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Trendio
  • 5/23/2025
General Hospital – Episode 5-22
Transcript
00:00Curtis, please, don't walk away like this.
00:05Our daughter, our beautiful daughter, she's in there.
00:08You mean the daughter you lied to me about and kept from me for years?
00:12Yeah, Trina.
00:15And she loves you.
00:16She's a part of both of us.
00:18Can you please just think about her right now?
00:20Think about the beautiful, beautiful family that we've built together.
00:24Please, honey, don't throw away our marriage.
00:28I can't undo everything that we've built because I made a mistake.
00:33I have been the only one thinking about our family, about Trina, but I didn't put them
00:38at risk.
00:39And I hate that they are, and I hate that we're here, but I can't undo what you've already
00:46undone.
00:55Are you following me now?
00:57I've got to tell you, that's not a great idea.
00:59Well, I was actually hoping to get you all on, Carly, but not for round two.
01:06What do you want, Nina?
01:07I was really, really wanting our detente to work, but you forced my hand by pushing the
01:13court date forward.
01:16So just remember this, whatever happens next is on you.
01:23I have to give you some credit for all the issues that I have with you, and there are
01:30many.
01:31It was very generous of you to pay for Gio's musical education.
01:36I saw how good he was at Brooklyn's wedding, but what we saw on stage tonight, he was exceptional.
01:46He's a great kid.
01:48I'm happy to help out.
01:51I've grown quite fond of him myself.
01:54And there's no denying that his musical training really paid off.
02:04Excuse me.
02:11Ben?
02:12You son of a bitch.
02:14Don't think for a second I'm going to let you get away with setting up my mother.
02:19I mean it.
02:20You were so good.
02:21My goosebumps had goosebumps.
02:23I'm so proud of you.
02:26Come on, Dante.
02:27Give it up already.
02:28Isn't Gio amazing?
02:32Brooklyn's right.
02:33You were awesome up there, Ben.
02:36You are incredibly talented, Gio.
02:38Congratulations.
02:40Dante?
02:41Oh, Dante.
02:42What are you doing?
02:43There you are, but you're not supposed to be here.
02:44You're supposed to be backstage.
02:46Cody!
02:47Cody!
02:48Oh my goodness, Cody!
02:49You're supposed to be in your costume.
02:51Let's go.
02:52Dressing room.
02:53All right.
02:54Now!
02:55Go!
02:58Why do you look so surprised, Lois?
03:01It's not like this is a shock.
03:03You already knew that Gio was your grandson.
03:05You've been keeping the truth from him his entire life.
03:17You don't ever have to tell me about the beautiful family we built.
03:37I know what I had.
03:39I know what it took for us to build it.
03:41You were the one who took what we built and you broke it.
03:45You didn't trust me enough to tell me the truth, so you lied.
03:49I'm sorry.
03:51I didn't know what to do.
03:52You didn't know what to do, so you manipulated me.
03:57You did Drew's bidding and you left our whole family open and vulnerable to him.
04:03Not to mention yourself.
04:05Curtis, please don't give up on us.
04:07I'm not.
04:08At least not tonight.
04:10And what does that mean?
04:12It means that if I walk away now, it sends a clear signal to Drew that we are no longer a united front.
04:18And that leaves you exposed.
04:20And I won't do that to you.
04:22Honey, thank you.
04:24Because I know we can fix this.
04:25More importantly, I won't do that to Trina.
04:27The last thing she deserves is for her mother to be under Drew's thumb any more than she already is.
04:33So we're going to go in here, we're going to smile.
04:36And we're going to be every bit the loving, happy couple that everyone expects us to be.
04:41And tomorrow?
04:43Let's just get through tonight.
04:52I have no idea what you're talking about, Ned.
04:55Cut the crap.
04:57We both know that my mother wouldn't be sloppy enough to leave evidence of a crime in her own vehicle.
05:03This has you written all over it.
05:05You know that your mother thinks she's above the law.
05:07We know that, Ned.
05:09And that kind of overconfidence tends to catch up to a person.
05:12Among other things, it can make somebody really sloppy.
05:15We have our lawyers all over this.
