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Daily Drama HD™
  • 5/25/2025
Al Fondo Hay Sitio Temporada 12 Capitulo 67 Completo HD
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TV
Transcript
00:00¿De quién fue la idea de la niña pobre haciendo la tarea, eh, mía?
00:04Y te pedimos mil disculpas por haber ocasionado...
00:06¡Digno hermano de Joel González!
00:08Chicos, increíble, es justo lo que necesitaba mi sobrinita
00:12para sentirse completamente aceptada en su nuevo colegio.
00:16El señor de las casas me pidió que corrigiera unos datos en el Excel.
00:21¿Por qué se equivocó?
00:23¿Y de verdad se equivocó?
00:27¿O te pidió que lo corrijas para que no salgan los números en rojo?
00:32No me compete juzgar a mis superiores.
00:34En todo caso, ya terminé.
00:36¿Qué pasa?
00:37¿Están yendo tarde a su cuchitril?
00:40Agárrame esto.
00:41Pero...
00:47¿Qué quiere?
00:48¡No, no, no!
00:49¡No, por favor!
00:50¡No, no, Jimmy!
00:51¿Qué vas a hacer?
00:52¿Qué vas a hacer ahora?
00:53¿Qué está pasando aquí?
00:55¿Qué pasa?
00:57¿Qué, abuelita, está pasando con la mamá del Gaspar?
00:59Se dio una crisis de nervios.
01:02Porque su hijito todavía no se reporta.
01:06Ojalá que no pase ninguna desgracia.
01:08Y abuelita, o linda.
01:09Queremos hacer una denuncia en contra de Jimmy González.
01:12Papá, no es necesario.
01:13Pero, ¿cómo no va a ser necesario?
01:15Que sea el tipo que sale con tu hermana
01:17no quiere decir que tengas consideraciones con él
01:19y que él pueda venir y partirte la cara sin que pase nada.
01:22González es el tipo que sale con mi hermana.
01:24Es su socio y su pareja.
01:26Y si te he dicho que no quiero hacer ninguna denuncia es porque no quiero.
01:30¿Qué escondes, Julio González?
01:31¿Qué secreto tienes?
01:32No, no, no.
01:34No, no.
01:37Nunca fui a la confecánica.
01:40Aquí le traigo el PPT que le encargó Hernán.
01:45Gracias, señorita Zapallal.
01:48¿Es para la reunión de directorio de mañana?
01:50Disculpe, amigo.
01:51¿Para qué es esta cola?
01:52Para comer en la cárcel de sabor.
01:55Oye, ¿usted no son los que ayudaron a la niñita Estrudiosa?
01:58Sí, sí, sí.
01:59Sí, ellos son.
02:00¡Sí, ellos son!
02:01¡Bien!
02:07¡Ajá!
02:09Y aquí la rubia me hizo una escena.
02:11¿Qué?
02:12¿Qué?
02:13¿Qué?
02:14¿Qué?
02:15¿Qué?
02:16¿Qué?
02:17Le hice una escena por no contarle nada.
02:19Y si les pasaba algo y nosotros ahí buscándolos entre pisco y nazca.
02:22Pero ya todo salió bien. Todo salió requecheche.
02:24Además, en estos momentos,
02:26ya el Gaspar debe estar con mi tía Teri y con el Junior.
02:29No sé. Yo, yo tengo un palpito.
02:31¿Cómo?
02:32¿Cómo dices?
02:33No, no, tranquila, tranquila.
02:34Mira, yo lo he visto cruzar la frontera con mis propios ojos.
02:36Sí.
02:37Estoy tranquilo yo.
02:38Tranquila tú.
02:39Bueno, a ver.
02:40Es la cuestión de esperar un poco más.
02:43¿Y tu esposo?
02:44Esta indispuesto.
02:45And now that the auntie is here.
02:47I don't know what you're talking about, uncle.
02:50But he's happy because he called the baby.
02:55And he's excited because he already has a date for his new show.
02:59That's good.
03:00The baby, I guess it's Teresa.
03:02Oh, he does call her darling.
03:04What else?
03:05And why don't we call her and ask her how my son Gaspar is doing?
03:08And ruin their plan?
03:09What plan?
03:10Gaspar went to give her the surprise.
03:12Surprise.
03:13Yes, yes.
03:14And he said they're going to call us when they're together.
03:16They're going to make a video call.
03:18Why did they have to go so far?
03:20They did it to make Tere's dream come true.
03:23And what about me?
03:24No one thought of me?
03:25Gaspar is my only son.
03:29Poor thing.
03:30I missed you.
03:31Don't get like that, Alicia.
03:34Think that Gaspar is happy with Teresa.
03:36And together with Junior who loves him so much.
03:39I know, I know.
03:41You're a beautiful family.
03:43But why did they have to go so far?
03:46I told you.
03:48But what?
03:50In dulce de la vida.
03:52A little bread.
03:54With jam.
03:55With jam.
03:57How are you?
03:58Surprise.
03:59Sorry to interrupt.
