Assalam O Alaikum!
In this video I am gonna tell you about "Divorce k liye kuch b karega".
"Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" is a captivating Indian drama that revolves around the lives of two central characters, Astha and Shlok. Astha is a spirited and independent young woman who believes in standing up for what is right, while Shlok is a complex individual with a mysterious past and a hardened exterior.
Set against the backdrop of modern Indian society, the show delves into the intricacies of their relationship, which is fraught with misunderstandings, challenges, and societal expectations. As Astha and Shlok navigate through the complexities of love and family, they confront their own demons and learn to reconcile their differences.
With its engaging storyline, relatable characters, and emotional depth, "Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" offers viewers a heartfelt journey of love, redemption, and self-discovery. Through Astha and Shlok's journey, the show explores themes of resilience, forgiveness, and the transformative power of love, leaving audiences both entertained and inspired.
THANKS FOR WATCHING
#ispyarkokyanaamdoon #ipkknd #astha #bestloveseries #shlok
In this video I am gonna tell you about "Divorce k liye kuch b karega".
"Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" is a captivating Indian drama that revolves around the lives of two central characters, Astha and Shlok. Astha is a spirited and independent young woman who believes in standing up for what is right, while Shlok is a complex individual with a mysterious past and a hardened exterior.
Set against the backdrop of modern Indian society, the show delves into the intricacies of their relationship, which is fraught with misunderstandings, challenges, and societal expectations. As Astha and Shlok navigate through the complexities of love and family, they confront their own demons and learn to reconcile their differences.
With its engaging storyline, relatable characters, and emotional depth, "Is Pyaar Ko Kya Naam Doon... Ek Baar Phir" offers viewers a heartfelt journey of love, redemption, and self-discovery. Through Astha and Shlok's journey, the show explores themes of resilience, forgiveness, and the transformative power of love, leaving audiences both entertained and inspired.
THANKS FOR WATCHING
#ispyarkokyanaamdoon #ipkknd #astha #bestloveseries #shlok
Category
📺
TVTranscript
03:11Okay.
03:13What time?
03:15Okay.
03:17Okay.
03:18No, no, no, no, no, no.
03:28What will you do?
03:29Now?
03:30Nikki?
03:31No, no, no, no, no.
03:32We can't reach to any conclusion based on these reports.
03:34I need to do further investigation.
03:36Yeah.
03:37Okay.
03:38Let's go.
03:39Yeah.
03:40Nikki.
03:41Bye.
03:42Listen, I know.
03:43I'm a star anchor.
03:45Listen.
03:46I know.
03:47Mayank Mishra is a star anchor.
03:48The next day, I'm going to take a break.
03:51I don't think about it. I think about it today.
03:54And today, I'm going to be doing my job secure.
03:57The last three weeks, you're just saying this.
04:00Correct.
04:00Papa, the last three weeks, I'm just planning this.
04:04On our news channel, there is one that runs.
04:08I'm going to take a break.
04:13In the last three years,
04:15I've got seven awards.
04:20He's a head of feature and entertainment.
04:22But nobody's going to take it.
04:25Terror is his.
04:36But Papa,
04:38I'm going to take his right hand.
04:39And the last three weeks,
04:40he's so dependent on me.
04:42Without me, he doesn't work.
05:07Coffee.
05:08Who are you?
05:08Me?
05:09I'm Ashu.
05:10Ashutosh Chawra, your assistant.
05:12Why are you taking my coffee?
05:13Where's Abdul?
05:14Abdul!
05:15Ma'am, the last three weeks,
05:16I'm going to take your coffee.
05:17Just how you like it.
05:21In fact, all your schedules,
05:22assignments,
05:23all your meetings,
05:24I'm going to take it.
05:25Really?
05:26Why haven't I seen you before?
05:28Actually, ma'am,
05:30I'm going to take my gadget on,
05:32I'm going to take it in the red light.
05:36Mr. India,
05:37Mogambo,
05:38are you happy?
05:42Ma'am, what a strange thing is.
05:43You have a head of feature and entertainment.
05:45But you don't see the pictures?
05:46I've seen it,
05:47but you don't have jokes.
05:49Now, you're going to take your backpast
05:50and ask Motwani.
05:51Motwani?
05:52Ma'am, no benefit.
05:54No benefit.
05:54You told me to have three contacts.
05:56I didn't get one of them.
05:58In fact,
05:59he came to me.
05:59I didn't give it.
06:04You mean to say,
06:05Sapna Ahuja,
06:07Anil Makheja
06:08and Charulata Banerji.
