Heeramandi: The Diamond Bazaar | Season 1 - The Courtesan Chronicles | Episode 1 - Mallikajaan: The Queen of Heeramandi | Urdu/Hindi Dubbed | Historical Drama | Watch Now on Cinema Studio!
🏰 "The Courtesan Queen Rises!" – "Manisha Koirala" dominates as "Mallikajaan" in the explosive premiere of *Heeramandi*, now streaming in "Urdu/Hindi Dubbed" on "Cinema Studio"!
Step into 1920s Lahore, where power is forged in betrayal and ambition. Directed by "Sanjay Leela Bhansali", this episode weaves a tale of revenge, forbidden love, and political rebellion. Don’t miss the birth of a dynasty!
Episode Details:
âś… Channel: Cinema Studio
âś… Series: Heeramandi: The Diamond Bazaar
âś… Season: 1 - The Courtesan Chronicles*
âś… Episode: 1 - "Mallikajaan: The Queen of Heeramandi"
âś… Release Year: 2024
âś… Cast:
- **Manisha Koirala** as *Mallikajaan* (Ruthless Matriarch)
- diti Rao Hydari as "Bibbojaan" (Rebel Courtesan)
- Sharmin Segal as "Alamzeb" (Poetic Daughter)
- Taha Shah Badussha as "Nawab Tajdar Baloch" (Revolutionary Lover)
- Sonakshi Sinha as Rehana (Flashback Antagonist)
âś… Director: Sanjay Leela Bhansali
âś… Genre: Historical Drama, Political Thriller
âś… Language: Hindi (Original) | **Dubbed:** Urdu/Hindi
âś… Subtitles: English
âś… Quality: Full HD
âś… Runtime: 54 Minutes
âś… Platform: Exclusively on "Cinema Studio (Dailymotion)"
Why Watch This Episode?
- Bhansali’s Visual Opulence: Grand sets, intricate costumes, and hauntingly beautiful lighting.
- Manisha Koirala’s Powerhouse Act: "Heeramandi mein taqat wohi rakhta hai jo darr ko apni aankhon mein samete rakhta hai!" 🔥
- Urdu/Hindi Dubbing: Immersive dialogues for regional audiences.
- Political Intrigue: Courtesans vs. British Raj – a fight for freedom and dignity.
- Forbidden Romance: Alamzeb and Tajdar’s chemistry will leave you breathless! 💔
Key Scenes:
1. Rehana’s Betrayal: A sister trades her niece for jewels, igniting Mallikajaan’s vengeance.
2. Cartwright’s Threat: British officer demands courtesans for a "private party – Mallikajaan’s icy refusal.
3. Alamzeb’s Rebellion: "Main tawaif nahi banoongi!" (I won’t become a courtesan!).
4. Bibbo’s Secret: Leaks British plans to crush protests, risking her life.
5. Riots of Lahore: Climactic protests merge personal and political stakes.
Stream Now!
"Exclusively on Cinema Studio" (Dailymotion)
Audience Engagement:
💬 "Who rules Heeramandi—Mallikajaan or Bibbo? Comment your pick!"
🔔 "Follow → Cinema Studio" & "tap the bell" for Episode 2 alerts!
#HeeramandiEpisode1 #ManishaKoirala #SanjayLeelaBhansali #UrduDubbed #CinemaStudio #HistoricalDrama #CourtroomDrama #BritishRaj #DailymotionExclusive
"Watch Now on Cinema Studio" ➔ Where diamonds sparkle, but power cuts deeper! 💎⚔️
🏰 "The Courtesan Queen Rises!" – "Manisha Koirala" dominates as "Mallikajaan" in the explosive premiere of *Heeramandi*, now streaming in "Urdu/Hindi Dubbed" on "Cinema Studio"!
Step into 1920s Lahore, where power is forged in betrayal and ambition. Directed by "Sanjay Leela Bhansali", this episode weaves a tale of revenge, forbidden love, and political rebellion. Don’t miss the birth of a dynasty!
Episode Details:
âś… Channel: Cinema Studio
âś… Series: Heeramandi: The Diamond Bazaar
âś… Season: 1 - The Courtesan Chronicles*
âś… Episode: 1 - "Mallikajaan: The Queen of Heeramandi"
âś… Release Year: 2024
âś… Cast:
- **Manisha Koirala** as *Mallikajaan* (Ruthless Matriarch)
- diti Rao Hydari as "Bibbojaan" (Rebel Courtesan)
- Sharmin Segal as "Alamzeb" (Poetic Daughter)
- Taha Shah Badussha as "Nawab Tajdar Baloch" (Revolutionary Lover)
- Sonakshi Sinha as Rehana (Flashback Antagonist)
âś… Director: Sanjay Leela Bhansali
âś… Genre: Historical Drama, Political Thriller
âś… Language: Hindi (Original) | **Dubbed:** Urdu/Hindi
âś… Subtitles: English
âś… Quality: Full HD
âś… Runtime: 54 Minutes
âś… Platform: Exclusively on "Cinema Studio (Dailymotion)"
Why Watch This Episode?