04:01I'm ready to dictate my theater class.
04:04But if you want we can start later.
04:06No, no, it's not necessary.
04:08Right?
04:09It's not necessary.
04:10Tell me if you feel better.
04:12Perfect.
04:14But you were sick a while ago.
04:16Professor.
04:17Do you give theater classes?
04:19Yes, yes, yes.
04:20Nice to meet you.
04:22Call me Alicia.
04:23Alicia.
04:24This acting thing calls me deeply
04:27since I saw a movie.
04:29Maruja in Hell.
04:31I think I would have done it much better
04:33than that Elena Romero.
04:40No, no.
04:42Mom.
04:44Mom, come back.
04:46Mom.
04:48Mom.
04:50Mom, don't go.
04:52Mom.
04:54Mom.
04:56Mom.
04:58Mom.
05:00Mom.
05:02Mom.
05:04Mom.
05:06Mom.
05:09Mom.
05:11Mom.
05:13Mom.
05:17Are you going to bed?
05:20No, it's still early.
05:23How is your English?
05:26Much better since Alicia taught me.
05:29I'm glad.
05:30I'm glad.
05:31Did you see the video?
05:33Yes, I liked it from the beginning, yes.
05:37But acting is not a serious career.
05:41Take it as a hobby, but you have to study a real profession.
05:46My aunt told me the same.
05:48Thank goodness.
05:50And the girls who bothered you?
05:52Now they are my best friends.
05:55That's good.
05:58What do you think?
06:01Franchi, how long am I going to live here?
06:07Why do you ask me that? Don't you like living in this house?
06:11Of course I like it, but I have learned that beautiful things are not forever.
06:18You are too young to think like that.
06:21I know, but I can't help it since I lost my mom.
06:28Angelita, I can't give you back your mom,
06:33but I promise you that I will do everything in my power to give you a peaceful life,
06:39so you don't lack anything, so you can be happy.
06:46Why are you like this?
06:48Because I don't want to lose you too.
06:57I don't want to lose you too.
07:04Alice, you can let me go now.
07:06You said we were going to imitate an animal and I am an octopus that grabs its prey.
07:11Yes, the exercise is over.
07:14Let go, Professor Leonardo.
07:16I don't want to.
07:17You can't do that.
07:19You can't move forward like that.
07:21You are too possessive.
07:22You remind me of my friend the octopus.
07:24He gives more good people.
07:26I don't want to.
07:28It's a shame you fought with your brother-in-law.
07:30He's an idiot. He gets in where no one calls him.
07:32I would like to be there for you,
07:34so you can tell me why you argued with your sister and you can vent.
07:38It was for nonsense.
07:40I'm going to sleep now.
07:42Okay.
07:43See you tomorrow?
07:48Chris?
07:50Did you hear me?
07:51Yes.
07:52Yes, I just thought my dad was coming.
07:55All right.
07:57So, see you on December?
08:00Sure.
08:02Okay.
08:03A kiss.
08:04Bye.
08:12How long am I going to keep doing this?
08:17Come in.
08:21May I?
08:22Yes, Koki.
08:25I brought you a sandwich.
08:29And?
08:30How are you?
08:32More or less.
08:33Alicia is very sad.
08:35You should talk to her.
08:36Koki.
08:38I really appreciate your concern.
08:41But I'm not going to let anyone tell me what I should or shouldn't do.
08:46Are we clear?
08:49Yes.
08:50It looks better.
08:55Koki.
08:56Tell me.
08:58You don't work in this house?
09:00I went through the window.
09:22Come in.
09:26Good morning, Mrs. Maldini.
09:28Claudio, can I come in?
09:33I'm sorry, but I wanted to talk to you before going to the corporation.
09:37What is it about?
09:39Mr. Miguel Ignacio asked Hernan, a guy who works at the corporation...
09:43Who is he?
09:44Well, he asked him to correct some paintings.
09:47I don't understand those things very well,
09:49but it seemed strange to me that Mr. Miguel Ignacio was so interested
09:53and that Hernan was so mysterious.
09:56That's why I decided to bring him this USB
10:01that has the original PowerPoints just in case.
10:04Did I do well?
10:05You did very well, Juana.
10:07I'm going to check it.
10:09Excuse me, ma'am.
10:12Juana, this is between us.
10:17Of course, ma'am.
10:24I'm sorry.
10:43What happened to Cris?
10:46She was supposed to be here half an hour ago.
10:53I'm sorry.
10:59He doesn't read me.
11:05La Rema Sanchez Concha, are you in Lima?
11:15Francesca is always so impunctual.
11:18I'm sorry to disagree with you, but Francesca is never impunctual.
11:21Well, now she is.
11:23She's been 12 minutes late.
11:25If she doesn't come through that door in three minutes,
11:27we'll start without her.
11:39They're plugged in, they're plugged in.
11:42Ready?
11:45There we leave the TV installed so she doesn't get bored
11:48while she waits for news of her cocotún.
11:50Cocotín.