05:17And we are going to find out who planted that drug in her car.
05:20We already know, Ned.
05:23Willow, Drew is an unconscionable ass.
05:27And we all attempted to give you the benefit of the doubt.
05:31We believe that Drew manipulated you.
05:34And that you are a victim as much as Michael is.
05:37You can let go of that ridiculous idea once and for all.
05:40I'm no victim. And neither is Michael.
05:43You can't be a victim when you won't even try to solve a problem.
05:46What are we talking about here?
05:47I flew to Germany to try to talk to Michael.
05:49To see if we could find a compromise.
05:51Michael wouldn't even see me.
05:54Drew is the only person acting in my best interest.
05:56This one is wreaking havoc everywhere he goes.
05:59And you're just standing by his side, cheering him on.
06:02So don't be expecting any sympathy when this whole thing blows up in your face.
06:07Let's go.
06:14So what happens next, Nina?
06:17By testimony, I'm going to prove that Michael abandoned his children.
06:22So what you're saying is you're going to perjure yourself.
06:24Because nothing could be further from the truth.
06:26Well, you know, that's the funny thing about perspective.
06:29Like the night of the holiday party when Michael played the video of Willow and Drew.
06:36He actually wanted Willow to take the children with her.
06:40Michael wanted Willow to have them.
06:43Michael didn't want to scare his children.
06:46That's how much he loves them.
06:48Well, that's open to interpretation, but the facts are the facts.
06:52Michael's children were with their mother without so much as a challenge from Michael.
06:59And then he went to Germany and abandoned those kids for bird treatment.
07:05And then he refused to see Willow or speak to their mother after she flew over an ocean to see him.
07:16She made the effort, a substantial one, and he rejected her.
07:19He didn't even care enough about his children to let Willow talk to him about them.
07:25I mean, Carly, this looks bad for Michael, really bad.
07:32Well, that's your spin.
07:34And like you say, everything's open to interpretation.
07:38And one more fact.
07:40There's only been one parent who's been there consistently.
07:44A loving, stable force for those children.
07:48Giving them everything that they need.
07:52It's not Michael.
07:54It's their mother.
07:56And you better believe I'm going to make sure the court sees that.
08:02Have a nice evening.
08:08Hi, Parkland and Mr. Carinthos.
08:10Happy Nurses Ball.
08:12Is that what you say?
08:13Sure, sounds good. You look beautiful.
08:16Well, thank you, and so do you.
08:18I actually haven't been this dressed up in a while, so I kind of feel like I need to be on my best behavior.
08:22You do?
08:24Okay, well, your performance was great, so I feel really bad for the person who has to follow you.
08:29I had fun, but maybe we can make this a regular thing.
08:34I guess we should.
08:36I think we should head in there.
08:39I don't know where you got your info.
08:42All I do know is whatever you suspect is absolutely none of your business.
08:48So do us both a favor and stay out of it.
08:51We are long past suspicion, Lois.
08:54I know it all.
08:55I know that Gio is Brooklyn and Dante's son, and I can prove it.
09:00You don't know what you're talking about.
09:02Dante got Brooklyn pregnant at summer camp.
09:05Do you need me to finish the rest, or are you starting to remember now?
09:10Hey, everybody.
09:13Hi again.
09:14I just want to thank all of you once again for being here on this very, very special night.
09:18And do not forget, I'm serious, you know this, go check your silent auction items because we want to take your money away from you.
09:25It's for a very, very good cause.
09:28Now let me think.
09:29Two detectives, a gifted surgeon, and a cowboy.
09:34Sounds like the beginning of a joke, right?
09:36But I assure you, it's no joke.
09:39They are among the finest Port Charles has to offer, and we are very, very lucky to have them.
09:45But we're even luckier to have them on this stage tonight.
09:50I want to present Detective Harrison Chase, backed up by Detective Dante Falconeri, with cowboy Cody Bell and the gorgeous General Hospital's doctor, Isaiah Gannon.
10:06Ladies and gentlemen, I give you the look of love.
10:32The world is full of strange arrangements.
10:36And gravity won't pull you through.