- Bhansali’s Visual Opulence: Grand sets, intricate costumes, and hauntingly beautiful lighting.
- Manisha Koirala’s Powerhouse Act: "Heeramandi mein taqat wohi rakhta hai jo darr ko apni aankhon mein samete rakhta hai!" 🔥
- Urdu/Hindi Dubbing: Immersive dialogues for regional audiences.
- Political Intrigue: Courtesans vs. British Raj – a fight for freedom and dignity.
- Forbidden Romance: Alamzeb and Tajdar’s chemistry will leave you breathless! 💔
Key Scenes:
1. Rehana’s Betrayal: A sister trades her niece for jewels, igniting Mallikajaan’s vengeance.
2. Cartwright’s Threat: British officer demands courtesans for a "private party – Mallikajaan’s icy refusal.
3. Alamzeb’s Rebellion: "Main tawaif nahi banoongi!" (I won’t become a courtesan!).
4. Bibbo’s Secret: Leaks British plans to crush protests, risking her life.
5. Riots of Lahore: Climactic protests merge personal and political stakes.
Stream Now!
"Exclusively on Cinema Studio" (Dailymotion)
Audience Engagement:
💬 "Who rules Heeramandi—Mallikajaan or Bibbo? Comment your pick!"
🔔 "Follow → Cinema Studio" & "tap the bell" for Episode 2 alerts!
#HeeramandiEpisode1 #ManishaKoirala #SanjayLeelaBhansali #UrduDubbed #CinemaStudio #HistoricalDrama #CourtroomDrama #BritishRaj #DailymotionExclusive
"Watch Now on Cinema Studio" ➔ Where diamonds sparkle, but power cuts deeper! 💎⚔️
Category
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Short filmTranscript
00:30This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:35This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:40This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:45This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:50This video is a derivative work of the Touhou Project. It has no relation to the original work.
00:55This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:00This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:05This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:10This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:15This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:20This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:25This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:30This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:35This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:40This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:45This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:50This video is a derivative work of the Touhou Project. It has no relation to the original work.
01:55This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:00This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:05This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:10This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:15This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:20This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:25This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:30This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:35This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:40This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:45This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:50This video is a derivative work of the Touhou Project. It has no relation to the original work.
02:55This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:00This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:05This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:10This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:15This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:20This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:25This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:30This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:35This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:40This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:45This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:50This video is a derivative work of the Touhou Project. It has no relation to the original work.
03:55This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:00This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:05This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:10This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:15This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:20This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:25This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:30This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:35This video is a derivative work of the Touhou Project. It has no relation to the original work.
04:40Sir, how will you go? The henna is still wet.
04:43Fattoh, my dupatta.
04:46This is how the Nawabs are.
05:10I don't know how many Nawabs have been ruined waiting for him.
05:15This Malika Jan is very merciless.
05:17She doesn't respect anyone.
05:19Sir.
05:20Yes.
05:21Sir has come. Are you ready?
05:23Yes.
05:29You are looking so beautiful.
05:32Today I will forgive you a hundred times.
05:34Let's talk about work.
05:35You came to show some duties, right?
05:38Show me.
05:39He will show the duties.
05:40Mr. Gantar.
05:42Greetings, Malika Jan.
05:44Greetings.
05:47This is a gramophone.
05:49And this is a record.
05:52This will sing a song for you.
06:11Shut up.
06:12Stupid girl.
06:16Yes, teacher. Who is this stupid girl?
06:19This is the great Sahidabai Agrawali.
06:21Why are you wasting the time of the Lahore girl by singing the song of Agrawali?
06:25Like Sahidabai, he wants to make a record in the voice of Vibho Jan.
06:29Now if you allow, Vibho Jan's voice will echo in every house in the country, except Lahore.
06:37Mr. Gantar.
06:38Gantar.
06:42Yes.
06:43We don't need to be famous in every house.
06:48We are the moon.
06:50Which is visible from the window, but never descends in someone's courtyard.
06:56We are the queens.
06:58We are the queens of Lahore.
07:00Every Nawab, the king salutes our door.
07:04Whoever wants to hear us, come here and listen.
07:09Okay, ma'am.
07:10Then let's take him with us in the evening to Vibho Jan's gathering.
07:14In our gathering, the esteemed voices come, not the shopkeepers of voices.
07:21Good.
07:22Ma'am, I...
07:23Ameena.
07:39Ameena.
08:10Ameena.
08:11Ameena.
08:12Ameena.
08:13Ameena.
08:14Ameena.
08:15Ameena.
08:16Ameena.
08:17Ameena.
08:18Ameena.
08:19Ameena.
08:20Ameena.
08:21Ameena.
08:22Ameena.
08:23Ameena.
08:24Ameena.
08:25Ameena.
08:26Ameena.
