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FunTranscript
00:00What did it cost him to clarify that his absence was due to the fact that his father had made him call?
00:05I know I should have warned you, but I didn't think it would take so long.
00:08Is that your excuse to leave the French?
00:10I had to tell my father that I didn't plan to move from the valley.
00:13At the moment he can continue to play a villain, but at the moment...
00:17What lies are you accusing me of?
00:18For God's sake, Don Atanasio.
00:20I know Raimundo is his mother.
00:21Be careful, keep the secret.
00:23You're not going to hurt me, Úrsula, because I'm not going to allow it.
00:26Not to me, not to my brothers.
00:27I just wanted them to take Pedrito's opinion into account.
00:30My cousin doesn't want to move to the big house.
00:32I ignored that you had the intention of bringing him.
00:34Anything to keep him away from me.
00:36Cousin Úrsula only does good things for me.
00:38Do you know that she is thinking of leaving because of Adriana?
00:41I remind you that you were the one who asked me not to keep the slightest contact.
00:45So do me a favor, be consistent with your wishes.
00:48Know that the big house is not modest at all.
00:50In fact, it is a very distinguished manor house.
00:53You will see how Mrs. Victoria is fully satisfied with our work.
00:57I understand by your expression that my name is familiar to you.
01:01That's right, but such illustrious surnames do not excuse you from showing up without permission in someone else's house.
01:05Your aunt, Mrs. Victoria, has given me full freedom to camp at my will on your property.
01:10You are not invited to dinner tonight.
01:13Don't tell me you're surprised.
01:14Should I remind you what my position is in this house?
01:17Have you ever had a head as straight as my son?
01:20I'm sure I haven't met anyone who works the manure with so much care.
01:26We have to house him as he deserves.
01:29Not only because he is my friend, but because he is one of Carlos III's closest advisers.
01:34He would be a luxury guest for our wedding, don't you think?
01:37He can stay as long as he pleases.
01:38He already knows that my house is his house.
01:40I know, but it is not in his house that I want to stay.
01:43But if you don't mind, tomorrow I will move to the small house.
01:51Well, you have already heard it. I have decided to stay in what you call the small house.
01:58Any problem?
02:00But that is not the most appropriate place for you.
02:03I'm sorry, you don't agree. It is a place as good as any other.
02:08But this house is wider, with more comforts and more and better service.
02:13I don't agree with that either.
02:16What do you mean?
02:19That this house is neither so big nor has so many comforts.
02:23Besides, it bothers me that so many people live here.
02:26I think I will be better in the small house, right? Because it is more picturesque and pleasant.
02:34Any problem, José Luis?
02:36Well, no. None, Don Hernando.
02:40I would not like my decision to be an offense.
02:45It's just that I feel more like staying in the small house.
02:49You can stay wherever you like. What else would you need?
02:53I will go to Escape to talk to the service so that they have the best shelter for you.
02:58Thank you very much, ma'am.
03:05I'm glad. I'm glad to have a moment of privacy with you.
03:10Has something happened?
03:11No. I just wanted to make some points clear about the treatment they are giving to my son in this house.
03:17Are you satisfied with him?
03:19Quite the opposite. I am totally satisfied and I don't want anything to change.
03:24Continue as before.
03:26Are you sure?
03:27Yes, yes. I want my son to earn the bread of every day with the sweat on his forehead.
03:31Whatever it takes.
03:35Is it okay? Will we continue to treat him as before, as a simple capataz?
03:41That's just what I want.
03:43Besides, I just don't understand why my son has been invited to the dinner that has been celebrated in my honor tonight.
03:49Since when are capataces invited to these dinners?
03:53Well, I assumed that you would appreciate ...
03:56I don't want to discuss it anymore.
03:58I just wanted this point to be clear and to be taken into consideration from now on.
04:05Okay. Your son will not enjoy more privileges.
04:10I appreciate it.
04:16Do you want anything else?
04:18Yes. Yes.
04:26I would like to repeat one of those sweets that have been served as a dessert. Would that be possible?
04:32No doubt, sir.
04:56I have a wound that does not heal over time
05:02by a betrayal that pierced my heart
05:07as if it were a dagger
05:13that locked me in this torment
05:21of silence and lies
05:23everything I knew is getting further away
05:30I live dreaming
05:33with what fate decided to deny us
05:38condemned to the taste of bitterness
05:42dancing with madness
05:45imagining that it is you
05:49I live dreaming
05:51eternally waiting
05:54that in this wild valley
05:56your light illuminates me
05:59that in this wild valley
06:03your light illuminates me
06:18I live dreaming
06:37Where are you going with that, girl?
