See you later.
00:46:47What does she want to talk about?
00:46:49Does she not want to see me?
00:46:53Hi, Edward.
00:46:55Carla?
00:46:57Why are you here?
00:46:59Where's Thelma?
00:47:01Who should I meet?
00:47:03Maybe in school?
00:47:05What are you doing?
00:47:07Are you trying to set those two up?
00:47:09Yeah, and if they're together,
00:47:11then they'll have nothing to do with me.
00:47:13Sounds like a terrible idea.
00:47:15Well, if you have a better idea,
00:47:17then let's hear it.
00:47:20Edward!
00:47:24If they're together,
00:47:26then they'll have nothing to do with me.
00:47:28Well, as long as you're okay with this.
00:47:32Of course I am.
00:47:34Why wouldn't I be?
00:47:36I mean, now I can just
00:47:38focus on what really matters,
00:47:40and I can try to find Algar.
00:47:42Edward!
00:47:44What the fuck are you doing?
00:47:49Whatever games you're playing,
00:47:51you need to stop.
00:47:53What are you talking about?
00:47:55You came here to see Carlos, right?
00:47:57Thelma, come on.
00:47:59Edward, we're going to be divorced really soon.
00:48:01So?
00:48:03So if you're attracted to somebody,
00:48:05then go for it! I want you to be happy!
00:48:07The only person I love is you!
00:48:13Edward, how could you?
00:48:16Edward, how could you?
00:48:20Everything I do for you, Carla,
00:48:22I do for your father.
00:48:24He looked out for me,
00:48:26so this is me paying him back.
00:48:35I'm already in love with somebody else.
00:48:38It's never going to be you.
00:48:40But if that man didn't exist,
00:48:42would you consider me?
00:48:44Edward, it's never going to happen.
00:48:51What do I do, Algar?
00:48:54I know you're out there.
00:48:56What do I do?
00:49:09Boss, you've been here for a while.
00:49:11Is everything okay?
00:49:15Why don't you tell her
00:49:17you're the one she's looking for?
00:49:20Do you remember what I did
00:49:22to return to the Ardoin family?
00:49:34About Algar...
00:49:36Are you telling me
00:49:38that Mr. Ardoin knows
00:49:40his illegitimate son is Algar?
00:49:42Yes.
00:49:44And now the old man wants him back.
00:49:47Another brat to share their inheritance.
00:49:50If I could only get rid of his mother,
00:49:53getting rid of him shouldn't be a problem.
00:49:56Madam, it's our fault.
00:49:58Please don't withdraw your donation to the orphanage.
00:50:02If we work together on this,
00:50:04I could even help you.
00:50:08Get rid of Algar,
00:50:10for good.
00:50:16Take care of it,
00:50:18but make sure you use it.
00:50:22Shall we go to the girls' garden?
00:50:24Yes, please, sir.
00:50:26I just have to see it's dry.
00:50:28I've heard good things about you.
00:50:32I got rid of the woman who killed my mother
00:50:35and sent me to an orphanage.
00:50:37I eliminated everyone associated with her.
00:50:42Over the years...
00:50:48I did whatever it took
00:50:50to gain my father's approval,
00:50:53to secure my inheritance.
00:50:55My methods were ruthless.
00:50:58My conscience...
00:51:00callous.
00:51:02You did what you had to do.
00:51:04You did what you had to do.
00:51:07But now I'm a different man,
00:51:09a monster she doesn't even recognize.
00:51:13If she finds out this is the man she's been looking for all these years,
00:51:16it'll drive her away.
00:51:20I can't lose her again.
00:51:24So it was true?
00:51:26Yes.
00:51:33Argon and I...
00:51:36we roamed the city for a winter and...
00:51:40a lot of people say he made some enemies.
00:51:43One night, under the bridge where we slept,
00:51:46he got stabbed
00:51:48and he died.
00:51:50No.
00:51:52You're mistaken.
00:51:54I just had a ring with him.
00:51:56It was a nice ring.
00:51:58I think it had the letters A and H on it.
00:52:03I told him he could pawn it for a few bucks,
00:52:06but he just kept it with him.
00:52:10No, he can't just be gone.
00:52:12He can't just be gone!
00:52:14It's okay.
00:52:16It's okay.
00:52:23Oh, Thelma!
00:52:25Sweetie, what's wrong?
00:52:27Oh my God, baby, you haven't eaten in three days.
00:52:31Can I get you something?
00:52:33Anything?
00:52:35This is not good for you.
