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00:00I'm sorry, Natalia. My phone was on silent.
00:02We're here with Luciana and Joaquin.
00:05Yes, all three of us are listening to you on speakerphone.
00:07How did Fabiola show up? Is she okay?
00:10Yes, she's okay, but she needs medical help, please.
00:13I'm in the northern part of the Luciérnagas Gorge.
00:16Very well. All three of us are going there.
00:19Yes, hurry up, please.
00:23Let's go in my car.
00:24I'll take mine, too.
00:25No, I'd rather the three of us go together, okay?
00:28Hold this for me, Joaquin.
00:34Victoria! Victoria!
00:36Victoria, you have to go, because the DA is coming, Joaquin.
00:39Dana, I need you to send a medical unit
00:42to the Luciérnagas Gorge.
00:44Is that correct?
00:46It's correct.
00:57Leonardo has to go.
00:59Usually, when someone makes a mistake, they leave.
01:02Leonardo isn't even a visible part of the campaign.
01:05And the official version is that he helped my sister,
01:08so he doesn't have to go.
01:09My daughter is right.
01:10Leonardo is helping a lot to solve the problem.
01:13We don't have to leave him out of the campaign.
01:15I'm sorry, because I've already decided.
01:17It's just that this is a team effort,
01:19and you can't solve it on your own.
01:21Who are you voting for? You or me?
01:23I'm the one who makes the most important decisions.
01:26Very well, then you solve it on your own,
01:28but Leonardo won't make a single statement.
01:35This situation has upset all of us,
01:37but I'm sure we can reach an agreement together, please.
01:40Was my resignation from the campaign your idea or Karina's?
01:44I think it's strange that Karina isn't at this meeting.
01:47I think she could have a better voice in this matter.
01:50Why? Karina doesn't have to be here.
01:53I was the one who decided you should resign.
01:57Look, if I were your campaign manager,
02:01I'd say you're making the right decision, Enrique.
02:14Why is Natalia looking for Fabiola Briseño?
02:19You already know her.
02:20As a good journalist, she was interested in the case
02:23and started looking for her.
02:24Why did she ask the DA for help?
02:26Didn't they tell her the case had already passed
02:28from the DA to the police?
02:29She probably trusted her friend's boyfriend more.
02:33I thought they didn't get along anymore,
02:35since Natalia left the pension.
02:37Well, she left for personal reasons,
02:40but as you saw, we're still in contact.
02:44I think it's strange that Natalia knows where to find her.
02:48And you've been looking for her for so long, haven't you?
02:51But you see, sometimes this kind of thing is just luck.
02:55But the important thing is that she showed up, don't you think?
02:58But I'm worried that we're going to have problems,
03:00because Fabiola's case is no longer in our competition.
03:03Those are things of bureaucracy, but don't worry.
03:06I'll make sure you don't get into trouble for helping Fabiola.
03:10Well, I hope they don't accuse us of interfering in someone else's business.
03:14I hope they don't accuse us of interfering in someone else's business.
03:29Can I publicly resign and continue advising Inés?
03:32No one has to find out.
03:34That's a good idea.
03:36We don't need a member to keep Leonardo working with us.
03:40Of course, if Inés agrees.
03:42And if I don't, I'll always appreciate this opportunity.
03:46I hope to continue seeing you as a friend.
03:49I wouldn't lose your talent for anything in the world.
03:52Right, Dad?
03:54For me, it's fine.
03:56You know I've never been able to deny anything to you, daughter.
03:59Enrique, we have to talk in private.
04:01I can't now. I don't know what you're going to do about the incident,
04:04but I don't want to see you first in writing.
04:06This is urgent!
04:08Take care of my dad, I'll take care of Leonardo.
04:10Let's go.
04:20Germán, can you tell Rodrigo
04:23to get everything ready for the recording of the message?
04:25Of course.
04:29Excuse me.
04:31It's so nice to feel so much power.
04:36Especially when I'm by your side.
04:40I love you.
