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Emmerdale
  • 5/22/2025
Transcript
00:00Curtis, please, don't walk away like this.
00:05Our daughter, our beautiful daughter, she's in there.
00:08You mean the daughter you lied to me about and kept from me for years?
00:12Yeah, Trina.
00:15And she loves you.
00:16She's a part of both of us.
00:18Can you please just think about her right now?
00:20Think about the beautiful, beautiful family that we've built together.
00:24Please, honey, don't throw away our marriage.
00:28I can't undo everything that we've built because I made a mistake.
00:33I have been the only one thinking about our family, about Trina, but I didn't put them
00:38at risk.
00:39And I hate that they are, and I hate that we're here, but I can't undo what you've already
00:46undone.
00:55Are you following me now?
00:57Gotta tell ya, that's not a great idea.
00:59Well, I was actually hoping to get you all on, Carly, but not for round two.
01:06What do you want, Nina?
01:07I was really, really wanting our detente to work, but you forced my hand by pushing the
01:13court date forward.
01:16So just remember this.
01:18Whatever happens next is on you.
01:23I have to give you some credit for all the issues that I have with you, and there are
01:30many.
01:31It was very generous of you to pay for Gio's musical education.
01:36I saw how good he was at Brooklyn's wedding, but what we saw on stage tonight, he was exceptional.
01:46He's a great kid.
01:48I'm happy to help out.
01:50I've grown quite fond of him myself.
01:53And there's no denying that his musical training really paid off.
02:03Excuse me.
02:11Ben?
02:12You son of a bitch.
02:13Don't think for a second I'm gonna let you get away with setting up my mother.
02:19I mean it.
02:20You were so good.
02:21My goosebumps had goosebumps.
02:23I'm so proud of you.
02:26Come on, Dante.
02:27Give it up already.
02:28Isn't Gio amazing?
02:32Brooklyn's right.
02:33You were awesome up there, Ben.
02:36You are incredibly talented, Gio.
02:38Congratulations.
02:40Dante?
02:41Oh, Dante.
02:42What are you doing?
02:43There you are, but you're not supposed to be here.
02:44You're supposed to be backstage.
02:46Cody!
02:47Oh my goodness, Cody!
02:48You're supposed to be in your costume.
02:50Oh.
02:51Let's go.
02:52Dressing room.
02:53All right.
02:54Now!
02:55Go!
02:58Why do you look so surprised, Lois?
03:01It's not like this is a shock.
03:02You already knew that Gio was your grandson.
03:05You've been keeping the truth from him his entire life.
03:17You don't ever have to tell me about the beautiful family we built.
03:37I know what I had.
03:39I know what it took for us to build it.
03:41You were the one who took what we built, and you broke it.
03:45You didn't trust me enough to tell me the truth, so you lied.
03:49I'm sorry.
03:51I didn't know what to do.
03:52You didn't know what to do, so you manipulated me.
03:57You did Drew's bidding, and you left our whole family open and vulnerable to him.
04:03Not to mention yourself.
04:05Curtis, please, don't give up on us.
04:07I'm not.
04:08At least not tonight.
04:10And what does that mean?
04:11It means that if I walk away now, it sends a clear signal to Drew that we are no longer a united front.
04:18And that leaves you exposed.
04:20And I won't do that to you.
04:22Honey, thank you.
04:23Because I know we can fix this.
04:25More importantly, I won't do that to Trina.
04:27The last thing she deserves is for her mother to be under Drew's thumb any more than she already is.
04:33So we're gonna go in here, we're gonna smile.
04:35And we're gonna be every bit the loving, happy couple that everyone expects us to be.
04:40And tomorrow?
04:42Let's just get through tonight.
04:51I have no idea what you're talking about, Ned.
04:55Cut the crap.
04:56We both know that my mother wouldn't be sloppy enough to leave evidence of a crime in her own vehicle.
05:02This has you written all over it.
05:04We both know that your mother thinks she's above the law.
05:07We know that, Ned.
05:08And that kind of overconfidence tends to catch up to a person.
05:11Among other things, it can make somebody really sloppy.