11:51Cocotín, yes, yes.
11:52Hey, thank you, really, boy,
11:54because only with television and these theater classes,
11:57with that silver-haired guy,
12:00is that waiting becomes more bearable.
12:08Well, I'm going to make my route, okay?
12:10Yes, my love, I'll wait for you all day
12:13to see if something wonderful happens in my life.
12:16Sorry, before everyone leaves,
12:19I would like to say a few words.
12:29Very well, we can start.
12:34Good morning.
12:35Sorry for the delay.
12:36Good morning, Francesca.
12:37You arrived just in time.
12:39Well, let's get started.
12:50Good morning.
12:51Are you looking for someone?
12:52Good morning.
12:53I'm looking for Cristóbal Montalván.
12:55Cristó...
12:56And what is your name, if I may know?
12:58I'm not saying it because I'm gossipy,
12:59because some people misinterpret me,
13:01they think I'm gossipy and all that,
13:02but it's not like that,
13:03but I'm the main watchman of the Nueva Lomas,
13:05and as such, one of my functions
13:07is to know the name of each visitor.
13:10I'm Lucero.
13:11Lucero!
13:12Ah, what a beautiful name!
13:13And what is the young man Cristóbal looking for,
13:15if I may know, for work or something like that?
13:18No, I'm his girlfriend.
13:20Ah, his girlfriend?
13:22Ah, his girlfriend.
13:24Well, in that case,
13:26I have no choice but to inform you
13:29where the young man Cristóbal lives,
13:31which is in this house.
13:33Here?
13:34Yes, exactly, in this house.
13:37You're welcome.
13:49When I assumed the management of this house,
13:51I thought I could do it alone,
13:53but I was wrong.
13:54I need someone to accompany me
13:57for such a responsibility.
13:59Don't say any more.
14:01I'll help you.
14:02Oh, thank you very much, Mrs. Alicia,
14:04but you are a visitor.
14:06Thank you, but I was thinking of someone
14:09who knows the weaving and handling of our day to day.
14:12Ah, I see.
14:13I see.
14:14I see.
14:15I see.
14:17Lorena.
14:19Yes?
14:20Do you think you can accompany me with this hard task?
14:25Of course, I accept, love.
14:27You are the one indicated to accompany Olinda
14:29as head of the family.
14:31Well, I don't know if,
14:32if no one opposes ...
14:34Of course I do accept.
14:36Bravo!
14:38Bravo, love!
14:40I am proud of you.
14:41Bravo!
14:42Very good.
14:43I had forgotten how stupid and stupid these people can be.
14:50Well, enough with the celebration. Everyone knows what they have to do.
14:54Yes?
14:55Let's go.
14:56Congratulations, Mom. You're the best.
14:59Congratulations, Lorena!
15:01Bravo!
15:02Please, before you leave, could you turn on the news?
15:06Yes, of course.
15:08Right away.
15:09Here it is.
15:11A group of foreigners who intended to cross the Mexican border to the United States
15:16were captured and deported to a maximum security prison in El Salvador.
15:28Do you have something to say?
15:30Save me, Joel!
15:31Kapal!
15:32Joel!
15:33Kapal!
15:35Joel!
15:42Kapal!
15:44Kapal!
15:47Kapal!
15:48Kapal!
15:49Kapal!
15:50Hurry!
15:51It's my fault! It's my fault!
15:52I took her there, I left her there, I don't understand anything!
15:54After you regret it, now we're going to take care of your mommy.
15:56Why don't we take her to her room, love? Can you?
15:59Of course! I'll take care of her.
16:03You too, Joel. Help me, please.
16:05And you too, love. Help me.
16:07And you too, Anita.
16:08Yes.
16:09That's what Felix likes to do!
16:10Felix!
16:11Help!
16:12Help!
16:13Well, if we're all here, we can start with the monthly budget and auditing meeting.
16:18Mr. de las Casas, please.
16:21Well, first I have to say that the corporation is going through the best period of bonanza
16:27since I started my management.
16:30Francisca, I understand that on your trip to India you made some donations.
16:34Investments, Ronald.
16:36I make the donations from my personal account.
16:39And the investment?
16:40Two and a half million to a growing Bollywood producer.
16:44Bollywood?
16:46A smart decision.
16:48Mr. de las Casas, it's your turn.
16:50In the picture we see a deficit of 15 million.
16:53That's right.
16:54As CEO, I have total control of the corporation's assets.
17:00As long as you can justify what you do with them.
17:04Of course, Francesca.
17:05I'm not new to this game.
17:07Mr. de las Casas, this is not a trial, it is simply an information meeting.
17:13Very well, here I have prepared some pictures.
17:15Yes?
17:16Let's see.
17:17We have made some investments that are having very good figures in artificial intelligence,
17:23in Bitcoin and in oil exploration in Antarctica.
17:26And also other investments that are giving very good results in blueberries, grapes and palm trees.
17:31Excellent.
17:32I see that you know very well what you are doing.
17:34I am glad that the corporation is in such good hands.