04:49What happened to Leonardo?
04:51He'll do what we talked about.
04:53He'll say he was helping Mariana at Inés' request.
04:56He'll officially quit, but he'll keep working for Inés.
05:00Did Enrique agree to that?
05:02I thought he really wanted him out of the campaign.
05:05Do you think Enrique is in a position to negotiate with his wife?
05:10Are you going to judge me for my relationship with Enrique?
05:14I don't care what you do in your bed, Karina.
05:17I'm telling you this as a friend.
05:19The thing is, Enrique is too worried about keeping Leonardo away from Inés,
05:23that I don't know, anyone could think he's jealous.
05:27Thank you, but I know perfectly well what I can expect from Enrique.
05:30Really?
05:32It looks like you're looking for me to doubt him.
05:35I'm telling you this because I appreciate you, Karina.
05:38And I'd tell you the same thing if you'd confessed to me
05:41from the beginning of your relationship with Enrique.
05:45Look, I think you're a woman who has a lot to give.
05:49The thing is, this game demands a lot of sacrifices.
05:54I don't know if you're willing to make them all.
05:57I don't even know if love fits in this game.
05:59I don't even know if love fits in this game.
06:21What good is it that we pay so much money to Inepta de Berta?
06:24She and her infiltrator should have found Fabiola first.
06:26The important thing is that the infiltrator is with the DA right now.
06:30He'll give us more details later.
06:32And what will he say? San Francisco got ahead of us.
06:35And to top it off, the DA is in there.
06:38These are the numbers you asked for.
06:40Leave that. We have more important matters to attend to here.
06:43Fabiola appeared.
06:44Fabiola appeared.
06:59If you think you're so brave, why don't you send that damn video to the police?
07:04Send it to them.
07:06Here's the last copy of the video I had.
07:09Should we delete it?
07:14It was to make sure I'm no longer in danger with your uncle.
07:18If there's no such video, you don't have to be afraid.
07:44I'm not afraid of you.
07:46I'm not afraid of you.
07:49I'm not afraid of you.
07:51I'm not afraid of you.
07:53I'm not afraid of you.
07:55I'm not afraid of you.
07:57I'm not afraid of you.
07:59I'm not afraid of you.
08:01I'm not afraid of you.
08:03I'm not afraid of you.
08:05I'm not afraid of you.
08:07I'm not afraid of you.
08:09I'm not afraid of you.
08:11I'm not afraid of you.
08:12I'm not afraid of you.
08:14I'm not afraid of you.
08:16I'm not afraid of you.
08:18I'm not afraid of you.
08:20I'm not afraid of you.
08:22I'm not afraid of you.
08:24I'm not afraid of you.
08:26I'm not afraid of you.
08:28I'm not afraid of you.
08:30I'm not afraid of you.
08:32I'm not afraid of you.
08:34I'm not afraid of you.
08:36I'm not afraid of you.
08:38I'm not afraid of you.
08:40I'm not afraid of you.
08:42I'm not afraid of you.
08:45What I do not understand is that if you have managed
08:48pass the case on to the police
08:50thing you have to be getting into the prosecutor?
08:52I have no idea.
08:54Surely he is acting of his own accord.
08:56Also Bertha already put somebody with the order
08:58to find that kid
09:00and end the problem.
09:02Well, if it comes to finding a solution to the problem,
09:04I can go ...
09:06Shut up, shut up.
09:08We will not do anything, we will not move a single finger
09:10until we have information
09:12He already did.
09:14♪♪♪
09:21-♪♪♪
09:25-¡Tranquilo, tranquilo, don Manolo, tranquilo!
09:28Yo me encargo, tranquilo.
09:30Fabiola, mira, no te vamos a hacer nada.
09:33Venimos a ayudarte, ¿sí?
09:35Mira, te traje un regalito, ¿sí?
09:40Confía en mí, confía en mí.
09:43Te va a gustar, ¿sí?
09:45Sí, sí, sí.
09:46No se mueva, don Manolo.