05:14We have our lawyers all over this.
05:16And we are gonna find out who planted that drug in her car.
05:20Police already know, Ned.
05:23Willow, Drew is an unconscionable ass.
05:27And we all attempted to give you the benefit of the doubt.
05:31We believe that Drew manipulated you.
05:34And that you are a victim as much as Michael is.
05:37You can let go of that ridiculous idea once and for all.
05:40I'm no victim. And neither is Michael.
05:43You can't be a victim when you won't even try to solve a problem.
05:46What are we talking about here?
05:47I flew to Germany to try to talk to Michael.
05:49To see if we could find a compromise.
05:51Michael wouldn't even see me.
05:54Drew is the only person acting in my best interest.
05:56This one is wreaking havoc everywhere he goes.
05:59And you're just standing by his side, cheering him on.
06:02So don't be expecting any sympathy when this whole thing blows up in your face.
06:07Let's go.
06:14So what happens next, Nina?
06:16By testimony, I'm going to prove that Michael abandoned his children.
06:22So what you're saying is you're gonna perjure yourself.
06:24Because nothing could be further from the truth.
06:26Well, you know, that's the funny thing about perspective.
06:29Like the night of the holiday party when Michael played the video of Willow and Drew.
06:36He actually wanted Willow to take the children with her.
06:40Michael wanted Willow to have them.
06:43Michael didn't want to scare his children.
06:46That's how much he loves them.
06:48Well, that's open to interpretation, but the facts are the facts.
06:52Michael's children were with their mother without so much as a challenge from Michael.
06:58And then he went to Germany and abandoned those kids for bird treatment.
07:04And then he refused to see Willow or speak to their mother after she flew over an ocean to see him.
07:15She made the effort, a substantial one, and he rejected her.
07:19He didn't even care enough about his children to let Willow talk to him about them.
07:25I mean, Carly, this looks bad for Michael. Really bad.
07:32Well, that's your spin. And like you say, everything's open to interpretation.
07:38And one more fact. There's only been one parent who's been there consistently.
07:44A loving, stable force for those children.
07:48Giving them everything that they need.
07:52It's not Michael.
07:54It's their mother.
07:56And you better believe I'm going to make sure the court sees that.
08:02Have a nice evening.
08:08Hi, Brooklyn and Mr. Corinthos.
08:10Happy Nurses Ball.
08:12Is that what you say?
08:13Sure. Sounds good. You look beautiful.
08:15Oh, thank you. And so do you.
08:17I actually haven't been this dressed up in a while, so I kind of feel like I need to be on my best behavior.
08:22You do?
08:23Okay, well, your performance was great, so I feel really bad for the person who has to follow you.
08:29I had fun, but maybe we can make this a regular thing.
08:33I guess we should.
08:35I think we should head in there.
08:38I don't know where you got your info.
08:41But what I do know is whatever you suspect is absolutely none of your business.
08:47So do us both a favor and stay out of it.
08:51We are long past suspicion, Louis.
08:53I know it all.
08:55I know that Gio is Brooklyn and Dante's son and I can prove it.
09:00You don't know what you're talking about.
09:02Dante got Brooklyn pregnant at summer camp.
09:05Do you need me to finish the rest or are you starting to remember now?
09:09Hey, everybody.
09:11Hi again.
09:13I just want to thank all of you once again for being here on this very, very special night.
09:18And do not forget, I'm serious, you know this.
09:20Go check your silent auction items because we want to take your money away from you.
09:25It's for a very, very good cause.
09:27Now let me think.
09:29Two detectives, a gifted surgeon, and a cowboy.
09:33Sounds like the beginning of a joke, right?
09:36But I assure you it's no joke.
09:38They are among the finest Port Charles has to offer.
09:42And we are very, very lucky to have them.
09:45But we're even luckier to have them on this stage tonight.
09:50I want to present Detective Harrison Chase,
09:54backed up by Detective Dante Falconeri,
09:58with cowboy Cody Bell and
10:02the gorgeous General Hospital's doctor, Isaiah Gannon.
10:06Ladies and gentlemen, I give you
10:08The Look of Love.