08:27Ameena.
08:28Ameena.
08:29Ameena.
08:30Ameena.
08:31Ameena.
08:32Ameena.
08:33Ameena.
08:34Ameena.
08:35Ameena.
08:36Ameena.
08:37Ameena.
08:38Ameena.
08:39Ameena.
08:40They play music on this eventing.
08:48It is held in Gujarat, registered as a national classic.
08:58We need to clean the whole place.
09:02We are here to take care of your mother.
09:05Mother?
09:06I'm here to take care of my mother.
09:08I'm here to take care of my mother.
09:10I've never seen a woman like you.
09:12Never!
09:13You have a beautiful daughter.
09:15And a beautiful son.
09:17I'm the son of a rich man.
09:19I'm the son of a rich man.
09:21I'm the son of a rich man.
09:23I'm the son of a rich man.
09:25I'm the son of a rich man.
09:27I don't know where you are, but wherever you are, I am there.
09:32I think I have had too much to drink.
09:35You have got the title of Khan Bahadur.
09:38You will have to celebrate.
09:40Yes, so have a drink of mine too.
09:44Come.
09:46These Englishmen have come to buy our loyalty in exchange for the title.
09:54Bahadur has also sold his loyalty to the English.
09:57What else can we do, Malika?
10:00But remember, the day these Englishmen return, we will fight amongst ourselves.
10:11Slowly, Malika. Slowly.
10:15The English have already fought amongst themselves.
10:18As you do.
10:21Between the Nawabs and their wives, divide and rule.
10:30Malika! Malika! Malika!
10:48I will die out of shame.
11:18Oh beloved, move away, you are too much.
11:39The night passes, the sun rises, let me go home now.
11:50Oh beloved, let me go home now.
11:58Oh beloved, let me go home now.
12:17Iqbal. Yes.
12:19Take Mr. Zulfiqar to his mansion.
12:21Come. Yes.
12:28How was Bibo's performance?
12:29It was good. Mr. Wali has looted a lot.
12:34Has Mr. Wali left?
12:35No, sir. He will stay here tonight with Bibo.
12:39That's good.
12:41Here is Bibo's earnings for today.
12:43Is that all?
12:44Yes, that's all. Mr. Wali's expenses are getting reduced.
12:47And you have a lot of courage.
12:50I swear, sister.
12:51How much did you give?
12:52She is lying, sir.
12:53I hid it last time as well.
12:55Search her.
12:56You trust her and not your sister?
12:59Okay, search her.
13:01Sir, can I search her?
13:04Yes, sir.
13:05Move aside.
13:14Sir, I didn't find anything from the chair.
13:17Farara.
13:18Sir, there is no place to put a candle.
13:21How will we hide the bundle there?
13:25Sir.
13:37Search her.
13:43Sir, I didn't find anything in the garage either.
13:46Vedan was also telling the truth.
13:49Wow, sister.
13:51Till now, only the dangerous people have taken off our clothes.
13:53But today, our own sister has made us undressed.
13:57Sister, we are not thieves.
13:59We steal other people's happiness.
14:01And there can't be a bigger theft than this.
14:10We are not thieves.
14:12We are not thieves.
14:13We are not thieves.
14:26We are not thieves.
14:29Saima.
14:30Leave everything.
14:32Take this jewellery and go and get Alam ready.
14:34Sir wants to meet him.
14:35She is waiting.
14:36Sir will have to wait.
14:38Sir's daughter will take half an hour from her bed.
14:40She is a fool.
14:41Sir has gone crazy.
14:43Hurry up.
14:44Go and get Alam ready.
14:45Go.
14:47Oh no.
14:48I pity Alam a lot.
14:50She writes so many poems.
14:52She wants to be a poet.
14:54And mother wants to make her a widow.
14:56I think mother and daughter have to fight for this.
15:00You also thought that you will be the biggest widow of Heera Mandi.
15:04Pani.
15:35I am sorry.
15:36I am sorry.
15:37I am sorry.
15:38I am sorry.
15:39I am sorry.
15:40I am sorry.
15:41I am sorry.
15:42I am sorry.
15:43I am sorry.
15:44I am sorry.
15:45I am sorry.
15:46I am sorry.
15:47I am sorry.
15:48I am sorry.
15:49I am sorry.
15:50I am sorry.
15:51I am sorry.
15:52I am sorry.
15:53I am sorry.
15:54I am sorry.
15:55I am sorry.
15:56I am sorry.
15:57I am sorry.
15:58I am sorry.
15:59I am sorry.
16:00I am sorry.
16:01I am sorry.
16:02I am sorry.
16:03I am sorry.
16:04I am sorry.
16:05I am sorry.
16:06I am sorry.
16:07I am sorry.
16:08I am sorry.
16:09I am sorry.
16:10I am sorry.
16:11I am sorry.
16:12I am sorry.
16:13I am sorry.
16:14I am sorry.
16:15I am sorry.
