- 5/22/2025
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FunTranscript
00:00Good afternoon, Sergeant. I'm Manuel de Luján.
00:03I'm calling from the Palacio de la Promesa.
00:05Good afternoon, Mr. Luján. I was just waiting for your call.
00:09What?
00:10It was true that they let some thugs go.
00:14They were the ones who stole the car and the money.
00:17Our jewels, besides being unique and absolutely exclusive,
00:20are of different types,
00:22depending on the needs of our clients.
00:28Love stories?
00:29Yes.
00:30No, it can't be. I'm sure that jewelry hides something else.
00:33I'm sure it's been talked about in some kind of code.
00:35If that's the case, we haven't been able to decipher it.
00:38I have to tell you again that I don't trust her.
00:41I don't trust her.
00:42And she has won her over for years of mistreatment.
00:44Maya Fernández, you have to know how to forgive.
00:46Well, I'll leave that to you, because you're a man of God.
00:48I need you to help me visit my sister in the prison in Córdoba.
00:52I'm sorry, Mother, but I can't do that.
00:55I'd like you to come, but I can't force you.
01:03Wait, wait. I'm going to get a handkerchief.
01:11The only thing that's clear is that his place is very dangerous.
01:14And we're going to find out as soon as we get that money.
01:18But what money, Curro?
01:20I remind you that we don't have the rooms.
01:22I plan to steal them from the captain.
01:24Have you seen Mrs. Eugenia?
01:26No, she hasn't eaten with us.
01:28Why do you ask?
01:30Because I haven't seen her since this morning.
01:32And I've been looking for her for hours in the palace and I can't find her.
01:35It was you.
01:37What have you done to your wife? Tell me right now.
01:40Someone I appreciate from the bottom of my heart made me understand that I had to talk to you.
01:45And that I had to apologize for everything I didn't tell you years ago.
01:50It would be a real shame if, after all the efforts we have made to hide Adriano and Catalina's children,
01:56they got lost due to carelessness.
01:58It wouldn't be a shame. It would be a catastrophe.
02:02What are these children doing here?
02:05And who are you?
02:11I asked you who you are.
02:21I am Adriano García Pardo, sir.
02:25Catalina de Luján's husband.
02:28These are our children Andrés and Rafaela.
02:31And before you ask, no, I am not a nobleman, I am just a farmer, sir.
02:38In other words,
02:41everyone in this palace has conspired to deceive me, taking me for a fool.
02:47It seems to me that no one here has played it like that, sir.
02:50Something of enormous importance has been hidden from me.
02:53Logical.
02:55The family believed that you would be disgusted, so they wanted to avoid that situation.
03:00That I would be disgusted? Of course, how was I not going to be disgusted?
03:03Since when is marriage between the daughter of a Marquis of Spain and a simple slacker a reason to rejoice?
03:08It can't be in any case.
03:12At least when it rains heavily.
03:15And the Lujans go from scandal to scandal.
03:18The heir marries a maid.
03:21And the Marquise is in prison because she has decided to take justice into her own hands.
03:25Come on, a defection in every rule.
03:29But how badly this family complains.
03:32Since when do the Lujans have this regrettable hobby of making out with inferiors?
03:37It's like a kind of vocation, it seems.
03:41Before the heir, the Marquis had a story with a maid.
03:44And as proof, that bastard who now goes around the corridors making reverences.
03:48But it is that now, as a trick, it turns out that the eldest daughter also joins the family hobby.
03:53But why?
03:55It seems to me that you would not understand that, sir.
03:58How do you say?
04:01Look at you.
04:02My marriage with Miss Catalina, that was a reason to rejoice, to use your own words.
04:08And this family does know how to look at people's hearts.
04:10And beyond their cradle.
04:12Which highlights other members of the nobility like you, sir.
04:15Look, I don't agree with you ...
04:16I beg you not to raise your voice, my children are sleeping.
04:19Please.
04:39Are you the one who started all this?
04:42No.
04:43I told you that we had to be very cautious.
04:46We cannot allow your wife to have a scandal with the Duke of Carvajal and Fuentes here.
04:51It doesn't seem to me that there has been any scandal.
04:54What seems to me is that ...
04:56The madwoman has gone somewhere else with her mess.
04:59You have a guajo.
05:02Enjoy the job well done.
05:04You couldn't have stayed still, could you?
05:06No.
05:07This is going to explode in our faces.
05:09What's going to explode? What's going to explode, Leocadia?
05:12No one is going to realize anything.
05:14And Eugenia is not here to tell you either.
05:17I'm talking about the fact that if she had realized something, and I'm telling you that it is not the case.
05:22And even if she had noticed,
05:25I'm telling you that I've done so much to her that she's not going to remember anything.
05:31Let's see if you've gone too far.
05:33It depends on where you put the line.
05:35How much praise have you given your wife?
05:38I didn't.
05:39Lorenzo?
05:40I don't know, I don't know, I gave her a ...
05:42A little bit.
05:43A little bit? But you are out of your mind.
05:45Did you know this was going to happen?
05:48Someone had to take the initiative.
05:50We had to be patient, that's what I told you.
05:53Nothing.
05:54Wait patiently for the outcome.
05:58Either you are not aware of how much we are playing at this moment,
06:01or you are absolutely stupid.
06:03Or you are absolutely stupid.
06:08I had forgotten how good the insults in your mouth sound, dear.
06:11Please put your disgusting cynicism aside and take things seriously for once in your life.