06:39I made a vegetable stew and I have a whole perolo left over.
06:42In case you want to serve it at the big house for lunch.
06:45I've been holding on to you and I didn't touch you.
06:47Thank you very much. You don't know how much I appreciate it.
06:49Because if we have to depend on the work of this marriage ...
06:53Well, you're still going around with that.
06:56And what do you want, daughter? I'll tell you how I feel.
06:59And what do you feel exactly?
07:01It's just that that woman doesn't know how to cook.
07:03Or she doesn't eat enough or she gets regular.
07:06And that Amadeo ...
07:08What's wrong with him?
07:09He has no blood in his veins to work here.
07:12No arrests, no bribes, no nothing.
07:15I think the lady has rushed to hire him.
07:18More than rushing, you mean she missed the shot doing it.
07:22I think she has seen the problem above
07:25and has taken advantage of the first thing that has happened to her.
07:29But do you think Mrs. Victoria was going to play this way?
07:34I don't know.
07:35What do you think?
07:36Me?
07:38Well, I don't know, I also think the same as you.
07:41But hey, we'll have to give her a chance, right?
07:44Don't let us rush into the opposite direction.
07:48Maybe you're right.
07:50Of course.
07:51They haven't started off well, but maybe it's the nerves from the beginning.
07:55It happened to me too.
07:56Well, I'm going to tell you one thing.
07:58Maybe they don't know how to do it and there's nowhere to scratch.
08:01Or their family, because they had another taste for food.
08:04Everyone likes good food.
08:06That's it.
08:07Because it's also true.
08:08Why would you take the opposite if you're right?
08:10Well...
08:11Now it's true.
08:13But where are you going with so much food?
08:16It looks like you're buying vegetables for a regiment.
08:18Just and necessary for those of us in this house.
08:20With the little there was, I couldn't do one of your magic.
08:23Your magic?
08:25The one you do in my hands with the pucheros.
08:27Today, in my old house,
08:29they always told me, day like this and day like that,
08:33Eva, do your magic, do your magic.
08:37Imagine, if my lords loved me,
08:39that when they were about to leave to live in another region,
08:42they almost didn't leave, because I wasn't going with them.
08:51Well, I'm going to get to work,
08:55because some of us don't have time to give it the wet.
09:03Oh, what to see.
09:06Oh, what to see.
09:14Yes, I was thirsty.
09:17I had my mouth like spartan for a long time.
09:20And for not stopping.
09:23What did you come for?
09:26I just wanted to talk.
09:28To know how you are.
09:31Great.
09:36What are you up to, Irene?
09:39Ask whatever you want to ask.
09:43Unleash.
09:46I was wondering why you're still doing this.
09:50Work.
09:52If before it made little sense,
09:54now, with your father piling up around here, it makes even less sense.
09:57I, on the other hand, think it makes more sense than ever.
10:00Explain yourself.
10:04My father can't make any concessions,
10:06or he will take advantage of any resignation against me.
10:12I'm not denying that your father takes advantage of the work you have on the farm,
10:15but I didn't think the achievement you told me about either.
10:20My father has so much power that he doesn't need to be an achievement.
10:23What do you mean?
10:25My father doesn't raise his voice,
10:27he doesn't impose himself, he doesn't get angry.
10:30Everyone pleads for him.
10:33No more?
10:35He just has to express his wishes,
10:38and his wishes will come true.
10:40No one ever takes the opposite from him?
10:43No one dares to do it.
10:45And you do?
10:49That's why he's taken by the devils.
10:51No one says no to Mr. Hernando de Guzman.
10:56Why do you think your father has come to the valley?
11:02To find out why I want to live here.
11:05Why I prefer to live in La Corte.
11:09Have you been able to talk to Bárbara?
11:12Yes, but very little.
11:16And with my father stalking around here, it won't be easy for me to get close to her.
11:21Doesn't it seem very strange to you that your father has asked to be moved to the small house?
11:46I think that man doesn't consider me.
11:49I'm convinced that he thinks I'm not up to your level.
11:53You're bluffing.
11:54I can tell.
11:56And I'm telling you that you're wrong.