16:16I am sorry.
16:17I am sorry.
16:18I am sorry.
16:19I am sorry.
16:20I am sorry.
16:21I am sorry.
16:22I am sorry.
16:23I am sorry.
16:24I am sorry.
16:25I am sorry.
16:26I am sorry.
16:27I am sorry.
16:28I am sorry.
16:29I am sorry.
16:30I am sorry.
16:31I am sorry.
16:32I am sorry.
16:33I am sorry.
16:34I am sorry.
16:35I am sorry.
16:36I am sorry.
16:37I am sorry.
16:38I am sorry.
16:39I am sorry.
16:40I am sorry.
16:41I am sorry.
16:42I am sorry.
16:43I am sorry.
16:44I am sorry.
16:45I am sorry.
16:46I am sorry.
16:47I am sorry.
16:48I am sorry.
16:49I am sorry.
16:50I am sorry.
16:51I am sorry.
16:52I am sorry.
16:53I am sorry.
16:54I am sorry.
16:55I am sorry.
16:56I am sorry.
16:57I am sorry.
16:58I am sorry.
16:59I am sorry.
17:00I am sorry.
17:01I am sorry.
17:02I am sorry.
17:03I am sorry.
17:04I am sorry.
17:05I am sorry.
17:06I am sorry.
17:07I am sorry.
17:08I am sorry.
17:09I am sorry.
17:10I am sorry.
17:11I am sorry.
17:12I am sorry.
17:13I am sorry.
17:14I am sorry.
17:15I am sorry.
17:16I am sorry.
17:17I am sorry.
17:18I am sorry.
17:19I am sorry.
17:20I am sorry.
17:21I am sorry.
17:22I am sorry.
17:23I am sorry.
17:24I am sorry.
17:25I am sorry.
17:26I am sorry.
17:27I am sorry.
17:28I am sorry.
17:29I am sorry.
17:30I am sorry.
17:31I am sorry.
17:32I am sorry.
17:33I am sorry.
18:00♪♪
18:10♪♪
18:20♪♪
18:30♪♪
18:40♪♪
18:50♪♪
19:00♪♪
19:10♪♪
19:20♪♪
19:30Yes.
19:31You will never forget this lesson for the rest of your life.
19:36You should be careful about every little thing.
19:39You won't sell Saima, will you?
19:45Our daughter has grown up.
19:48Let's get rid of you.
19:52No, Ami. We won't get rid of you.
19:55♪♪
20:05♪♪
20:15♪♪
20:25♪♪
20:35♪♪
20:45♪♪
20:55♪♪
21:05♪♪
21:15♪♪
21:25♪♪
21:35♪♪
21:45♪♪
21:55♪♪
22:05♪♪
22:15♪♪
22:25♪♪
22:35♪♪
22:45♪♪
22:55♪♪
23:05You're here at the right time, Lajjo.
23:07How could we not come?
23:09First of all, it's a celebration.
23:11And on top of that, they've announced their engagement.
23:13And look at them.
23:14Instead of blooming, they've withered.
23:16Go and smell a little.
23:19The whole of Lahore is waiting for your first groom.
23:22Keep doing it. We won't get married.
23:25Are we some kind of show?
23:27Oh, this attitude.
23:30What will you do if you don't become a Tawaif, my dear?
23:33I'll become a poet, Lajjo.
23:36What did you say?
23:38I'll become a poet.
23:44A woman's real enemy is her dreams, Alamzeb.
23:48They appear to be there, but they aren't fulfilled.
23:52You're right, sister.
23:54We wander around in the golden castles
23:57and dream of freedom.
23:59Mr. Zorawar is also your dream, right?
24:01Yes.
24:03Mr. Zorawar isn't my dream.
24:05He's my reality.
24:07Fine then.
24:09I'll also make my dreams come true.
24:13Where are you going?
24:14I'm going.
24:15Yes, go.
24:16Mr. Mirza must be waiting for you.
24:19You left the room.
24:20How will you escape fate?
24:23Make her understand, dear.
24:25Neither you nor I could escape.
24:28I was only six years old
24:30when my ungrateful aunt sent me to this hell.
24:34How could I escape?
24:36I've been imprisoned ever since.
24:39But...
24:41I think I'll be free very soon.
24:43How?
24:44Mr. Zorawar will marry you.
24:50Don't tell anyone.
24:54I'm very happy.
24:55We're very happy.
24:56I'm happy...
24:58about this marriage.
25:02Forget about us.
25:03Just pray for Alamzeb
25:05that he finds a beautiful, young, beautiful, rich
25:10and loving husband.
25:13Amen.
25:15Amen to everything.
25:26Hello.
25:29Tajdar.
25:44Grandma.
25:45Tajdar.
25:47My friend has been dying to meet you.
25:51Good evening.
25:52Good evening, ladies.
25:53Hello.
25:54Tell me the truth.
25:55Can anyone be this beautiful?
25:57Not at all.
