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Alia Bhatt on Her Chaotic Cannes Film Festival Debut, Swathed in a Gucci Sari
Vogue
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5/25/2025
Director: Iban RaïsDirector Of Photography: Plume FabreEditor: Lika KumoiProducers: Amaury Delcambre, Rashida Josiah, Xavier LotéguyCreative Production Coordinator: Anisa KennarAudio: Hubert Rey GrangeProduction Assistant: Mélina Fructus Stylist: Rhea KapoorMakeup Artist: Puneet B SainiHairstylist: Amit ThakurProduction Coordinator: Tanía JonesProduction Manager: Kristen HelmickLine Producer: Natasha Soto-AlborsPost Production Coordinator: Holly FrewSupervising Editor: Kameron KeyPost Production Supervisor: Alexa DeutschGlobal Entertainment Director: Sergio KletnoyGlobal Associate Talent Video Director: Adèle LigerotExecutive Producer: Rahel GebreyesSenior Director, Digital Video: Romy van den BroekeSenior Director, Programming: Linda GittlesonVP, Video Programming: Thespena GuatieriFilmed on Location: Hôtel Martinez
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Transcript
Display full video transcript
00:00
Be very generous with your lip balm.
00:02
So generous that if you have leftovers, you can put it on your elbow.
00:07
And that's a tip. That's an elbow tip.
00:17
Today is the closing ceremony of the Cannes Film Festival 2025.
00:22
And I am getting ready for the red carpet of the closing ceremony.
00:26
This is my first time at the Cannes Film Festival.
00:30
I am, of course, always excited, a bunch of nerves.
00:34
I truly thrive in this sort of chaos.
00:37
It's a bit strange. I don't know why.
00:38
But like the chaos always tends to find us.
00:41
A couple of minutes ago, we had no electricity for the last four hours.
00:47
So, Amit over here was actually taking my hair extensions and he put it on a tong
00:52
and he put it out in the sun so that it could heat up
00:55
because we had no electricity.
00:57
We figured it out as we're going.
00:58
But now we're very grateful and thankful that the electricity is back.
01:04
Do I feel like I blend into any of these big sort of international red carpet events?
01:10
If you knew who I was, personally, I'm a combination of shy and outgoing.
01:14
Like I have my days where I can be like totally working it.
01:17
Literally within seconds, I'll be like, shut the door.
01:20
Nobody look at me. I'm like hiding under the covers.
01:22
So, I'm a true Piscean in that sense where no emotion is constant.
01:26
Everything just keeps changing.
01:27
I think I'm still like finding my calm on the red carpet.
01:31
You know, there is a certain overwhelming energy,
01:34
especially when there's like so many photographers like here,
01:36
look here, look over the shoulder, this down, up, wave, you know, smile.
01:40
Yesterday, somebody was saying, do something with your hands.
01:42
And I was like, I'm not sure what I should do with my hands.
01:44
So, what did you do?
01:45
I did namaste.
01:48
That just comes very naturally to me.
01:51
My team, Puneet, who has been with me for 12, 11, 10 years now.
02:00
Like too long.
02:01
Amit, who I've also actually known since the beginning of my career.
02:06
And who I've attacked and not let him leave for the last two, two and a half years.
02:12
That's Rhea.
02:13
Hi.
02:16
Hello.
02:17
So, Rhea is the one and only stylist who can make me do things that I will never do.
02:24
Because she just has this like very persuasive, gentle, but very clear tone.
02:33
So, it's like, if she's envisioning it, it's just got to happen.
02:37
So, that's why everybody loves it when I work with Rhea.
02:40
Because they're like, okay, at least you won't like boss us around
02:43
and tell us exactly what to do, which is the same thing again and again.
02:46
For me, the people that I surround myself with, it's really important, I think,
02:50
for anybody to just be surrounded by the people that they feel very comfortable with
02:54
and then they trust deeply, especially in a creative field like ours.
02:58
We literally spend all our time together.
03:00
So, it's very important that we like each other.
03:02
Otherwise, things can get awkward.
03:09
This is a custom beautiful outfit for Alia.
03:14
It's actually the House of Gucci steak on a traditional Indian saree.
03:17
It's got the signature Gucci Gigi monogram, which I mean, I think it looks so beautiful on a saree.
03:23
They created this very sexy, very minimal silhouette and then added this really dramatic drape,
03:28
which I thought was really smart, a really modern way to interpret it.
03:32
I think it takes that like signature Italian glamour and mixes it with Indian exuberance
03:37
and creates something really special.
03:40
I'm done with quiet luxury. It's over for me. Bye.
03:42
No, I'm just kidding.
03:43
I just think that there are times where you whisper and there are times where you scream with joy.
03:49
And I think this is one of those times.
03:51
It's Alia's debut at Cannes.
03:53
She's the first ever Indian Gucci brand ambassador.
03:56
And I think to just celebrate those two worlds coming together,
03:59
what could be a better moment than the closing ceremony at Cannes?
04:02
This, it's a custom little mini Jackie.
04:04
In India, usually when we wear a saree, we'd wear like a traditional bag like a portly,
04:08
and it's usually really small.
04:10
And I just feel so proud to be able to put like a piece of my culture into this huge moment.
04:18
Okay, Vogue, so I'm about 90% ready.
04:21
I'm going to go change and then we do final touches and then we're fully ready.
04:38
Okay, thank you Vogue. That was us on last looks and now we're going to hit the red carpet.
04:55
Our theme is part of the Caitlin on the corner of the world.
04:57
Bye!
05:08
Happy transfer.
05:09
Happy transfer.
05:11
Bye!
05:13
Bye.
05:14
Bye!
05:14
Bye!
05:15
Bye!
05:16
Bye!
05:17
Bye!
05:18
Bye!
05:19
Bye!
05:20
Bye!
05:20
Bye!
05:22
Bye!
05:22
Bye!
05:23
Bye.
05:24
Bye!
05:24
Bye!
05:25
Bye!
05:25
Bye!
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