11:59Besides, don't pay too much attention to him.
12:01You'll have noticed that he's a very particular man.
12:06You told me, and now I realize how right you were.
12:09Why did he want to stay in the small house?
12:11I was also surprised.
12:13What is a king's advisor going to do here? Does it make any sense?
12:15None.
12:16It's small and humble compared to the big house.
12:21That man has always been very eccentric.
12:25But I think that facet has been accentuated over the years and with the management of power.
12:30For him, this is almost like a game.
12:32What do you mean, a game?
12:34An extravagance more than counting when he returns to the court.
12:38A fun.
12:39And we are his buffoons.
12:42I wouldn't say so, but there's something about that.
12:45Besides, I think he prefers to sleep here because he doesn't share the same roof as his son.
12:50You'll have seen the tension between them.
12:54You're out of luck.
12:55He could have been cut with a knife.
12:58It is really uncomfortable to share the same room with them.
13:03I think that man has no intention of coming to our wedding, José Luis.
13:07We'd better get the idea going.
13:09He may be right, but we still have time to convince him.
13:13I don't see him living here.
13:16Look at it on the bright side.
13:18Don Hernando is going to live in the house that has been your home so far.
13:22It will give prestige to your house.
13:24I don't want to imagine Don Hernando bearing the nonsense of Pedrito or the nonsense of Bárbara.
13:29Or having to cross with the pastoral serra of Raimunda.
13:32Or worse, Luisa.
13:39Something is happening.
13:42Maybe you should warn the service not to bother him with his nonsense.
13:48It would even be convenient if you didn't say a word to him.
13:52Well thought out. I will do so.
13:54Cheers.
14:10Luisa, I've been waiting for you for a while to take you for a walk.
14:13We had not agreed on that.
14:14Oh yeah?
14:17I had forgotten.
14:18It's just that I had also promised Pedrito.
14:21I think it's best for you two to go.
14:24I have to go back to the little house to continue with the work.
14:29Well, then another day. If you have work, you have work.
14:32Ama, wait.
14:36Hello.
14:46Don't you know where my little brother is?
14:52Or is he never going to talk to me?
15:00Pedrito.
15:03Pedrito, my love.
15:09I'm sorry.
15:12I'm very sorry about this whole situation.
15:17Do you think we can make peace?
15:21Yes.
15:42As always, surrounded by wisdom.
15:46And good friends like yours.
15:49How do you feel, friend?
15:51More calm?
15:53Because I wasn't going to be calm.
15:56Barbara, you're not going to deny me that Leonardo's return has changed your mood.
16:01I'm glad that Estesa is not safe if you mean that.
16:05I mean that fearing for his life, along with the fact that he has returned willing to stay,
16:10perhaps has made you want to make a decision about it.
16:15You're wrong.
16:17I already spoke to him and made it clear what I felt.
16:19And that I was never going to have feelings for him again.
16:22It's a bit of a radical word, isn't it?
16:24And accurate when there is no doubt about it.
16:28I thought you had lowered your guard.
16:30No, ma'am.
16:34But I will also tell you that after making things very clear,
16:38I wouldn't mind having a cordial relationship with him.
16:42Just cordial?
16:43Cordial, kind, polite ...
16:46Well, if you say so.
16:48Yes, I say it and I reiterate it.
16:50That it is more than what he can say about his father.
16:53Neither polite, nor cordial, nor kind.
16:55You've met him.
16:56Unfortunately, yes.
16:57And he seemed insolent and arrogant to me.
16:59And also a striped with that wig,
17:01walking through the valley as if he were in court.
17:04Shh, lower your voice.
17:06You can't talk like that about an authority like him.
17:09Why not? If it's the truth.
17:10Even if it is.
17:11Look, you should keep that opinion. It's not for you.
17:13Even more now that you are going to share a roof.
17:18What are you saying?
17:21Don Hernando has asked my father and your aunt to stay in the small house.
17:24You didn't know?
17:26I didn't even have the farthest idea.
17:29Well, your aunt has already ordered to prepare the best bed.
17:32Apparently, he doesn't want to be bothered much.
17:35But why was he going to ask to sleep in the small house, being able to do it in the palace?
17:39I don't know.
17:40It's not because of your aunt.
17:41Because he hasn't had time to show your father-in-law his real face yet.
17:44He's not my father-in-law.
17:50Now seriously.
