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  • 5/24/2025
مدي 1 تي في : مع حميد بوشناق - 22/05/2025

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03:17Yes.
03:18Okay.
03:19I was a child.
03:21I was a child.
03:22I was a child.
03:23I was a child.
03:25And when you were a child, you would have to use the food.
03:29Yes.
03:30Do you have any food like this?
03:33Yes, of course.
03:35I would like to know.
03:37I would like to ask questions.
03:39I would like to ask questions about what I would do.
03:41I would like to give you an example of the media.
03:44I was a child with my friends.
03:49I was a child.
03:51I was a child.
03:53It was a child.
03:54The child was a child.
03:56It was a child.
03:58It was a child.
03:59It was a child.
04:01It was a child.
04:02I would like to give you a child.
04:04Yes, of course.
04:05When you had a child, you would like to get a child?
04:10A child?
04:11Yes.
04:12In the language of the language, you were a child.
04:15Yes, it is.
04:16I would like to know how to do it.
04:17I would like to be a child.
04:19But we could be a child.
04:23We could be a child.
04:25We could be a child.
04:26We could be a child.
04:29We could be an adult.
04:30We could be an instrument.
04:32Yes, we could be a child.
04:33Because any person in our country has an image of the film.
04:39There is no one who doesn't like it, but he talks about it.
04:44He says that this is a film.
04:45It's a film.
04:47It's a film.
04:48It's a film.
04:50It's a film.
04:52I have a thought, and you can tell us the answer.
04:54How did you come to me?
04:55How did you come to me?
04:56How did you come to me?
04:58I was born in France and I was born in France.
05:01Ah, what?
05:02As a real.
05:03As a real.
05:04Yes.
05:05Because any person in our country,
05:08when we come to the city,
05:10any person says that the city is the other one.
05:13And if we say that the country,
05:16you can't say that you can't say that you want to be a country.
05:21You can't say that you want to be a country.
05:22It's impossible.
05:23What is impossible?
05:24Because it's something that's increased and increased.
05:29And the rural and the city,
05:32And even the Southampton,
05:34because they had two houses,
05:35because they had three houses after finding them,
05:37So I believe that the city was the main thing.
05:42The city of the Bouchnaq.
05:45You happened in the middle of the city?
05:47Where?
05:49Where?
05:50We can go in Grand Ville.
05:57We can go in Grand Ville.
06:00We can go in Grand Ville.
06:02In the day I was in Paris.
06:06I was close to Paris.
06:08But I was in a city called Hamou.
06:10It was called Ville Defler.
06:13So, I was looking for what I was talking about.
06:18There was a relationship.
06:20You wanted to go to the city?
06:22No, I didn't want to go to the city.
06:26If you were in the city for four years,
06:30before you go to the street,
06:32this is why we're talking about it.
06:34For the city,
06:36if you're in a city that is calm,
06:39and you're in the city,
06:41you're in the city,
06:43or you're in the city,
06:45you're in the city.
06:47What is the instrument of music?
06:49The instrument of music?
06:51The instrument of music.
06:52This is a question,
06:53because I can't answer it,
06:55but I'm a multi-instrumentist.
06:59So, I'm talking about percussion,
07:01the battery,
07:02the bass,
07:04the guitar,
07:05the bass,
07:06the bass,
07:07the bass,
07:08the bass,
07:09the bass,
07:10and the bass.
07:11so,
07:12the instrument of music
07:13which is important to learn,
07:14is the instrument of music?
07:16The instrument of music?
07:17The instrument of music.
07:18It's the sound.
07:19It's the sound.
07:20It's the sound.
07:21The sound.
07:22The sound is a big sensation.
07:23It's the sound.
07:24It has a lot of expectation.
07:25The sound.
07:26The sound is a loudness.
07:27If you're hearing it,
07:28the sound is a sound.
07:29He can't afford to be able to be able to build nashat.
