- 5/17/2025
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TVTranscript
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00:04:20Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha
00:04:50Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! ha-ha-ha Dooo down!
00:04:58daytime
00:05:02dad
00:05:08ha
00:05:13no
00:05:16Yay!
00:05:28This is the director's assistants.
00:05:30Rambas, the future glory of theatre.
00:05:34Aletas, the great talent of painting.
00:05:39And from here, music teacher and composer Linos Ermylios.
00:05:43Bravo, bravo!
00:05:46And you?
00:05:48Maroula, without a title.
00:05:50Of course, you're going to Athens.
00:05:52Yes, for the first time.
00:05:54Things are getting colorful.
00:05:56To my aunt in Kolonaki.
00:05:58In Kolonaki?
00:06:00Yes, but Athens is a very big city.
00:06:02Lavirithos.
00:06:04You'll get lost for the first time.
00:06:06What are you saying? We'll get lost in Athens?
00:06:08Yes, in Athens.
00:06:10Now, some music.
00:06:16We're arriving.
00:06:18How do I look?
00:06:20You're losing your sight.
00:06:22At this hour, it's full of poetry.
00:06:24Leave the poetry now
00:06:26and take your things.
00:06:28Listen to the poetry.
00:06:30It's beautiful.
00:06:46From here, kids.
00:06:56Come this way.
00:06:58What?
00:07:00Will we take the train?
00:07:02No, we'll take the bus.
00:07:04Can't you see?
00:07:06Ha!
00:07:08Ha ha ha ha!
00:07:10Ha ha ha ha!
00:07:12Hmm.
00:07:14Hmm.
00:07:16Hmm.
00:07:18Hmm.
00:07:20Hmm.
00:07:22Hmm.
00:07:24Hmm.
00:07:26Hmm.
00:07:28Hmm.
00:07:30Excuse me, sir.
00:07:32How do you see this?
00:07:34We're flying to Athens. It's yours.
00:07:38Leave us alone. Do I look like an American?
00:07:41You're blocking the road.
00:07:43We don't want to.
00:07:51Let's see.
00:07:54I'll give it to my son as a gift.
00:07:58He's got a lot of money for such things.
00:08:05Guys, come here.
00:08:07Come, Lino.
00:08:09Come here, ladies.
00:08:12And you, Smetra.
00:08:18Hello, my friend. Thank you.
00:08:2024, 26, 28...
00:08:22Ah, there he is.
00:08:24That white house over there.
00:08:28I have to go now.
00:08:29You're going out?
00:08:30What, are you saying goodbye forever?
00:08:31Who knows?
00:08:32No, I don't want to.
00:08:33My aunt is watching.
00:08:34She wouldn't want to see us together and...
00:08:36It doesn't matter.
00:08:37Maroula wants to tell you something.
00:08:40Take our advice.
00:08:41You never know.
00:08:42You might need it one day.
00:08:45Always at your service.
00:08:46You make me blush.
00:08:47So kind of you.
00:08:49Goodbye for now.
00:08:50Take care, Maroula.
00:08:51You should know that we're happy.
00:08:53Goodbye, Maroula.
00:08:56Goodbye.
00:09:02Something to eat.
00:09:03You say?
00:09:04Yes, yes.
00:09:29Not tonight, my dear.
00:09:31I'm expecting a new bride.
00:09:34No, no.
00:09:35Diomedes is sending her to me.
00:09:37From the island.
00:09:39I trust him, Diomedes.
00:09:42You see, the servant has become rare today.
00:09:47The other one.
00:09:48Now, the other one.
00:09:50She's got a husband too.
00:09:52It wasn't the same.
00:09:54And my husband, Nonouka, didn't hold his place at all.
00:09:59Up the river.
00:10:01Leave it, Agis.
00:10:03Eh?
00:10:04Can't you see her?
00:10:06She's afraid of the shallow rivers.
00:10:09Wait a minute, Nonouka.
00:10:11Mama, it must be her.
00:10:14Love, open up.
00:10:23I'm leaving you now, Nonouka.
00:10:25Leave it.
00:10:26It's been so many days.
00:10:28Drama, the passions of Christ.
00:10:30Yes.
00:10:31Goodbye, Nonouka.
00:10:32Goodbye, my dear.
00:10:35It's impossible.
00:10:36Let's see, Mama.
