Sophia Paul & Team Detective Ujjwalan Interview: Sophia Paul talks about Detective Ujjwalan and upcoming movies of WCU | പുതിയ നിർമാതകൾക്കുള്ള ഒരു ഉപദേശം
#Sophiapaul #WeekendCinemas #detectiveujjwalan #dhyansreenivasan
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മിന്നൽ മുരളിക്ക് ശേഷം വീക്കെൻഡ് ബ്ലോക്ക് ബസ്റ്റേഴ്സ് നിർമിക്കുന്ന ചിത്രം ആർ.ഡി.എക്സ് ! :: https://malayalam.filmibeat.com/promotions/sophia-paul-to-produce-a-movie-starring-antony-varghese-shane-nigam-and-neeraj-madhav-after-minnal-m-084645.html?ref=DMDesc
നല്ല വിഷമമുണ്ടെന്ന് ബേസില്, ഞെട്ടിപ്പോയെന്ന് അജു, മിന്നല് മുരളിയുടെ സെറ്റ് കണ്ട് ഹൃദയം തകര്ന്നു :: https://malayalam.filmibeat.com/news/bsil-joseph-aju-varghese-and-sophia-paul-s-reaction-on-minnal-murali-set-destroy-062201.html?ref=DMDesc
അമേലിയയെ കാണാനാവുന്നില്ല! മിസ്സ് ചെയ്യുന്നു, ഐമ വീഡിയോ അയക്കാറുണ്ടെന്നും സോഫിയ പോള്! :: https://malayalam.filmibeat.com/features/sophia-paul-about-her-lock-down-days-061403.html?ref=DMDesc
~HT.24~
#Sophiapaul #WeekendCinemas #detectiveujjwalan #dhyansreenivasan
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മിന്നൽ മുരളിക്ക് ശേഷം വീക്കെൻഡ് ബ്ലോക്ക് ബസ്റ്റേഴ്സ് നിർമിക്കുന്ന ചിത്രം ആർ.ഡി.എക്സ് ! :: https://malayalam.filmibeat.com/promotions/sophia-paul-to-produce-a-movie-starring-antony-varghese-shane-nigam-and-neeraj-madhav-after-minnal-m-084645.html?ref=DMDesc
നല്ല വിഷമമുണ്ടെന്ന് ബേസില്, ഞെട്ടിപ്പോയെന്ന് അജു, മിന്നല് മുരളിയുടെ സെറ്റ് കണ്ട് ഹൃദയം തകര്ന്നു :: https://malayalam.filmibeat.com/news/bsil-joseph-aju-varghese-and-sophia-paul-s-reaction-on-minnal-murali-set-destroy-062201.html?ref=DMDesc
അമേലിയയെ കാണാനാവുന്നില്ല! മിസ്സ് ചെയ്യുന്നു, ഐമ വീഡിയോ അയക്കാറുണ്ടെന്നും സോഫിയ പോള്! :: https://malayalam.filmibeat.com/features/sophia-paul-about-her-lock-down-days-061403.html?ref=DMDesc
~HT.24~
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Short filmTranscript
00:00This film is a very different genre of film.
00:05Middlemurli was a local superhero film.
00:08Ujjalin is a small town murder mystery.
00:11We all have a lot of youngsters.
00:14We all have to do it immediately.
00:16But it's because it's RDX.
00:18It's because of the film in our country.
00:21We all have to check it out.
00:24We all have to check it out.
00:26We all have to check the film all along a few days.
00:30There's a little bit of a combo that we all need to be.
00:35Definitely an environment project.
00:38We had a discussion.
00:39We've heard of the movie in cinema.
00:42We have so many films in our heads.
00:44We are acting and monitoring our faces.
00:48These movies watch most of us.
00:52Where did they come from?
00:57We did not even learn about it.
00:59We did not learn about the store.
01:04We learned the same as a cinema.
01:07We did not learn about it.
01:09We didn't learn about it.
01:12We didn't learn the same as a cinema.
01:15We learned how to learn about it.
01:18We learned about the two-point plan.
01:21We created a cinematic universe in the world of the weekend blockbusters.
01:30Hi, hello viewers! Welcome to our show, Untold with Ajin.
01:33We are also doing Untold Stories.
01:36We are going to be in the 10th anniversary of the weekend blockbusters.
01:42We are going to be in the 10th anniversary of a new cinematic universe.
01:45We are going to be in the 10th anniversary of that.
01:48So, we are going to be in the 10th anniversary of being a decade in the European industry.
02:00We started in 2014.
02:03First, Bangalore Day.
02:05We have been doing the 10th anniversary of the film.