07:38Have you had an outside force?
07:40What would you say?
07:44I would like to be a Rocco man.
07:49That's a great hero of the Greek super hero.
07:52Would you like to have a vision of this scenario?
07:54I don't know.
07:55With the technology that we're going to have here, everything is possible.
08:00Are you a film, right?
08:01Are you maybe a film of the Super Hero?
08:04No, I'm a film, because I'm a cinephile and I like the actors that I like and the filmmakers.
08:14So I'll be out of Africa.
08:21Yes, nice.
08:23The music that we're going to have, the film, I've heard the music that we're going to have, but it's not just the film.
08:31It's a very good experience when we're going to have a film that we're going to have success.
08:35We're going to have a success, and we're going to have a success.
08:41What's your favorite part about this film?
08:44We're going to have a picture of the Super Hero.
08:47So I'm going to tell you what your favorite song is.
08:49We're going to have a picture of the Super Hero.
08:55You're full of�� or module.
08:57I'll move on to your PC, so I vanishes the second film.
09:02That's what I did.
09:03He has a photo.
09:05It takes time to become a professional.
09:07I see the thrive and the Mulляvers.
09:09And when it comes to the arrive, I can see it because it's a lange addition to it.
09:13That I've got a lot.
09:15and I love her.
09:17And I love her.
09:19I love her.
09:21It's a voice.
09:23How did you get her career?
09:25How did you know her name is
09:29on the streets, not only
09:31a few days?
09:33I didn't have a face with her
09:35so she was going to kill her.
09:37I would say that she said that she
09:39is a female.
09:41She is a female,
09:43I would soothe the hair with the nails,
09:48so that they can set the moon for the hair.
09:50Is that a category?
09:52No, a category.
09:54It is a category.
09:57You don't have anything to do with it.
10:00You don't have to use your hair with other hair.
10:01You don't have to use your hair with other hair.
10:05You can use this word because you feel like you are starting to get an answer.
10:12You can't get a word from the other side, you don't want to get a word from the other side.
10:19You can't get a word from the other side and you can get a word from the other side.
10:26The people are passionate about it
10:34While we were passionate about it
10:37we wanted to use the time to make it a month
10:41I was married to me
10:44who was living with the friends of Bushnach
10:47I was living with弟's family
10:51Before we could do all my friends
10:53I don't want to say emission, so we can speak to everything.
11:00So I was using the music for a paramour.
11:06But when I entered the system, I can fix it.
11:11I can fix it.
11:13Because I saw some people who were using the resources,
11:18I saw people who were suffering.
11:20I saw them who were trying to get.
11:22They don't have time to live their music.
11:25They don't have time to get their music.
11:28They don't have time to get their music.
11:30I'm going to get out of the day today.
11:32I'm going to get out of the day and say,
11:34what's new?
11:35The people are connected, they are disconnected.
11:39Or they say,
11:42there's too much information.
11:44There's too much information.
11:46Some people say,
11:48you don't say,
11:50they say they are connected.
11:52They say,
11:54this is a good thing you knew.
11:56Why are you amazing?
11:58I do not get it.
12:00I don't really tell you the details.
12:02When I talk to the music,
12:04I'm saying,
12:06that's not anulator.
12:08It's music,
12:10etc.
12:12At the collaboration of the companies
12:14I am not interested,
12:16It's a self-help, and it's not a chess game,
12:19as any one gets every one in the same time for you.
12:23You get a collaboration of the scenes,
12:26you need to see the piece of your wife in the film.
12:29Do you need a collaboration and to make it a change?
12:31Yes.
12:32Or do you want to make it a change to move on?
12:34Yes.
12:35That's it.
12:37You're good.
12:38You're good.
12:39You're good.
12:40You're good.
12:41You can see it.
12:42And you can see it on television.
12:44or a movie, or a movie,
12:46and when you come to the movie,
12:48you want to do something,
12:50or the cuisine,
12:52or the movie.