10:32The world is full of strange arrangements
10:36And gravity won't pull you through
10:40You know you're missing out on something
10:44Well, that something depends on you
10:49All I'm saying
10:52It takes a lot to love you
10:54All I'm doing
10:56You know it's true
10:58All I need now
11:00Is one thing, yes, one thing
11:02That turns this gray sky to blue
11:07That's the look, that's the look
11:09The look of love
11:11That's the look, that's the look
11:13The look of love
11:15That's the look, that's the look
11:17The look of love
11:22When your girl has left you out on the pavement
11:27Then your dreams fall apart at the seams
11:31Your reason for living's your reason for leaving
11:36Don't ask me what it means
11:40I don't know the answer to that question
11:45If I knew, I would tell you
11:49Look for your information
11:53Yes, there's one thing, the one thing
11:55That still holds true
11:57That's the look, that's the look
12:00The look of love
12:02That's the look, that's the look
12:04The look of love
12:06That's the look, that's the look
12:08The look of love
12:25Woah, woah, woah, woah
12:33That's the look, that's the look
12:35The look of love
12:37That's the look, that's the look
12:39The look of love
12:41That's the look, that's the look
12:43The look of love
12:47Look of love
12:49If you judge a book by the cover
12:54Then you judge the look by the lover
12:58I hope you'll soon recover
13:02Me, I go from one extreme to another
13:07And all my friends just ask me
13:10They say, Chase, maybe one day you'll find true love
13:15And I say, maybe there must be a solution
13:19To the one thing, the one thing that we can't find
13:24That's the look, that's the look
13:26Sisters and brothers
13:29That's the look, that's the look
13:31Should help each other
13:33That's the look, that's the look
13:37That's the look, that's the look
13:39Heavens above
13:41That's the look, that's the look
13:43Hip hip hooray
13:46That's the look, that's the look
13:48You'll be I, you'll be I, yeah
13:51That's the look, that's the look
13:53Be lucky in love
13:56Look of love
14:19Okay, I just need to acknowledge someone right now.
14:22He's one of the newest residents in Port Charles
14:26and he is the CEO of SRE Worldwide.
14:30Ladies and gentlemen, Mr. Jim Sidwell.
14:32I have to tell you, he not only moved his business
14:36but he moved a member of his family to our fair city
14:38and he's fitting right in
14:40because we are the city of communal generosity.
14:43Mr. Sidwell sponsored the festivities for tonight.
14:47So please, a round of applause for Mr. Jim Sidwell.
14:53You know what? It's the nurses' ball
14:55and we can do better than that. Let's go.
14:57Mr. Jim Sidwell, thank you. A round of applause.
15:07You were so sexy up there.
15:09Yeah?
15:10Oh yeah, you sounded so amazing.
15:12How amazing?
15:17Hey, hey, hey.
15:19Hey.
15:20No, no, no.
15:22No PDA because it makes people jealous, like me.
15:26And also, this is a working area.
15:28You're impeding traffic flow. Go, go.
15:31Hey, listen. Have you seen my Aunt Lois?
15:33I think she has my earpiece.
15:35Uh, no.
15:36Wait, I did, I did.
15:37I saw her in the dressing room, okay?
15:39But you know, you've got to get ready soon.
15:40The tango's up soon.
15:41Yeah, I know. That's when you make the earpiece.
15:42Like really, you need to get ready.
15:45Wow, those guys look fantastic.
15:47And they're brave.
15:49I know, right? Maybe next year you'll up on stage.
15:52I don't think so.
15:53Oh, Dave Pence.
15:54Where did you two disappear to?
15:56You're missing all the performances.
15:58Well, we won't miss the most important performance.
16:01We can't wait to see you on stage, honey.
16:03Yeah, the charity stuff, yeah, that's great.
16:06But you're the real draw.
16:08Oh, well I hope I don't let you down.
16:11You can never let me down, honey.
16:14Portia, I'm going to go get you that drink.
16:21You two certainly look like you're enjoying yourselves.
16:24Yeah, we are.
16:25Very much.