17:39Well, if there is nothing else to say, we can conclude the meeting.
17:43Yes?
17:44Have a drink.
17:46One moment, Miguel Ignacio.
17:48There is something that is not clear to me.
17:50Francesca, please.
17:51There are the pictures.
17:52If you want, I'll send it to you by email so that you can review it all day.
17:55Yes, please.
17:56Because I have another picture.
17:58What picture are you talking about?
18:00Screen.
18:03That picture, Miguel Ignacio.
18:05Can you explain it to me?
18:33Hello, yes?
18:34Hello, sir. Is Chris here?
18:36No, Chris is working at this time.
18:38At this time? Today?
18:40Yes, you should have talked to him before. I'm sorry, he's in the office.
18:43And can I wait for him?
18:44Here? No, no. I already told you that he is working.
18:47Well, but he will surely come early since we agreed to go out today because it is my day off.
18:51In fact, it was not my day off, but I talked to the lawyer so that I can exchange shifts with Orquita
18:55and she told me that it is excellent.
18:56And just Chris told me that he can take me to the Natural Sciences Museum because I really want to know it.
19:01And well, I imagine that he will arrive at any time because he does not fail with his words, much less with mine.
19:06One moment, one moment. Who are you?
19:09Oh, I thought you recognized me. I'm Lucero. Nonsense.
19:14I don't recognize you at all.
19:17Chris didn't talk to her about me?
19:20No.
19:20She fell in love.
19:22I know.
19:23Yes, I know.
19:29Be careful.
19:30Careful, please.
19:32Please, Ortiz, don't do it.
19:34Sorry, I didn't mean to.
19:36Fuck.
19:37My son.
19:39The prince of Guanco, the best jail in the world.
19:42No, no, ma'am you're wrong. That was not Gaspar.
19:46What, no?
19:47It's true that they didn't look anything alike?
19:48No, they had the same color.
19:51Oh
20:21Oh
20:24Yes, it can recall pancetta croquantes de la mañana
20:30No, I don't understand what happened. I left it there myself. I left it. I saw it with my own eyes crossing the border
20:34Well, I'm sure it's just getting there. The gringos found it and deported it
20:37Oh, it's impossible if I left it dressed like the prince of the rap like Will Smith. Everyone wants it. Yes or no?
20:43What have you done?
20:44Insensate that was before now they hate him for hitting him for having ruined the night of the oscar god that thing happened to me
20:51Now for your forgetfulness, surely you confused him and now Trump has sent him to Bukele
20:55We don't waste time, we're going to rescue him. But it's just you and me. We need more people. We also need a plan. I know
21:02We'll call Coqui
21:05But what is that? It can't be. Those are not the real results
21:09Unfortunately, those are the real results. Your picture is wrong. Or I can say adulterated
21:15Are you saying that I'm changing Francesca's results? That is a very serious accusation
21:21I'm not insinuating anything. I'm telling you in your face
21:24You are falsifying information
21:26I'm not going to tolerate that you doubt my honesty
21:29Then refute me. Prove to me that you are not falsifying data
21:33Of course I will
21:34Calm gentlemen, tranquility, measure. It is evident that it is a mistake. Let's not take this to the personal plane
21:41These paintings come directly from the Treasury Department
21:45Mine too
21:47Then there is nothing more to talk about. We will start the relevant investigation. I'm sure it's a misunderstanding
21:52And if not?
21:53We will start the sanctions for the one who falsifies information. Whatever your position
21:58Proceed, lawyer. I have nothing to hide
22:01Very well, then we'll see you at the next meeting. Better said, maybe we'll see you at the next meeting
22:09And I've been running to open the place with all this Gaspar Preso in El Salvador
22:18Alessia taught me to prepare breakfast quickly
22:21Everyone wants to come for the little girl with the little fire and all that
22:25Are you listening to me?
22:28Who asked for the canary breakfast?
22:31A breakfast for all three? Not that it was so expensive
22:33I stay with the juice
22:34I stay with the coffee because I stay asleep in history classes like you pass
22:37What? What are you talking about? History class is great
22:39Hey, it's the first time I like this course
22:41I stay with the pancito
22:43Hey, I have an idea. We have to bring him to the literature teacher. The one who is very fat, you can tell he has a good gender
22:48Who, Arlito?
22:49I told you in the business
22:50Yes, he will love it. He will be a fixed client
22:52Yes, well, bring him. Margarito, could you bring someone too?
22:55Of course, the art teacher who is more good
22:58Hey, what's wrong with you? Respect me
22:59I said it in the middle of the day
23:02You know what? Order some potatoes, some potatoes, my love, some potatoes for the table
23:09Well, but it will be for lunch
23:10We have to go
23:13Yes? Are they leaving already?