12:54We saw it.
12:56I know what I'm going to go to the movie.
12:58So, the film is the same thing.
13:00We can see it so much, so
13:02we're going to tell you
13:04the magic of the artist.
13:06What is the magic?
13:08The magic is
13:10what I'm going to give you.
13:12I don't want to make the whole world know me.
13:16That's it.
13:18But you can't do anything,
13:20because you have a long career.
13:22I have a long career.
13:24What did you buy?
13:26I worked on an artist career,
13:28not an artist career.
13:30I have a lot of interviews.
13:32My career is very important.
13:34My career is very important.
13:36My career is very important.
13:38I don't want to give you something.
13:40My career is very important.
13:42The young people are able to work on a career.
13:44But if you have a career,
13:46if you have an artist career,
13:48you will work on a whole life.
13:50If you have a career,
13:52if you have a career,
13:54if you have a career,
13:56if you have a career,
13:58if you have a career career,
14:00you will work on 30 years.
14:02if you have a career career,
14:03you will need to prepare for years.
14:05If you are a career career career career,
14:08you will know that you can do it.
14:10You can do it, and you can do it.
14:12You can do it with your career career,
14:14and you will learn from the people.
14:16What do you think about it?
14:18Can you ask the people of their career career career?
14:20And I ask the people of their career career.
14:22I ask them to go to that career career career career.
14:24So he would like to get those success in the process.
14:29He would like to get that success in the process.
14:38He would like to move to a place where he would do something to do or to perform a dance or a dance class.
14:44And he would like to move to the future.
14:50the career.
14:51So, one thing that you can't understand is,
14:54is that the new thing.
14:56First, the subject and the words,
14:58and secondly, the style of the clip.
15:01You can see clip and the lyrics video.
15:04I had this idea of this.
15:06And the way I learned that,
15:09the clip is used for the words,
15:11not the words that you use the clip.
15:13So, this is the spirit that I wanted to do.
15:17And we were giving them a clip.
15:23The clip is a media that is a...
15:28It's a way to the audience.
15:29It's a way to the audience.
15:31But it's not in the same time.
15:32Some times we see the clip that you can see the clip, but the clip is not in the same way.
15:35You can see the clip.
15:36If you see the clip, you can see the clip.
15:39But the clip is not in the same time.
15:41The concept of the clip is about love.
15:44What do you think of love without a other?
15:48Say, let me try and know what is going on in the same way.
15:50What was it?
15:51No, no one can say,
15:53We are in my position at church that can use to help God bless you.
15:56King God.
15:58For fucks,, not to help you and anyone,
16:01Make sure you eat ...
16:04Pleasegy make sure you eat your body...
16:05To help you.
16:06For the evil will burn you to help you.
16:08This is besides mish knit òdров ...
16:11it's not the only form of love,
16:13it's...
16:14We need a lot of love for each other
16:20Love your job
16:22Love your country
16:24Love your parents
16:26Love your siblings
16:28Love your siblings
16:30We need to do that
16:32But we need to do that
16:34I think
16:36That's what we live
16:38Every person
16:40We live
16:42We have a place
16:44The love of God
16:46The love is
16:48The one that is
16:50The passion
16:52For this
16:54It's the passion
16:56The passion
16:58The passion
17:00The passion
17:02The passion
17:04The passion
17:06The passion
17:08We have a lot
17:10I was going to tell you, what are you feeling like?
17:14There is no need to explain the fact that you have a bad feeling.
17:18You know, there is a lot of people.
17:20And there was someone who would tell you that you don't want to be a bad feeling.
17:23You know, you don't want to be a bad feeling.
17:25You should give a person that you give a bad feeling.
17:29Who is you with a bad feeling?
17:32Yes.
17:33And I want to tell you about one another.
17:35And what I was saying is that love is the hope.
17:40And it's the best of the problem that he caused.