10:40You know you're missing out on something.
10:44Well, that something depends on you.
10:49All I'm saying.
10:52It takes a lot to love you.
10:54All I'm doing.
10:56You know it's true.
10:58All I need now.
11:00There's one thing, yes, one thing that turns this gray sky to blue.
11:07That's the look.
11:08That's the look.
11:09The look of love.
11:11That's the look.
11:12That's the look.
11:14The look of love.
11:16That's the look.
11:17That's the look.
11:18The look of love.
11:23When your girl has left you out on the pavement.
11:27Then your dreams fall apart at the seams.
11:31Your reason for living's your reason for leaving.
11:36Don't ask me what it means.
11:40I don't know the answer to that question.
11:44If I knew, I would tell you.
11:48Look for your information.
11:53Yes, there's one thing, the one thing that still holds true.
11:57What's that?
11:58That's the look.
11:59That's the look.
12:01The look of love.
12:03That's the look.
12:04That's the look.
12:05The look of love.
12:07That's the look.
12:08That's the look.
12:09The look of love.
12:22Woah, woah, woah, woah.
12:33That's the look.
12:34That's the look.
12:35The look of love.
12:37That's the look.
12:38That's the look.
12:39The look of love.
12:41That's the look.
12:42That's the look.
12:43The look of love.
12:47Look of love.
12:50If you judge a book by the cover.
12:54Then you judge the look by the lover.
12:58I hope you'll soon recover.
13:02Me, I go from one extreme to another.
13:07And all my friends just ask me.
13:10They say, Chase, maybe one day you'll find true love.
13:15And I say, maybe there must be a solution.
13:19To the one thing, the one thing that we can't find.
13:24That's the look.
13:25That's the look.
13:27Sisters and brothers.
13:29That's the look.
13:30That's the look.
13:31Should help each other.
13:33That's the look.
13:34That's the look.
13:37That's the look.
13:38That's the look.
13:39Heavens above.
13:41That's the look.
13:42That's the look.
13:43That's the look.
13:44Hip, hip, hooray.
13:46That's the look.
13:47That's the look.
13:48Yippee-yi, yippee-yi-yay.
13:50That's the look.
13:51That's the look.
13:52Be lucky in love.
13:56Look of love.
14:04Hey, there.
14:05How about another hand for those gorgeous gentlemen of The Look of Love.
14:09Weren't they amazing?
14:11They were so fun.
14:12And I have to tell you, I caught a few of you out there giving that look of love around,
14:17I'll tell you that for sure.
14:18It was so good.
14:19Okay.
14:20I just need to acknowledge someone right now.
14:22He's the, one of the newest residents in Port Charles.
14:26And he is the CEO of SRE Worldwide.
14:30Ladies and gentlemen, Mr. Jin Sidwell.
14:32I have to tell you, he not only moved his business, but he moved a member of his family
14:37to our fair city.
14:39And he's fitting right in because we are the city of communal generosity.
14:43Mr. Sidwell sponsored the festivities for tonight.
14:47So please, a round of applause for Mr. Jin Sidwell.
14:53You know what?
14:54It's the nurse's ball and we can do better than that.
14:56Let's go.
14:57Mr. Jin Sidwell, thank you.
14:58A round of applause.
15:00You're so sexy up there.
15:02Yeah?
15:03Oh yeah.
15:04You sounded so amazing.
15:06How amazing?
15:11Hey, hey, hey.
15:12Hey.
15:13Hey.
15:14No, no, no, no PDA because it makes people jealous like me.
15:19And also this is a, it's a working area.
15:21You're a PDA.
15:22You're a PDA.
15:23You're a PDA.
15:24You're a PDA.
15:25You're a PDA.
15:26And also this is a, it's a working area.
15:28You're impeding traffic flow.
15:29Go, go.
15:31Hey, listen.
15:32Have you seen my Aunt Lois?
15:33I think she has my earpiece.
15:35Uh, no.
15:36Oh wait, I did, I did.
15:37I saw her in the dressing room.
15:38Okay?
15:39But you know, you got to get ready soon.
15:40The tango's up soon.
15:41Yeah, I know.