17:51I really hope he wants to stay here because he's in a quiet place.
17:57And why wouldn't he?
18:00To hide his real motives.
18:03And what are they, according to you?
18:07None.
18:08Leave it.
18:09Irene.
18:14Haven't you thought that maybe he has found out about you and Leonardo and wants to know more?
18:21Is it you?
18:27I was wrong, Pedrito.
18:30I didn't have to decide on my own and at risk that you would live with me in the Casagrande.
18:35No, you didn't have to do it.
18:38And I'm sorry.
18:41But why do you like Ursula so much?
18:48Why do you have such a craving for her?
18:50What has she done to you?
18:54It's a bit difficult to explain.
18:59Try it.
19:01There are times when you meet people with whom...
19:06I don't know.
19:08You lose confidence just by seeing them.
19:12Like what happens to you with Luisa.
19:14Like what happens to me with Luisa.
19:18And others with people with whom the exact opposite happens to you.
19:24Like what happens to your cousin Ursula.
19:31But my aversion to her is not the only reason why I wanted you to come with me to live in the Casagrande.
19:39Ana.
19:40No.
19:45Pedrito, it's just that lately I've been a bit sad.
19:51And I needed someone by my side who always makes me happy and makes me smile.
19:56Me.
19:57You.
20:00But if that's the reason, I can visit you whenever you want in the Casagrande.
20:06And I'll tell you a riddle and I'll hug you.
20:10That way, I'm sure you'll get over the sadness.
20:15But...
20:21But what?
20:25Well, I don't want to live in the Casagrande, Adriana.
20:28I don't like it.
20:33And I can ask you why you don't like it.
20:37Well, because... because you have your life there.
20:43But I wouldn't have much to do.
20:47But I'm not alone.
20:50There's Mr. Rafael, Julio, Mr. Alejo.
20:55Aren't they your friends?
20:58Yes, but they have to work.
21:01Well, Mr. Alejo doesn't work that much.
21:05But I can see him whenever I want, because he comes to the little house a lot.
21:12Besides, I wouldn't like to say goodbye to Bárbara or Luisa.
21:19Nor to my cousin, Úrsula.
21:29Okay, Pedrito, if that's what you want, no.
21:34I'm not going to insist.
21:40She's good, Adriana.
21:42Really, cousin Úrsula is good.
21:46I give you a small part of my time so that I can give myself a convincing explanation.
21:50Otherwise, I'll go to my father and tell him everything.
21:52Don't do that, I beg you.
21:53It's up to you, Don Atanasio.
21:55That if I'm here, it's because of the friendship we had, which I have valued.
21:58That we had each other.
22:00It is to be seen that after this we will continue to be friends, yes.
22:03But I don't think so.
22:05I don't think so.
22:06I don't think so.
22:07I don't think so.
22:08I don't think so.
22:09I don't think so.
22:10I don't think so.
22:11I don't think so.
22:12It is to be seen that after this we will continue to be friends, yes.
22:15So, I'm all ears.
22:24Yes, I lied to him.
22:26I already know that.
22:27But it was for a good cause.
22:28He already told me that.
22:29But he didn't allow me to give him the right explanations.
22:32Because he was very angry.
22:34I understand.
22:39But now I'm here.
22:41I'm listening to you.
22:47When ...
22:48When I told him that I had received a letter in which I was informed that my mother had fallen ill ...
22:54I had just accepted the position of Galleno of the big house.
22:57I remember.
23:01The truth is that this letter was from someone to whom I owed money.
23:08Money.
23:11From a loan shark.
23:14He had traps with a loan shark ...
23:16No.
23:17No, what he had were debts, Mr. Italejo.
23:22Being Galleno is not an easy task and ...
23:25And much less for a humble boy like me.
23:31I understand.
23:33I'm not saying that what he did was right.
23:37But it is what happened.
23:39I was absent for a few days to go and fix ...
23:42these matters with the loan shark and I told you that I was going to visit my late mother, yes.
23:48And when I returned ...
23:50To give more veracity to my story ...
23:53I confirmed her death.
23:57Why didn't you tell me the truth?
23:59Out of shame.
24:00I guess, to give a good image, I don't know.
24:03And how was I going to tell you two days after I moved into your house ...
24:07I had some murky matters to resolve.
24:09I didn't want to lose the best job I had.
24:11I understand that you were hiding it from my father, but from me?