06:09You have the three contact information.
06:12Ma'am,
06:13I have their landline number
06:14and personal phone number.
06:15Can you talk about yourself?
06:17Resourceful?
06:18Ma'am, don't go from my cute face.
06:20I'm very rich.
06:21I'm very rich.
06:22You know,
06:23there was a gold scam in Ahmedabad.
06:25They were exposed.
06:26Why did you serve coffee here?
06:28Actually, ma'am,
06:30my family and me
06:31had a death threat.
06:32So, we had to run away from Ahmedabad.
06:34I decided that
06:36I would not do journalism of crime and politics.
06:38Feature and entertainment are safe.
06:40I just need a chance
06:43to prove yourself.
06:44I'll do whatever you say.
06:46I'll do whatever you say.
06:47I'll give you an interview.
06:48One chance, please.
06:49Sir.
06:50Yes.
06:51Yes.
06:52Yes.
06:53I mean,
06:54he was in the 80s, 90s.
06:55He wasn't even a big star.
06:56Sir.
06:57Yes.
06:58Yes.
06:59I mean,
07:00he wasn't even a big star.
07:03Got it.
07:04He wasn't even a big star.
07:11Got it.
07:12Okay, sir.
07:13It will happen.
07:14But I have a condition.
07:15Next big story,
07:17I will break.
07:18Mayank Mishra.
07:19Deal?
07:20Done.
07:21Congratulations, ma'am.
07:22Good job.
07:23You were saying,
07:24did you have the three contact information?
07:25Yes.
07:26Two?
07:27Two?
07:28No, three.
07:29Three.
07:30Three.
07:31Contact information.
07:32Two.
07:33Okay, okay.
07:34Got it.
07:35Give it now, ma'am.
07:36Yes.
07:37Two?
07:38Two?
07:39No, three.
07:40Three.
07:41Three.
07:42Three.
07:43Three.
07:44Okay, okay.
07:45Got it.
07:46Give it now, ma'am.
07:47Yes.
07:48Yes!
07:49Yes.
07:50One of the biggest historiants,
07:51any other chance?
07:52Yes!
07:53There is a bit of training.
07:54From my oldå¹´street choreographer.
07:55Yes, Noshad Ali.
07:56He is going to cover a story of his house.
07:58I'm going to cover them.
07:59Okay.
08:00I will fix them.
08:01Sure, ma'am.
08:02Take Kailash.
08:03Yes, yes, yes.
08:05I mean,
08:06we are from the Kailash.
08:07Take.
08:08That's the place where Amitabh Bachchanji.
08:10He was first from the producer.
08:12He was in Malwani,
08:13and now he was in Malwani.
08:14Malwani?
08:15You will give me the details.
08:17Thank you for the opportunity, ma'am.
08:47I'll see you.
08:48Sawan, sir.
08:49Ashutosh Chavra.
08:50Sir, what happened here?
08:54What happened here?
08:55Did the husband and wife have left?
08:56No, nothing.
08:57It's a husband and wife.
08:59Okay.
09:00She said, it's all for you.
09:02Who is the husband and wife?
09:03Who is the husband and wife?
09:04Who is the husband and wife?
09:05Who is the husband and wife?
09:06Both.
09:07They are in one house.
09:08One house?
09:09Who is the husband and wife?
09:11I understand that the husband and wife will kill both.
09:15I don't think so.
09:16They look very much.
09:17The husband and wife have left.
09:18They look like a man.
09:19And he look like a man, he's got a gun.
09:20He is a man.
09:21And I've brought a man.
09:22He's got a man.
09:23He is not a man.
09:24I don't have makeup.
09:25We haven't cut any other hair.
09:26See him.
09:27He is like a girl?
09:28And he will give it to you.
09:29I want to show you.
09:30He is a man.
09:31His face is not like a man.
09:32He is the man in the house.
09:33He is the man.
09:34He is the man.
09:35He is the man.
09:36Where is that?
09:37Well, he is the woman.
09:38He is the man.
09:39I don't know.
09:40He is.
09:41He is the man.
09:42I don't know.
09:45What is this nonsense?
09:47Shut up!
09:48Shut up!
09:49Shut up!
09:50Ma'am, very, very, very imaginative woman.
09:52I mean, she was so creative,
09:53she was giving such stories
09:55that I didn't listen to her and I didn't listen to her.
09:57It's not in the web series.
09:58What is this nonsense?
10:00Shut up.
10:01Ma'am, let's see.