25:59Does anyone feel ashamed to hear your grandma's praises?
26:03I have every right to praise you
26:05and make you sit on my lap.
26:08Come.
26:09Sit.
26:10Sit on my lap.
26:11Don't be shy.
26:16You are embarrassing me, Kutia.
26:19He has returned from abroad as an Englishman.
26:21That's it.
26:34Kutia.
26:35Are you all right?
26:39What nonsense?
26:52Love?
26:57I promise.
27:06Wow!
27:16I'll take your leave.
27:17Have fun.
27:22If God gives a man such a beauty,
27:25then He won't give a woman such a beauty.
27:29You didn't return from abroad
27:30and the preparations to send you to Heeramandi have already begun?
27:32Exactly.
27:33I don't understand, Balraj.
27:34What kind of a tradition is this to send you to Heeramandi?
27:36Where women's respect is valued.
27:38I have never been there.
27:39I hate that place.
27:43Hi.
27:45Taj.
27:47You have returned after six years
27:48after studying law from London.
27:51Not London, father.
27:52Oxford.
27:53It's the same thing.
27:55So, son, what are your plans for the future?
27:57I have got a job at the Valiant Associates Law Firm in Bombay.
28:00I will work there for a few days and then...
28:02You are the only heir to all our brothels and hotel business.
28:06Who will take care of all this?
28:08The Nawabs don't do jobs.
28:10But all the Nawabs in India
28:11have jobs as Englishmen.
28:16You have started a lawyer from us.
28:18But you have already lost this case.
28:20Because we are the English.
28:21He is the Nawab.
28:22He is Aishwarya Rao.
28:24If the English leave, who will run this country?
28:26The rebels?
28:27Mark my words.
28:28If this country survives, it will belong to the English.
28:31The country doesn't belong to the rulers.
28:32It belongs to the people.
28:34So, you are against the English?
28:38I am a slave.
28:43Oh, my dear wife.
28:44Seeing the crown prince, my heart is broken.
28:47Mallika Jan's younger daughter has been announced as a bride.
28:50If you say, we can talk about the prince.
28:54Yes, you can talk to her.
28:56It's the crown prince's wish whether she goes or not.
28:58But, my dear wife, I...
29:01Do one thing.
29:02We have a function next week.
29:04Send the invitation to Mallika Jan on our behalf.
29:07If this happens,
29:09I will get my daughter married next year.
29:12I will get my daughter married next year.
29:27Attabhi.
29:28Attabhi.
29:33What happened?
29:35The Englishman has been here since a long time.
29:36What do we do?
29:37What do we do?
29:38Can't you see?
29:39Narsimha is dancing.
29:40He is not an ordinary Englishman.
29:41He is a police officer.
29:42He must be.
29:43We didn't call him.
29:44You don't understand, sister.
29:45Waheeda is dancing with him.
29:47Let her dance.
29:48You go.
29:49Who has come?
29:51Sir, an Englishman has come.
29:52Call him.
29:53Sir, I am an Englishman.
29:56How can you call me inside?
29:58He is an officer.
29:59You will have to respect him.
30:04Call him.
30:05Go and bring him.
30:06Yes.
30:07Go.
30:08Yes.
30:09What do I tell you, Mr. Cartwright?
30:12Mallika is jealous of me.
30:14My voice, my style, my...
30:16I am sorry.
30:18How much longer must I wait?
30:20You have just come.
30:22That's why you don't know.
30:23First, Mallika will waste your time.
30:27Then you.
30:29But I...
30:32I won't do this to you.
30:35Tell me, sir.
30:36Tell me, sir.
30:38What would you like to hear in Waheeda's voice?
30:41Ghazal?
30:42Tumri?
30:43Nothing.
30:44No, thank you.
30:46If you don't want to hear it,
30:49you will have to see it.
30:53Officer,
30:54His Highness has called you inside.
31:07Oh, Cartwright.
31:12Don't do this.
31:21Sir, Officer.
31:26Sir is busy right now.
31:28She won't be able to talk.
31:31Yes, sir.
31:32Come.
31:33Come.
31:36Come.
31:43I'm Alistair Cartwright,
31:44the new superintendent of Police Lahore.
31:47I've kept a Jalsa at my house to celebrate that.
31:50And I would like one of your notch girls to come for it.
31:57I seem to amuse you.
31:59Did I say something funny?
32:00He means to say that if our girls dance in everyone's gathering,
32:04the royal palace will be in a bad mood.
32:06But I'm willing to pay more.
32:12Officer,
32:13she's laughing because she doesn't want us to dance for such a small fee.
32:17Are you refusing a British officer?
32:20Are you refusing us?
32:25Sir is saying that he would even refuse the British emperor.
32:29So you...
32:31Are you saying goodbye?
32:33Goodbye.
32:37But I will see you soon, Mallika Jan.
33:04Good evening, Ustad.
33:06Thank you for coming.
33:08Would you care to have a drink?