23:15Yes, my love, you know, the university, the professors, the hours
23:17And sometimes the exams come to Chato Longo all the other time for being late
23:21Well, go for lunch and bring someone who does have money so he can leave a tip
23:29He left
23:32Of course, they are very busy with the university
23:40Shake, beat, shake, beat, shake, beat
23:45You see, it's not complicated
23:46Yes, it seems easy, but everything spills out
23:48Well, it's the same, but with more cadence
23:54Hello, Joel
23:55Koki, come quick, Gaspar fell in jail and we need your help
23:59What? Well, I'll see what I can do, in what prison is he?
24:03In the Secote, Bukele
24:05What? And what do you want me to do?
24:07You have contact with the best fund, man
24:09Yes, but I'm not international either
24:11Well, but we have to do something, we can't leave it to his luck, right?
24:14Yeah, yeah, yeah, it's fine, I'm on my way
24:16Yes, here Claudio is going to give him torticolis of so much style in the neck
24:20Oh, how bad you are, what do you want, Joel?
24:22I'm not going to tell you because you are very gossipy
24:24No, no, no, I swear I don't tell anyone
24:26Perfect, neither do I
24:27Oh, how rough, how rough, what a horror
24:31But what's wrong with him, son? He went crazy
24:37Hello, dad, what's up?
24:38What do you mean, what's up?
24:39That a little white, transparent, spectral, like a ghost, just knocked on the door and says she's in love
24:44Lighter, yes, I forgot that we had met
24:47So it's true?
24:49Son, but what's wrong with you?
24:51Why are you looking for half-haired girls?
24:54First Julia, and now this whore
24:57What kind of minimalist complex do you have?
25:00Please, you are a Montalban, handsome, prudent
25:04What do you see in these little things?
25:06Dad, forget it, okay?
25:08It's something I did for Julie
25:10Oh, I hate Francesca
25:13Where did you get that painting?
25:15If they find me, it's the end
25:16Hang up, hang up, it's an emergency
25:18Dad, I have to hang up, my uncle is in Managua
25:21But don't hang up, what do I do with this girl?
25:24I don't know, invite her to come in, entertain her, I don't know, dad, bye
25:27What's up, uncle?
25:28Houston, we have a problem
25:32My name is Cristobal
25:34He hung up on me, let her pass, this little crazy girl from the street, no way
25:41Oh, forgive me, it's just that there is an air bubble that always passes and ploom, he throws the door
25:46Okay, did you talk to Chris? Is he coming?
25:48Yes, I talked, but ...
25:49Oh, how good, I was very afraid that he had forgotten about me
25:52No, no, what happens is that he has a problem in the office and it will take a long time
25:55Oh, no problem, that gives us more time
25:57Time for what?
25:58For everything, where is his room?
26:00Where are you going, little girl, where are you going?
26:02Lucero
26:03Lucero, but where do you get it from, my son?
26:06Lucero, Lucero, come here
26:09Wow, this is his room, I want to leave everything impeccable for when he arrives
26:13No, leave it there, you don't have to do anything, don't worry
26:15But of course I worry, I'm his girlfriend
26:19Besides, if he has a very bad day at work, then he comes tired and in a bad mood
26:23Listen to me, little girl, I ...
26:25Lucero, I have many things to do
26:28Okay, fine, go, don't worry
26:31Mr. Diego, I'm your daughter-in-law, I'm not going to steal from you
26:34No, no, I don't say it for that, it's ...
26:37Okay, do whatever you want, okay? I'm going to take a shower
26:40God, this girl is transparent
26:49How could you, man? In the United States they don't want another undocumented person
26:52Yes, but I sent him dressed as the prince of rap
26:54Look, but that guy, nobody wants to see him since he screwed up his Oscar show
26:59You see, you see, I told you, now they hate him, they would have sent him, I don't know, like Michael Jordan or like C-3PO
27:04C-3PO was, right?
27:06Of course, he ate a golden paintball, flash, he slapped her the same, right?
27:09How did that not happen?
27:10I'm sorry, guys, in Peru, whatever you want, but I don't know the low funds of El Salvador
27:14But it shouldn't be so low either, because the country is small
27:18We are not going to leave him there, we have to rescue him
27:20How? And as far as I know, nobody comes out of that prison
27:28To the street?
27:30To jail, if they find out that I falsified those data
27:34And did you do it?
27:38Uncle
27:40A little bit, nothing more, some data, nothing significant
27:43I did it on purpose, to bother Francesca and her partners who advanced the Madrid meeting
27:49I'm sure that next month those indexes will rise
27:52Maybe you shouldn't have done it, you see what happened
27:54No, it's a common practice in finance, I'm sure Francesca Maldini has done it a thousand times
27:59But she caught you with her hands in the dough
28:03But how could it happen if I took care not to fall into my bad hands?
28:09Do you have any suspects?
28:12Maybe a mole
28:16A mole? That's it, there's a mole, damn mole
28:21Who do you think is the mole?
28:22I don't know, but when he finds out, he's going to know me, he's going to know my true fury
28:28Damn mole
28:30Come in
28:34Mr. De las Casas, how was the meeting? Did you like the painting I made for you?