16:26Oh, well, we're about to check out the silent auction if you want to come.
16:30I'm going to wait for your father.
16:32And that drink.
16:35But why don't you guys bid on something for me?
16:38Surprise me.
16:39Okay.
16:40And if we win, it's because of you.
16:43Just know that.
16:44We'll see you back in the ballroom.
16:54Portia.
16:55Portia, I have been trying to talk to you all night.
16:59Curtis is suspicious.
17:02He's more than suspicious, Nina.
17:04He knows.
17:05Wait, wait, he knows what?
17:08Everything?
17:09He knows about Brad and Drew.
17:11He knows what Drew is holding over me.
17:14And I'm worried.
17:15I'm worried about what he's going to do next.
17:17You're trying to hide it.
17:19But I can see you're not enjoying the nurses ball as much as the rest of the people here.
17:24Drew is blackmailing Portia.
17:27She just confirmed it.
17:28No.
17:31I was hoping for once your instincts would be wrong.
17:37Me too.
17:39I really wanted to be wrong.
17:41I know you did.
17:43So what are you going to do?
17:48Excuse me.
17:49I missed all of the appetizers, but could I do another glass of champagne?
17:54Hilarious.
17:55What are you doing here?
17:57Just enjoying the evening.
18:00Supporting a good cause.
18:02And who are you keeping an eye on?
18:06Well, you, of course.
18:08Well, in that case, some champagne.
18:11Please.
18:13Jocelyn.
18:14Hey.
18:15Hi.
18:16Who's your friend?
18:19Brooklyn confided in Cody Bell that she was pregnant when they were at summer camp.
18:24He even drove her to the bus station when she wanted to go home.
18:28Once you knew, you took Brooklyn on tour with you with Miguel Merez to get her out of town so no one would know she was pregnant.
18:34I know you think you know.
18:36You went to your cousin, Camilla Palmieri, to keep the baby.
18:40Look, I have been-
18:41And Camilla went on tour with the Nicola Quartet to cover up her absence.
18:45Okay, stop. Enough.
18:47And Gio was born, not in Los Angeles on June 4th as he believes, but in San Francisco on May 15th as baby boy Cirulo.
18:59Hi, I'm Vaughn.
19:01Jocelyn and I know each other from PCU.
19:03Oh, okay. Well, I'm Carly Spencer. I'm Jocelyn's mom.
19:07I hope you're having a good time.
19:08Yeah, it's a lot of fun.
19:12I'll see you around, Joc.
19:13Yeah.
19:14It was nice to meet you, Miss Spencer.
19:15You too.
19:17Hey, hey, hey.
19:19He's cute. What's the deal with that guy?
19:23What are you doing?
19:25Running around, digging for information about a situation that has nothing to do with you and you don't know anything about.
19:31You are messing with people's lives.
19:34No, you are messing with people's lives, Lois.
19:37You have been lying for decades and you have been lying to Gio his entire life, keeping him hidden in plain sight.
19:45And Dante, he's had a son out there this whole time that he doesn't know about because you and Brooklyn have been lying.
19:52Brooklyn doesn't know about Gio.
19:55For all she knows, her son is on the other side of the world and you can't tell her otherwise.
20:01Is that some kind of threat?
20:03No.
20:05My mother and I couldn't let Gio go.
20:09So we decided to keep him close and keep the secret from Brooklyn.
20:13And I, as her mother, made the best decision that I could at the time.
20:20Maybe for you, but not for Gio.
20:23Who are you to decide that?
20:25What about Gio's life?
20:27His whole life is a cover up.
20:29He has no idea where he really came from.
20:32He's not Camilla and Frances Palmieri's son.
20:36He's Dante and Brooklyn's.
20:38And the only question now is who's going to tell him the truth?
20:47Hello again.
20:49Are we still having fun?
20:51Are we getting lots of your money?
20:53I hope for our charity.
20:55I hope so.
20:56We have had such special performances from our friends and neighbors of poor Charles.
21:01But right now, our next performer, she was born in Australia.
21:04She lives and sings and makes beautiful music in sunny Los Angeles.