00:52:40It's okay.
00:52:41It's okay.
00:52:43This is my fault.
00:52:46She's burning up.
00:52:48The doctor said it was from emotional distress and not eating.
00:52:53Go make her something light.
00:52:55I'll stay with her.
00:52:57Yes.
00:53:04You need to get some rest and let me handle this.
00:53:07No, it's okay. Leave it to me.
00:53:10Look, I know you care.
00:53:12But I've never seen you do this for anyone.
00:53:15And if the old lady were here,
00:53:17she'd be heartbroken to see you this exhausted.
00:53:21Don't worry about me, Sarah.
00:53:23You can go now.
00:53:33Do it.
00:53:35I'm not hungry.
00:53:38Thelma, please eat and get better.
00:53:41Get better.
00:54:09Thelma!
00:54:10Oh my God, are you okay?
00:54:12I've been trying to call you like ten times.
00:54:14You haven't done something stupid, have you?
00:54:17I can't find a reason to go.
00:54:19Stop saying that, okay?
00:54:22Don't listen to what that guy said.
00:54:24He doesn't know what he's talking about.
00:54:26They never found Alger's body.
00:54:28Maybe he's still alive.
00:54:31You've waited ten years.
00:54:34Okay, you sure you're going to give up now?
00:54:36Don't you want to find out the truth for yourself?
00:54:39Yeah, you're right.
00:54:42I should keep going.
00:54:44Good.
00:54:45Now go get some sleep and get back to set, girl, okay?
00:54:48That is something that you've always wanted
00:54:50and you're not going to screw it up, all right?
00:54:53Yeah.
00:54:55I understand.
00:54:58I'll keep going for Alger.
00:55:02I want that bitch dead.
00:55:05You got that thing ready?
00:55:08I'm sure it will do the job.
00:55:14All right, don't mess this up.
00:55:17Ready for first aid!
00:55:19Coming!
00:55:31Uh, you wanted to see me?
00:55:33Yes, it is about the scene we were stabbed.
00:55:36We will be using this as a prop.
00:55:38So once the safety is clicked off,
00:55:41the blade will go back inside itself upon impact,
00:55:43so don't worry, it's not going to hurt you.
00:55:46See?
00:55:47Nice.
00:55:49Exactly.
00:55:56Thelma, Carla, all set?
00:55:59All departments ready?
00:56:02And action!
00:56:10Wait!
00:56:11Cut, cut!
00:56:13Edward, are you okay?
00:56:15Oh, God, how did this happen?
00:56:17Edward, don't die on me, please.
00:56:21I know that my past is complicated
00:56:24and I'm not worthy of your time or your love.
00:56:27What makes me so special?
00:56:31Okay, I admit,
00:56:33I think somewhere along the way I became attracted to you,
00:56:37and I know that you keep this stone-cold face,
00:56:41but I know that that's not the real you.
00:56:45Please, show me the real you.
00:56:49Let me in.
00:56:54Edward!
00:57:01What are you doing?
00:57:03That's not funny!
00:57:04I was worried sick!
00:57:05What's the matter with you?
00:57:06How else could I get such a lovely monologue?
00:57:09Okay, you know what?
00:57:10I'm going to go get a doctor.
00:57:12No, no, no.
00:57:13I'm fine.
00:57:14No.
00:57:15Look, not even a scratch.
00:57:17Just need a minute.
00:57:19Are you sure?
00:57:20It seemed pretty serious.
00:57:21Yeah, the knife didn't even get to me.
00:57:24Something blocked it.
00:57:26Really?
00:57:27Where is it?
00:57:28Nothing.
00:57:29I'll find out what happened today.
00:57:32Meanwhile, be more careful on set, yeah?
00:57:36No, don't worry about it.
00:57:38You're the patient.
00:57:39Just rest up now.
00:57:41I heard everything you were saying, by the way.
00:57:44Okay, you know what?
00:57:45I'm really getting you a doctor now.
00:57:47Just shut up.
00:57:59You saved my life.
00:58:05How are you doing, boss?
00:58:08Not too shabby.
00:58:10So, what do you plan to do with Karma?
00:58:14Karma?
00:58:16Almost forgot.
00:58:18Let's get paid back.
00:58:19No.
00:58:21I'm not sure what we're going to do
00:58:24after your little incident.
00:58:26I'm sorry.
00:58:27I wasn't thinking.
00:58:28It won't happen again.
00:58:29I promise.
00:58:30Jay, get a replacement for her role.
00:58:32She's done.