00:10:37What do you mean, let's see?
00:10:38It's a village.
00:10:40Come in, my girl.
00:10:45I'm sorry.
00:10:46Your brother, Mr. Diomedes, sent me.
00:10:50This letter is for you.
00:10:52And I brought it for you, and...
00:11:02Eh?
00:11:03What does it say here?
00:11:05End of Sunday school?
00:11:08Mr. Diomedes told me you wanted an icon.
00:11:15Yes.
00:11:17Mm-hmm.
00:11:18Yes.
00:11:22Mr. Diomedes didn't understand.
00:11:25I want a little girl.
00:11:27I don't need an icon.
00:11:30Ma'am, I can do any job.
00:11:31Don't fire me.
00:11:32I need to work.
00:11:33What can I do for you, my girl?
00:11:35I'm very sorry, but there's nothing I can do.
00:11:41Paola, what's going to happen to these musoirs?
00:11:44Where are you putting them?
00:11:49Oh...
00:11:51What do I see?
00:11:54Ma'am?
00:11:56Happiness.
00:11:58Nice.
00:12:00Happiness.
00:12:01It's your icon that your cousin sent us from the island.
00:12:07Bravo, Diomedes.
00:12:09Bravo.
00:12:10What did you say?
00:12:12I said that Diana's cousin did it.
00:12:16I mean, excuse me.
00:12:17I wanted to say that the cousin often expresses his interest in us.
00:12:24At least, I admire him.
00:12:28Happy birthday, Mr. Firefighter.
00:12:30First-class.
00:12:41Excuse me, sir.
00:12:42I'm leaving.
00:12:43But...
00:12:44Of course, Happiness.
00:12:45We found a job for you.
00:12:47Here, my good girl.
00:12:48But when did we find a job, Paola?
00:12:50Please, Happiness, don't interfere in my work.
00:12:53You, with your ships.
00:13:41Listen, Miss.
00:13:42If you're here to kill, there's no Acropolis.
00:13:44What's my fault?
00:13:45You know, it's my first time in Athens.
00:13:48First time?
00:13:49Yes, I haven't heard of it before.
00:13:51Where are you from?
00:13:52From Syra.
00:13:54I'm looking for this street.
00:14:00March, April, 130.
00:14:01Yes, sir.
00:14:02Plak.
00:14:03Yes.
00:14:05Come with me.
00:14:06Yes, sir.
00:14:07Plak.
00:14:08Yes.
00:14:10Come with me.
00:14:12Come with me, because, as you go...
00:14:15I doubt you'll make it alive.
00:14:18Come with me, then.
00:14:19Come with me, then.
00:14:21I'm going.
00:14:23Sit down.
00:14:37Sit down.
00:14:47This is the street you're looking for, Miss.
00:15:03Thank you very much.
00:15:04You're welcome.
00:15:11Here.
00:15:12Here, in this corner of Athens,
00:15:14all ages meet.
00:15:17Ancient Athens.
00:15:20Middle Ages.
00:15:22And romantic Plak.
00:15:29Your uncle, as you told me,
00:15:31must have a very good taste to stay here.
00:15:37Yes.
00:15:50Ha-ha-ha-ha-ha.
00:15:52Very funny, how I managed to get it.
00:15:54I don't know what I'm talking about.
00:16:21What did I tell you? You're in trouble.
00:16:23Jazz is going to eat us. You know that only classical music has an organ.
00:16:28It's time to go down and ask for the keys.
00:16:41It's starting to work.
00:16:54Push. Push. Push.
00:17:09Full life in the head.
00:17:12Push.
00:17:23Guys. Guys. A party.
00:17:30Maroula. Maroula.
00:17:33Maroula. Maroula.
00:17:38Maroula.
00:17:40I'm sorry, but I found everything closed in Kolonaki.
00:17:44The house is empty.
00:17:46Thank God you found it closed.
00:17:48Maroula.
00:17:50Maroula.
00:17:53Maroula.
00:18:23Maroula.
00:18:53Ho. Ho. Ho.
00:19:23Ho. Ho. Ho.
00:19:33Bravo! Thank you. Thank you.
00:19:37Congratulations, Mata.
00:19:40Bravo, Sultana.
00:19:42Come, my dear.
00:19:44Give my hand to Mrs. Sultana.