24:14You would have had to lie to your father in turn and I didn't want to put you in that position.
24:22I'm sorry.
24:29Is there anything else I have lied about?
24:31If so, it's a good time to say it.
24:33Is there anything else?
24:37Are you sure?
24:39Yes.
24:41Yes, I swear.
24:46I have told you the whole truth, there is nothing else.
24:56Are you going to betray me?
24:58I still don't know what I will do.
25:07I will think about it.
25:37Isabel, please let Raimunda know and make sure that the bed is ready for Mr. Hernando.
25:53Right away, ma'am. Excuse me.
25:56You'll see, it's the best in the whole house. I'm sure you'll be very comfortable.
26:01All the inhabitants of the house are warned not to bother them at all.
26:06But if at any time they do it or if they need anything else,
26:09please let me know right away and I will personally take care of it.
26:21What?
26:22What do you mean?
26:23Those are important documents of Mr. Hernando.
26:27And these are my books? I was going to start studying. Is there a problem?
26:30Bárbara, take your books out of there.
26:38What we were missing.
26:42Excuse my niece, she is a charm but sometimes she has a demon-like character.
26:48I think she was very close to her son.
26:51Leonardo?
26:52Yes, she, Miss Irene and her son were great friends for a good season.
26:57Indivisible, I would say.
27:01If you'll excuse me, Mrs. Victoria, I would like to rest.
27:06Sure, I'll leave you alone.
27:27Miss?
27:28Miss?
27:29I would like to take a bath. Would you mind calling someone from the service to prepare it for me?
27:35You can do it yourself. I'm not your maid.
27:45Days go by and instead of improving, Adriana is getting worse, Julio.
27:48She's getting worse.
27:49Maybe she needs more time to process everything that has happened to you.
27:53I don't know.
27:55I've seen Adriana lose her nerves on many occasions.
27:57When Pedrito got lost in the woods, when her aunt took her out of here...
28:00Yes, but situations in which it is logical for anyone to lose their nerves.
28:03Yes, that's right, but I'm telling you that I've never seen her as bad as she is now.
28:06So far from reality.
28:09Are you saying that Adriana has lost Loremus?
28:12I'm telling you that this situation is getting out of hand, that's what I'm telling you.
28:18Let's see, Julio, I made this decision for you, yes, for me, but especially for Adriana.
28:23Because I thought that if she stopped seeing me, she would be at peace.
28:27But it's clear that it's not working.
28:30You haven't answered me. Do you think Adriana has lost Loremus?
28:32No, I don't think Adriana has lost Loremus.
28:35But I do think she's at risk of losing him if we don't do anything.
28:37And what can we do beyond waiting, Rafael?
28:40Adriana needs more time to assume that your situation is over.
28:44I don't know, but maybe it wasn't a good idea.
28:47Brother, maybe we're causing the opposite effect and it's best if she comes back to you.
28:50No, Rafael. That's not good for her.
28:54Why not?
28:56She wouldn't feel so isolated, so alone.
28:57I'll make sure she doesn't feel that way.
29:01Don't you think I can do it?
29:02I didn't say that.
29:04Rafael, you did what you had to do. Now it's my turn.
29:08It's my turn to help Adriana get out of the water.
29:10And I will do it, no matter what.
29:14In fact, I'm thinking about going away for a few days.
29:21A trip.
29:25An escape to Leonor and Guillermo's house.
29:27With whom Adriana made very good friends.
29:30I think it would help her to clear herself and forget all this.
29:37Yeah.
29:40What about me?
29:42No.
29:45Yes, also about you.
29:46Also about you.
29:48Especially about you. But it's what we wanted, right?
29:54Rafael, listen to me.
29:56You asked me to help Adriana.
30:00Let me do it.
30:17Adriana, wait. Adriana, please.
30:20What do you want, Úrsula?
30:22I think we have to talk.
30:24I have nothing to talk to you about.
30:26Adriana, we have to solve this situation. We can't go on like this.
30:31Making you the victim has helped you with my brothers.
30:35But don't lie to me.
30:37I never believed in that dead fly role.
30:40I'm not playing any role and I'm not a dead fly.
30:43I'm not playing any role and I'm not a dead fly.
30:46I know that.
30:48You're smart. Smart and clever.
30:51You're wrong about me.
30:53Really? Am I wrong?
30:55Then what are you, Úrsula?
30:57A person who's trying to fit in.