00:58:38Edward, what are you saying?
00:58:40I told you to stop pulling these tricks behind my back.
00:58:42I didn't do anything.
00:58:44Don't listen to her.
00:58:45She's making it all up.
00:58:47Carla had someone on the prop team
00:58:48switch the fake knife with a real one.
00:58:50She almost killed Thelma.
00:58:52And myself.
00:58:53Edward, I'm sorry.
00:58:55I'm sorry.
00:58:56I messed up.
00:58:57Please.
00:58:58Please give me another chance.
00:59:00I've given you plenty of chances.
00:59:03Really, Edward?
00:59:05After all these years?
00:59:08Please stop embarrassing yourself.
00:59:11Hey, hey.
00:59:13Doing all of this for a man?
00:59:14I hope it's worth it.
00:59:17Edward, you know everything I did
00:59:20is because I love you.
00:59:22If you try hurting her again,
00:59:24you will be sorry.
00:59:32Hand her over to the police.
00:59:37Well, now that that's over,
00:59:40we should talk about what you said to me earlier.
00:59:42Which is what?
00:59:44That you were attracted to me.
00:59:49We're not going to talk about that.
00:59:51That's not fair.
00:59:52You tricked me.
00:59:54I got it.
01:00:11What if the person you're looking for is me?
01:00:17Don't be ridiculous.
01:00:20Besides, you come from a rich and powerful family.
01:00:23And he's an orphan, like me.
01:00:28And he's incredibly kind.
01:00:30He wouldn't even step on an ant.
01:00:34I can't say the same thing about you.
01:00:39People can change.
01:00:41And I'll never stop searching for him.
01:00:43I'm afraid that you can't stop me.
01:00:51Am I even worthy of love?
01:00:59Am I even worthy of love?
01:01:01You're a billionaire.
01:01:03I'm sure that there's plenty of women fighting over you.
01:01:06Plus,
01:01:10I stand by what I said.
01:01:13I don't think that this Edward is the real you.
01:01:18Do you remember when we first met?
01:01:21You saved me.
01:01:23You're a good person.
01:01:25You're kind to Nos, to Sarah.
01:01:31You'll find the love that you deserve.
01:01:39He's gone.
01:01:42I waited ten years and he's just gone.
01:01:49Do you like the man I am now?
01:01:51It doesn't matter. We're getting divorced in a year.
01:01:58If I give you all my properties and assets,
01:02:01can we not get a divorce?
01:02:07No.
01:02:09No.
01:02:31My head.
01:02:34Do you remember what happened?
01:02:40He said something about money and assets.
01:02:46And then after that, not a thing.
01:02:56All right. Okay. Back to work. Come on.
01:03:04Can't we talk?
01:03:06Can't we talk?
01:03:09I heard you've been looking for someone.
01:03:11Yes.
01:03:16I believe this could be helpful.
01:03:20This place is reopening soon.
01:03:23I'd like for you to come.
01:03:25What does this have to do with the man that I'm looking for?
01:03:29You'll see.
01:03:32Okay. I'll go.
01:03:34Good. I don't want to spoil the place.
01:03:38What does this have to do with Edward?
01:03:40You'll see.
01:03:44Look at that. See?
01:03:46Oh, my God.
01:03:47Yes. I trusted you.
01:03:48Guys, we're blowing up.
01:03:49What do you mean?
01:03:51After we posted the behind the scenes, we went viral.
01:03:55Selma became a sensation.
01:03:57She's now trending number one. Big star.
01:04:00Trending? Does this mean more money?
01:04:02Of course it does. And that is just the easy part.
01:04:06I was thinking about my next movie, and I want you to be in it.
01:04:11Wow. This is a dream come true.
01:04:14And we're having a wrap party at the hottest bar tonight.
01:04:18All right.
01:04:19You'll wonder who's so generous.
01:04:29Boss, about this new contract.
01:04:31Selma will be surprised by the party I'm throwing for her.
01:04:34Oh, definitely.
01:04:36So should I pick her up, or do I just show up at the party?
01:04:40You don't do this often, do you?
01:04:43Great party, Edward.
01:05:02It only be fitting, right?
01:05:04Not entirely bad.
01:05:06So, thank you.
01:05:09How would you like to thank me?
01:05:12Sorry, everybody, attention, attention.
01:05:14Thank you, thank you.
01:05:16First off, this has been an amazing three months.
01:05:21I'd like to thank everybody in here.
01:05:23And, well, here is to its huge success.