10:03It's a great interview with Noshad Ali.
10:05It's a big story.
10:06Big story?
10:07This?
10:08Yes.
10:09Who goes to Noshad Ali?
10:11Or her wife? Oh, I'm sorry.
10:13Wives and all of them had domestic violence.
10:19So fresh.
10:20Who has ever seen it?
10:22No, ma'am, this is the story,
10:23even though it's like this.
10:25Look at this.
10:26Yeah, yeah, yeah, yeah, yeah.
10:28That's what it is.
10:30It's always the truth.
10:31It's always the truth.
10:33It's always the truth.
10:35It's always the truth.
10:37It's always the truth.
10:38Take a save my daughters.
10:39Take a save my daughters.
10:42Ma'am, domestic violence against a woman is a crime, but domestic violence against a man is not a crime, but does anyone show it?
10:52No, a poor man is just getting tired.
10:56Are you really saying that?
11:01I've heard it.
11:04It's not my personal experience.
11:07I've heard it.
11:10Ma'am, this story can be viral.
11:14In fact, we can play a movement like Me Too.
11:17Excuse me?
11:19This can be a big story from Ahmedabad's local news channel.
11:23But this, this is a national news channel.
11:26And here's big stories I'll just recite.
11:29And in my opinion, the big story is Sapna Ahuja, Anil Makija and Charu Lata Banerjee's love affair.
11:36Got it?
11:38Got it.
11:39Mind-blowing.
11:41Superb, huh?
11:42Finally, our channel will cover a story.
11:44Exactly.
11:45I haven't been able to do it from Mayang, but I have made contacts very difficult.
11:50Yes, sir.
11:51I have made contacts very difficult.
11:53I mean, we have to change our channel's tagline.
11:56What is it now?
11:57What is it now?
11:58What is it now?
11:59It's the best and the best.
12:00Yes.
12:01And now, what will it happen?
12:02It's the best and the best.
12:03I'm sorry, sir.
12:04I'm sorry, sir.
12:05I'm sorry.
12:06I'm sorry.
12:07I'm sorry.
12:08I'm sorry.
12:09I don't have to run.
12:10What is it now?
12:11What is it now?
12:12What is it now?
12:13What is it now?
12:14What is it now?
12:15What is it now?
12:16What is it now?
12:17Sir.
12:18That was a complete bust, sir.
12:19I mean, nobody knows about it.
12:21And who will be interested in domestic violence?
12:24Right, ma'am?
12:26Right.
12:27Right.
12:28But I have an idea, sir.
12:29Mm-hmm.
12:30Sir, this is not a normal domestic violence case.
12:33Huh?
12:34Noshad Ali's two daughters had met her.
12:37There is domestic violence against women's crime.
12:41But domestic violence against men?
12:43Isn't that a crime?
12:44No one doesn't talk about it.
12:47A man doesn't write a complaint after his wife's wife.
12:51He keeps killing him in his life.
12:54You're right.
12:55Yeah.
12:56And I think we can play a movement like MeToo.
12:59Those who have similar experiences,
13:02tell us their stories and we will do their identity.
13:06OMG, Nikki, you have crushed it.
13:10You're a rock star.
13:12You tendal in this office.
13:13Thank you, sir.
13:14Nikki, you go.
13:15Go.
13:16Go.
13:17Right, sir.
13:23Nikki, ma'am.
13:24Nikki, ma'am.
13:25You don't have to talk to me for a minute.
13:27Ma'am, listen to me.
13:28Ma'am, listen to me.
13:29Ma'am, listen to me.
13:30Ma'am, listen to me.
13:31Ma'am, listen to me.
13:32Ma'am, listen to me.
13:33Ma'am, you shared the idea.
13:34Ma'am, you shared the idea.
13:35It was my idea.
13:36I gave you something.
13:37Right.
13:38So?
13:39Right.
13:40Right.
13:41So?
13:42Right.
13:43So?
13:44So?
13:45Okay.
13:46This is cheating.
13:47I mean, exploitation.
13:48You've never played cricket?
13:49I was a great kid.
13:50I don't like cricket.
13:51I don't like cricket.
13:52But you can see cricket.
13:53In a match, when a fielder tries to run out, it's not important.
13:54It's not important.
13:55It's not important.
13:56It's not the same thing.
13:57It's not the same thing.
13:58I don't like cricket.
13:59But you can see.
14:00In a match, when a fielder tries to run out, it's not important.
14:04It's not important.
14:05It's not that he takes it very quickly.
14:07It's the same thing.