06:16I have taken them seriously, I think I have taken them seriously.
06:20I have taken it seriously.
06:22That Eugenio goes crazy again.
06:25You gave him a few drops and he was fine right away.
06:27I couldn't allow him to recover so quickly.
06:31The more you say it, the darker I see it.
06:36Stop thinking so much about the future.
06:38Enjoy the present, Leoncadillo.
06:40And in the present, Eugenia is not there.
06:44Although it is strange.
06:45What is strange?
06:48That when the jar is empty, all caution is little.
06:53It gave me the feeling that Eugenia had lived a little, a ...
06:58Although it is clear that she lived something, right?
07:01Enough to make her go crazy, leave the palace and get lost.
07:06She may not even return.
07:08I don't know what worries you so much.
07:10But I have to repeat it to you, Lorenzo.
07:12You have rushed.
07:15With the Duke of Carvajal and Cifuentes in the palace,
07:17you have not been able to choose a worse time to take that step.
07:21We'll see about that.
07:28No, no, it's not resignation. Really, no.
07:32It's just that almost everything good that has happened to me in life has been given to me by my trade.
07:37Thanks to him, for example, I met the Duchess of Victoria.
07:40I would open your eyes when you were a man.
07:43Yes, that woman is the proof that kindness does not understand cradles.
07:49It is clear that it is easy to be good when one has life resolved.
07:53There is no discussion.
07:56But you are not going to reject kindness just because someone's family has money, right?
08:02No, of course not.
08:04In addition, the Duchess, money, allows her to give free rein to her longings, her illusions,
08:10which luckily for me are refined, original.
08:13She loves to travel and can afford to go wherever she wants.
08:17And she always took you with her.
08:19Yes, she took me with her and she was not forced to do so, of course not.
08:24Not only that, but I think she was trying to get me out of the trip as an equal.
08:31I really think she considered me her equal.
08:34When you get that degree of complicity with gentlemen, it is an inexplicable satisfaction, right?
08:41Yes, it is true.
08:43And thanks to that, I had the opportunity to introduce myself to very few people.
08:47Practically none, I would say.
08:50Thanks to her, I have understood that human beings are immeasurable and insignificant at the same time.
08:59And that my condition as a woman should not be a limit.
09:05Although I think there the will speaks more than the reason, because things are as they are and change very little by little.
09:13So you consider that if you had been born a man, your life would have been very different.
09:20And I had not fallen so deeply in love with you.
09:25And you would have been satisfied simply with the infirmary.
09:30No, I think I would have tried to get a medical license.
09:35You are still in time.
09:37Yes, the world is changing at a rapid pace.
09:41Right now there are already women in universities.
09:45Look, Miss Ángela is going to end up being a lawyer.
09:48Well, yes, but Miss Ángela is little more than a little girl.
09:52Can you imagine me stealing hours of sleep to study night after night, year after year, at this point in my life?
10:01You are right.
10:02And with all your work and also taking care of your family, it would not be possible.
10:09Well, do you realize that this conversation was for you to give me an explanation?
10:15And I'm the only one who has spoken?
10:18Don't tell me, it's one of my skills, or have you already forgotten it?
10:24Come on, Rómulo.
10:26Tell me about your life.
10:28There is not much to tell.
10:30Well, there will be.
10:33Well, look.
10:35You have been the last important thing that has happened to me.
10:38Stop lying, Hassan.
10:40No, it's true.
10:43I was working for the baron of Linaja for a few years.
10:46And when his eldest daughter married the marquis, I already came to the promise and I ended up being the eldest son-in-law of the Lujan family.
10:56And you never got married?
10:58No.
11:00You have no children.
11:05But there was another woman.
11:10There was not then, nor was there after.
11:17So why, Rómulo?
11:22Well, I thought it was for the best.
11:27Our jobs led us on very different paths.
11:31And it was not fair that you did what you were supposed to do.
11:35If we had stayed together, if we had formed a family.
11:40Give up your path.
11:43So ...
11:46You never stopped loving me?
11:50No.
11:56No.
12:06Sorry, I have something pending.
12:09Come on.
12:23But why can't they put me to cut pepper, carrot or tomato instead of onion?
12:27Look, boss, because the damn onion is always my turn and today I feel like eating another one.
12:32It's not fair, Mrs. Candela.
12:33No, it's not.
12:35At least you admit it.
12:39Do you want to chop the onion and not cry?
12:42Well, of course.
12:44Well, that's easy to fix.
12:46While you chop half an onion, you put the other half in your head.
12:52The head.
12:53The head?
12:54And what does that mean, aunt?
12:56I didn't find the meaning either, but look at the things, huh?
12:59Based on doing it, I say it relieves.
13:03I'm going to the pantry for potatoes.
13:06Wait for me to accompany you, that these bags weigh like an oviparous and they are dead.
13:36What?
13:43What?
13:44Meo?
13:47You've gone too far.
13:49Where are you going?
13:56And that face?
13:57Has something happened, girl?
13:59Don't tell me they've found Mrs. Eugenia, you know.
14:02No, thank God.
14:03At least I know.
14:05The one they have found is Adriano with the babies in the bedroom.
14:12What?
14:13But who found her?
14:14Well, who else could it be?
14:17The Duke of Carvajal and Cifuentes.
14:19Oh, mother.
14:20How could that be?
14:21Well, I don't know, Mrs. Candela.
14:23The fact is that I was sleeping with the children and when I left, I ran into him.