00:19:46Thank you, guys. Thank you.
00:19:47You know, Makaritis, my husband,
00:19:51played the first trombone in the Philharmonic of the Municipality.
00:19:54Seville's choir was his forte.
00:20:03Thank you, Mata.
00:20:18I'm sorry.
00:20:24You're welcome.
00:20:25Goodbye.
00:20:42I see.
00:20:46He's a bastard.
00:20:48Goodbye.
00:20:52What was that?
00:20:53I'm sorry.
00:20:55We know her, Trianita, and you understand.
00:21:01So?
00:21:03I don't know if I did well coming here.
00:21:05Why?
00:21:07I have to tell you that I didn't come to stay.
00:21:10I have to find a room for two or three days.
00:21:13Where are you going to stay tonight?
00:21:15You're going to stay here.
00:21:17No, no.
00:21:19The three of us in the house.
00:21:21Bravo.
00:21:23I don't want to embarrass you.
00:21:25You're going to stay here.
00:21:27Tomorrow, the three of us will decide.
00:21:30Tomorrow, then.
00:21:32I'm going to get the sausages.
00:21:34Wait a minute.
00:21:46As you wish.
00:21:54As you wish.
00:21:56Maroula, it's your turn to sing us a song.
00:21:59Maroula, it's your turn to sing us a song.
00:22:01I don't know what to say.
00:22:03Get up and sing us something.
00:22:05Have you seen your husband?
00:22:07He's crying his eyes out.
00:22:08He's crying his eyes out.
00:22:39He's crying his eyes out.
00:22:41He's crying his eyes out.
00:22:43He's crying his eyes out.
00:22:45He's crying his eyes out.
00:22:47He's crying his eyes out.
00:22:49He's crying his eyes out.
00:22:51He's crying his eyes out.
00:22:53He's crying his eyes out.
00:22:55He's crying his eyes out.
00:22:57He's crying his eyes out.
00:22:59He's crying his eyes out.
00:23:01He's crying his eyes out.
00:23:03He's crying his eyes out.
00:23:05He's crying his eyes out.
00:23:06He's crying his eyes out.
00:23:08He's crying his eyes out.
00:23:10He's crying his eyes out.
00:23:12He's crying his eyes out.
00:23:14You were wonderful, Maroula.
00:23:17Do you know you have a wonderful voice, Maroula?
00:23:20But you mean it.
00:23:24Maroula is right, let him hear him.
00:23:28Send your regards, guys.
00:23:36Shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh, shh
00:24:06Oh
00:24:36Shhh!
00:24:44Get up, all of you!
00:24:48Make some noise!
00:24:51What happened? Did they catch us?
00:25:06Maroula!
00:25:18Bravo, Maroula!
00:25:27Make some coffee, Maroula!
00:25:34Make some coffee!
00:25:37Shhh!
00:25:57Have you seen Rambas?
00:25:59He must have come to see his aunts for the winter.
00:26:02Things didn't go well until now.
00:26:05But I have an idea that will change our luck.
00:26:09Let's go. We two are like the shepherds.
00:26:12Goodbye.
00:26:13Goodbye.
00:26:14Goodbye.
00:26:23If Rambas dreams of all the performances, they will make him famous and rich.
00:27:24So...
00:27:28My teacher used to say that there are two things that can't be hidden.
00:27:33Love and talent.
00:27:36Vykas and Paras, you mean.
00:27:40But you should be interested in this matter.
00:27:43Which one?
00:27:49Don't tell me. Do you really want to return to the island?
00:27:53I believe that you have real talent.
00:27:58I'm afraid of what you say.
00:28:00I say we should try.
00:28:02And we should start rehearsals from today.
00:28:05I have something in my mind.
00:28:07I wish I had the voice of the singers.
00:28:11So, what do you say? Let's go?
00:28:15Yes?
00:28:26What?
00:28:27Ah, hello Betty.
00:28:30What time did you wake up?
00:28:31Eight?
00:28:33What are you talking about?
00:28:36Yes, I will go for some records.
00:28:38The old jazz of 1928 in a new edition.
00:28:44Yes, yes, yes.
00:28:48All right, all right. I'll see you here tonight.
00:28:50Yes.
00:29:04What time is it?
00:29:05Oh, eleven.
00:29:07They will be waiting for me. I'm late.