21:08And we really need to give her a very warm Poor Charles Nurses Ball stage welcome.
21:13Ladies and gentlemen, Edie.
21:26No decisions.
21:28Birthday wishes.
21:30Blowing kisses.
21:32Thinking she's figured it out.
21:41Ignorance is blissful, ain't it?
21:45When you're sitting pretty at your childhood house.
21:48House.
21:54You know.
22:04Your imagination.
22:06Looking in the mirror and the only thing she's saying is.
22:10She missed the old her.
22:12Even though the new her is better than the old her.
22:14Cause when you get older, you realize the answers aren't out there, maybe.
22:20There is someone holding out a hand to save me.
22:24She missed the old her.
22:26Even though the new her is better than the old her.
22:29Cause when you get older, you realize the answers aren't out there, maybe.
22:34There is someone holding out a hand to save me.
22:38Big decisions.
22:40Midnight living.
22:42Strangers.
22:43Kisses.
22:44Hoping she'll figure it out.
22:53Life gets harder.
22:55She gets farther.
22:57Dreams get darker.
22:59Wishing for a childhood house.
23:07You know.
23:13Your imagination.
23:15Looking in the mirror and the only thing she's saying is.
23:19She missed the old her.
23:21Even though the new her is better than the old her.
23:25Cause when you get older, you realize the answers aren't out there, maybe.
23:30There is someone holding out a hand to save me.
23:34She missed the old her.
23:36Even though the new her is better than the old her.
23:39Cause when you get older, you realize the answers aren't out there, maybe.
23:43There is someone holding out a hand to save me.
23:47If you wanna be happy.
23:50You gotta know, know, know, know, nothing at all.
23:54Know, know, know, know, nothing at all.
23:58Oh.
24:01If you wanna be happy.
24:04You gotta know, know, know, know, nothing at all.
24:08Oh.
24:10You gotta know, know, know, know, nothing at all.
24:14Know, know, know, know, nothing at all.
24:18Oh.
24:41I'm not being petty.
24:44And I don't mean to be callous.
24:46I have thought of nothing but this for months now.
24:49But I knew from the start what you were doing, what you've been doing is wrong.
24:54There have been enough lies and that ends now.
24:58Either you tell Gio and Dante the truth tonight.
25:02Or they will hear it from me tomorrow.
25:11Are you working tonight?
25:14I'm always working.
25:16Yeah?
25:18Not right now, though. No, I enjoy the evening.
25:21You get a chance to talk to Robin today?
25:25She was very sorry that she couldn't be here. You know, the nurse's role is very important to her.
25:29But I said that Emma and I would hold down the fort in her absence.
25:34I think she's back there right now taking some behind the scenes shots for her mom.
25:38Well, I'm glad to see you here.
25:42I'm glad to be here.
25:45I missed a lot of important years.
25:48Feels good, though, to honor Robin and others who've been impacted by HIV.
25:55Like Stone.
25:58Commissioner Devane and Mr. Korynthos.
26:03A.D.A. Turner, good evening.
26:05A.D.A. Turner, good evening.
26:07Oh, am I interrupting?
26:09No, no, not at all.
26:12I have to go and change for another performance, so Mr. Korynthos is all yours.
26:18Sonny?
26:20Break a leg.
26:24Well, that certainly looked intimate.
26:30The commissioner and I, we were just talking about her beautiful daughter, Robin.
26:36And my great friend, Stone Kates.
26:40They're the reason this is happening tonight.
26:44You should look them up.
26:54Those were some nice moves on stage.
26:56Didn't know I had it in me, huh?
26:59Let's just say I was not at all surprised.
27:02That's very nice of you to say.
27:04Especially because I wasn't very friendly with your date.
27:08Well, he's not my date. He's my boss.
27:12On his arm, nonetheless, right?
27:14Is that part of the job description?
27:19You should be on my arm tonight.
27:22I am so relieved your name was cleared.
27:24It makes me feel more confident going into my custody hearing.
27:27You should feel confident. We are on a winning streak.
27:30You're going to get permanent custody of the kids,
27:33and then we can figure out how to start this next chapter of our lives.