15:42That's when you make the earpiece.
15:43Like, like really you need to get ready.
15:46Wow, those guys look fantastic.
15:48And they're brave.
15:49I know, right?
15:50Maybe next year you'll pop on stage.
15:52I don't think so.
15:53I'll do it in advance.
15:54Where did you two disappear to?
15:56You're missing all the performances.
15:58Well, we won't miss the most important performance.
16:01We can't wait to see you on stage, honey.
16:04The charity stuff, yeah, that's great.
16:06But you're the real draw.
16:08Oh, well I hope I don't let you down.
16:11You can never let me down, honey.
16:14Portia, I'm going to go get you that drink.
16:21You two certainly look like you're enjoying yourselves.
16:24Yeah, we are.
16:25Very much.
16:26Oh, well, we're about to check out the silent auction if you want to come.
16:30I'm going to wait for your father.
16:32And that drink.
16:35But why don't you guys bid on something for me?
16:38Surprise me.
16:39Okay.
16:40And if we win, it's because of you.
16:43Just know that.
16:44We'll see you back in the ballroom.
16:51Portia.
16:53Portia, I've been trying to talk to you all night.
16:57Curtis is suspicious.
17:00He's more than suspicious, Nina.
17:02He knows.
17:03Wait, wait, he knows what?
17:05Everything?
17:06He knows about Brad and Drew.
17:08He knows what Drew is holding over me.
17:11And I'm worried.
17:12I'm worried about what he's going to do next.
17:14You're trying to hide it.
17:16But I can see you're not enjoying yourself.
17:19But I can see you're not enjoying the nurse's ball as much as the rest of the people here.
17:24Drew is blackmailing Portia.
17:27She just confirmed it.
17:28No.
17:31I was hoping for once your instincts would be wrong.
17:36Yeah, me too.
17:39I really wanted to be wrong.
17:41I know you did.
17:43So what are you going to do?
17:48Excuse me.
17:49I missed all of the appetizers, but could I do another glass of champagne?
17:54Hilarious.
17:55What are you doing here?
17:57Just enjoying the evening.
18:00Supporting a good cause.
18:02And who are you keeping an eye on?
18:06Well, you, of course.
18:08Well, in that case, some champagne.
18:11Please.
18:13Jocelyn.
18:14Hey.
18:15Hi.
18:16Who's your friend?
18:19Brooklyn confided in Cody Bell that she was pregnant when they were at summer camp.
18:24He even drove her to the bus station when she wanted to go home.
18:28Once you knew, you took Brooklyn on tour with you with Miguel Merez to get her out of town so no one would know she was pregnant.
18:34I know you think you know.
18:36You arranged for your cousin, Camilla Palmieri, to keep the baby.
18:40Look, I have been…
18:41And Camilla went on tour with the Nicola Quartet to cover up her absence.
18:45Okay, stop. Enough.
18:47And Gio was born, not in Los Angeles on June 4th as he believes, but in San Francisco on May 15th as baby boy Cirulo.
19:00Hi, I'm Vaughn.
19:01Jocelyn and I know each other from PCU.
19:03Oh, okay. Well, I'm Carly Spencer. I'm Jocelyn's mom.
19:07I hope you're having a good time.
19:09Yeah, it's a lot of fun.
19:12I'll see you around, Joc.
19:13Yeah.
19:14It was nice to meet you, Miss Spencer.
19:15You too.
19:17Hey, hey, hey.
19:19He's cute. What's the deal with that guy?
19:23What are you doing?
19:25Running around digging for information about a situation that has nothing to do with you and you don't know anything about.
19:31You are messing with people's lives.
19:34No, you are messing with people's lives, Lois.
19:37You have been lying for decades and you have been lying to Gio his entire life.
19:42Keeping him hidden in plain sight.
19:45And Dante, he's had a son out there this whole time that he doesn't know about because you and Brooklyn have been lying.
19:52Brooklyn doesn't know about Gio.
19:55For all she knows, her son is on the other side of the world and you can't tell her otherwise.
20:01Is that some kind of threat?
20:02No.
20:04My mother and I couldn't let Gio go.