00:29:10All right, you don't have a date today.
00:29:13Vicky will be waiting.
00:29:14Oh, good mother. Let her wait.
00:29:17But this is not the situation.
00:29:19Should I wait for you?
00:29:22But why, good mother?
00:29:24Twenty thousand tons.
00:29:26Do you understand what I'm saying?
00:29:28Pull the trigger to understand.
00:29:31And give it to her for free.
00:29:34Because I don't give five for your education.
00:29:36But to pull the trigger for twenty thousand tons,
00:29:38the moment your father is in debt to the bank?
00:29:42I can't think of such things now, mother.
00:29:45You turn me on and on.
00:29:47All the time.
00:29:49Twenty thousand tons.
00:29:52My dear mother, everything will be fine.
00:29:54But what did you decide, mother?
00:29:56To get married from now on?
00:30:02Crazy boy.
00:30:13Come on.
00:30:22All, all, all.
00:30:26All, all, all.
00:30:28All, all, all.
00:30:33All, all, all.
00:30:44Hello, Paleta. I wanted to see you.
00:30:46Yes, Agis, I'm coming right away.
00:30:51Hey, Paleta, come here.
00:30:53Welcome, Agis.
00:30:55You didn't tell me you had anything new.
00:30:57Of course. I have a series for you to go crazy.
00:30:59Something about a windmill.
00:31:01Very romantic.
00:31:08I'll pass by to see you.
00:31:10Whenever you want.
00:31:11You know, we changed the address.
00:31:13Now we stay at Marko Avrilio, 130.
00:31:15130?
00:31:16Yes.
00:31:17Don't tell me.
00:31:18Yes.
00:31:19Do you have a flat there?
00:31:20Flat? Where can I find it?
00:31:22I'm a despot.
00:31:24I can't remember well.
00:31:26Don't tell me.
00:31:29What about Maroula?
00:31:31Maroula? How do you know her?
00:31:33Is she your relative?
00:31:36Come here, kid.
00:31:37What will you take?
00:31:38What will you take?
00:31:41Come here.
00:31:49She wants to leave.
00:31:51Really? Why all of a sudden?
00:31:53You tell her.
00:31:56What does Linos tell me?
00:31:59Yes, Ramba. I'll leave.
00:32:01What's the matter?
00:32:02Listen, Maroula.
00:32:03You are one of us now.
00:32:05You have to tell us.
00:32:06What's going on with you?
00:32:08I have to tell you that...
00:32:11...that there is no aunt in Kolonaki.
00:32:15That they went to work in an old house and kicked me out.
00:32:18That's all.
00:32:19That's all.
00:32:20That's why you're sad, kid.
00:32:22Maroula.
00:32:23Prepare a theatrical operation.
00:32:26I'll find you a job.
00:32:28Bravo, Ramba.
00:32:29Someone is knocking.
00:32:46Mr. Elinos, you were a prophet.
00:32:48Hello, Petros. What happened?
00:32:49What did you want to happen?
00:32:50Exactly as I said.
00:32:51What do you mean?
00:32:52The pianist took a beating.
00:32:54Let me tell you.
00:32:55He fought with the boss.
00:32:57Come on, hurry up.
00:32:58The boss is waiting for you.
00:32:59Come on, hurry up.
00:33:00Okay.
00:33:01I'm coming.
00:33:02Maroula, you'll come with me.
00:33:03It's a great honor to come with me.
00:33:04Come on.
00:33:05Let's go.
00:33:22Let's go.
00:33:41It's close here.
00:33:44I'm afraid, I can't.
00:33:45Now that we're here.
00:33:47Let me go, I'll go back.
00:33:48You go.
00:33:49You'll come with me.
00:33:50I'm not letting you go anymore.
00:33:54Come on.
00:33:59One. Two. Three.
00:34:00One. Two. Three.
00:34:01One. Two. Three.
00:34:03One. Two. Three.
00:34:04One. Two. Three.
00:34:06One. Two. Three.
00:34:07One. Two. Three.
00:34:08One. Two. Three.
00:34:10One. Two. Three.
00:34:11One. Two. Three.
00:34:13Welcome, Elinos.
00:34:14Good morning, Mr. Vlasis.
00:34:15How are you doing?
00:34:16Did you want to talk to me?