02:09We are very happy.
02:11Because we built in the El Dor Hugo Cinematic Universe.
02:15We were also there in the 10th anniversary of the movie.
02:16So, we started to be in the 10th anniversary of the weekend.
02:21There was a second movie in the Vekken Cinematic Universe.
02:25It was the release of the 23rd anniversary.
02:28They were created here the 10th anniversary of the 10th anniversary of the beginning of Vekken Cinematic Universe.
02:33It's a little bit more complicated.
02:35Is it still a dream?
02:37No, we are not a dream.
02:41We are not a dream.
02:43We are not a dream.
02:45We are not a dream.
02:47Is it still a dream?
02:51We can't do random options.
02:55We can't do random options.
02:57We can't do it.
02:59We don't know anything about the dream.
03:01We have to do that. We have to do it. We have to do it.
03:05We have to do it. We have to do it.
03:10We have to do it.
03:12Then we have to start our project.
03:15You have to do it.
03:18In my space, he is a star.
03:23Do you have to do it?
03:27He is a very good person.
03:31He is a real person.
03:33We have to do it.
03:36We have to do it.
03:40We have to wait to see all that project.
03:43We have some kind of cinema.
03:46As a producer,
03:49Vijayana is a film.
03:52There is a cinema.
03:54Now, there is some kind of cinema.
03:56There is a film.
03:59If you have a weekend blockbuster, you can't go to any other films.
04:03You can't go to any other films.
04:05Chari, do you have any analysis of the film in that film?
04:09Definitely.
04:10That's right.
04:11If you have any film in that film, if you have any film in that film, you can check it out.
04:18If you have any analysis of the film, you can check it out.
04:21See, every movie is a lesson for us.
04:23If we are in Vijaya and Parajaya, we are in the same way.
04:27Definitely.
04:29If we are in the same way, if we are in the same way, we are in the same way.
04:33The film has been announced for a few days.
04:39The film has been announced before the film.
04:44The film has been announced before the film.
04:46No. Actually, the film has been a hit on the film.
04:50I have planned to do it on the internet.
04:52But the film has been announced before the film.
04:56The film has been announced before the film.
04:58If you have any other projects, we are definitely going to do it.
05:01Why did you do a movie?
05:03That's not what we have done.
05:05That's the same thing.
05:06We can do a lot of projects.
05:08For those projects, we have to leave the film.
05:11I have to do a lot of projects.
05:12Anwarasheed will be in the same place.
05:13That's why I am not going to be a last.
05:15I am not going to be a last one.
05:15That's why I am not going to be a last one.
05:17I didn't have to leave the industry for everyone.
05:17That's why we have to leave the industry.
05:19I don't have to leave the industry.
05:21Yes, that's what we want to say. Anwarasheed, Mohanlal, and Mumbay, we are all familiar with it.
05:29Definitely, Anwar is a project, we have a discussion.
05:33If we don't have any questions, we will take a break.
05:37We will take a break. Definitely.
05:39If we don't have a first priority, we will take a break.
05:43We will take a break.
05:45Hopefully, we will take some projects in the next year.
05:51I'll do that right.
05:54We have three films that have been older.
05:57We will take a break.
06:00We've had a tour with the cinema proxess.
06:04We have to take a break.
06:09We've had a lot to do with the cinema.
06:13I don't know how to do it in English, how to do it in the next door.
06:17How do you enjoy the process?
06:19Yes, definitely.
06:21My favourite actor is to go to the cinema,
06:24we're not acting, we're not acting, we're not acting,
06:28we're not acting, we're not acting.
06:31It's definitely a dream come true project.
06:35I don't know how to do it in my mind.
06:43That's why I'm acting.
06:45I'm acting like a cinema.
06:47If I go to the theater, I'm not going to go to the theater.
06:51Okay, I'll tell you,
06:53I've come to the OTT.
06:56Even though the theater is acting like a cinema in the theater.
07:00There's a lot of visibility.
07:02There's a lot of people who are doing it.
07:05There's a lot of people who are promoting it.
07:08Do you think the company is doing it?
07:11Do you think the company is doing it in the OTT?
07:14Do you think the help line is doing it in the OTT?
07:16In the OTT, there's a lot of attention in the cinema.
07:20Definitely, we're not doing a big screen in the theater.
07:25But if we make a decision for that situation,
07:29we're doing it in the OTT.
07:30They're making a decision for a 50% capacity.
07:32If we make a decision,
07:34we never really invest in the cinema.
07:35We're making the money in the 50% capacity.
07:37Then, we'll have to take a few days.