09:48Tranquilo.
09:49Ay.
09:51-¡Natalia!
09:54-¡Roberto!
09:55¡Aquí estamos abajo!
09:57Natalia, ayúdame, por favor.
10:00A ver, don Manolo.
10:02Vámonos.
10:03Hay que alcanzarla.
10:05¡Ah!
10:06♪♪♪♪
10:12Tranquila, tranquila, tranquila.
10:14Yo la destengo de las piernas.
10:15No te acerques, no te acerques.
10:17No, tranquila.
10:18No te vamos a hacer daño.
10:20No te vamos a hacer daño, estamos aquí para ayudarte.
10:23Ya no te voy a hacer daño, cállate.
10:26Te vamos a ayudarte.
10:28Te voy a soltar, pero no te vayas.
10:30No te vamos a hacer nada.
10:33Tranquila.
10:35Ah.
10:36♪♪♪♪
10:39Déjame a mí.
10:41♪♪♪♪
10:46Fabiola.
10:49Tranquila, por favor.
10:50Nosotros no te vamos a hacer daño.
10:54Te hemos buscado durante mucho tiempo
10:56y estás a salvo, de verdad.
10:59♪♪♪♪
11:03Mira, ven.
11:06Hijita.
11:07Él es tu papá.
11:09Hijita, joyita.
11:14Soy yo, papá.
11:20Soy yo, hija.
11:22♪♪♪♪♪
11:27No me reconoce.
11:29♪♪♪♪♪
11:35♪♪♪♪♪
11:41♪♪♪♪♪
11:46♪♪♪♪♪
11:49Siempre ha dado clases de piano.
11:52Desde antes de conocer a Omar,
11:53es algo que aprendí de mi abuelo.
11:55También era músico.
11:56Doña Chofi, la ando buscando porque necesito...
11:59¿Ya llegó Omar por ti?
12:02Él está en la tienda con unos proveedores.
12:05Doña Chofi, vengo a pagarle la renta
12:07del cuarto que ocupé estos días.
12:08Mira, la renta es por mes.
12:10Y Omar y Elena la van a pagar.
12:13Entiendo, pero fue antes de que se me consultara a mí.
12:16Yo pienso regresarme a vivir a la vecindad donde rento.
12:19♪♪♪♪♪♪
12:49♪♪♪♪♪
13:19♪♪♪♪♪♪
13:23Elena, sé que tienes buenas intenciones
13:25y te lo agradezco, pero ya estoy bien de salud.
13:27Y además, siempre se me hizo un exageración
13:28vivir contigo y con Daniel.
13:30Yo lo hice para apoyarte, para ayudarte con el bebé,
13:32pero tú la de la gratitud no te la sabes, ¿verdad?
13:35Chofi, ¿me puedes ayudar a explicarle
13:37que se tiene que quedar aquí?
13:39Eso le corresponde solamente a Susana.
13:42Y al final, pues, ella decide sobre su vida
13:44y la de su hijo.
13:45Pero es que no estás pensando en mi bebé.
13:46No, no es tu bebé. Entiéndalo de una vez.
13:48Es mi hijo.
13:49Es lo único que me queda de Tobias.
13:50Pero no es Tobias.
13:52Entiéndalo de una vez. Te lo he dicho mil veces, Elena.
13:54¿Pero qué es lo que quieres?
13:55¿Que yo no tenga ya nada que ver con ese bebé o qué?
13:57Pues, si estás así, no.
13:58♪♪♪♪♪♪
14:01Yo extraño a Elena de antes.
14:04La que era buena, amable, sensata.
14:07♪♪♪♪♪♪
14:09Nos vemos, señora Chofi.
14:10♪♪♪♪♪♪
14:40♪♪♪♪♪♪
15:10♪♪♪♪♪♪
15:40♪♪♪♪♪♪♪
15:43♪♪♪♪♪♪
15:47♪♪♪♪♪♪
15:50♪♪♪♪♪♪
15:54¿Vamos a grabar si se la va?
