In a flashback interview with Lehren, Sadashiv opened up about his Real & Reel life. The actor revealed that his film related profession has never ever had any influence on his personal life as he transforms himself into a simple Marathi family man after leaving behind the lime-light and aura of the industry on film set post pack-up. Amrapurkar shared that he hasn’t seen much of his films except a few of his favourite ones like Ardh Satya, Hukumat, Sadak & a few others.The multilingual artist also talked about the interesting story of how the legendary writer Vijay Tendulkar recommended his name to Govind Nihalani for Ardh Satya which in turn marked his power-packed debut. The Coolie No.1 actor also recalled a fascinating incident when a fan of his started imitating his Maharani character from film Sadak at a traffic signal after which he himself got extremely surprised after seeing the craze for the same. Watch the full candid conversation only on Lehren Podcast. #sadashivamrapurkar #sadashivamrapurkar #sadak #ardhsatya #flashback
Category
✨
PeopleTranscript
00:00signal
00:01on my car
00:02and
00:03people
00:04saw me
00:05so I was very
00:06beautiful
00:07and
00:08so I was
00:09looking for
00:10acting
00:11and
00:12I was
00:13happy
00:14but
00:15the
00:17masses
00:18are
00:19intellectual
00:20or philosophy
00:21they don't
00:22understand
00:23they need
00:24physical
00:25level
00:26when
00:27I
00:28had
00:30to
00:31sit
00:32and
00:33I
00:34said
00:35that
00:36I
00:37will
00:38sit
00:39and
00:40sit
00:41there
00:42I
00:43got
00:44a
00:45play
00:46I
00:47played
00:50and
00:51performed
00:52it
00:53and
00:54I
00:55and he also wrote the script of the Ardhsatya.
01:03So he suggested that this is the role of Ramashiti,
01:11that this is the role of Ramashiti.
01:15And he also said,
01:17I would suggest that I would never take the director,
01:22because this is the role of Ramashiti.
01:25But I would never know if I would take it or not.
01:29But in the end, Govind Ji took me,
01:33and then I went to the Ardhsatya,
01:36and then I came to the film industry.
01:40Sarashiji, tell me something.
01:42How much does your film life influence your personal life?
01:46The film line,
01:49which is my personal life,
01:51which is my own life,
01:53has no effect on me.
01:55As we go to the house,
02:00as we move on to the house,
02:03I keep my profession outside of my house.
02:07And after coming to the house,
02:09I become a Marathia.
02:12And I will leave the culture in the house.
02:14And when I do the film industry,
02:16I will leave it on the house and from that time,
02:18I will leave it on the side of my house.
02:22I will leave it on my house.
02:23So the field of being a professional,
02:25because it's my profession,
02:26myalongate is under the chair,
02:30I will buy money,
02:31so I am the person who's in the house with their problems.
02:32That's why I do my work sincerely.
02:37Like if a person works in his house or does his work,
02:44then it doesn't mean that he thinks about 24 hours of his work.
02:48In the same way, the work of the film is 8 hours.
02:53After that, I will completely forget it.
02:57।
03:06after coming home, it also remains on my head.
03:12If you have seen your recent film,
03:15how much time does it keep your impression on you?
03:24No, I don't.
03:25I don't see my own films.
03:28I've seen three or four films.
03:32I've seen it before.
03:34I've seen it before.
03:36I've seen it before.
03:38I've seen it before.
03:40And I've seen it before.
03:42I've seen it before.
03:44Here, I've seen it before.
03:46What has the reaction to the people?
03:49When my character comes to,
03:52what do they think?
03:54What do they react?
03:56People tell me that I can imagine.
03:58But I've seen it myself.
04:02तो नित्त कुशन यह राखे स्क्राइए क्योंकि 25 साल करने के बाद अवर थैट्र में सेकडोंश psychos करने के बाद और लेक्षिन
04:15लेने के बाद एक अन्दाज आ गया है कि में जब काम करता हूं तो मैं काम लोड पिुस द्रयायच्जिव किस अगया क्य आ करेंग र cold-
04:27this idea is that it would be a doubt that the idea is acting
04:32when it comes to acting.