07:39If you don't have to take a few hours,
07:41they're getting full time.
07:43Some screens are closed.
07:44I'm only asking the decisions as far as possible,
07:46If you get a decision, you can get a decision.
07:49We can get a decision.
07:52That's why we have a decision.
07:55But the movie is not the attention.
07:58We can get a positive attitude.
08:01How did you play a role in Bazel?
08:04You don't play a role in Bazel.
08:07Is it a role in Bazel?
08:10No.
08:13I talked to him about a movie by Bazel, and I talked to him about a conversation about his story.
08:24We discussed some of our projects in the way, but it's something we need to do.
08:32In this video, I was the writer and asked,
08:37I thought, I should do something, I can do something.
08:41I don't know if I can do something.
08:44Then I said, I don't know if Kevin is interested,
08:47I'm a superhero fan.
08:49I'm going to do something.
08:51I don't know if I can do something like that.
08:54I'm not a director.
08:58Then, when I started doing the Basel, I had a project.
09:03How did you get that?
09:05It was a normal family story.
09:10We planned the actor and the actor.
09:14Then, I took the Basel.
09:16I was a writer and I was a writer.
09:20Then, I was a writer and I was a writer, so I was a writer.
09:30I was interested.
09:32That's why I was a project.
09:36So, I wanted to change the things and say,
09:40This is why I was a project.
09:42I was a writer.
09:45I think it's the first industry of actors.
09:48I don't know if anyone wants to announce a teaser,
09:52but I don't know if anyone wants to announce a teaser.
09:54So, I think it's the first industry of actors,
09:57and I think it's the first thing about the weekend blogpest.
10:01It's not Shanim.
10:02Shanim is a close family friend of the casting.
10:08But Shanim is doing the same thing as the actors, not the longitude.
10:15Definitely, if we have a project, we will be able to get the project.
10:21We will be able to get the projects and the company will be able to get the project.
10:26So, we will do Shanim is doing the same thing as Shanim.
10:32Hey, Shariki, it's not the case for Bangarra.
10:35This is Malayana's film producers.
10:39This is the case for all producers.
10:43We have a ski business,
10:47and we have a success rate for Bangarra.
10:51Shariki, I have the best experience for all producers.
10:53I have the same experience for all producers.
10:57They say, I don't know if I'm a producer.
11:00What is the case for them?
11:02They say, I don't know if they're the best.
11:04If they're interested in studying,
11:06they're selected everything.
11:09They have confidence to do a project.
11:13If we don't want to do anything,
11:16we can study that.
11:18If we don't have any questions,
11:20we can ask them to ask them to ask them to ask them.
11:23They ask them to ask them to ask them to ask them to ask them to ask them.
11:27We are talking to them,
11:28then they ask them to ek Arsenal,
11:29some examples.
11:30For the camera,
11:31we can ask them to ask them to ask them do anything.
11:33Some are changing their frequency when they do anything.
11:35With disabilities kampag not to
11:44anything on the screen?
11:46Actually, I am very involved in that project. I am not in Dubai. I am not in Dubai.
11:54I am not in the production.
12:00Each and every.
12:02So, we didn't have to do anything in that cinema.
12:05We didn't have to do anything. We didn't have to do anything.
12:09We didn't have to do anything.
12:12We didn't have to do anything. We didn't have to.
12:18We didn't have to do anything.
12:20We didn't have to do anything.
12:22We didn't have to do anything.
12:24I didn't know we were able to make this film now.
12:26That's what we were going to do.
12:28What was the film about that film?
12:31We were already edited.
12:36We were very good at that film.
12:40It's a lot of time.
12:42I think this is the case of a camera that I told you.
12:47I didn't know that.
12:50I thought that.
12:52Also, we were talking about the changes that we had.
12:57So, they were OK.
12:59That's why I'm not saying that.
13:02But now, I'm OK.
13:04I'm not sure.
13:07Jami is the only person who is full kaway.
13:10He's full to detail.
13:15I was a Jesuit member and told him to say to everyone.
13:21I was a Jesuit member and told him he was a man who would be the son of George.
13:26Then George told him he could speak.
13:31I said, I'm not going to be directly.
13:36I'm not going to be directly.
13:39I'm definitely not going to be in a cinema.
13:42How is the film called the Cinematic Universe?
13:46What is the film called the Cinematic Universe?
13:51What is the film called the Cinematic Universe?
13:54In the universe, we introduce all the characters in the universe.
13:59There are superpowers and skills.
14:04We also introduce all the characters in the cinema.
14:07We also introduce all the characters in the cinema.
14:11That's the Cinematic Universe.