17:44He should be happy with all of you.
17:45I will answer you on three of the word.
17:47Malk, you said you were rolling out and you had contact with him.
17:52And according to the information, I hope you could be rolling out a little bit.
17:55Yes, yes.
17:56You're right.
17:57I was talking to the father Malky after he died.
18:02We were talking about the son of Malik, the son of Malik, who was the son of Malik, who was the son of Malik.
18:09We were able to succeed in the future of the song and we took two awards with MCM TV and the second award with MTV.
18:20We took the award of the biggest francophone album and the biggest francophone album.
18:27At the time we had the duo of the GESONTE, it was the mode that was in France.
18:34It was a bit of a francophone.
18:37It wasn't even the producers who were in the border.
18:40Was it a two-year-old or a two-year-old?
18:43Yes, yes.
18:44It was the GESONTE.
18:47And then there was no doubt about it.
18:50I used to call Malik as my son and I was in the phone and I wanted to make something that we didn't want to do anything.
19:02We wanted to make the songs that we wanted to return to this song that we had.
19:09Yes, yes.
19:10And I wanted to make it for the pleasure of the audience.
19:12I wonder if we can't believe that we can't believe that we can't believe that we can't believe that we can't believe that.
19:17I want to talk to you about the story, but you don't have any problem.
19:22No, I'm not one of the questions.
19:24I would like to see this.
19:28I would like to see this.
19:30If you didn't contact me with him, he was a leader.
19:34He was a leader.
19:36And I replied to him, why is he a leader?
19:41Why did he not know the sound?
19:43He was with his wife.
19:45He didn't know his wife or his wife.
19:48He said that he was in the morning,
19:52he was in the morning.
19:54It's something I didn't understand.
19:56I don't know what he wants to say about this story.
20:00But I don't want to have any problems.
20:07I want to tell you why.
20:10I don't want to be able to talk to him.
20:22I don't want to talk to him.
20:25But he didn't have any problems with him, but he didn't have any problems with him, I'm not going to tell you the truth.
20:35This is what happens in the social media.
20:40It's possible that there is one another place to deal with one another.
20:44So he's going to be able to deal with him and say, I'm going to tell you, I'm going to tell you.
20:47So I'm going to tell you.
20:49You're going to tell me what's going on?
20:50No, Toto is doing rap, he's in a kind of thing where I am not.
20:56It's not like a festival of rap, I'm not a festival of rap, I'm a festival of the world-life music, or the music music, or the music music...
21:03Why would you like to tell you about the truth?
21:05They all want to tell you about the truth.
21:07Do you think you're from rap?
21:09Yes, you are, Babar.
21:11Babar, in rap, you're going to say it.
21:13I'm going to tell you about this new single dialogue, I'm going to go to 30,000.
21:17Yes, that's true.
21:19It's true.
21:21I don't want to know that the Greek community
21:24is going to see a little bit of a character.
21:28But it's a little bit of a character,
21:31because my son is not a child,
21:35but he has a very good character.
21:38He was in France?
21:39Yes, he was in France,
21:41but he was a little bit.
21:43He was a little bit.
21:45He was a little bit.
21:47He was a little bit.
21:49There's a relationship with the rap.
21:51No problem, of course.
21:53We know the role of rap.
21:59A question about the person,
22:01Naima, Sameha.
22:03Naima, Sameha.
22:07I was talking about Feroz.
22:09If you had a strong personality,
22:13and a strong personality,
22:15and a different character,
22:17and a different character,
22:19and a different character.
22:21I didn't have a strong personality.
22:23I was talking about this before I was born.
22:25Naima, Sameha.
22:27Naima, Sameha.
22:29Naima.
22:31I was talking about the character in the country.
22:33The character of Marekama,
22:34simple character of the characters.
22:35The character of the characters,
22:36which they didn't tell me,
22:37to make a identity.
22:39To make a identity as a place in the country.