15:56A ver.
15:57Sí, está muy bien, ¿no?
15:58Está muy bien, ¿no?
15:59Se ve escueto.
16:00No, no, no, para nada.
16:01Está perfecto.
16:02Sí, no, no.
16:03Sabes perfecto toda la publicidad.
16:05No tienes por qué hacer nada de eso.
16:07Y, aparte, son...
16:08Sí, claro.
16:10Un poco de publicidad ahí.
16:11Ay, no.
16:12Vengo a supervisar la grabación.
16:17¿Supervisar qué?
16:18Sí.
16:20Ahí está Rodrigo para hacerlo.
16:22Y dudo que el comunicado que haya hecho Leonardo
16:26necesite de correcciones.
16:28No, no, no, dudo de sus capacidades.
16:30Pero es mi trabajo y lo tengo que hacer.
16:32Karina, lo que necesitas es una orden
16:36porque te la puedo dar aquí en directo.
16:38Vete, no te quiero.
16:40Lo siento, pero es una decisión de Enrique.
16:44O te vas o no hay grabación.
16:48Y corre, ve a decírselo a tu jefe.
16:50Ándale.
16:51No entiendo qué le preocupe al candidato.
16:53Ya habíamos acordado lo que voy a decir.
16:55Inés, yo creo que ya no hay que perder el tiempo.
16:58De todos modos, la licenciada Cortés
17:00no va a ver nada fuera de lugar.
17:02Perfecto.
17:03Entonces, si tiene un ensayo o algo por escrito,
17:05me gustaría verlo.
17:06No me entendiste bien, ¿verdad?
17:08Si permití que te quedaras,
17:10es para que justifiques tu sueldo,
17:12no para que intervengas en el proceso.
17:14Así es que cállate y cierra la maldita boca.
17:17Y córrele, vele a decir a tu jefe lo que está pasando.
17:21Ándale.
17:22¿Qué más?
17:23¿De qué estábamos?
17:25¿Bien?
17:26¿Sí?
17:32Ay, estuvo buenísimo la venta de mi madre.
17:34Aunque estuvo bien cansado.
17:36Pues, si ocupan ayuda, yo trabajo en lo que sea.
17:40No deberías de ser tan bueno.
17:42No, no, no.
17:43No, no, no.
17:44No, no, no.
17:45No, no, no.
17:47No, no, no.
17:48No, no, no.
17:49No, no, no.
17:50No, no, no.
17:51No, no, no.
17:52No, no, no.
17:53No deberías de ser tan bueno.
17:54Cada ves descubro más cosas de ti
17:56y siento que me enamoro.
17:58Clara, estoy pasando por un muy mal momento
18:00y tú lo sabes.
18:02Y no puedo estar contigo si estoy pensando en alguien más.
18:05Pues, qué mal que no me permitas enamorarme de ti.
18:08Pues, si quieres, lloro, ¿eh?
18:09Para convencerte.
18:12¿Te lastimé?
18:15¿Qué, qué son estas marcas?
18:23The guy you're in the video with
18:25is the same guy you escaped with last night.
18:28How do you know him?
18:30He's an ex-boyfriend.
18:32And I met him many years before you did.
18:35That video was made two nights ago.
18:38Of course, if you came to your house to sleep,
18:40you would have found out about me,
18:42not because of a gossip from your friends.
18:44I don't know what you're talking about.
18:46I don't know what you're talking about.
18:48I don't know what you're talking about.
18:50If you came to my house to sleep,
18:52you would have found out about me,
18:54not because of a gossip from your friends.
18:56Then our son must have found out.
19:00I've been reproached so many times for nothing
19:01that I don't care what they say.
19:04You're a cynic.
19:07This is unacceptable.
19:09I'm leaving this house.
19:11You always leave me alone.
19:13I don't even know why I married you.
19:15Do whatever you want.
19:17And neither did your father.
19:30No, I'm sure I hit myself with something.