33:13Ustad, would you care to have a drink?
33:15Yes.
33:16Yes.
33:17No.
33:20You've invited me for the first time.
33:22How can I serve you?
33:24I've called you here today.
33:26I've called you here today.
33:28I've called you here today.
33:30I've called you here today.
33:32I've called you here today because I want to know everything about Mallika Jan.
33:38Forget about Mallika Jan, Ustad.
33:40She's old now.
33:41We...
33:42I mean, I'll bring you one by one...
33:45Mallika Jan.
33:47All her secrets, all her weaknesses,
33:50her entire reality...
33:53She's the most powerful Tawaif of Hiramanti.
33:56Don't fight with her, Ustad.
33:58Is Randi more powerful than British Raj?
34:02You are my ruler.
34:05Then speak.
34:07I've eaten the salt of the royal palace, Ustad.
34:10How can I waste salt?
34:13That's why you're so salty, Ustad.
34:19Ustad.
34:23Speak.
34:24Easy.
34:25My life is small, Ustad.
34:27I'll tell you everything.
34:28Mallika Jan is a scoundrel, Ustad.
34:30She's the most powerful Tawaif of the royal palace.
34:33What are you doing, Ustad?
34:34You'll be blamed, Ustad.
34:43Greetings, Mother.
34:45You called me?
34:46Yes, dear.
34:47It's Mr. Baloch's party.
34:49All the big shots of the city are coming.
34:52I want you to get to know them.
34:55Go.
34:56Get ready.
35:00I'm sorry, Mother.
35:01I'm not feeling well.
35:03What if I don't come?
35:05That's okay, dear.
35:07You have to take care of your health.
35:09No?
35:10Do you have a fever?
35:13I don't have a fever.
35:15But you can't get rid of the fever of poetry.
35:18Did you see what you wrote?
35:21Someone should always hold me in their arms.
35:24Someone should read me like a book.
35:27You write well.
35:28No, it's not mine.
35:29It's Mr. Niazi's poetry.
35:31I really like his style of expression.
35:33That's why I wrote it.
35:34What a coincidence.
35:36Mr. Niazi is presenting his poetry at today's party.
35:39It would have been so nice if you had come.
35:42Anyway.
35:43It's okay.
35:46Mother, I was thinking we should go to the office.
35:49No, you take rest.
35:50Take care of your health.
35:51My health will be fine.
35:53But how can you go alone?
35:54Fattu.
35:55Yes, Ma'am.
35:58The scent of roses will make people go crazy.
36:02Goodbye.
36:03Goodbye.
36:07Where are you going dressed like a rose?
36:09To listen to Mr. Niazi.
36:11Oh, God.
36:12If he finds out, he'll kill me.
36:13Tell Sato to keep an eye on her.
36:15She's not well.
36:17Yes, Ma'am.
36:19Let's go.
36:50Let's go.
37:04Oh, God!
37:05What's happening?
37:06Come here.
37:08Let's go.
37:17Wow!
37:19First, use your tongue and then talk about love.
37:24Wow!
37:25Wow!
37:26Wow!
37:27Wow!
37:28Wow!
37:29Wow!
37:30Wow!
37:31Wow!
37:32Wow!
37:33Wow!
37:34Wow!
37:35Wow!
37:36Wow!
37:37Wow!
37:38Wow!
37:39Wow!
37:40Wow!
37:41Wow!
37:42Wow!
37:43Wow!
37:44Wow!
37:45Wow!
37:46Wow!
37:47Wow!
37:48Wow!
37:49Wow!
37:50Iqbal Root Jaye Wo Yeh Aarzu Karo, Pehle Jigar Ke Khoon Se Zabaan Ki Wazoo Karo, Milte
38:04Hai Ishq Mein Yeh Khazane Naseeb Se, Zakhmau Peh Zikr-e-Yaar Se Haske Rafu Karo, Pehle
38:14Jigar Ke Khoon Se Zabaan Ki Wazoo Karo, Ho Ghi Namaaz-e-Ishq Ada Kaise Bin Sanam, Izhaar-e-Ishq
38:25Hai Yeh Isse Roob-a-Roob Karo, Pehle Jigar Ke Khoon Se Zabaan Ki Wazoo Karo, Sehra Bhi
38:34Hai Junoob-e-Bhatakte Nahin Ho Kyun, Sehra Bhi Hai Junoob-e-Bhatakte Nahin Ho Kyun, Aashik
38:42Hai Agar Aap Toh Pir Justu Joo Karo, Pehle Jigar Ke Khoon Se Zabaan Ki Wazoo Karo, Sher
38:50Mulaiza Parmaye, Na Dekhye Idhar Udhar Yeh Ishq Hai Mian, Na Dekhye Idhar Udhar Yeh Ishq
38:57Hai Mian, Be Khauf Ho Ke Zindagi Bhar Koo Bakoo Karo, Aaj Ki Shaam Horis Ghazal Ka Aakhri
39:06Sher, Darde Judaai Sunnat-e-Majnoo Hai Ishq Mein, Darde Judaai Sunnat-e-Majnoo Hai Ishq
39:14Mein, Tum Bhi Niaaz Isko Adahoo Bahoo Karo, Niaazi Sahab, Aap Hamare Saabzade Ke Aizaaz
39:23Mein Hamari Mahfil Mein Tashreef Lai, Bahut Bahut Shukriya
39:26Aadab, Aadab, Nawazish, Nawazish, Nawazish, Shukriya, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish, Nawazish,
39:56Aadab
40:00Aadab
40:06Sorry, sorry, call me
40:16Dasdas,
40:17mind your words
40:19I'm sorry
40:26But every respected person doesn't know how to respect others.