14:26He was going straight to the bedroom.
14:28I don't know, I guess he would hear some crying.
14:32But you told him something.
14:33But what was I going to tell him?
14:35He was going where he was going and he didn't even see me.
14:37And then?
14:39Then I wanted to know what was going on and I stayed ...
14:42I stayed at the door trying to listen.
14:44But I didn't hear anything at all.
14:47She's already a bad girl.
14:49I don't know.
14:50The strange thing would be that she wouldn't have found out.
14:52It's very complicated to hide two babies, no matter how big the palace is.
14:57And how is this going to end?
14:58Because it looks bad.
15:00It's black and it doesn't look good.
15:02We don't know how people are going to react.
15:04And the reactions of the powerful people are even more unpredictable.
15:08I hope the worst wishes don't come true.
15:11Because if this man tells ...
15:14We can go looking for work somewhere else, right?
15:18Go.
15:20What is clear is that this is not good for the promise.
15:31Your aunt Eugenia will appear at any time, you will see.
15:35I don't know.
15:37She may have simply gone out for a walk and when we least expect it, she will be back without even a scratch.
15:43I hope so, but ...
15:46It's been too long for it to be just a walk.
15:50Well, she may have been disoriented.
15:52In any case, I remind you that your father has taken action on the matter.
15:56And if she does not return on her own, he will bring her back.
16:00I hope so.
16:01Because I have seen Curro very worried.
16:03And he already has enough with what he has.
16:05Yes.
16:06Maybe it is convenient for you to talk to him and make him understand that he should not show so much closeness to the family.
16:13I say this so as not to arouse the suspicions of the Duke of Carvajal and Cifuentes.
16:17But for God's sake, she is his mother.
16:19Is it so strange that he is worried about her?
16:21No, not at all.
16:23But I remind you that we play a lot with this unexpected visit of the Duke.
16:26Being such a close person to the royal house, anything Curro says could put the whole family in a complicated mess.
16:35What are you doing here?
16:37Don't you want the Duke to see you?
16:39You are already in paradise.
16:41The Duke has already seen me.
16:43How?
16:44Yes, and not precisely because I was taking a walk around the palace.
16:48The Duke found me in Catalina's bedroom, along with the children.
16:52But how is it possible?
16:54I don't know. I don't know. If he heard the children crying, he showed up there by chance.
16:58In any case, it doesn't matter.
17:01The letters are already on the table.
17:03What do you mean?
17:06The situation was what it was.
17:08That man asked me and I told him the truth.
17:11What do you mean, the truth?
17:12All the truth?
17:14Yes.
17:16I did not think it possible to justify my presence in Catalina's room along with the children in any way.
17:22So you told him that you and Catalina are married, that those children are your children and that you are who you are?
17:28Yes.
17:31I told him the whole truth, Mrs. Leocadia. Don't leave anything to me in the inkwell.
17:34And how come the Duke himself didn't come down after finding out about this to get our attention?
17:38Well, maybe it's a proof that this man is not here by chance.
17:41There would be no car or anything.
17:43Maybe the Count has come looking for bait to malign the Lujan family in front of the royal house.
17:49The worst of all is that we are serving him in a tray.
18:05With your permission, sir, I have notified the subordinates of the Civil Guard to start the search.
18:10I have also told them to inform us if my wife receives any visits to prison.
18:15If you excuse me, although my mother really wanted to visit her, I don't think she went to Cordoba alone.
18:23In fact, she tried to convince me to accompany her.
18:29I suppose because she was aware that she could not make that trip on her own.
18:33But maybe she tried it on the way.
18:36In any case, sir, the sergeant-coordinator has promised me that he would give priority to this matter over any other.
18:41It's better, because I'm starting to worry.
18:44With your permission, sir, we are also coordinating search battles,
18:48bringing together members of the service with volunteers from the town.
18:51The idea is to go through the farm with torches and dogs.
18:54Well, good idea.
18:58Wouldn't it be nice to also look at the cave where Maria Fernández was and then Mrs. Adarre?
19:04I don't think my sister-in-law is there, but ...
19:06We'll send someone there, count on it.
19:09Perfect.
19:15Curro, you shouldn't take it like that.
19:18And how do you want me to take it?
19:20What will happen to her if she spends all night in the cold?
19:23That's what we're trying to avoid, Curro.
19:25Don't worry.
19:26All this deployment, and I say it as a soldier, but also as a husband of the missing, is absurd.
19:33It makes no sense and it's a waste of time.
19:36And why, Lorenzo?
19:37He doesn't know these lands.
19:39I don't think he was surprised.
19:41You make it worse.
19:42I don't mean that.
19:43I'm just saying that I'm sure he'll be back sooner or later, safe and sound.
19:50Proceed as I told you.
20:07No.
20:28Ma'am.
20:34And Mr. Velarde?
20:36I'm very sorry, Mrs. Esmeralda, but you had to deal with an inexcusable matter.
20:39I suppose that matter has to do with the Duke of Carvajal and Cifuentes, doesn't it?
20:45Mr. Amadeo himself, on his last visit, said that he had a deal with the Duke's family.
20:50That's right.
20:52As for the things, I have learned that the Duke is by way of the promise.
20:57You are very well informed.
20:59Trini also told me that you have visited the Lujan and that you have a deal with the Marquises.
21:07Are you realizing, Mrs. Esmeralda?
21:09Everything is being answered.
21:11Amadeo had to serve a meal with the Duke, the Marquis and his family in representation of the Velarde.