19:32No, no, it doesn't look like blows.
19:34It looks like you were tied up with some ropes.
19:36No, don't believe me. How can they tie me up?
19:42Look, Clara, if you don't want to tell me, it's fine.
19:46But if you're in trouble, let me help you, please.
19:50Yes?
19:54Yes.
19:58I'm in a complicated relationship.
20:01But I'm going to tell you.
20:04It's someone older.
20:08And as soon as I realized that I didn't love him,
20:10but I loved you.
20:11I told him, I told him, and I finished him.
20:15But he hasn't stopped bothering me.
20:19Yesterday he went to my house and everything got intense
20:21and he started pulling me and...
20:23and he hurt me.
20:25But it's not right for him to hurt you.
20:27Come on, let's report him. I'll go with you.
20:29No, no, no, no, no, no.
20:32Luckily my mom was there and she super threatened him.
20:35I don't think he'll stop there again.
20:40What a shame.
20:42I know you think the worst of me for messing with someone like him.
20:46But I swear I was honest.
20:48No, you don't feel bad.
20:51Sometimes you trust people and they turn out to be...
20:55not what you expected.
20:58Hey, but that doesn't define you as a person, okay?
21:01Don't worry.
21:03Come on.
21:13Oh, woman.
21:14Here, drink some water.
21:15Oh, no.
21:16You're so dehydrated from crying so much.
21:19I've never fought with Elena.
21:21And what hurts me the most is that I said horrible things to her.
21:23No, you told her the truth.
21:24Mario is your son, not hers.
21:26What did you do?
21:27I think it was to hit him.
21:30If I hadn't hit him, he wouldn't have encouraged me.
21:33Yes.
21:34Well, you'll talk to Elena.
21:36Give her time.
21:37Of course.
21:38If she presents herself.
21:39Thank you for listening to me.
21:43Well, I'd better go.
21:44I want to see my son.
21:45No, I'll take you.
21:46I'm going over there.
21:47I also want to see my grandson.
21:48Oh, yes.
21:49He's very strong.
21:50Oh, yes.
21:51Thank God.
21:52I'll take care of him.
21:53Bye, Mrs. TV.
21:54Be careful.
22:10See you later, my love.
22:28He asked me some questions,
22:30but he's more worried that he's going to get you in trouble again.
22:35Do you think Joaquin suspects something?
22:38I doubt he said anything in front of Manolo or Natalia.
22:41That's why I took him.
22:43To involve him in the search
22:44and so he can't report us with internal matters.
22:48It was very risky for you to take him to go after Fabiola.
22:51Manolo already declared to the police
22:53that he continued the search on his own.
22:55And Natalia said she called Luciana
22:58because of how close she is to her.
23:00So we're covered.
23:01If that bastard is backed up by someone powerful,
23:04I don't think he's very worried.
23:06How is Fabiola?
23:08Luciana asked one of her teachers
23:09to do an independent evaluation.
23:13But I'm telling you she didn't even recognize her own father.
23:16And that's not good at all.
23:24Do you know what your name is?
23:31Fabiola, do you know where you are?
23:36We have to rule out a selective mutism process
23:39or a neurological condition.
23:41My daughter hasn't taken her medication for a long time
23:46to prevent psychotic outbreaks, Doctor.
23:48Fabiola was at Brown Clinic.
23:50Apparently, she was kept there drugged with inotadil.
23:53I know what happened to Dr. Brown
23:55and his forbidden medication.
23:56Do you think that medication is the one in her state?
24:00That medication was taken off the market
24:02because of the effects it caused.
24:04And one of them is aphasia.
24:06Yes, the first symptoms in the patient
24:08are problems with their language
24:10that seem incoherent
24:11and in some cases, they stop speaking at all.
24:16But there must be something that can help her.
24:21My daughter has to be okay.
24:22We can do some tests to see
24:25if she still has inotadil in her system.
24:27No, because that medication
24:28stays in the body for a very short time.
24:30If we do tests now, we won't find anything.