04:34So, this idea is why it is acting.
04:36In commercial Hindi film,
04:38this idea is that it would be a doubt.
04:41If someone said that it would be reaction to me,
04:44then it would be a doubt that I would try to see it.
04:48But now, it's just that I have thought and knowledge
04:54I am very confident, because if I don't have any chance to do this, I will tell you something, your performance which has been very appreciated by the masses,
05:19how have the people interacted and how have you interacted with them?
05:29People interact, like I was going to Kali, my car stopped on the signal and some people saw me.
05:40I was very beautiful, I was wearing a beautiful girl, wearing a dress, wearing a dress, wearing a dress.
05:47I started acting and I was very proud of myself.
05:52and I have said that it is good or bad I don't know.
06:01But one thing is that people strongly react strongly.
06:06The fact is that if we react to our acting,
06:13it is good that they are good at some place.
06:19But the reaction is that when we go to the outdoor location,
06:30there are many people react to it.
06:35The film is called by the name,
06:40we call it, we call it, we call it,
06:42we call it, we call it.
06:44The real reaction is what happens.
06:51The reaction is that people are very involved in the film.
06:56We think that people are very involved in the film.
07:00We think that people,
07:03in their mind,
07:05in their time pass,
07:07in their day-to-day conditions,
07:09in their day-to-day conditions,
07:11we will see a film in their mind.
07:14But this is not the case.
07:16People want something,
07:17they want something,
07:19they want something,
07:20they want something about it.
07:22They react.
07:24Because,
07:26we have also worked in commercial films.
07:32And now,
07:34I want to say,
07:36that,
07:38that,
07:40that,
07:42that,
07:44that,
07:46that,
07:48that,
07:50that,
07:52that,
07:54that,
08:08commercial filmes
08:10they don't understand
08:12intellectual or philosophy
08:14they don't understand
08:16physical
08:18level
08:20everything needs
08:22mother
08:24mother
08:26mother
08:28mother
08:30people
08:32people
08:34don't
08:36don't know
08:38they know
08:40what is wrong
08:42so happy
08:44this is a very difficult
08:46work
08:48life at home
08:50basically
08:52what are your likes
08:54dislikes
08:56and what do you fear most
08:58something you think
09:00you are a tough villain
09:02on screen
09:04I
09:06I
09:08I
09:10I
09:12I
09:14I
09:16I
09:18I
09:20I
09:22I
09:24I
09:26I
09:28I
09:30I
09:32I
09:34I
09:36I
09:38I
09:40I
09:42I
09:44I
09:46I
09:48I
09:50I
09:52I
09:54I
09:56I
09:58I
10:00I
10:02I
10:04I
10:06I
10:08I
10:10I
10:12I
10:14I
10:16I
10:18I
10:20I
10:22I
10:24I
10:26I
10:28I
10:30I
10:32I
10:34I
10:36I
10:38I
10:40I
10:42I
10:44I
10:46I
10:48I
10:50I
10:52I
10:54I
10:56I
10:58I
11:00I
11:02I
11:04I
11:06I
11:08I
11:10I
11:12I
11:14I
11:16I
11:18I
11:20I
11:22I
11:24I
11:26I
11:28I
11:30I
11:32I
11:34I
11:36I
11:38I
11:40I
11:42I
11:44I
11:46I
11:48I
11:50I
11:52I
11:54I
11:56I
11:58I
12:00I
12:02I
12:04I
12:06I
12:08I
12:10I
12:12I
12:14I
12:16I
12:18I
12:20I
12:22I
12:24I
12:26I
12:28I
12:30I
12:32I
12:34I
12:36I
12:40I
12:42I
12:44I
12:50I
12:56I
12:58I
13:00I
13:02my brother, my brother, my brother,
13:04he told me that you don't want to do this role.
13:09What was your reaction?
13:12No, that's why she asked me to ask me.
13:16After asking me to ask me,
13:19this is a very different thing.
13:21If someone comes to me spontaneously,
13:23I will listen to someone.
13:25But if someone comes to me,
13:27I will listen to someone.
13:29I don't want to ask anyone.
13:32That's it, okay.