21:16Those are big words, of course.
21:29Mr. Pedro Alba.
21:45Clear accounts, long friendships.
21:48Perfect, that's it.
21:50A pleasure, Mr. Pedro Alba.
21:53The pleasure has been mine, I assure you.
22:00Are you also going to go through the promise?
22:03Possibly, yes.
22:05And would you be so kind as to greet Don Jacobo on my behalf?
22:10Don Jacobo Monteclaro?
22:11Yes.
22:12How do you know him?
22:14He was here.
22:16Such a handsome young man is difficult to forget.
22:19Improving the present.
22:21I see.
22:22I will send his regards.
22:24Count on it.
22:26I imagine he came to the jewelry store to buy the wedding rings.
22:29Oh yes, it's true.
22:31Did he buy them here too?
22:34Also.
22:36What else did he buy?
22:52If it's not a good time, I can come back later.
22:55Teresa, no, no.
22:56Come in.
22:58Finally, I'm done.
23:00I'm not doing anything, I can't concentrate.
23:03I'm not surprised.
23:04I suppose you're worried about Mrs. Eugenia's disappearance.
23:07Yes, of course.
23:09Yesterday we were looking for her all over the farm.
23:13And I haven't paid attention.
23:15But...
23:17Toño doesn't show up either.
23:18He's gone to see the owner of the tools and equipment we were going to buy.
23:23Anyway, I hope he continues the sale.
23:25For our good.
23:27And why is it so important?
23:30Because we couldn't afford to buy new machinery.
23:32It's too expensive.
23:34And the business couldn't start.
23:37I see.
23:40Well, as María Fernández used to say,
23:42when you bring the same bill,
23:44it's always better to think well than to think badly.
23:49It's a good phrase.
23:51I'll try to remember it.
23:54I'll start cleaning then.
23:55Yes, yes, of course.
24:04Listen to me carefully.
24:05Keep an eye on her all the way.
24:07She could have gone missing anywhere.
24:09Understood?
24:11Come on, let's go.
24:12There's no time to lose.
24:15Romulo.
24:17Is there any news?
24:18No, we still don't know anything.
24:20I just sent Mr. Gutiérrez Avillalquino
24:23to find out if anyone knows anything.
24:26Well done, Romulo.
24:28Although, on the other hand ...
24:30What is it, ma'am?
24:32It's hard for me to believe that my aunt Eugenia
24:34has gone so far.
24:35Well, yes, yes.
24:36She has gone on foot, of course.
24:37But she was looking for the possibility
24:39that some car or carriage picked her up on the way.
24:42Yes, you're right.
24:43As always.
24:44Yes, but the mind is about the almost.
24:48And how are you doing with yours?
24:50If I may ask.
24:51Well, I followed your advice
24:54and made peace with Mrs. Agarre.
24:56I'm glad.
24:58I have also apologized to the service
25:01because my behavior these last few days
25:03was not welcome.
25:06And have you apologized to anyone else,
25:08apart from the service?
25:11Yes, I have also apologized to Emilia.
25:15It seems that, by insisting on everyone,
25:17we have made her retrain.
25:18Well, I don't know if you have made me retrain
25:21or I have done it simply
25:22to leave me alone once.
25:26So, did you talk to Emilia?
25:29And how did it go?
25:31Well, the conversation was quite pleasant.
25:34And long, I imagine.
25:35Yes.
25:37We had not heard from each other for a long time.
25:40We had many things to tell each other.
25:43I am very glad that you have taken that step.
25:45What I don't understand is if it has gone well
25:48because I notice you happier.
25:51I'm not going to throw the bells out of the window either.
25:55Why not?
25:57The truth is that
25:59Emilia did something that disconcerted me.
26:03How is that? What did Emilia do?
26:06When we were at the best of the conversation
26:09and when I felt that we were closer,
26:11she suddenly got up and left.
26:13Suddenly she got up and left.
26:16And why would she do something like that? I don't understand.
26:18I've been thinking about it and I think I understand it.
26:21I can't pretend that when I'm willing to talk about the past,
26:24she's not there either.
26:26However, when I'm gloomy,
26:27she has to put up with my bad mood and my abrupt sex.
26:31We all have a heart.
26:33And hers has suffered a lot for me.
26:44Hey, watch out, don't fall.
26:48Yes.
26:50You're right.
26:51If I focus on looking, it's as if time doesn't pass.
26:55What I have to do is distract myself.
26:58Well, yes, I'd better go.
27:02You know, I'm going to help you clean the table.
27:05Of course, I didn't have anything else in mind.
27:07But what things do you have, sir?
27:09Teresa, nobody has to understand.
27:11Besides, if I help you, you'll finish before me
27:13and I'll be distracted for a while.
27:15I'm sorry, but I can't allow it.
27:17It's my job and I have to do it.
27:22You know, Teresa, I think I understand.
27:24You think I'm not good at cleaning, right?
27:28What?
27:29You're wrong.
27:30I do it pretty well, especially to get the dust out.
27:32Look.
27:34Hello.
27:36Give it back to me, please.
27:39Yes.
27:41Antonio, um ...
27:44Has it gone well?
27:46Well, you could say it hasn't gone all bad.
27:50What do you mean?
27:52It turns out that a large part of the machinery
27:54had already been sold.
27:56Remember?
27:57Yes.
27:58What do you mean?
27:59It turns out that a large part of the machinery
28:01had already been sold.
28:02Remember?