20:08So we decided to keep him close and keep the secret from Brooklyn.
20:12And I, as her mother, made the best decision that I could at the time.
20:19Maybe for you, but not for Gio.
20:22Who are you to decide that?
20:24What about Gio's life?
20:26His whole life is a cover up.
20:29He has no idea where he really came from.
20:32He's not Camilla and Francis Palmieri's son.
20:35He's Dante and Brooklyn's.
20:37And the only question now is, who's going to tell him the truth?
20:47Hello again.
20:49Are we still having fun?
20:51Are we getting lots of your money?
20:53I hope for our charity.
20:54I hope so.
20:55Now, we have had such special performances from our friends and neighbors of poor Charles.
21:00But right now, our next performer, she was born in Australia.
21:04She lives and sings and makes beautiful music in sunny Los Angeles.
21:08And we really need to give her a very warm Port Charles Nurses Ball stage welcome.
21:13Ladies and gentlemen, Edie.
21:34Wow.
21:41Ignorance is blissful, ain't it?
21:44When you're sitting pretty at your childhood house.
21:50You know, time moves slowly till you're running out of your imagination.
22:06Looking in the mirror and the only thing she's saying is.
22:10She missed the old her, even though the new her is better than the old her.
22:15Cause when you get older, you realize the answers aren't out there, maybe.
22:20There ain't someone holding out a hand to save me.
22:24She missed the old her, even though the new her is better than the old her.
22:29Cause when you get older, you realize the answers aren't out there, maybe.
22:35There ain't someone holding out a hand to save me.
22:38Making big decisions.
22:40Midnight dipping.
22:42Strangers kisses.
22:44Hoping she'll figure it out.
22:53Life gets harder.
22:55She gets farther.
22:57Dreams get darker.
22:59Wishing for a childhood house.
23:03You know, time moves slowly till you're running out of your imagination.
23:18Looking in the mirror and the only thing she's saying is.
23:22She missed the old her, even though the new her is better than the old her.
23:27Cause when you get older, you realize the answers aren't out there, maybe.
23:33There ain't someone holding out a hand to save me.
23:36She missed the old her, even though the new her is better than the old her.
23:42Cause when you get older, you realize the answers aren't out there, maybe.
23:47There ain't someone holding out a hand to save me.
23:52If you wanna be happy, you gotta know, know, know, know nothing at all.
23:59Know, know, know, know nothing at all.
24:07If you wanna be happy, you gotta know, know, know, know nothing at all.
24:14Know, know, know, know nothing at all.
24:17Nothing at all.
24:22Please.
24:30What you're doing.
24:32How many lives you're gonna touch and how many of those you're gonna destroy.
24:38Like yours.
24:41I'm not being petty.
24:43I don't mean to be callous.
24:45I have thought of nothing but this for months now.
24:48But I knew from the start what you were doing, what you've been doing is wrong.
24:53There have been enough lies and that ends now.
24:57Either you tell Gio and Dante the truth tonight, or they will hear it from me tomorrow.
25:13You working tonight?
25:15I'm always working.
25:17Yeah?
25:18Not right now, though. No, I enjoy the evening.
25:22You get a chance to talk to Robin today?
25:26She was very sorry that she couldn't be here. You know, the nurses' ball is very important to her.
25:30But I said that Emma and I would hold down the fort in her absence.
25:35I think she's back there right now taking some behind the scenes shots for her mom.
25:40Well, I'm glad to see you here.
25:44I'm glad to be here.
25:47Missed a lot of important years.
25:49Feels good, though, to honor Robin and others who've been impacted by HIV.
25:58Like Stone.
26:00Commissioner Devane and Mr. Corinthos.
26:05ADA Turner, good evening.
26:07Oh, am I interrupting?
26:09No, no, not at all.
26:12I have to go and change for another performance, so Mr. Corinthos is all yours.
26:18Sonny.
26:21Break a leg.
26:25Wow, Robin.
26:27That certainly looked intimate.
26:31The commissioner and I, we were just talking about her beautiful daughter, Robin, and my great friend, Stone Cates.