14:08It's important that he throws it right at the end.
14:11It's also something like ideas.
14:14You should throw it right at the end.
14:17You should throw it right at the end.
14:19Got it?
14:26How did you get your hand?
14:41How did you get your hand?
14:43Huh?
14:44Ma'am, you were going to fall?
14:48Why Ashitosh?
14:49I'm going to warn you.
14:51After this, never ever try to touch me again.
14:57Okay?
14:59Okay?
15:00Okay, got it.
15:02Who is calling?
15:09Hi babe, I was just going to call you.
15:12I'm so sorry, I'll make it up for you.
15:15You're going to think of who is talking to you with this baby?
15:19What?
15:20I've never seen Adam's name.
15:22There's a brother.
15:23Who?
15:24His boyfriend.
15:30What's up?
15:31Sorry, sorry, sorry.
15:33I'm a mess.
15:38Hi.
15:39Hey.
15:40Sorry, I'm late.
15:41It's okay.
15:43Yeah, well everything. Okay. Oh, yeah
15:47idiot, man
15:48Spilled juice all over my Bottegas. Bottegas my shoes. Yeah, twenty five hundred dollars coming by there. Come on
15:55You know, I love this place. Yeah, I'm sure there it is. Thank you
16:02Anyways, here chodo next week mom dad are USA. Many of them are about a me and they want to meet you really
16:09Can I tell me about me? I mean, but I came from was a part of chillic feel
16:16Well, you make me feel and that I can't live without you
16:22But he's a pretty mighty body we wanna meet about a make out of that
16:27Tomorrow about a man got another
16:31Yeah, you keep I'm the best
16:35That goes without saying you are the best that we manage my person here
16:39Hey, but apparently put you go go about so much to me data
16:56Coffee
17:01Thank you, I shoe welcome Mickey, ma'am
17:09You didn't spit in this right a little
17:18No, no, no, no
17:20I got to miss the took off with that too much. Yes, but that didn't
17:24Tomoji is able you're not a key coffee man up you
17:28Maybe
17:30Yeah, I feel to me. Yeah, you so children
17:32Okay, ma'am
17:33Okay, ma'am I really think we got off on the wrong foot sure it's a shiru kerti
17:37I don't have to admit, what are you going to do with the bluff?
17:40You win a lot in poker, right?
17:42I haven't played poker. Now get lost.
17:46Okay ma'am, I really think we got off on the wrong foot.
17:49Let's start from the beginning.
17:51Look, I want a safe and secure job for myself.
17:54And you want a creative, bright mind that we can exploit.
17:58So, let's do one another.
18:02Really?
18:03Yeah, yeah. I like to be exploited. Try me.
18:07Okay, then.
18:12I don't want to have a good idea.
18:15Tell me a good idea.
18:17If your idea has worked, then your job will be done.
18:21Ready?
18:23Done.
18:24I have a brilliant idea.
18:26Brilliant idea for prime time.
18:27If you listen to Panchal sir, we'll be happy that we'll be happy.
18:32OMG!
18:33Nikki, you are crushing it, huh?
18:35Rockstar you are.
18:38But a little bit of a problem.
18:40Myung, she has already played this match and won.
18:44What do you mean?
18:46I mean, she is already working on this line.
18:49And do you know who gave her this brilliant idea?
18:52Who gave her this brilliant idea?
18:53I have.
18:54Who gave her this brilliant idea?
18:55I have?
18:56I have.
18:57I have.
18:58Who gave her this brilliant idea?
18:59Well, I might have been inspired from somewhere, but this is my idea.
19:00Who gave her this idea?
19:01Who gave her this brilliant idea?
19:02Who gave her this brilliant idea?
19:03Who gave her this brilliant idea?
19:04Who gave her this brilliant idea?
19:05Well, I might have been inspired from somewhere, but this is my idea.
19:10Who will I give this idea, brother?
19:11Of course.
19:12And speaking of ideas, this idea also gave her a brilliant idea.
19:19Oh, really?
19:20She's saying that we should have interviewed all these celebs
19:24who have been exploited in the beginning.
19:27And I'm sure there will be a lot of celebs.
19:29Yes, sir.
19:30I wanted to become a ghost writer.
19:33Oh.
19:34So, you want to do all these interviews?
19:39No.
19:40He will do this.
19:41He is good for it.
19:43He is a promising talent.
19:44He is a spark.
19:45The boy plays really well.
19:47All right, thanks.
19:58Ashu.
20:00Ashu!