40:30Anyway, I'll leave now.
40:34I'm really sorry.
40:36Come, I'll walk you out.
40:37What's his name?
40:39Yes, Tazdar.
40:41Mr. Tazdar, I know the way to the mansion and I know the way out.
40:47Good to see you, ma'am.
40:50This is Heera.
40:52Send Heera Mandi.
40:57Goodbye.
41:24Someone has stolen someone's heart.
41:28Someone has stolen someone's heart.
41:33Someone has stolen someone's heart.
41:38Someone has stolen someone's heart.
41:43Hey, come here. My package.
41:45I'll be right back.
41:47I'll be right back.
41:49Are you feeling better now?
41:50Yes.
41:53Mr. Niazid is a good poet, right?
41:55Yes.
41:56Come on.
41:57Mom.
41:58Go inside. It's okay.
42:00Ma'am, I didn't know...
42:01Good night, Iqbal.
42:05Good night, Iqbal.
42:10Balli.
42:12Balli.
42:14What are you doing here?
42:15Why didn't you come to eat?
42:17Balli, he's asking you.
42:18I'm very hungry. Let's go.
42:20Saima, you go ahead. I'm not hungry.
42:22Wow.
42:23A person who eats 12 parathas a day is not hungry today.
42:25Can you tell me why?
42:27I've earned only one thing in my life.
42:30The trust of my master.
42:31And I've lost that too today.
42:33How?
42:34She thinks I took Alam to the poetry class without his permission.
42:38My master can't think like that.
42:41Will he find anyone more loyal to him than you in Lahore?
42:45He loves you so much.
42:47But less than us.
42:49No.
42:51This Siappa is after Alam.
42:53Siappa is Alam's. She'll apologize.
42:56Saima, you don't know.
42:59God forgives people's mistakes once.
43:02But my master will punish me today or tomorrow.
43:05I don't know about my master.
43:08But I'll punish you today.
43:10I'm very hungry.
43:12But I won't eat.
43:13I'll eat you today.
43:19Alam, I can't believe it.
43:21My master caught you stealing.
43:23And he didn't even scold you.
43:24Why would he scold me, Shama?
43:25My mother knows how much I love poetry.
43:28These are my books.
43:29Where are you taking them?
43:30To throw them out.
43:32But why?
43:32And go to the poetry class without his permission.
43:34You'll be punished.
43:35And my diary?
43:36Ask my master.
43:44Where are you taking my books?
43:46In the streets of Hiramandi, books are just a hobby.
43:49And a life.
43:51Here, fate is not in the hands, but in the feet.
43:55Take care of your fate.
43:57Such a big punishment for going to a poetry class.
44:00You'll be punished.
44:03Mother.
44:03Yesterday, you lied for the first time.
44:06That should be the last lie.
44:10Mother, you can punish me as you wish.
44:12But don't tear my poetry.
44:16We don't punish the body.
44:19We punish the soul.
44:22And your soul is in this.
44:44What?
44:47What are you looking at?
44:49If I don't kill the sea,
44:52it will drown me in your eyes.
44:55Really?
44:56Are my eyes that deep?
44:58Yes, they are so deep that...
45:00Sister.
45:01Sister.
45:03Mother, ask her how deep her eyes are.
45:05Sister.
45:07Alam, I'm with Mr. Wali.
45:10And I was with mother.
45:11She threw all my books away.
45:14So, I won't give them to you. You can go now.
45:16If you don't listen to me now,
45:18I'll kill myself.
45:19I won't stay here.
45:22I'm sorry, Mr. Wali.
45:24I'll talk to her.
45:31Alam, how many times do I have to tell you?
45:34Where did she go?
45:36Mother keeps creating problems.
45:41Mr. Wali, what is this?
45:44You're going.
45:46I have a meeting with Henderson.
45:49Are his eyes deeper than our eyes?
45:53It's important to meet him today.
45:55There's tension in the city.
45:57The rebels are protesting.
45:58These damn rebels are protesting at such a young age.
46:02I'm afraid that Henderson might order a shoot at sight today.
46:07We'll try to stop them.
46:10These rebels are crazy.
46:12But they are our people.
46:14We'll leave now.