14:14WC is different.
14:15There is no reason for the so-called university.
14:20The genre is almost similar.
14:23There will be action-packed films.
14:25In our own films, there is a lot of different genre.
14:27There was a local superhero film.
14:29There is a small town, murder mystery.
14:32There is a zombie and monster genre.
14:35There is a lot of different genre in WC.
14:39What is the film called the Vrlake?
14:41How many directors have worked here?
14:45How many directors have worked here?
14:47How many directors have worked here?
14:49How many directors have worked here?
14:51How many directors have worked here?
14:52How many directors have worked here?
14:53Yeah.
14:54I'm wondering if they have put a mail on the phone.
14:55I'm denoted in the mail and responded to that.
14:58This was a tale of a tale of a tale.
14:59How the tale of the tale is how we started reading.
15:03In our own tale, we had the same tale of the tale of the tale
15:06Of the tale of 22 years, we have been working here in a new project.
15:11But in our own company, we have worked here in the other project.
15:14They have been working here with two years.
15:15But it is a problem. We have to complete a project in the theatre.
15:19Then we have almost 25 years.
15:23But we have to deal with a different youngster's.
15:29We have to deal with it.
15:31We have a good time.
15:33We have to deal with it.
15:35We have to deal with it immediately.
15:37We have to deal with it.
15:39We have to deal with it.
15:41We have to deal with it.
15:43We have to deal with it.
15:45We have to deal with it.
15:47We have a different experience.
15:49What do you think from the universe?
15:53We have to put a standalone film in WCA.
15:59But, we've seen as well as geography.
16:03We know that time-line.
16:05We should be able to sell to get a set of English forいい and about Sophie.
16:09So we are excited.
16:11There was a place in the Jambi and WC.
16:14This company was a part of the cinema.
16:18That was an important factor.
16:21Because in Bangalore, Bangalore was a big genre making,
16:26or a genre defining.
16:28There was a different stage, or theatrical experience.
16:33There was a difference.
16:35That was a remake.
16:37What is that one factor?
16:39What is the process?
16:43No, we were not seen as a director.
16:48The camera is not a film.
16:51We were not seen as a film.
16:53We were not seen as a film.
16:55We were not seen as a film.
16:57We were not seen as a film.
17:00We were not seen as a film.
17:03Now, I was a person to see my wife.
17:08So, they asked me to do things.
17:10They started to do things.
17:12They started to do things.
17:14I was asked if there were a lot of people that didn't do anything.
17:18They started to do anything because of their reason.
17:21So, we started to do something interesting.
17:23So, we started to do something.
17:25So, that's how it's been to a very important project.
17:27Do you know where the producer at the moment?
17:31You know, you don't work anymore?
17:33I haven't been to a very long project at the moment.
17:36No matter how long the time I was at the beginning, I was able to settle for the first time and then I was able to settle for a while.
17:53I was able to settle for the first time.
17:57We started working with a whole team and then we started to get the same contact with script discussions
18:06We were working with fine-vins and corrections and we were working with fine-vins and corrections
18:10But we were working with a corporate team
18:15We were able to help in the scripting stage and the technical team
18:22We were able to get experience
18:24We had solid backing
18:27We were able to make the process of filmmaking
18:31We were able to make a lot of producers and filmmakers
18:36How did the ma'am do that?
18:40No, we did not have any tension
18:46We were able to make a lot of decisions in the moment
18:48If we were able to make a shoot, we would complete the plan
18:53We were able to check the program
18:56We were able to make a plan
18:59We were able to do everything
19:01So, if you have any unnecessary tension or anything like that,
19:05we can support each other.
19:10We don't have any technical support, we don't have any technical support,
19:13we don't have any technical support.
19:14We can help each other with this side.
19:17If we do it, we can plan it.
19:19So, they will be perfect.
19:22So, we don't have any other tension.
19:24Everything perfectly is perfect.
19:26I think we've come to the company and the company,
19:29we've come to the company and the company.
19:31We've come to the company and the company and the company.
19:34I've learned that in pandemic time,
19:37I've learned how to do cinema in the pandemic.
19:39That's not a story.
19:41That's right.
19:43If you have an idea discussed,
19:45you have a script.
19:47You can go to the weekend.
19:49It's just there.
19:51The company,
19:52the company and the company,
19:53you can go to the ground.
19:54One of them has strength.
19:55One of them has this.
19:56That's right.
19:57It's what I'm doing.
19:58You can do it all the time.
19:59I don't know.
20:00You can do it all the time.
20:01You can do it all.
20:02You can do it all.
20:03You can do it all.