24:34But then...
24:37my daughter can't stay like this.
24:52I asked my advisor, Leonardo Vidal,
24:53to help my sister who is in treatment.
24:56And he accepted thanks to a friendship
24:57that has united us for 20 years.
24:59And to avoid speculation,
25:01I will end my relationship with the party
25:03as campaign advisor.
25:05But I reiterate my wish
25:07that Remy's victory with candidate Ferrer
25:10leads to a better future for Mexico.
25:13I didn't ask you to thoroughly review
25:15this idiot's message.
25:16This is a joke!
25:19It's a personal perception.
25:21The message has no communication strategy errors.
25:24And I'm not as negligent as to allow you to damage the campaign.
25:28It's incredible that I have to do everything
25:30to get things right.
25:31Enough with the humiliation!
25:32I was with Ines so you can still question my work.
25:36If you think I'm doing it wrong,
25:37ask yourself if you need me here.
25:39You have to be with me!
25:41I don't have to do anything!
25:42What bothers you is that Leonardo
25:44is so close to your wife.
25:46And if you have to get rid of that,
25:47you're not going to use me.
25:55We have to do a brain scan,
25:57evidence of evoked potentials,
25:58and other evidence to know how many possibilities
26:00your daughter has to recover.
26:02Yes, we also have to work with a neurologist.
26:06We're going to do everything we can to help Fabiola.
26:09Brother, I'm not only concerned
26:12about her physical and mental health.
26:16I think my daughter is still in danger.
26:19What are you afraid of?
26:22Well, my daughter could be a key witness
26:26in the case involving Enrique Ferrer's nephew and son.
26:31You mean the attack on the Saldaña brothers?
26:34Fabiola could turn the case around
26:36and find the real culprits.
26:39Are you talking about blaming your brother and cousin?
26:41Yes, Doctor, it hurts me.
26:43But I also know that justice should be above all else.
26:47That's why I want to ask for your discretion
26:50and your support.
26:53We must spread the rumor that Fabiola will never recover.
26:56Her life depends on it.
26:59Can we count on you, Doctor?
27:06I agree that you want to get rid of Enrique,
27:09but the fact that a nail pulls out another
27:11can only lead to both of you getting stuck.
27:14Don't worry, Dad.
27:16You know me, and you know I'm not Mariana.
27:18All that matters to me is that you're on Enrique's side.
27:22It's not like that, and we've already talked about it.
27:25First, we have to win the elections.
27:27Then, we have to deal with personal issues.
27:32And I'll remind you that whether we like it or not,
27:34it's always different for the man than for the woman.
27:39But you already know that.
27:41What matters here is that I believe and trust you.
27:45And I'll protect you.
27:48As long as I do what you want.
27:50But don't worry, Dad.
27:52We still want the same thing.
28:02Hey, hey.
28:03What about Pedro Infante?
28:05Could it have been Antonio Pedro?
28:07I have no idea, Natalia. I don't know.
28:08It's not a matter of the Illuminati or the Mexicans.
28:11Mr. I thank you for your help.
28:13I know you have other cases to attend to,
28:15so I'll wait for Dr. Valladares' results.
28:17If you don't mind, I'd like to hear the doctor's first diagnosis.
28:20I've spent so much time looking for Fabiola
28:22that I feel a personal connection to the case.
28:25Doctor, how is Fabiola?
28:28I still have to do a lot of tests, but...
28:31it seems that the patient's condition is irreversible.
28:35Is there nothing that can be done? Not even in the long term?
28:38Well, I'm just doing a protocol to give an official diagnosis,
28:42but between us, there's nothing to do with Fabiola.
28:57Oh, my little gem.
29:01I know what you're going through.
29:04It's very difficult.
29:07How I wish I were in your place.
29:12And that you were healthy.
29:17I swear that no matter what happens,
29:20I will not leave you.
29:23I will always take care of you.
29:27I want you to smile again, like you used to.
29:36I think it's time to have a special drink, like we used to.