27:37Whether it be here in Port Charles or, I don't know, even D.C.
27:42Willow, Drew, I hope you're having a wonderful evening.
27:47Wasn't the band fabulous?
27:49The band was incredible. It really was.
27:51And yeah, we're having a great evening, thank you for asking.
27:52That's great. Maybe this isn't the best time to mention this, but Rick did call me.
27:58And he said that he wants me to testify on your behalf at the custody hearing.
28:03What did you tell him?
28:05I told him that nothing would give me more pleasure
28:08than to get up on that stand and tell the court what a wonderful mother you are.
28:14And that your children belong with you.
28:17And Drew.
28:22And I want both of you to know this.
28:25With Tracy's arrest and Drew's exoneration,
28:29going forward, you have my full support.
28:35Thank you, Mommy.
28:44Nina.
28:47It really just makes me so happy to hear that Willow and I have your support.
28:52It means the world to us to have you in our court.
28:57Look at them.
28:59They make me want to throw up.
29:01I can't wait for you to take Wylie and Amelia away from them.
29:06It won't be long now.
29:08Hey, what are you doing back here? We're about to go on.
29:11I just wanted to tell you guys to break a leg.
29:13Oh, thank you.
29:15You nervous?
29:17No, I have a great partner. I just follow her lead.
29:19You know, Mom would be really proud of you.
29:20Thank you, sweetheart.
29:22Have either of you seen Gio?
29:24No, not for some time.
29:27And if he doesn't turn up soon, Lisa's going to have me put out an APB.
29:32Okay. Well, let's tango first and then police force later.
29:36Yeah.
29:38I'm going to go find him.
29:40Okay, good. Thank you.
29:42Isaiah, you were fantastic on stage. Was it fun?
29:46Yes.
29:47Yes. In that roller coaster climb before the big drop kind of way.
29:53But I'm just glad I got to contribute to my first nurse's ball.
29:57Maybe even next year I'll have a date.
30:02After your performance tonight, I think your odds are very good.
30:06And you know what? Whoever she is, she'll be very lucky.
30:11Thank you, my friend.
30:13And judging from the vibe you and your date have had going all night, I'd say
30:17they're having a pretty good evening.
30:19I'd say the same thing.
30:31Gio, I've been looking everywhere for you.
30:39Oh, my God, what's wrong?
30:45I need to talk to you.
30:47Did you drop Molly's drink off? I'll be right back.
30:49Nope. Sorry.
30:51I confronted Lois. I did it.
30:53She stonewalled me at first and she didn't make it easy.
30:56But, yeah, she copped to the whole thing.
30:59Gio is not decent.
31:04Oh, where did you leave it with Lois?
31:06I don't know.
31:08What do you two whisper about?
31:11Full on second thought. I thought about it.
31:14It might not be so bad performing at next year's nurse's ball.
31:17Oh, yeah? So do you have a hidden talent?
31:20Other than creating ridiculous paintings, no.
31:24None that I can think of.
31:26But I'd be down for some dancing or singing classes if that meant I'd get to perform with you.
31:31Oh, like a two-person act?
31:33Oh, the best ones are, right?
31:35Teamwork makes the dream work.
31:37Oh, brother.
31:39Okay, yeah. Teamwork makes the dream work.
31:47She was just asking what exactly I was drinking.
31:51Excuse me. I'm sorry. Can I borrow Brooklyn for a second, please?
31:54Thank you so much.
31:56Mom, what is it? Is it Granny?
31:58No, no. But, sweetheart, listen to me.
32:00We need to get out of here right now, okay?
32:07Okay. Oh, that looks great. This is so good.
32:10Okay, places, please.
32:12Where's Jim?
32:14He's supposed to be here with his violin.
32:16We're not sure, but Emma just went to find him.
32:20Find him? That means he's missing or lost?
32:25Not necessarily. He's probably in the building somewhere.
32:28Somewhere? Somewhere's not here.
32:30He's got to be up on the stage with you. He's got to accompany you.
32:33Otherwise, you will be dancing a silent tango, and nobody likes a silent tango.