28:42Yes
28:49Nephew
28:53Close the door with the key
29:12I'm going to sleep
29:18She's already asleep, what did you put in the tea?
29:21Just an apple
29:25And I put a really relaxing second bread
29:29Who could it be?
29:32Girl, girl, girl
29:34I'm getting angry and it looks like she's crying
29:37It's just that a tragedy happened
29:39Yes
29:41What happened? Don't scare me
29:42What happened?
29:43What happens is that Gaspar was taken to the secot
29:45Yes, it's horrible
29:47To the secot?
29:48Yes
29:49Oh no, to the secot! To the secot!
29:52Girl, no, it's a horror, it's a horrible thing, to the secot!
29:56Girls, that's horrible!
29:59Wait a minute, what's the secot?
30:03Mom, just go up, let your boyfriend explain to you
30:06The house
30:08They are such for which
30:10Lorena, how sorry I am that our matriarchal beginning happens to all these things
30:16Yes, I'll take care of the house next week, right?
30:22You see, you see, that penalty is a serious thing
30:25Yes, that Bukele is not in vain
30:28Honey, can you explain to me what happened to Gaspar?
30:30He fell in secot, in the maximum security prison of El Salvador
30:33Oh no
30:35Yes, here we are just thinking about what to do to rescue him
30:38Yes, and don't be offended, Macarena, but this is a man's issue
30:43Oh, well, well, then I'm leaving, but we'll talk later
30:51What happened? Are you offended?
30:53No, no, no, it's cool
30:54Hey, guys, don't disperse, we have to keep thinking what to do to rescue Gaspar
30:59The 24 hours he has a day in a cell
31:03So it's a man's thing
31:06And did they explain to you about Gaspar?
31:08Yes, and they want to solve it themselves
31:10Yes, they left us taking care of Mrs. Alicia
31:13They won't be able to do it alone
31:14And then they don't ask us for help
31:16So it's a man's thing
31:20I'll be back
31:21Oh, no, no, no, don't see me, don't see me
31:24Hernan, what happened to you?
31:26Oh, the man of the houses confused me with a mole
31:30Well, yes, you look a little bit, but it's not your fault, it's not your fault
31:33But why are you like this, without clothes?
31:35Oh, they asked me to take off my clothes to see if I had hidden microphones
31:40But I don't have any
31:41I don't have any, I don't have any
31:43You don't have any, you don't have any
31:45I don't have any, I don't have any
31:48They asked me to take off my clothes to see if I had hidden microphones
31:51Juanita, did you give the USB with the original data to someone?
31:55Me?
31:57No, Hernancito, what do you mean? Never ever
32:02That's what I thought
32:05I do trust you
32:07Well, yes, I asked you to show me
32:09It was because I admire your work
32:12You are a boss
32:13But why do you ask me, dear Hernancito?
32:17Because it seems that the USB arrived in bad hands
32:20And now the man of the houses is very, very worried
32:25Don't look at me
32:31So now you're worried
32:37Well done
32:40Although, I don't want him to throw it away either
32:47Where did that girl go?
32:49She's not here?
32:51It seems that she finally left
32:53But what does my son have in his head?
32:55He comes out of one to get involved with another
32:57Hi, Zorro
32:58Oh, spectral girl!
33:00You almost scared me to death
33:02I'm sorry, I didn't mean to scare you
33:03But I'll pour you some juice
33:08I'm sorry, I didn't mean to scare you
33:10But I'll pour you some juice
33:12I'm sorry, I didn't mean to scare you
33:13But I'll pour you some juice
33:15I'm sorry, I didn't mean to scare you
33:16It's ready, just in time
33:25What? My oven?
33:29I made cookies, but you can try them
33:32They're hot, blow
33:33But what right do you use my kitchen?
33:35Well, remember you told me
33:37Do whatever you want, I'm going to take a shower
33:39And well, I wanted to make cookies for Chris
33:41But try them, they're delicious
33:43Let's see
33:49Thank you
33:50Are they good?
33:51Thank you
33:52I'm going to decorate them
33:53No
33:56Chris...
33:57Lu...
33:58Cru...
33:59Setu...
34:00Clu...
34:01CL better
34:03Oh my God, where does my son get it from?
34:13What?
34:28What?
34:29But she's in love
34:30What's wrong with Chris?
34:43So she got bored of the little girl
34:47It was probably a fluke
34:51Lucero
34:53Lucero
34:55Maybe she heard me and she left crying
35:00No trace of her
35:03Maybe it wasn't the best way, but she left
35:07This is going to be beautiful
35:10Hi Mr. Dio, I'm rolling in the garden
35:13This can't be, this is a nightmare
35:16I'll show you
35:17Here I've put roses, here the crotons
35:19And now I'm going to put radishes
35:21Because Chris just told me that he likes them a lot
35:23Ah, didn't he tell you that he cares about a radish rather?
35:26Because surely you didn't listen well
35:29Very funny, son-in-law
35:30Well, I'm going to continue with the garden, okay?
35:33Hello Cristobal
35:34Stop with this farce, it was enough
35:37Dad, I'm busy, yes?