29:41It's our way of sealing pacts.
29:43And since you were nominated, we haven't done it.
29:50Are you telling me which pact we're going to seal?
29:53For our own good.
29:54You and I must contain Ines.
29:59I totally agree with that.
30:03THE LORD OF THE SKIES
30:33THE LORD OF THE SKIES
31:04There was a very, very strong discussion
31:09between her, Ferrer, and the media coordinator.
31:13They wanted to define the posture they were going to have
31:15regarding the video.
31:16Good, very good.
31:18I'll send you the first messages to respond to the evaluation.
31:21Done.
31:22Let's go.
31:25Hello, Edgar. Good afternoon.
31:27Hey, I need to talk to you in person.
31:38The doctor who took your daughter, Luciana,
31:40was very clear.
31:41Fabiola has a mutated brain.
31:44Therefore, any statement on her part
31:47regarding the video will not be accepted.
31:51Therefore, any statement on her part regarding the Saldaña case,
31:55if she can ever speak, will lose relevance.
31:59Well, at least we have one less problem.
32:03Well, we have to keep hiding Erick Zapata's body
32:07until it's convenient for us to find him.
32:10And the police agreed to let Fabiola appear?
32:13That's right.
32:14They're going to do studies on her again,
32:16but I'm sure those studies will coincide
32:19with the diagnosis of Dr. Valladares.
32:21And what was the relationship
32:23between Fiscal Furia and that girl's father?
32:26Roberto advised the gentleman to continue looking for his daughter.
32:29Briseño looked for her on his side
32:32and that they find her with a fried brain.
32:35A timely coincidence for us.
32:49Something Leonardo did left me with a thorn in my side.
32:52Do you think he sold himself to the Ferrers?
32:54I also saw the statements.
32:56She really seemed to be in favor of the Remi party
32:58and his candidate.
33:00I'm going to give him a vote of confidence,
33:02but I can't rely solely on what he does.
33:05That's why I want to ask you to give me a special job.
33:19THE LORD OF THE SKIES
33:24Well, it was a very good idea to get Dr. Valladares' support.
33:28Yes, fortunately, he understood our need.
33:31He and I agreed to review Fabiola's medical case
33:34and thus seek her mental recovery.
33:36And one more thing.
33:38It is important that Joaquin find out
33:40about the relationship between Fabiola and Manolo
33:42and the case.
33:43I don't want to appear on that list, please.
33:46Those people are very dangerous.
33:48They tried to kill Mr. Manolo
33:50and I'm still paranoid.
33:52I feel persecuted.
33:54If Joaquin got us involved in the Crescente case
33:56and the Saldaña case,
33:57don't both crimes have to do with the same person?
34:00No, not necessarily.
34:02He's still selling himself to the best bidder.
34:04We'll have to find out who's paying him
34:06so he can serve as an informant.
34:08Obviously, one of them is Enrique Ferrer.
34:10And the other is the one who committed
34:12the financial fraud of Crescente.
34:14Well, I hope we can move forward
34:16with the report the accountant, Felia Mayan, gave us.
34:19Yes, it's essential to contact the agent
34:21of the Crescente extinct financial system.
34:28Hey, thank you very much for inviting me to the play.
34:31It was great.
34:32I'm glad you liked it.
34:34I have to go now.
34:36Are you like this because of the message
34:38I gave you at the end of the play?
34:40No, no.
34:42It has nothing to do with it.
34:44It was probably your ex-addict, wasn't it?
34:46No, it wasn't!
34:47And please, don't stick to what I told you.
34:50I'm sick of it.
34:51I don't want to know anything about it.
34:53As you wish.
34:56My taxi is here.
35:01Let's go.
35:08I'm coming.
35:14I'm coming.
35:25No way.
35:26We can't meet today.
35:27We'll meet tomorrow.
35:28I'll miss you.
35:29Kisses.
35:30We'll talk.
35:31Ma'am, they're waiting for you.
35:39What are you doing here?