46:15Okay.
46:16Goodbye.
46:20We want freedom!
46:22We want freedom!
46:23We want freedom!
46:25We want freedom!
46:26We want freedom!
46:28We want freedom!
46:29We want freedom!
46:30We want freedom!
46:32We want freedom!
46:33We want freedom!
46:35Sister, we should learn something from these rebels.
46:37At least they raise their voice against oppression.
46:40And look at us.
46:41Mother burnt our diaries.
46:42She stole our books. And we stayed quiet.
46:44You didn't stay quiet.
46:45She stole our old books, but we're going to buy new ones.
46:48You're in a bad state.
46:49That's true.
46:51Leave India!
46:53Long live India!
46:56Leave India!
46:59Long live India!
47:02Long live India!
47:04Long live India!
47:07Long live India!
47:10Leave India!
47:12Leave India!
47:14Long live India!
47:16Iqbal, take the rest to the crossroads. We'll be there.
47:18Yes, ma'am. The atmosphere isn't good.
47:20Come quickly.
47:21Okay.
47:22Let's go, Alam.
47:26Greetings, brother.
47:28We want to buy some books.
47:29This isn't a bangle shop.
47:31You can buy books here.
47:32But first, read this.
47:34Today cash, tomorrow loan.
47:36Why will we take a loan?
47:37We have a lot of money.
47:39We can even give cash as a gift.
47:41It's okay, Alam. You can buy books.
47:43Where will we get poetry books?
47:45Over there.
47:46Our servants are there.
47:47But hurry up.
47:49If the atmosphere outside is bad, we'll have to close the shop.
47:51Sister, we can buy as many books as we want, right?
47:54Yes, of course.
47:57Brother Nawaz, give me that book.
47:59Don't ask too many questions.
48:01It's very important to get that book to Mr. Hamid.
48:03There could be a ruckus today.
48:07Be careful. Don't suspect anyone.
48:09Okay.
48:11Alam.
48:12Pick the books quickly.
48:14We'll go and meet aunt Sultana, okay?
48:16Okay.
48:34Hey! What are you doing?
48:36I'm sorry.
48:38You?
48:39You?
48:41You?
48:43You?
48:44How are you?
48:46I'm fine.
48:47And you?
48:48Me?
48:50I'm fine.
48:54How did you disappear in Musharraf all of a sudden?
48:56Where will we find Mr. Niazid?
49:01What will we find?
49:04You wrote on my heart.
49:07My heart is still beating.
49:09Lions don't beat.
49:11They roar.
49:17The owner and the servant are both ill-mannered in this book house.
49:21Move aside.
49:23Servant.
49:25Listen.
49:26How can this servant help you?
49:28Thank you. I can help myself.
49:33I think you're very fond of poetry and poetry.
49:36Yes.
49:37I remember Ghalib, Zafar, Mir, Niazid
49:41and all of their poems by heart.
49:44Then remember a poem by this servant too.
49:50When the lines of your thoughts come out
49:55a new poetry comes out on every page.
49:59Hail Lord Shiva.
50:02Hail Lord Shiva.
50:05Hail Lord Shiva.
50:06Mr. Hamid.
50:10Mr. Rizwan, where is Balraj Kurta?
50:12They all went to the protest.
50:13When Mr. Hamid goes to the protest, give him this book.
50:16It's very important.
50:17What happened, Bibojaan?
50:19You look very worried.
50:22Mr. Hamid, a shoot-out order is going to be issued at the Henderson rally today.
50:26Our men can be killed.
50:28How can you be so sure?
50:32I got to know about it from Mr. Wali.
50:35Here you go.
50:36This is not the time to read a book.
50:39It's time to answer.
50:47I had hidden this gun in the bookcase.
50:50I knew it would come in handy one day.
50:53If ten of our men kill it,
50:55at least six of us will die.
50:58Will you call my name or not?
51:02Will you kill me or not?
51:05Will you kill me or not?
51:10This and this.
51:12Ma'am, you forgot this and this.
51:16You have hired a very good servant.
51:19This is a servant.
51:20Of course.
51:22Why are you looking here and there? Tell me.
51:24Take this as a gift from this servant.
51:27Cut him out of my salary, ma'am.
51:30If I stay here for a moment,
51:31I will cut off his neck as well.
51:34Goodbye.
51:40My sister will come and pay for it.
51:44Who is this lady?
51:46I don't know, sir.
51:47People come, take books and leave.
51:50But she took my heart away.
51:53Get out!
51:58Catch him!
52:01Creatures!
52:02Catch him!
52:04Creatures!
52:09Leave him!
52:10Leave him!
52:11You whore!
52:16Leave him!
52:53I didn't mean it!
52:56Make it up!
53:04Are you okay?
53:22Kill him!
53:24Kill him!
53:52♪♪
54:02♪♪
54:12♪♪
54:22♪♪
54:32♪♪
54:42♪♪
54:52♪♪