28:03They were in a hurry to get rid of everything.
28:05But hey, I think with what I've been able to buy,
28:07we have enough to start.
28:09Really?
28:10Yes.
28:11The only thing, we will need more suppliers
28:13to supply the lack of material.
28:15But hey, it's true that we can face that expense
28:18with the money that's left over, so ...
28:21In the end, a company must adapt to changes
28:23as they come, right, Mr. Manuel?
28:25What I hope is that we can withstand this.
28:27Of course.
28:28Don't doubt it.
28:30Good.
28:32Well, as they say,
28:35it is better to be positive, so ...
28:37At least we can start working once and for all.
28:39Exactly, that's the attitude.
28:42Now it only remains for my aunt Eugenia to appear
28:43and everything would be perfect.
28:45Regarding that, Mr. Manuel,
28:46if there is something I can do to help, tell me.
28:49I appreciate it, Toño, but ...
28:51It would be useless.
28:58Emilia.
29:02What are you reading?
29:08Rhymes by Becker.
29:12This book also moves me a lot.
29:18What poem were you reading?
29:20This one.
29:22What poem were you reading?
29:23This one.
29:29A tear appeared in her eyes
29:32and a phrase of forgiveness on my lip.
29:35She spoke of pride and her tears were washed away
29:39and the phrase expired on my lips.
29:44I'm going one way, she's going another.
29:47But when I think of our mutual love,
29:49I still say,
29:50Why did I fall that day?
29:53And she will say,
29:55Why don't I cry?
30:16What's up around here?
30:17Do we know anything about your mother?
30:19No, unfortunately not.
30:21She still doesn't show up and ...
30:23and nobody knows anything about her.
30:26You have to be nervous.
30:29Yes.
30:31But it's curious.
30:32I have more hope now than last night.
30:35And it would have to be the other way around, right?
30:38I guess.
30:40And why is that?
30:42Well, I'm starting to think that
30:44no matter how hard I try to reason with the captain,
30:47he was wrong.
30:49And that nothing bad has happened to my mother,
30:51nor has she been lost.
30:53But that she will appear from one moment to another
30:56as if nothing had happened.
30:59Of course.
31:01Let's hope that's the case.
31:03Yes.
31:04It's a heartache, but ...
31:06I trust it will be so.
31:10Well, what about you?
31:11How did it go at the jewelry store?
31:14I paid ...
31:16and they gave me this.
31:21You didn't open it?
31:22No.
31:23I wanted to wait for us to be together.
31:26Well, I don't know if I could have held on.
31:41Wow.
31:43A bracelet.
31:45But ...
31:47we don't ask for a bracelet, do we?
31:50For me to remember, right?
31:53It will mean something.
31:55No.
31:57I think it's just the opposite.
32:00I think it means nothing.
32:02What do you mean by that?
32:04I mean that the ornament
32:06in which the stone is wrapped
32:08is so irrelevant that he didn't even ask us.
32:10Because this is not important.
32:13This ...
32:15This ...
32:18This is strange.
32:20It's just as strange as the stories
32:22that Esmeralda told us.
32:24I can't find the meaning.
32:26If this is a code, it is very well encrypted.
32:30Lope.
32:31I think the key is in the first of the stories.
32:35Sisi's.
32:40Sisi.
32:46What do you mean by that?
32:48The story of the pure emerald.
32:51Sisi, her husband,
32:52gave her an emerald of this type.
32:54And that was what supposedly caused her death.
32:59I don't understand.
33:01Sisi was murdered.
33:04Lope.
33:06Sisi is in charge of murders in that jewelry store.
33:09Let's see, Curro.
33:12Let's suppose that whoever enters that jewelry store
33:15and asks to be shown the special jewels,
33:17what he is really asking for is ...
33:20to order a death.
33:21That's just what it seems they do.
33:24You take the money and they give you an emerald.
33:26No, no.
33:27Lope.
33:28You are not ordering an emerald.
33:31The stone is a facade.
33:34You are paying for someone to be murdered.
33:37Curro, no, no. I still don't understand.
33:39If you pay for a death,
33:41the logical thing would have been that Emerald
33:44asked them who we want to kill.
33:50No?
33:51Good question.
33:55If you say that, it's because you don't have an answer.
34:00No, I don't have it.
34:01I don't have it.
34:06We own a jewel that we don't need
34:08and for which we have paid double, Curro.
34:11And with stolen money.
34:12Don't forget that.
34:15I feel like an idiot.
34:17Me too.
34:18How can you waste time and money, Lope?
34:20No, not at all.
34:23Why?
34:25Before I left,
34:27Trini gave me very valuable information
34:29without her knowing.
34:31Lope, what did she tell you?
34:32She told me that Jacobo Monteclaro was also at the jewelry store.
34:36Jacobo.
34:38Well, that could be because
34:40he could have gone to buy the wedding rings with Martina.
34:43I thought the same.
34:45But she herself clarified to me
34:47that apart from buying her rings,
34:49she bought something else.
34:50And she didn't want to tell me what.
34:54No.
34:55No, it can't be, Lope.
34:56I'm just as surprised as you are, Curro.
34:59If Jacobo is not even from here,
35:00I don't understand why he wants to kill you
35:02or any drug addict.
35:06Lope, this doesn't make any sense.
35:19I know you've talked to Romulo.
35:21That's why you're like this, right?
35:24Yes.
35:26Romulo has told me
35:28his reasons back then to break up with me.