35:38There is a serious problem in the office and I have to leave you
35:40Hi love, how are you?
35:41I was waiting for you, but don't worry
35:43Your daddy called and I already met him
35:45It's very funny, son-in-law
35:47Well, I won't take up any more of your time
35:49I love you, bye
36:03If he doesn't do it, I'll do it
36:11It's impossible
36:13In that prison they don't leave the prisoners alone
36:15Not even to walk the nutria
36:17There has to be some way
36:18We've already seen like 20 videos of Bukele
36:21That means one thing
36:22What does brother do?
36:23He likes to make videos, then
36:27I don't know
36:28I don't know
36:29I don't know
36:30I don't know
36:31Why were you skinny?
36:32I'm not skinny, brother
36:33I'm a male, I'm a man
36:35Are we or are we not?
36:37Speak well
36:38Joel, leave her, this has no way out
36:40No, no, wait, but what Macarena says is true
36:42One moment, Koki
36:43Calm down a little
36:44I'm Macario, look at all the production
36:45No, Macario, Macarena, it doesn't matter
36:47The thing is that you hit the nail on the head
36:48Speak well
36:49Bukele is a tiktoker by nature
36:52And there you have to flood the networks
36:54Asking for the release of Gazpato
36:56Of course, he won't want to be bad
36:59I'm going to hit him so hard that he's going to let go
37:01Yes or no, my love?
37:02Good, my love
37:07Say what you want, this still seems strange to me
37:19For God's sake, what do I do with this crazy girl?
37:22And the worst thing is that Chris doesn't care either
37:25Father-in-law
37:27He jumped to the ceiling
37:30I don't think it's funny
37:32And stop telling me, father-in-law, that I'm not your father-in-law
37:35What do you mean no?
37:37No, if Chris is going to break up with you now that he comes
37:40What?
37:41Yes, he's already tired and now that he comes back, he's going to break up with you
37:47Oh, oh, little girl
37:49Lucero
37:51Oh, oh no, I killed her
37:53I'm dying
37:55Wake up
37:57How's it going from up there?
37:59Oh, pretty good
38:00No, super good, we already have some clear ideas more or less
38:03Some she says
38:04You have to tell me in detail, mommy, I want to know everything
38:07Oh, it's the last straw that you had to go with a mustache so that they listen to you
38:11This is a joke, it's just so they know that they can't leave us out
38:15It's because they're sexist
38:16No, tell them, they do it to talk to each other calmly and not to worry
38:20Oh, cutie, that's a nice way to say that they're sexist
38:23Oh, how delicious, how sleepy
38:26Hi
38:27Hey auntie, how's the cat, you're in?
38:30You must work in the workshop with my son, right? I say it for the uniform
38:34No, no, my skinny chamey, my skinny chamey
38:37Your skinny?
38:38Oh, I'm a Karina
38:40I'm here, look
38:41The cocoon
38:42Another one with the cocoon?
38:43The cocoon
38:44Oh, don't look
38:45Oh, my God
38:46Oh, my God
38:47Oh, my God
38:48Oh, my God
38:49Oh, my God
38:50Oh, my God
38:51Oh, my God
38:53What did you do, skinny?
38:55Sorry, sorry, sorry, I didn't mean to scare you
38:57No, no, don't worry, it's not your fault, I'm fine, I'm fine, don't worry, I'm fine
39:02I want another little bread
39:03Another little bread, Alicia
39:04No, no, I don't want another little bread
39:08I'm going to cool off better, yes
39:13She didn't accept the little bread
39:14That's not normal
39:15But, but of course it's normal
39:17Poor lady, her son is in the workshop
39:20Shhh
39:22She doesn't know
39:25Poor lady
39:28No one can get me out of my head that this girl is identical to my friend from school
39:36But as my Gaspar said, the Montalbans are people of silver
39:40They don't have to do anything in Cañete
39:44What will happen to my son?
39:46Oh, my God
39:47She's not going to get out of my head
39:52No, you know what? I'm not going to get out
39:53No, no, it's easy, Koki has to do that, just put the voice like
39:58No, he has to do it, he has to do it, as if he had a potato in his mouth
40:00No, no, no, I'm going to spoil the video, I'm not good for this and the acting
40:03Well, Koki, we are together in this
40:06Koki, please, ask for Gaspar
40:08You know who can help us? Leonardo
40:11Of course, he is the professor of acting, he has a group
40:14It's true
40:15Besides, he's already in jail, and he knows how it feels.
40:22Baby, ah, baby, ah.
40:28I can't do it.
40:30You have to open your mouth a little more.
40:32Try again.
40:34Ants in France run with elegance.
40:37It's not bad, but you have to find the resonance.
40:41You find the resonance in your hard palate,
40:43and there you go to the soft palate.
40:45And you know what can give you a lot of support?
40:47Your papada.
40:48What papada?
40:49What papada?
40:51They're calling me, they're calling me.
40:53Okay, Joel.