26:40They're the reason this is happening tonight.
26:45You should look them up.
26:54Those were some nice moves on stage.
26:57Didn't know I had it in me, huh?
27:00Let's just say I was not at all surprised.
27:03It's very nice of you to say, especially because I wasn't very friendly with your date.
27:08Well, he's not my date. He's my boss.
27:12On his own, nonetheless, right? Is that part of the job description?
27:19You should be on my arm tonight.
27:23I am so relieved your name was cleared. It makes me feel more confident going into my custody hearing.
27:28You should feel confident. We are on a winning streak.
27:31You're going to get permanent custody of the kids, and then we can figure out how to start this next chapter of our lives.
27:37Whether it be here in Port Charles or, I don't know, even D.C.
27:44Willow, Drew, I hope you're having a wonderful evening.
27:48Wasn't the band fabulous?
27:50The band was incredible. It really was.
27:52And yeah, we're having a great evening. Thank you for asking.
27:54That's great. Maybe this isn't the best time to mention this, but Rick did call me.
27:59And he said that he wants me to testify on your behalf at the custody hearing.
28:04What did you tell him?
28:06I told him that nothing would give me more pleasure than to get up on that stand and tell the court what a wonderful mother you are.
28:15And that your children belong with you and Drew.
28:22And I want both of you to know this.
28:25With Tracy's arrest and Drew's exoneration, going forward, you have my full support.
28:35Thank you, Mommy.
28:44Nina, it really just makes me so happy to hear that Willow and I have your support.
28:52It means the world to us to have you in our court.
28:57Look at them. They make me want to throw up.
29:01I can't wait for you to take Wylie and Amelia away from them.
29:06It won't be long now.
29:08Hey, what are you doing back here? We're about to go on.
29:11Yeah, I just wanted to tell you guys to break a leg.
29:13Oh, thank you.
29:14You nervous?
29:15No. I have a great partner. I just follow her lead.
29:19You know, Mom would be really proud of you.
29:21Thank you, sweetheart.
29:23Have either of you seen Gio?
29:25No, not for some time. And if he doesn't turn up soon, Lisa's gonna have me put out an APB.
29:32Okay. Well, let's tango first and then police force later.
29:37Yeah.
29:38I'm gonna go find him.
29:39Okay, good. Thank you.
29:41Isaiah, you were fantastic on stage. Was it fun?
29:47Yes, in that rollercoaster climb before the big drop kind of way.
29:53But I'm just glad I got to contribute to my first nurse's ball.
29:57Maybe even next year I'll have a date.
30:02After your performance tonight, I think your odds are very good.
30:06And you know what? Whoever she is, she'll be very lucky.
30:11Thank you, my friend.
30:12And judging from the vibe you and your date have had going all night, I'd say you're having a pretty good evening.
30:18I'd say the same thing.
30:31Gio, I've been looking everywhere for you.
30:38Oh my God, what's wrong?
30:43I need to talk to you.
30:45Okay, just let me drop Molly's drink off. I'll be right back.
30:48Nope, sorry. I confronted Lois. I did it.
30:52She stonewalled me at first and she didn't make it easy, but yeah, she copped to the whole thing.
30:58Gio is not decent.
31:03Where'd you leave it with Lois?
31:05I don't know.
31:06What do you two whisper about?
31:09Well, on second thought, I thought about it, and it might not be so bad performing at next year's Nurse's Ball.
31:15Oh yeah? So do you have a hidden talent?
31:18Well, other than creating ridiculous paintings, no, none that I can think of.
31:24But I'd be down for some dancing or singing classes if that'd mean I'd get to perform with you.
31:29Oh, like a two-person act?
31:31Well, the best ones are, right? Teamwork makes the dream work.
31:34Oh, brother.
31:36Okay, yeah. Teamwork makes the dream work.
31:44She was just asking what exactly I was drinking.
31:47Excuse me, I'm sorry. Can I borrow Brooklyn for a second, please? Thank you so much.
31:50Excuse me.
31:52Mom, what is it? Is it Granny?
31:54No, no, but sweetheart, listen to me. We need to get out of here right now, okay?