31:01My God, who are you trying to fool?
31:03Do you think I don't know what you're doing?
31:06And what am I doing, according to you?
31:08Treating Pedrito well? Listening to Bárbara?
31:10Please.
31:11Please what?
31:12Sometimes I think you'd like me to treat them badly.
31:15Is that what you want? Get away from my brothers.
31:18You're warned.
31:20And if I don't, what?
31:28Do you want us to ask them to see who they believe?
31:31Do you want us to ask them to see who they believe has lost his mind?
31:35If you or me.
31:37You're a spy.
31:39Maybe that's what you think.
31:40Maybe that's what I am.
31:42But you know what?
31:44No one's going to believe you.
31:46Because everyone knows who started this war for no reason.
31:50And that was you.
31:53You're warned, Úrsula.
31:56That's it.
31:57Go away. Stop being ridiculous.
31:59What did you say?
32:01Me?
32:02Nothing. I didn't say anything.
32:04What did you say?
32:06Adriana! Stop!
32:07Stop!
32:09What the hell is going on?
32:13She's the one who came for me.
32:15Have you lost your mind?
32:26I was waiting for you.
32:30I'd like to talk to you again.
32:33You tell me.
32:35I came to say yes.
32:37What?
32:38I'm going to keep your secret.
32:40Really?
32:41Not so fast. There's a condition.
32:43There's always a condition.
32:44If I find out you're lying to me again, I'll kill you myself.
32:51Can I have your word?
32:56Is something wrong?
32:57No.
32:59No.
33:00Nothing at all, Father.
33:03In that case, do you mind leaving us alone?
33:05I have to talk to my secretary.
33:07Of course.
33:16How long is she going to stay in the little house?
33:20She said she'd leave in a few days.
33:25It's late.
33:27Has something happened?
33:36In the little house.
33:38That's what she said.
33:40And why does Don Hernando prefer such a humble place over this palace?
33:45Because he prefers to stay away from the bustle of the big house.
33:49He says that too many people live here.
33:52He's not wrong about that.
33:54And what did you tell him? I guess you must have insisted.
33:56Of course. We've tried.
33:58We wanted to show him that there's more and better service here,
34:01that he'll be better served, but he didn't even want to listen to us.
34:04And as you can imagine ...
34:07He's worried that Don Hernando is close to Mrs. Raymundo.
34:11I shouldn't have given that wretch even a single real.
34:14It would have been cheaper for me to hire someone to make her disappear.
34:19But well, it's too late for that.
34:20It's not the best time to put on a show.
34:24And what do you want me to do then?
34:27I want you to be my eyes and ears in the little house
34:30while Don Hernando is lodged in it.
34:33Count on it.
34:34Don't let Raymunda get close to him, because if she opens her mouth ...
34:38I'll talk to her and I'll let her go.
34:39Throw her, threaten her, do whatever you have to do without repairs.
34:44I can't risk her speaking in front of Don Hernando and ruining everything.
34:48Understood?
34:50Leave it in my hands, Don José Luis.
34:52I'm not going to have finished with that, woman.
34:54Not right now.
35:02What are you doing?
35:11And that face or face that you bring?
35:14I'm mad, Eva.
35:15Me too.
35:16I haven't stopped all day preparing food.
35:19The gentlemen don't want to eat badly.
35:21Between Mrs. Irene's sodas and Mr. Count's cravings,
35:25come on, I don't even have time to prepare dinner.
35:27It's you, not the count.
35:29Whatever.
35:30I think we have a problem.
35:32Can you not call it a problem, sir?
35:35And could you take that vinegar face off?
35:38Let's see, what does that face look like?
35:41What face?
35:42That one.
35:43It's going to be rubbing something in the jaw and it won't stop until you let go.
35:47Consciousness, Eva.
35:48What I have is called consciousness.
35:52This situation is getting out of hand.
35:55No, no, no, no.
35:56Speak for yourself.
35:57Why am I so rich doing what I've always done?
35:59Cooking.
36:00But you have cooked for your family,
36:03but not for a house with possibles.
36:06And no matter how much we tell Mrs. Isabel the opposite,
36:09we both know that this is a big fall for us.
36:11Especially if you don't stop lamenting it and bringing bad luck.
36:14So keep it wet in the burrow and onward.
36:17Nobody has to know that we have never worked in such a big house.