40:55A mission?
40:57What do you need?
41:00Bukele, Sekot, different characters.
41:04I don't understand anything.
41:05You know what? I'm better off going there.
41:06You explain to me.
41:07No, count on me, count on me.
41:08But I need to know what it's about.
41:10Okay, ready, I'm going.
41:12What do you want, Joel?
41:13I have no idea.
41:14Of course, of course.
41:15Don't tell Mayor Golosito anything,
41:16because he's a gossip.
41:17Ignore him.
41:18Claudio, who said that?
41:19No, no, no, don't tell me anything.
41:20Don't tell the mayor anything,
41:21because he's going to be talking from here and there.
41:23Keep him in absolute ignorance.
41:25Mayor Papadón.
41:28Claudio, don't...
41:29Don't tell me anything, I'm very offended.
41:32But listen to me.
41:33Think about the positive.
41:34Your, your, your physical attribute.
41:37Nothing can make you sing like Pavarotti.
41:41Really?
41:42Yes.
41:43Pavarotti?
41:44Well, although I identify more with Andrea Bocelli.
41:48Okay, I have to go.
41:49Where are you going?
41:50I'm telling you,
41:51to see Joel so he can tell me what it's about.
41:53Oh, but tell me.
41:54Anyway, don't worry.
41:55Don't leave me in Asquaz for a long time.
41:57I promise.
41:58Okay.
42:07Oh, what happened?
42:08Are you alive?
42:09Yes.
42:10You were dead.
42:11I don't think so.
42:13Are you okay?
42:14Does it hurt?
42:15Yes, yes.
42:16Sometimes the sugar goes down.
42:17Oh, that's good.
42:18I thought I had killed you for the impression.
42:20What impression?
42:21That I told you that Chris, when he comes back,
42:23he's going to break up with you.
42:27Oh no, here we go again.
42:34Dad, be careful, please.
42:35Don't be special, okay?
42:37Dad?
42:38Dad?
42:39Hang up, Diego.
42:40We have to find a solution.
42:41If they find me, I'm lost.
42:43Miguel Ignacio.
42:46I have already done the pertinent investigation
42:48and I have come to the truth.
42:50We have to talk.
42:52Cristóbal, leave me alone with the lawyer.
42:54Let's negotiate.
42:56Negotiate?
42:57Yes, there is always a solution, right?
42:59I'll tell you later.
43:00Excuse me.
43:01Excuse me.
43:07Okay, lawyer.
43:09Now, to begin with,
43:11release a number, yes?
43:12If you already know the truth, well,
43:14release a number.
43:15There is nothing to negotiate, Miguel Ignacio.
43:18What?
43:19Please, everyone has a figure, right?
43:21As I told you,
43:22I have come to the truth
43:23about the forged reports
43:25and it turns out that everything was a mistake.
43:28Look, lawyer, I know my rights.
43:32A mistake?
43:33That's right.
43:34An employee confessed to me
43:35that they confused the reports
43:37and then everything was a mistake,
43:39I'm telling you.
43:41A mistake?
43:45A mistake.
43:47Of course.
43:48Of course.
43:49A mistake.
43:50I was already saying
43:51why there were those figures so soon, right?
43:54Of course.
43:55Of course.
43:56It was all a human mistake.
43:57Yes.
43:58And can you tell me
43:59who made a huge mistake?
44:00No, no, no.
44:01I keep the name in reserve.
44:03I promised discretion
44:04for fear of reprisals.
44:06Come on, lawyer, come on, tell me.
44:08No, no, no.
44:09Even if it's the last name,
44:10I'm not going to take any reprisals, yes?
44:13Do you swear?
44:14Well, I'm going to tell you.
44:16It was Miss Zapayal.
44:20Miss Zapayal?
44:24But I never had that picture in my hands.
44:30But it saved my skin.
44:39What would you do without me,
44:40Mr. de las Cámaras?
44:43I would have been dead.
44:46What would you do without me,
44:47Mr. de las Casas?
45:05Something strange is happening.
45:07They think I don't realize anything.
45:09I know what I saw.
45:10The one on TV was my son.
45:12As if I didn't know him.
45:14What are they planning?
45:16For God's sake.
45:19So, what do you think?
45:20Do you like it?
45:21It's to rescue a friend.
45:23I mean, it's an interesting idea.
45:25I mean, I think...
45:27Well, when you have the script, let me know.
45:29No, no, wait a minute.
45:30It's that script.
45:32What?
45:33In conclusion,
45:35his reign of terror is over.
45:39Now he will think twice
45:40before taking a false step.
45:43We saved ourselves by a hair, nephew.
45:45I don't know how Francesca
45:46had access to the information.
45:48From now on, we have to be
45:49much more careful.
45:50We can't overlook
45:51even a pencil.
45:52Understood?
45:53I won't take it into account.
45:54Hi, how are you?
45:55You arrived.
45:56Today, rather,
45:57some very strange things have happened.
46:04And now this.
46:06Is it her or not?
46:07I think so.