22:41To make a identity as a place in the country.
22:43Or to make a identity as a place in the country.
22:45No.
22:47When you say the Man Who's name,
22:49The
22:50shock
22:52You know I'ma Sameha in the Philippines
22:54I was at the top of you and I had this hard work
22:57since you did not go there
22:59And it was different
22:59This is the force
23:01and we had this hard work
23:02We were in the Philippines in the Philippines
23:03We know Michael Jacks
23:05What is Michael Jacks in the Philippines?
23:07We should know
23:09Donc I'ma Sameha
23:10I was a fan of the philips
23:13who got the voices from the Philippines
23:18In the Middle East...
23:20She is not.
23:21And it can be only is it's sound that's changed in the Middle East.
23:26God bless you.
23:27By the last few seconds, I'll give you the introduction of artificial intelligence in music.
23:35This artificial intelligence...
23:39This artificial intelligence can be able to perform a lot of work.
23:45There was a statement in the text...
23:47Not in cinema, but they do the scenario, the script, there were a lot of problems in the cinematographic world.
23:56Because artificial intelligence, I entered into a way, and people from cinema
24:03would think that the work of human being is not the AI.
24:08What's wrong?
24:09The question I wanted to ask is,
24:16what's wrong with the AI?
24:23What's wrong with the AI?
24:24What's wrong with the AI?
24:25What's wrong with the AI?
24:26What's wrong with the AI?
24:28No, it's possible to get emotional, but it's the AI, but it doesn't have to go.
24:32So it doesn't have to go with the AI.
24:34We have human beings, we have artificial intelligence.
24:37We have human beings.
24:38We have human beings.
24:39So automatically we can hear something about AI.
24:42We have human beings .
24:46We have human beings in a way .
24:48So in cinema, it doesn't have to go on that .
24:52So in the cinema, it doesn't have to go on that.
24:54In the music, the most important thing is that AI can become technology.
24:58in the domain that we need.
25:02But there is a way to say that
25:06every person is able to fix it.
25:10When you come to AI, you can fix it.
25:14You can fix it.
25:18You can fix it. You can fix it.
25:22You can fix it.
25:24You can fix it.
25:26You can write the description.
25:30Of course.
25:32With all the technology
25:36that is good for us,
25:38we are good for you.
25:42But the thing that we need to fix is that
25:46we can see it.
25:50But we can tell you
25:52that we need to fix it.
25:56Why?
25:58Because I have 45 years of career.
26:00I did not know what career I did
26:02to get to the AI.
26:04But unfortunately,
26:06that we need to fix it.
26:08But we can't do it.
26:10So, the creation is not going to be done.
26:12The creation is not going to be done.
26:14The creation is not going to be done.
26:16The text is not going to be done.
26:18For example, a tableau is going to be done.
26:20A tableau.
26:22And another artist painter is going to be done with a tableau.
26:24We can't see it.
26:26We can see it.
26:28We can see it.
26:30It's a human.
26:32We want you to be an artist and human.
26:36I love you.
26:38Thank you very much.
26:48And I want to see it.
26:50To tell my comments,
26:52ceilings because I have so many goodこんにちは arguments.
26:56I'm thanks too.
26:58I want to see some comments that are darle for some biếters.
27:02and we don't know what's up.
27:04They are turning sound.
27:05Yes,
27:06that's not true.
27:08She loves one to tell me
27:10Why did you make this?
27:13What the darkness?
27:14I am telling you,
27:16I think that our children understood that we did not believe in our family.
27:24We didn't put that against the church in there.
27:27So you don't have to have a success.
27:30I think you can go back.
27:34I said to them, I'm here.
27:36I'm here. I'm here.
27:38I'm here. I'm here.
27:39I'm here.
27:41I'm here.
27:42Thank you very much, guys.
27:48Thank you for your attention.
27:49Thank you very much for your attention.
27:51And we'll see you next time.