01:05:29Cheers.
01:05:30Cheers.
01:05:33And now, a few words from Edward, the man, the big boss.
01:05:37Without him, none of this would be possible.
01:05:41Thank you all so much.
01:05:43I just want to say how grateful I am for the opportunity.
01:05:47Jay is an exceptional director.
01:05:50His casting, remarkable.
01:05:53Selma's performance in particular, out of this world.
01:05:56And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:03Cheers.
01:06:08Edward, the superstar.
01:06:10Stop it.
01:06:12By the way, do you think Algar will watch my new show?
01:06:15Do you think he'll recognize me?
01:06:17Oh, Selma, I know this is really hard to hear, but you've got to let him go.
01:06:24Algar's gone.
01:06:26I'm not giving up until I know for sure.
01:06:39Hey!
01:06:40Let me out!
01:06:47Selma?
01:06:48Are you quitting?
01:06:49What are you talking about?
01:06:51Production told me you turned down Jay's new project.
01:06:53And you didn't show up for any of the promo events.
01:06:56What new project is this about?
01:06:58Who told you this?
01:06:59Oh.
01:07:00Oh, no.
01:07:03It couldn't be Edward.
01:07:05Could it?
01:07:07Edward?
01:07:09So, he turned it down and he told everybody that I quit?
01:07:14Maybe he thought it was for your own good?
01:07:16Interfering with my career without telling me?
01:07:19How is that for my own good?
01:07:26Mr. Ardewood is in a meeting right now.
01:07:28Let me out of my way.
01:07:30Apologies, gentlemen.
01:07:31Let's take a break.
01:07:33We'll continue this afternoon.
01:07:38Did you turn down the offer for my new film?
01:07:46Can I explain?
01:07:47This will terminate our contract marriage.
01:07:49The deal is over.
01:07:52What do you mean?
01:07:53I'll pay the penalty for breaching our contract.
01:07:56Once it's settled, I don't want you meddling in my life anymore.
01:07:59You almost got hurt on set.
01:08:01I was trying to protect you.
01:08:03I don't need your protection, okay?
01:08:05I can look out for myself.
01:08:06This is my life.
01:08:08You're making a big mistake here.
01:08:11Just stay out of my work and my personal life, Edward.
01:08:15We're done.
01:08:22Hey, it's Thelma.
01:08:24Can I see you real quick?
01:08:28Thelma.
01:08:29You're very talented.
01:08:31It was such a shame you gave up.
01:08:34But I knew you had it in you from the start.
01:08:38I saw it in you all the way.
01:08:43Now I strictly get to make decisions for myself.
01:08:48Now, let's see this next project.
01:08:50Next project, next project.
01:08:52Here it is.
01:08:56What do you think?
01:08:57Very cool.
01:09:01Let's just say that it's a pleasure doing business with you, Jay.
01:09:09Congratulations.
01:09:23Come on.
01:09:24Please move. I'm leaving.
01:09:25You need to calm down.
01:09:26What are you doing? Excuse me, I'm perfectly calm.
01:09:28How about we both compromise?
01:09:30You continue with your acting as long as it's through Ardoin investments.
01:09:34You still don't get it, do you?
01:09:36I'm not your accessory.
01:09:38I'm not a part of the Ardoin family.
01:09:40Plus, the only person that can make decisions for me is myself.
01:09:44Can't we talk about it for the sake of our relationship?
01:09:49Look, I'm thankful for everything you've done for me.
01:09:54You've crossed the line.
01:09:57Goodbye, Edward.
01:10:01Oh, Thelma.
01:10:03Look, I have rarely seen Edward smile since his father passed away.
01:10:08And he's like a new man now that you're here.
01:10:11I'm sorry, but I can't stay here.
01:10:16It's okay, Sarah.
01:10:18Let her go.
01:10:26Let her go.
01:10:37Since when did we become stalkers?
01:10:40Where is she?
01:10:42I know she has a bunch of crazy fans trying to get her attention,
01:10:44but if those assholes think they have a shot with my woman...
01:10:46You've not seen the news?
01:10:48Thelma has announced she's single again.
01:10:51What?
01:10:52Yeah, even a bunch of haters have turned into fans now.
01:10:56Especially after watching her show.
01:11:05Damn it!
01:11:06Knew that guy was up to no good.
01:11:15Thelma! Thelma! Thelma!
01:11:16Thelma! Thelma!
01:11:17Are you still working with Ardoin Investment Family?
01:11:20The Ardoin family has never officially announced your divorce.