35:33And now,
35:34when I read Becker's poem,
35:38I've realized that
35:39if we had both acted differently,
35:44maybe everything could have been so different.
35:48But what you've talked about
35:51is very good, don't you think?
35:53No.
35:54It's not.
35:57Because what he has told me is
35:59so disconcerting
36:02and so sad at the same time.
36:07I always thought
36:09that he had left me because there was another woman.
36:14But I was wrong.
36:17There was no one.
36:19There was never anyone.
36:22And for me,
36:23it would have been infinitely easier to accept that
36:28than what really happened.
36:31And what happened
36:33was a matter of practice.
36:37Suddenly, his job and mine
36:39seemed completely incompatible to him.
36:42Really?
36:44Yes, really.
36:48I feel
36:49a mixture of anger,
36:52of incomprehension,
36:54of insecurity,
36:57of frustration
36:59for not being able to make up for all that time lost.
37:02I'm not surprised, Emilia.
37:05But it's not against him.
37:07No.
37:10Maybe his decision was stupid.
37:14Maybe
37:16he didn't do the right thing
37:18by not telling me the reason to break up with me.
37:21But
37:24we loved each other.
37:27And yet,
37:29out of pride,
37:30we couldn't make our love count.
37:33Neither him, nor me.
37:35Like in Becker's poem.
37:37That's right.
37:39And now I think we could have been so happy together.
37:44You're still in time. It's never too late.
37:48No, it's not true.
37:50Sometimes it's late.
37:53For me, it's already late.
37:59But not for you.
38:05Don't make mistakes
38:07to learn from them in vain.
38:09That's what I did.
38:11Learn from them now.
38:13Save them.
38:15And how do you do that?
38:19Enjoying life as much as you can.
38:23Don't let pride or anything
38:26spoil the happiness
38:28you now have with your husband
38:30and your precious children.
38:33Until one day,
38:35he asks himself why he fell
38:39and you
38:40ask yourself why you didn't cry.
38:42Promise me.
38:45I promise.
39:03Mrs. Simona, do you need help?
39:04No.
39:07What do you mean?
39:10Can't you see you can't jump?
39:11No.
39:17Look.
39:19Look.
39:20What I mean is that you wait
39:22until she recovers.
39:24If not,
39:25neither with nor without her help.
39:27Just a second.
39:29Of course.
39:32Do you know I've been to the hangar?
39:36I think it's great.
39:38I'm telling you, Mrs. Martínez,
39:39because
39:40it's nice to see
39:41Mr. Manuel and his son
39:42working side by side.
39:44Things seem to be going well
39:45and the business is about
39:46to get going.
39:48With its difficulties,
39:49but it's going.
39:52Very good.
39:55Is that all you have to say?
39:58I don't know, girl.
39:59If you want, I'll throw a party.
40:01I wasn't talking about that.
40:03But I think,
40:04given your son's good disposition,
40:05you could take the opportunity
40:07to talk to him
40:08and sort things out.
40:10Yeah.
40:11I already talked to him.
40:13When?
40:15When Mr. Manuel
40:16and he came to
40:18tell me
40:20about the sergeant
40:21of the Civil Guard
40:22who was taking his case.
40:24And I took the opportunity
40:25to apologize to my son
40:26for having distrusted him.
40:28I was already aware of that.
40:30But I was referring to
40:31a calmer
40:32and more intimate conversation.
40:36Better not.
40:40Better not?
40:42Yes, that's what I said.
40:44I'm fine
40:45if my son is fine.
40:47And I don't need him
40:48anymore to be calm.
40:51And it's clear that he doesn't
40:52need anything from me.
40:53So,
40:55it's better to leave things
40:56as they are.
40:58And now, come on.
41:00Help me get him into the kitchen.
41:05Come on.
41:16They should have found
41:17some clue by now.
41:19I don't know, Curro,
41:20but things are as they are.
41:22The Civil Guard,
41:23no matter how much they've looked for her,
41:24hasn't found her.
41:25No one has seen her in the village
41:26or the nearby villages.
41:28And the raids on the ranch
41:29haven't yielded any results either.
41:31Maybe she had a lucid dream
41:32and went back to the sanatorium
41:33of her own free will
41:34and never should have left.
41:35Can you save yourself
41:36that kind of nonsense?
41:40Now I'm starting to fear
41:41that something real has happened to her.
41:44Something like what?
41:45Like what, Panfilo?
41:46Shut up.
41:48That the worst has happened to her.
41:50Nothing further from the truth.
41:55Hi, my son.
41:56Mother.
41:58I knew nothing had happened to her.
42:00That nothing bad could have happened to her.
42:04How are you?
42:05Stop greeting me, you idiots.
42:07Can I know where you were?
42:09Don't tell me you were worried about me.
42:11We all were.
42:13To the point of warning the Civil Guard
42:15and organizing night raids.
42:18All that for me?
42:20In a way, it's flattering,
42:22although unnecessary.
42:24If you were going to leave,
42:26at least you should have warned me.
42:28I didn't do it
42:29to avoid bad faces and arguments.
42:34I came to see my sister Cruz.
42:42You went to visit Cruz?
42:45Yes.
42:47I told you I had intentions to do so.
42:50You're incredible.
42:53Don't be mean, Alonso.
42:56I told you I was going.
42:58And I went when I felt most convenient.
43:01Or do you also want me to warn you
43:02when I go out for a walk?
43:03You didn't consider anything.
43:05I told you that would only hurt the family.