32:38He will be here.
32:39Okay, you're right. You're right. He's very professional.
32:42Well, I mean, at least he's adjacent professional.
32:45You know, except he's not being very professional now, and this is just like Tracy.
32:49Where is he? Where? Really, where is Gio?
32:53Hey, what's going on?
32:58I know you're about to go on, and my grandma and Chase are waiting for you.
33:02They really need you to play.
33:04Yeah. Play.
33:07They need me to play. I have to play.
33:12Why?
33:14Because that's the gift I got from my mother.
33:24I'm a violinist.
33:27My mother taught me everything.
33:33That's all that I have left of her.
33:37Are you okay?
33:40Because if you're sick or something, I can just tell them that you can't go on, all right?
33:44It's not a problem.
33:46You don't have to do this.
33:49Yeah, I do.
33:54The show must go on.
33:56The show must go on.
34:03What are we going to do?
34:05Gio, excuse me. Gio, Gio, here.
34:08Thank God you're here. You scared me half to death. Let's go.
34:11Get up there. We're running behind. Please, please, please. Chop, chop. You guys, come on.
34:15Break a leg.
34:17What's going on over here? You guys look intense.
34:20Yeah. Lulu was just giving me a hard time because I forgot to deliver Molly's drink.
34:26Oh, classy. What's wrong with you?
34:29So many, many things, but she also confided in me.
34:34She didn't want to tell you, but apparently I was by far the standout in our Look at Love performance.
34:39Yeah, what is wrong with you?
34:41It's best to get these things out there.
34:43No one was even looking at you, Isaiah, or Chase.
34:46Okay, well now I know you're lying because they were only looking at Chase.
34:50Speaking of, he's got another performance with Anna coming up. We should get to our seats.
34:53And why don't you just give Molly your drink?
34:56Problem solved.
35:01Brooklyn, I'll explain when we get home, but you have to believe me, we have to leave right now.
35:06Ma, unless it's about Granny, anything else can wait until after their performance.
35:10Gio is about to play while my husband dances the tango.
35:13Trust me, I've seen the rehearsals. I'm not missing this.
35:16Wait, but Brooklyn, wait, please.
35:19Rose, you all right?
35:23What's going on?
35:25Sonny, I'm in terrible trouble.
35:27Come on, we'll fix it after the show.
35:32Hello again, everybody. Are we having fun?
35:37What is that? What, what? Really? Are we having fun? Yes, yes, yes.
35:42This is such a great, great night.
35:45Now you're going to have a lot of fun because this next act started in the streets of Buenos Aires and Montevideo.
35:51And I wish I could take you all there, but I can't.
35:54But we can do this. We are going to bring you this beautiful, ever-evolving art form right here to you.
36:01But just a little advice. Keep a long, cool drink handy because coming to you to tango,
36:08Police Commissioner Anna Devane, Detective Harrison Chase, and accompanying them on the violin, once again,
36:16the extraordinary Giovanni Palmieri.
36:51Ladies and gentlemen, I just want to do you a favor.
36:57I know you've been waiting for this moment for a long time.
37:01I know you've been waiting for this moment for a long time.
37:05I know you've been waiting for this moment for a long time.
37:09I know you've been waiting for this moment for a long time.
37:13I know you've been waiting for this moment for a long time.
37:17Ladies and gentlemen, I just want to do something I've never done before.
37:28I'm going to dedicate this performance to my parents.
37:37Brooklyn Quartermaine and Dante Falconeri.
37:43Two people who didn't want me.
37:46Who didn't claim me.
37:49They gave me away and have been lying to me my entire life.
38:16I'm going to dedicate this performance to my parents.
38:20I'm going to dedicate this performance to my parents.
38:24I'm going to dedicate this performance to my parents.
38:28I'm going to dedicate this performance to my parents.
38:32I'm going to dedicate this performance to my parents.
38:36I'm going to dedicate this performance to my parents.
38:40I'm going to dedicate this performance to my parents.
38:43I'm sure of it.
38:44You need to get off the track before you get leveled.
38:46What do you need me to do?