32:01We need to get out of here right now, okay?
32:07Okay, oh, that looks great. This is so good. Okay, places, please.
32:11Okay.
32:13Where's Jim?
32:14He's supposed to be here with his violin.
32:16We're not sure, but Emma just went to find him.
32:21Find him? That means he's missing or lost?
32:25Not necessarily. He's probably in the building somewhere.
32:28Somewhere? Somewhere's not here. He's got to be up on the stage with you.
32:31He's got to accompany you. Otherwise, you will be dancing a silent tango and nobody likes a silent tango.
32:37Listen, he will be here.
32:39Okay, you're right, you're right. He's very professional.
32:41Well, I mean, at least he's adjacent professional, you know, except he's not being very professional now.
32:47And this is just like Tracy. Where is he? Where?
32:50Really, where is Gio?
32:53What's going on?
32:58You know, you're about to go on and my grandma and Chase are waiting for you.
33:02They really need you to play.
33:04Yeah, play.
33:09They need me to play. I have to play.
33:13Gio?
33:14Because that's, that's the gift I got from my mother.
33:20I'm a violinist. My mother taught me everything.
33:34That's all that I have left of her.
33:37Are you okay?
33:40Because if you're sick or something, I can just tell them that you can't go on, all right?
33:44It's not a problem. You don't have to do this.
33:49Yeah, I do.
33:54The show must go on.
34:03What are we going to do?
34:05Gio, excuse me. Gio, Gio, here.
34:07Thank God you're here. You scared me half to death. Let's go.
34:10Get up there. We're running behind. Please, please, please. Chop, chop. You guys, come on. Break a leg.
34:16What's going on over here? You guys look intense.
34:19Yeah, Lulu was just giving me a hard time because I forgot to deliver Molly's drink. Drinking myself.
34:26Oh, classy. What's wrong with you?
34:28So many, many things, but she also, she confided in me.
34:33She didn't want to tell you, but apparently I was by far the standout in our look of love performance.
34:39Yeah, what is wrong with you?
34:41He's about to get these things out there.
34:43No one was even looking at you, Isaiah, or Chase.
34:46Okay, well now I know you're lying because they were only looking at Chase.
34:49Speaking of, he's got another performance with Anna coming up. We should get to our seats.
34:53And why don't you just give Molly your drink?
34:56Problem solved.
35:01Brooklyn, I'll explain when we get home, but you have to believe me, we have to leave right now.
35:06Ma, unless it's about granny, anything else can wait until after their performance.
35:10Gio is about to play while my husband dances the dango.
35:13Trust me, I've seen the rehearsals. I'm not missing this.
35:16Wait, but Brooklyn, wait, please.
35:20Rose, you all right?
35:23What's going on?
35:25Sonny, I'm in terrible trouble.
35:27Come on, we'll fix it after the show.
35:31What?
35:33Hello again, everybody. Are we having fun?
35:37What is that? What, what?
35:39Really, are we having fun? Yes, yes, yes.
35:42This is such a great, great night.
35:45Now you're going to have a lot of fun because this next act started in the streets of Buenos Aires and Montevideo.
35:52And I wish I could take you all there, but I can't.
35:54But we can do this. We are going to bring you this beautiful, ever-evolving art form right here to you.
36:01But just a little advice, keep a long, cool drink handy because coming to you to tango,
36:08Police Commissioner Anna Devane, Detective Harrison Chase, and accompanying them on the violin, once again,
36:16the extraordinary Giovanni Palmieri.
36:54Ladies and gentlemen, I just want to do something I've never done before.
37:23I've never done before.
37:28I'm going to dedicate this performance to my parents.
37:37Brooklyn Quartermaine and Dante Falconeri.
37:44Two people who didn't want me, who didn't claim me.
37:50They gave me away and have been lying to me my entire life.
38:20On the next General Hospital.
38:34Get me out of here.
38:36I want to end this terrible fight over the kids.
38:38What are you doing here?
38:40Why aren't you in your costumes?
38:41Rose has to know something.
38:43I'm sure of it.
38:44You need to get off the track before you get leveled.
38:47What do you need me to do?