43:07And you didn't care.
43:08Hurt the family?
43:12That's very hard to judge.
43:16Me, without going any further,
43:19for the good of the family,
43:21you kept me in a horrible place
43:23for years.
43:25And how did it go at the cartel, Mother?
43:28Did you use any of the vehicles we have here?
43:31The Count of Ayala was kind enough
43:33to send me a car.
43:35Who was it?
43:39You know he values me a lot.
43:41And since you don't want to help me,
43:44I asked him for a favor.
43:47Why are you doing this to me?
43:49I don't know.
43:50I asked him for a favor.
43:52Why are you doing this to me?
43:54You had no right.
43:56No right to visit my own sister.
43:59You don't understand.
44:02It's you who don't understand
44:03what it's so easy to understand.
44:06That I'm no longer a puppet
44:07you can manipulate.
44:09Now I do whatever I want.
44:13I work, honey.
44:15Come to my room.
44:17I'm tired.
44:20Come on.
44:43I brought you a cup.
44:47I have a lot of work.
44:50So much so that I can't have a cup of tea?
44:56Well, yes.
44:59Maria, just a cup of tea.
45:21But was it too hot?
45:23Not so much.
45:25Well, now that I've had my cup,
45:27do you want anything else?
45:29Yes.
45:31I'd like us to keep talking about Petra.
45:34Well, I've already told you I have a lot of work.
45:37With work or without it,
45:39what you're doing with the Key Master
45:40has no justification, Maria.
45:42Do you want to do the same thing
45:43as the donkey with Noria again?
45:45As if we didn't have more important things to do,
45:47like thinking about the baby.
45:48Come on, don't even talk.
45:52I don't think you're being very fair to her.
45:54It's just that you don't realize it.
45:55But what am I going to be unfair to, for God's sake,
45:57if what I think about Maria
45:58doesn't work out for her?
46:00That what a baby-sitter thinks,
46:01from 3rd to 4th,
46:02like me,
46:03well, she doesn't care.
46:04She doesn't care.
46:07Good afternoon.
46:09The mail has just arrived
46:10and there's a letter for you from the Bishop, Father.
46:14Thank you very much, Father.
46:17♪♪♪
46:27♪♪♪
46:37♪♪♪
46:43¿Malas noticias?
46:45♪♪♪
46:48Es una cosa, sin más.
46:50♪♪♪
46:53La iglesia que también tiene su burocracia.
46:55♪♪♪
46:57Pero nada importante.
46:59♪♪♪
47:09♪♪♪
47:15Sí, sí, por supuesto.
47:17Usted quédese tranquilo.
47:19Cuente con ello.
47:21Sí, sí.
47:23Lo que usted llama mi condición de aristócrata
47:26es más que un azar de la genealogía.
47:28Sí.
47:32Ahí estaré.
47:34Sí.
47:36Sí, no se preocupe por eso.
47:38Adiós, presidente.
47:40Adiós.
47:44¿Quién era?
47:45El presidente del círculo mercantil de Córdoba.
47:49Pues parecía que estaba sufriendo una tortura.
47:51Es que la estaba sufriendo.
47:53Ya sabes que no me gusta hablar mal de la gente,
47:55pero podría hacer una excepción
47:57con el presidente del círculo mercantil.
47:59Pues aquí me tiene.
48:01Puede desahogarse si quiere.
48:02No, no merece la pena.
48:05¿Y está más tranquilo ahora que Eugenio ha vuelto?
48:11¿Y cómo podría estarlo?
48:13Ahora sé dónde ha ido.
48:16Pues quien no lo sabe soy yo.
48:18Es cierto.
48:19Es que tu querida tía no fue a dar un paseo ni se perdió.
48:22Ni siquiera sufrió un desvarío.
48:24Estuvo visitando a su hermana Cruz en la cárcel.
48:27Parece ser una afición de los ocupantes de la promesa.
48:31Prefiero que no bromees con eso.
48:33Discúlpeme.
48:35¿Pero cómo ha podido?
48:37Martina le advirtió de que yo lo había prohibido
48:39y yo mismo se lo pedí a ella como un favor personal,
48:41por el bien de la familia.
48:43Bueno, no se altere y cuénteme, ¿cómo fue Eugenio hasta allí?
48:46Con la maravillosa contribución de Ayala.
48:48Siempre dispuesto a ciscarse en las debilidades de la familia.
48:51Así que está contrariado por eso.
48:54No por la llamada del presidente del círculo mercantil.
48:57Ese cretino tampoco ayuda.
49:03Padre.
49:06Yo no quiero darle otro motivo más para preocuparle, pero...
49:10¿Qué ha pasado, Catalina?
49:13Pues que Adriano y yo lo hemos estado pensando
49:16y hemos decidido marcharnos de la promesa.
49:20¿Pero eso es una locura?
49:22¿Es una idea absurda?
49:23Creemos que es lo mejor para todos.
49:26¿Pero dónde vais a vivir?
49:28Aún no lo sabemos.
49:30Espléndido.
49:32Es que eso no es lo más importante.
49:34¿Ah, no? ¿Entonces qué es lo más importante?
49:37¿Queremos que los cuatro formemos una familia
49:39sin estar sujetos a asuntos ajenos a nosotros?
49:44Y, padre, creo que para usted será un alivio.
49:46No tendrá que escondernos ni hacerse cargo de nosotros.
49:51Yo no quiero perderte.
49:55Tampoco quiero perder a mis nietos.