36:20But neither big nor small, that we have never worked in any house.
36:23Never.
36:25I don't even know the number of times we've let go of it.
36:29Someday,
36:31they'll catch us and whip us in that temple they have out there.
36:35Shut up, Funesto.
36:37This is about lying and making things run smoothly.
36:39The rest is the same.
36:41If that's what it is, Eva,
36:42then I don't know what you've said and what you've stopped saying.
36:45Well, I do.
36:46I do know, because magic works perfectly for me.
36:49Then you'll remember that the other day you lied to my king.
36:53You said that...
36:55that you had tasted your luck.
36:57Yes.
36:58Because you frequented the house where we worked.
37:00And that I liked it a lot. What's wrong with that?
37:02What's wrong with you?
37:03Three towns and they'll find us any day.
37:05Pamplinas,
37:06stop bringing bad luck.
37:09We've never had an opportunity like this and we have to make the most of it.
37:13We have to do our best and that's it.
37:15Got it?
37:17Then it's a deal.
37:18Come on.
37:20Got it, got it.
37:23Let's go.
37:28But have you seen this bedroom they've given us?
37:31It's beautiful.
37:33It looks like the Palace of Versailles.
37:36It has that little edge.
37:38Come on, dry the dishes.
37:40Edge.
37:53Come on.
38:24How long have you been there, Father?
38:26A long time.
38:29I find it strange to see you in a place like this.
38:33Why?
38:35At home you never go down to where the young men work.
38:39At home, no young man is my son.
38:45You're absolutely right.
38:48I've been thinking about your future since the day you were born
38:52and of all the things I imagined, none of them included seeing you in a warehouse doing whatever you're doing.
39:02I check that the hectares we have to plant tomorrow are the right ones.
39:07I never imagined hearing you say a phrase like this either.
39:11I never imagined any of these things either and yet I'm happy doing them.
39:16Really?
39:25It's not the first time I've disappointed you, Father.
39:28Don't make that face.
39:30You should be used to it.
39:32And you?
39:34Do you really think you'll get used to all this?
39:38I've already told you I'm happy.
39:40That's now, because it's a novelty, but what about later?
39:44How long will all this last?
39:46Who knows?
39:48At the moment, I feel more at home here, stained with mud, than in a palace,
39:52surrounded by servants who do everything for me.
39:54Define at home.
39:56I think my life is less insubstantial.
39:59I think I'm useful for something.
40:01That's just the result of your youth.
40:04I think I'm useful for something.
40:07That's just the result of your youth.
40:10Do you believe someone for rebelling against me?
40:15Father, even if I don't believe it, I don't do everything thinking of you.
40:20Why do you care so much about my future? We had never talked so much about it.
40:24Because you never thought of putting it at risk.
40:28Are you really worried about me?
40:30Or do you just think it's a stain on the family that its heir is working in the fields?
40:33Don't get me wrong. If you're working in the fields, it's only because I allow it.
40:38And why don't you forbid it?
40:40Because I try to understand what it is that binds you to this valley.
40:46If what interests you are the lands,
40:52in the court there are many, and very good, to farm.
40:58But why here?
40:59Why here? Why in this valley?
41:02Why do you prefer this valley to life in the palace?
41:07I've already told you.
41:09Because of the people who live here.
41:11But what's so special about it?
41:13They don't value me for what I have, but for what I am.
41:16In the palace I was nobody. Here I am someone.
41:18In the palace you are my son.
41:19Exactly.
41:21And just that.
41:23Here I am someone for myself.
41:29Very good, very good.
41:32We'll see if those people you say value you as much as you think.
41:38Oh, and one more thing, and I hope it's clear to you.
41:42If at any time you have thought that you are the owner of your life,
41:46you better forget it.
41:49Your life belongs to me.
41:51So you're already getting the idea.
42:00Look.
42:10I knew, I knew it was evil in person, but I didn't know to what extent.
42:13Adriana.
42:14And now I know.
42:15Do a power to calm down, you shouldn't be so upset.
42:18The worst thing is that no one seems to realize it, just me.
42:21And why do you think he only shows you his evil?
42:23I don't know.
42:25I don't know, but I swear I've seen it.
42:27I've seen that evil in his eyes, Julio.
42:29It was the very skin of a barbarian.
42:30Don't you think you're exaggerating a little?
42:32Not one bit.
42:33Adriana.
42:34No.