20:05You went on my back.
20:07You couldn't get my wife to a lot.
20:10Mom, you're very hard.
20:12Come on, be a sport.
20:13be a sport. Mam, you see the cricket.
20:19You've never seen Dhoni run out.
20:22Patsman seems that Dhoni's work is composed.
20:26He won't be wicket.
20:28But suddenly Dhoni has a ball and the wicket goes away.
20:33That's why someone doesn't underestimate him.
20:38One should always cover their ground, especially with Dhoni.
20:43What's that?
20:44I'm a good one for a reason.
20:50Ashu.
20:55Well played.
20:57Always.
21:03Munchal.
21:04Munchal, leave me.
21:06Munchal, get out.
21:13Salih?
21:14I don't understand Salih.
21:16And you?
21:17My wife was playing with ping pong.
21:23Fired.
21:24You are fired!
21:26You are fired!
21:27Look, Munchal, you're not doing this right?
21:29Your channel is because of me.
21:31Because of Star News Anchor Mank Mishra.
21:34If I leave a company, then you'll be closed for two days.
21:38This TRPA business is because of me.
21:41I'm not because of this company.
21:43Do you understand?
21:44You won't get one sponsor.
21:45You won't get one sponsor too.
21:46Come on!
21:47If I want, then I'll stand up with you like ten of Mayank Mishra.
21:52Ten!
21:53Hey, look!
21:54Everyone!
21:55Everyone!
21:56Everyone!
21:57Open the offer!
21:58Open the offer!
21:59If you have any best idea, I'll give it to Mayank Mishra.
22:03Abdul, this offer is also open for you.
22:07If you have any best idea, I'll give it to Mayank Mishra.
22:13We just wait and watch.
22:155-4.
22:165-4.
22:175-4.
22:185-4.
22:195-4.
22:20Don't be scared, brother.
22:22No one can do it.
22:24Mayank Mishra.
22:25What do you want?
22:26Look.
22:27There's a little presence of screen.
22:32There's a presence of mind.
22:34There's a general knowledge.
22:36There's a context.
22:37There's a control on the language.
22:38There's a fan following.
22:39There's a fan following.
22:47Do you think you can do this?
22:49No, sir.
22:50We're standing for a cup.
22:51I think you can do it.
22:52There's a lot more.
22:53There's a lot of power.
22:54Which way you can do it.
22:55There's a lot of power.
22:56So you can use that.
22:57No, that's fine but...
22:58You can'tщive on the other side.
22:59I don't have to wait until you leave it.
23:00No, sir.
23:01I don't have to wait.
23:02No, sir.
23:03No, sir.
23:04You don't have to wait.
23:05No, sir.
23:06You want to be on the other side of the side.
23:07This is all.
23:08That's okay?
23:09No, sir.
23:10I don't have to wait.
23:11To start my channel.
23:12All right, sir.
23:13That's very hard.
23:14That's fine.
23:15That's fine.
23:16Peter, no, sir.
23:18Oh, ma'am, what do you think of it?
23:22No one can take the place of Mayank Mishra from her.
23:26It's not her wife, it's her channel.
23:31I don't think so.
23:36Screen presence, check.
23:39Presence of mind, check.
23:41General knowledge, triple check.
23:43Contacts, chopper check.
23:46And language control.
23:485-4 check.
23:50Nice.
23:51And I don't have any followers.
23:53I'm not talking about you.
23:55What's the followers?
23:56That's what I can buy.
23:59Mayank Mishra, I'll do my job.
24:03You, you idiot.
24:16Why did my hand hurt me?
24:18I told you.
24:19Don't ever touch me again.
24:20Look at me.
24:21So no hand, no touching.
24:25Hmm?
24:25Hmm?
24:44Sir, we want to marry.
24:46Of course.
24:47Of course.
24:48We all come here.
24:49Will it happen?
24:50Sir, we want to marry now.
24:53There's a notice period at least for a month.
24:56If there's no problem,
24:58then it'll be three months.
24:59In three months,
25:01you'll have to see Madam's face.
25:03Thank you very much.
25:04Thank you very much.
25:05Thank you very much.
25:06I'm here!
25:07That's what we need.
25:08Here we go.
25:09A couple of minutes to do you hear.
25:11I'm here!
25:12We want to speak,
25:13Go!
25:14I'm here!
25:15Get up!
25:16I need to get hit!
25:17I'm here!
25:19You!
25:20Let me know!
25:21You, I need to take this tree!
25:22Let's see you!
25:23I need to make a tree!