01:11:23Is there something that they're hiding?
01:11:25Was your marriage to Edward Ardoin strictly business, like the tabloids say?
01:11:33Uh...
01:11:35Why don't you ask the man himself?
01:11:45Mr. Ardoin, you got a second?
01:11:47I don't.
01:11:48I'm sorry.
01:11:51So, Mr. Ardoin, what brings you here?
01:11:54Thinking of joining the entertainment industry?
01:11:57You know why I'm here.
01:11:59Sorry, I can't help you with that.
01:12:02Uh, so this new film is a romantic drama with some comedy.
01:12:07You and Jay's new movie too, yeah?
01:12:09You ever want any of these?
01:12:11Let's go!
01:12:12No. Not yet.
01:12:15I would love to thank our amazing director, Jay, for all of his amazing visions
01:12:20and everyone else who's helped me on this incredible journey.
01:12:24Like, Ella specifically?
01:12:28And I'm so excited to get started because I know that this is going to be another hit.
01:12:32Alright, ready to check out the set for the new movie?
01:12:35I'll walk you.
01:12:36Actually, do you want to check it out together?
01:12:38Sure.
01:12:42Thelma! Thelma! Thelma!
01:12:45How do you win back a woman?
01:12:47Uh, flowers?
01:12:49Romance? Gifts are always a good movie.
01:12:53How original.
01:12:55Let's get back to the office.
01:12:56Fine.
01:13:05I, uh, got these for you.
01:13:09You can just leave them there.
01:13:15Thelma, I'm sorry. I was wrong.
01:13:23Please give me another chance.
01:13:27I promise I won't be overbearing, I'll respect all your opinions,
01:13:32and I'll never interfere with your career again.
01:13:39The flowers look good.
01:13:49I'll take these and we can talk about the rest later.
01:14:00Go! I don't want to see you again!
01:14:04Cut!
01:14:06Well done everybody, that is a wrap.
01:14:09You were great. Here, I got you a cup of coffee.
01:14:12Thanks, Alex.
01:14:13Oh, shoot!
01:14:38I need to know where she is. Now!
01:14:43Uh, I think I might know where she is.
01:14:45Why the hell would you know? Do you have something to do with it?
01:14:47No, man, look, Carla was talking to some sketchy dude about Carla's basement.
01:14:51I think Thelma might be there.
01:14:53Trust me, man, I don't want anything bad to happen to her either. Believe me.
01:15:03Thelma?
01:15:06Where are you?
01:15:13Let's not do anything stupid. Whatever you want, just name it.
01:15:20Edward, Edward, Edward.
01:15:25How did you find this place?
01:15:32You again?
01:15:34You didn't seriously believe I would just walk away, did you?
01:15:37You're a coward.
01:15:38Kill her.
01:15:40And Edward, I want you to watch.
01:15:43If you touch her, I will skin you alive.
01:15:47I got it.
01:15:54Thelma, run!
01:15:55Thelma, run!
01:16:26It's okay. It's over.
01:16:31It's all over.
01:16:32It's all over.
01:16:54It's today. I promised Ness I would go.
01:17:03Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:08I thought it closed down years ago.
01:17:11Thelma?
01:17:13Edward?
01:17:14What are you doing here?
01:17:16Noss told me to come. What are you doing here?
01:17:19Well, now that you're here, I need to tell you a little secret.
01:17:24Be right back.
01:17:25Edward!
01:17:27Edward!
01:17:29Edward!
01:17:30Edward!
01:17:43Don't be scared, sweetheart.
01:17:45What did you just call me?
01:17:53I told you I'd meet you here, Helen.
01:18:01I told you I'd meet you here, Helen.
01:18:06Alker, but how? Why didn't you tell me after all this time?
01:18:12After I escaped the orphanage, the headmistress sent people after me.
01:18:17So I had to fake my own death.
01:18:20I survived, but the price was becoming a different man.
01:18:24A different man. Cold, ruthless, even cruel.
01:18:32And I was so scared that if he found out this was the man I'd become, he wouldn't love me anymore.
01:18:39Besides, the Ardoin family erased every trace of my past.
01:18:44If they find out you're the one I'm looking for, they'll use you against me.
01:18:49And I can't risk that.
01:18:50Alker, you know that I love you.
01:18:55You do?
01:18:59Yeah, with you by my side, I'm not afraid of anything.
01:19:04Then I don't want us to ever be apart again.
01:19:06Then I don't want us to ever be apart again.
01:19:19Yes!