49:57Y no nos va a perder.
49:59Mire, si hemos decidido esto es porque
50:01el duque de Carvajal y Cifuentes
50:03ha descubierto a Adriano y a los niños.
50:06Yo no sé si está al tanto de esto.
50:08Sí, por supuesto que estoy al tanto.
50:11De hecho, ahora mismo Leocadia está dándole explicaciones al duque al respecto.
50:15¿Leocadia? ¿Y por qué tiene que ser ella?
50:17Así lo pidió el duque.
50:19Insistió en hablar con ella y solo con ella.
50:22Espero que al menos esté siendo convincente
50:24y que ese hombre no vaya con el cuento a su majestad.
50:27Sería un golpe definitivo para todos.
50:37¿Pero entonces estaba él solo allí con los niños?
50:40Precisamente.
50:41¿Y qué le dijo cuando le pidió explicaciones?
50:44Eso es lo indignante del asunto.
50:47Me miró a los ojos y sin ningún tipo de respeto me dijo la verdad.
50:51¿Cómo la verdad? ¿Así y sin más?
50:53Así y sin más.
50:55Cuesta creerlo.
50:56Es que ni siquiera se molestó en inventarse
50:58una mentira razonablemente verosímil.
51:00No, no, ¿qué va?
51:01Yo soy Adriano como se llame
51:03y me he acostado con la hija de un marqués
51:06y estos son nuestros hijos.
51:07No, no le diría tal cosa.
51:09Con otras palabras, pero más o menos sí.
51:11O sea, sustancialmente afirmó los hechos.
51:14Yo soy un simple labriego
51:16y me he casado con la hija de un marqués
51:18y le he hecho dos hijos.
51:19No necesariamente en ese orden,
51:21pero con una desfachadez, con un cuajo,
51:23con una insolencia impropia de alguien de su clase.
51:26Don Lisandro, lamento muchísimo
51:27que haya tenido que pasar por todo esto.
51:30Ese tipo no tenga ni idea del respeto
51:31que hay que tenerle a un duque.
51:33Pues que ya se le ha subido a la cabeza el título
51:35que su mujer no tiene.
51:37Mucho me temo que usted
51:38no ha tratado con muchos labriegos en su vida.
51:41¿Por qué dice eso?
51:43Porque contra la imagen que tenemos de ellos,
51:45no todos son humildes y sumisos.
51:48Desde luego que este tal Adriano no lo es.
51:50Eso ha quedado muy claro.
51:52Por decir algo bueno de él,
51:53sin embargo, debo añadir que,
51:56pese a su condición de patán,
51:58es buena persona.
52:00Y además es un hombre con arrestos,
52:01como ha podido corroborar.
52:12¿Cómo te las arreglas
52:13para decir siempre lo correcto?
52:18Bueno, decir siempre es mucho decir,
52:22aunque es un don que me viene de familia.
52:25Tan excepcional como tu tendencia
52:27a tener siempre la razón.
52:31Desde luego la tuviste
52:32cuando me aseguraste que aquí no me aburriría.
52:35No, no, no, no, no, no.
52:37Desde luego la tuviste
52:38cuando me aseguraste que aquí no me aburriría.
52:42Me jacto de cumplir lo que prometo.
52:46Y por eso he venido.
52:48No soporto a los Luján.
52:50Y jamás habría aguantado tanto tiempo aquí
52:53de no habermelo pedido tú.
52:55¿Pero tú de verdad crees que don Jacobo
52:57pudo ordenar tu accidente a caballo?
53:00¿Y por qué iba a hacerlo?
53:02No sé, doña Píez, que se me escapó el motivo.
53:04Porque igual lo que es lo que investigas es más,
53:06sobre la muerte de Jana.
53:08Le aconsejo que no tense demasiado la cuerda
53:10y que no ponga a prueba mi paciencia
53:12entre lo ocurrido en el pasado,
53:14la boda de su hija con ese labriego
53:16y la muerte de mi hijo.
53:18¿Y por qué?
53:20¿Por qué?
53:21Entre lo ocurrido en el pasado,
53:22la boda de su hija con ese labriego
53:24y su cuñada desapareciendo por esos mundos de Dios,
53:28no le garantizo que pueda mantener la discreción.
53:31Aprovechando que estamos los dos solos,
53:34¿por qué no retomamos la conversación
53:35donde la dejamos el otro día?
53:37¿Ahora?
53:40¿Por qué te marchaste así tan de repente?
53:43Vamos, amor, que está muy feo mentir y más siendo cura.
53:47Todo está bien, de verdad, María.
53:49Pues yo creo que sé lo que te pasa.
53:51Te apuesto que tiene que ver con la carta esa
53:53que te llevo esta tarde.
53:55Yo también creo en su inocencia.
53:57Cruz es mi amiga.
53:59Mi hermano opina todo lo contrario de ti.
54:01¿Cómo?
54:03Ella misma me advirtió
54:05que no me fíase de ti.
54:07¿Ya ha encontrado la caja que buscaba, don Manuel?
54:10No soy don Manuel.
54:13Soy el sargento, Burdina.
54:17¿Qué pretendes, Locadia?
54:18¿Qué es lo que quieres?
54:19Todo.
54:21Lo quiero absolutamente todo.
54:25Lisandro,
54:26llevo muchos años en la sombra,
54:28esperándome un momento,
54:29y ahora que ha llegado,
54:30te aseguro que no lo pienso desaprovechar.
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