20:04With the set,
20:05it's not a bit of a calm,
20:06composed,
20:07and a bit of a outburst.
20:09I've heard that if we didn't shoot at a number of days,
20:11we were able to shoot the scene.
20:12It's like,
20:13all the people,
20:14the cast,
20:15the production,
20:16they are just a lot of rap.
20:18Fortunately,
20:19Everyone has to be able to get a good cinema.
20:22That's why we are working on this.
20:25I've been working on a weekend.
20:28I've been able to get a good cinematic cinema.
20:30I've been able to celebrate the cinema in a theater.
20:34So, I've been able to get a good cinema in my memory.
20:38I'm sure I've been able to get a good cinema.
20:43I haven't seen it yet.
20:45I've been able to get a good cinema in my past.
20:48I've always been able to get a good cinema.
20:51But I've never seen a lot of these days.
20:55At least if I get a good dressing to the point of being,
20:59or if I get a good dress or the other,
21:03I am going to get a good dress.
21:06I'm having a feeling of it now.
21:07I wouldn't know that I'm just able to get a good cinema.
21:11So, I've got a good cinema.
21:13But I've never been able to get into this theater.
21:17At the beginning of Shanae's, I had a clear eye and core memory in Shanae's.
21:25It wasn't the first weekend.
21:29I had to book my tickets and book my show.
21:33I had to go to the house and go to the house and go to the house and go to the house and go to the house.
21:39I was like, I'm so excited to see what I did with cinema,
21:43and what I did with my friends.
21:46I was like, now we're going to see what I did.
21:48I'm in CID Museum,
21:51I'm like, I don't know anything about it.
21:54I'm like, I'm like, I have a vague memory,
21:57but I'm like, I'm not.
22:00I'm like, I'm not a CID Museum,
22:03I'm like, I'm not a CID Museum.
22:05I'm like, I'm like,
22:08I don't know how to do cinema in the first day.
22:12Cinema is a big problem.
22:13I don't know if it's a theatrical experience.
22:17I am a writer.
22:20I'm a writer now.
22:23I don't know where I write.
22:26I don't know where I write.
22:29I don't know if I write.
22:31I don't know if I write.
22:33I don't know if I write.
22:36No, it's been a long time for me.
22:39The genre is very different.
22:41It's a little bit of a sense,
22:44a little bit of a sense,
22:46a little bit of a carefullness.
22:47It's an out-and-out horror, comedy, adventure film.
22:52It's a very different genre.
22:54As a filmmaker, we are evolving as a filmmaker.
22:58We are in the space.
23:00This is a theatrical experience.
23:05More than anything.
23:06We are in the film of personal viewing.
23:10It's not a pressure.
23:13Do you have stage?
23:15We have a stage in the back and cast.
23:21You can see the show.
23:26Do you have a surprise?
23:30Sir, I don't know if anyone is happy.
23:35I think that Ujjal is a character.
23:39Ujjal is a little bit relatable person.
23:45He will be an authentic choice.
23:49Ujjal is a spin-off story.
23:53I think that's how I define it.
23:55I think that's how I find a pin name.
24:00It's a success.
24:02It's a clan.
24:04A franchise,
24:05and a running character in this weekend,
24:07there's a running character in this weekend.
24:09That's the result.
24:11That's the answer.
24:13We have a unique universe built.
24:15We have a unique universe built.
24:17We have a great idea of the crossover IT characters.
24:19We have a great idea of the crossover IT characters.
24:21We have a good idea of the crossover.
24:23Even now we have a franchise.
24:26Whatever the costume is.
24:28No.
24:29It's not that.
24:31It's not that.
24:33So, we're now doing the movies and the Vigilant,
24:36we can do that.
24:38There are things that you can do it.
24:40It's a good idea of the new people.
24:42It's a good idea of that.
24:45It's a good idea.
24:46It's a good idea of the characters.
24:48It's a good idea of the market.
24:50It is different in the weekend.
24:52It is not a marketer.
24:54It is not a marketer.
24:56It is a good thing.
24:58What is the strategy in this marketing?
25:00Definitely.
25:02It is different in the world.
25:04We have no pressure on the world.
25:06So, we will be able to move.
25:10Now, we are very excited to be on May 23rd.
25:16So, we have to entertain a production house with a 2.0 version in the trailer.
25:27What is the plan of a weekend 2.0?
25:30We have to create a cinematic universe in a cinematic universe.
25:36We have a lot of different projects.
25:43We have two divisions.
25:48Yes, we have all make and blockbusters in the company.
25:52So, we have a reward for the universe.
25:57So, thank you for the timing and all the best.