42:35That girl is doing the impossible to get me out of my box and she won't stop until I do.
42:40And what is she doing exactly to try to get you out of your boxes?
42:43Well, first, get closer to Rafael.
42:48And now to earn the favor of what I love most in this world of Barbara and Pedrito,
42:51who is putting us against each other, Julio.
42:53But don't you see that what you say makes no sense?
42:55She didn't know what you felt for Rafael, so she can't use it against you for pure ignorance.
43:00You don't understand.
43:01I understand it perfectly, Adriana.
43:02And I see that you are not well.
43:03You worry me.
43:04I'm not well?
43:05The one who is not well is her, who is doing the impossible to alter me.
43:09Adriana, I am your husband and it is my obligation to take care of you and protect you, even if it is of yourself.
43:13You don't have to protect me from anything or anyone.
43:15The only thing you have to protect me from is my cousin's harpy.
43:18Are you listening to yourself?
43:20You have to believe me, Julio.
43:21Adriana, believe it or not, you cannot allow someone like Úrsula to make you lose your mind in this way.
43:27She is insignificant, she is no one.
43:29On the other hand, you are the wife of the future Duke of Valle Salvaje, future Duchess of these lands.
43:35Together we will rule this region.
43:37What does that have to do with it now?
43:39That we are too important to waste time with someone like Úrsula.
43:42Don't you realize?
43:43No, the one who doesn't realize it is you.
43:45That my relationship with Barbara and Pedrito does not understand nobility titles or duchies.
43:50And she is destroying him, Julio.
43:52She is destroying everything that matters to me in this life.
43:55Adriana, let me help you.
43:56Let me help you.
43:57I won't deny anything to you, but let me help you.
43:59Do you want to help me?
44:00Yes.
44:01What do you want?
44:02That we go from visit to home, from Guillermo and Leonor.
44:05And you clear yourself.
44:06No.
44:07You forget your things.
44:08No, no, no.
44:09I don't need to go anywhere, Julio.
44:10Then what do you want?
44:11That you kick her out!
44:13What?
44:14You told me you weren't going to deny anything to me, right?
44:16Well, that's what I want.
44:17I want you to kick her out.
44:18That you kick Ursula out of this valley.
44:20And so I don't have to see her again in my life.
44:29If someone goes through her, she can become a torment to that person.
44:33And my father can do a lot of harm.
44:34That she's bad, that she's not trustworthy.
44:36That's the truth.
44:37That's your truth, Adriana.
44:38Julio, I want her away from my brothers.
44:40It's over.
44:41Do you want her away from your brothers or do you want her away from my brother, Rafael?
44:44While Mr. Hernando warns in the valley, José Luis will not dare to be mean to you
44:48for fear that he will talk more about the account.
44:50And his fear and his ignorance gives us power.
44:54What do you mean?
44:55Mother, I have an idea.
44:56Threatening to tell Mr. Hernando something?
44:58That's right.
44:59Damn viper.
45:00Here, each dish has to be taken care of in the slightest detail.
45:03This wouldn't even be eaten by the beasts of the stable.
45:06Is it true that you have prepared something for all those powerful people?
45:09Ever?
45:10Are you calling me a prostitute?
45:11Yes, confirm your attendance.
45:13No one will doubt our union.
45:15And have you already set a date for the wedding?
45:17Not yet.
45:18I'm sorry, but it won't be possible.
45:20Yes, I can't assure you that I can attend if there is no specific date.
45:24Are you interested in him?
45:26Maybe yes.
45:27Maybe I do like him a bit.
45:29And him?
45:30Him?
45:31Do you think he's interested in you?
45:33He didn't say it clearly, but he wants to know what I think.
45:36Really?
45:37If you're the fat guy.
45:38I made the stew with my two hands.
45:40I haven't seen you cooking all morning.
45:42Is it Felipe?
45:43Do you remember that we were talking about him not long ago?
45:46Has he come to visit us?
45:49Good afternoon.
45:50I stayed in this house because of you.
45:52Because of that Athanasius who made me feel so much peace, tranquility and so much love.
45:56But if he's not here anymore, I don't know what sense he has to stay here.
46:00What are you saying?
46:02I can assure you, brother, that that girl, the only thing she wants is to get along with Adriana.
46:06The only thing she gets in return, I don't know, are bad manners.
46:10What if it's you and me?
46:11Those of us who leave Valle Salvaje.