35:40I was expecting more confidence from you, Inesita.
35:43I'm your unconditional love.
35:45I didn't need Alex's threats
35:47because of your son's little secret.
35:49Luis went crazy, sold my truck
35:51and sent you this money as payment for the debt.
35:55It's all the same to me,
35:57but I don't want to end up losing.
36:10You can't talk to me whenever you want.
36:12I have a life.
36:15I left my house and I want you at my disposal.
36:18We didn't agree on that.
36:22That was before.
36:25But from now on, it's going to be like this.
36:33It's a shame Luis doesn't think like you.
36:36I'm going to give you back this money
36:38and you'll know how to justify
36:40if you buy a truck or a car.
36:42Because this money is only a part of our debt.
36:47Don't say debt, Inesita.
36:49And I'm going to need your full support
36:51so that Alexander is close to my son.
36:54Because being close to him helps him a lot more
36:56than anything I can try
36:58so that his anguish doesn't outweigh it.
37:00I don't know if you knew,
37:01but Alex was trying to have something
37:03with the guy who ran over Derencito.
37:05But he already got the idea that it's impossible.
37:08Look, it won't be the first time
37:10he comes back with an ex out of spite.
37:12Or as you say, if Derencito is so bad,
37:14he could come back with him out of pity.
37:17Because you don't think less and you act more.
37:21As long as my son is okay,
37:23I will always be grateful to you.
37:26There you can use the word debt.
37:28Because I'm going to fulfill you.
37:30Don't you remember?
37:38I don't want any more commitments with you.
37:40This is over.
37:44Why? So you can leave with that idiot Saldaña?
37:46Don't call him that.
37:48That guy is not going to take you where I take you.
37:52Because what happens between you and me
37:54cannot be pretended.
37:56But how are you going to compare sex without a future
37:58like what we have with love?
38:02Don't discard me.
38:05Don't tell me you're falling in love.
38:10I just want to have a good time.
38:12Loneliness is bad company.
38:14And I have a great time with you.
38:16Oh yeah? Then find another idiot.
38:18The idiot I like today is you.
38:23You can't force me.
38:26Okay, then I go with Saldaña
38:28and I talk about man to man,
38:30well, from man to child with him.
38:32And I tell him you're mine.
38:34Oh yeah?
38:36And I can call the police
38:38so they go get your son and put him in jail.
38:41What do you think?
38:45I already know that Adrián and Memo
38:47were the ones who ran over Daniela and her brother.
38:50What are you talking about?
38:52Don't play dumb.
38:55I know what happened that night.
38:58With Alexander, who got really upset
39:00because the police went to investigate the university.
39:03And now I understand
39:05the comments you made to Adrián.
39:07About the little secrets.
39:09You're going to shut up, you hear me?
39:11You don't know who you're messing with
39:13and you don't know what they're capable of doing to you.
39:24Oh, that's gross!
39:31What are you doing, Mom?
39:32I'm disarming the crib
39:33because Susana's ingrate doesn't want to know anything about us.
39:36But it was a gift for Susana.
39:38Then let her take it!
39:39Let her take it with your dad now that they're so close.
39:42Let her go to that room where she lives,
39:44and if not, throw it in the trash.
39:46Calm down, Mom.
39:47Well, if the baby is not going to be here with us,
39:50then there's no point in having the crib.
39:52You see? You already got hurt.
39:53Let's see, Mom, let go of him, please.
39:55No, no, no.
39:56What's going on? What are those screams?
39:58I have to disarm the crib.
40:00Let go.
40:01Enough, Elena. Look at me.
40:02I don't know what got you like this,
40:04but you can't keep hurting yourself.
40:10Calm down.
40:11Let's breathe in through the nose, deep, slow.
40:14One, two, three, four, and exhale.
40:23I already wanted us to have a snack together.
40:26I can't, honey.
40:27I already told you no.
40:30Let's go.
40:31Let's go.
40:57Why are you following me?
41:01Let's go.
41:31Let's go.