00:34:17So, from now on, you'll be in charge.
00:34:20All right.
00:34:21With the other guys.
00:34:23No one could be without a partner.
00:34:28Come on, guys, let's get started. Let's not waste any time.
00:34:32Let's start with a boulerette, or maybe not.
00:34:36The...
00:34:38Lino.
00:34:39Yes, ma'am.
00:34:40I'll tell you.
00:34:42Come here, Maroula. Sit here.
00:34:48Let's go.
00:34:54Come on, everybody together. Let's start with a pirouette.
00:35:00Here.
00:35:12So?
00:35:17This is perfect for my villa on the island.
00:35:19I hope so.
00:35:25Don't you say...
00:35:27Maroula.
00:35:29Where is she?
00:35:33Did an island girl impress you so much?
00:35:38She's a bit naive.
00:35:41What do you think?
00:35:42The customer is always right.
00:36:18Bravo.
00:36:20Bravo.
00:36:23Bravo.
00:36:25Come on, Lino.
00:36:26Where have you been hiding her for so long?
00:36:28A voice like that.
00:36:29And she smiled.
00:36:30It was a revelation for me, too.
00:36:32When is she ready?
00:36:33As soon as possible.
00:36:35But...
00:36:36There's no time.
00:36:37Get back to work quickly.
00:36:41Lino.
00:36:42Take care of the clothes and so on.
00:36:45Yes, sir.
00:36:46Clothes and so on.
00:36:48Come on.
00:36:51All right, Mr. Vlassis.
00:36:52So, Maroula.
00:36:53Maroula.
00:36:57Better, Marilina.
00:36:59My artistic nickname.
00:37:02And now, get back to work.
00:37:16THE END
00:37:31And now, ladies and gentlemen, the revelation of the night.
00:37:34The new star of our center, Marilina.
00:37:36Welcome.
00:39:16THE END
00:39:46THE END
00:40:16THE END
00:40:46THE END
00:41:16THE END
00:41:18THE END
00:41:20THE END
00:41:22THE END
00:41:24THE END
00:41:26THE END
00:41:28THE END
00:41:30THE END
00:41:33THE END
00:41:35Finally, Octopus.
00:41:36I found you again.
00:41:37You?
00:41:38You remembered me.
00:41:39My wounds are healed.
00:41:42Tonight, I realized how rare you are.
00:41:46You have a rich talent.
00:41:48But you need a more suitable environment for that.
00:41:53And...
00:41:54How can I put it?
00:41:55You need someone to help you in your artistic career.
00:41:58Right?
00:42:02What makes you think I'm happy?
00:42:13Excuse me.
00:42:15I'm the new star of the center.
00:42:19It's my pleasure.
00:42:20See you in my place tonight.
00:42:22I'll be waiting for you.
00:42:23Goodbye, Mrs Parmas.
00:42:24Good luck.
00:42:25See you in the movie.
00:42:26Good luck.
00:42:27See you in the movie.
00:42:29Goodbye.
00:42:30Good luck.
00:42:31Good bye.
00:42:32Bye.
00:42:33Bye.
00:42:34Bye.
00:42:35Bye.
00:42:36You can't walk out of my door.
00:42:39I'm going in.
00:42:40I'm going in.
00:42:41I'm going in.
00:42:42What are you doing?
00:42:43We're not going in.
00:42:44So, guys, what do you prefer? Our time or Romanticism?
00:42:49Romanticism! Romanticism!
00:42:54Let's go, guys!
00:42:55Let's go to the unknown with a boat of hope!
00:42:57Let's go wherever you want!
00:42:58Wherever you want!
00:43:00Let's go!
00:43:12Take it, my good man. It's all yours.
00:43:14Come on, let's go!
00:43:20Come on!
00:43:30Let's go!
00:43:56Bye.
00:43:57Are you leaving already?
00:44:01Let me tell you something.
00:44:08Did you hit me?
00:44:09Let me see.
00:44:26It's an old joke.
00:44:28Let me see.
00:44:30Let me see.
00:44:34Lino.
00:44:37Lino, can I ask you a favor?
00:44:45Excuse me, Maroula.
00:44:57Doris!
00:44:59Didn't you expect to see me?
00:45:02Doris, it's you.
00:45:04Lino, you have to explain to me.
00:45:07Doris, now that you're married, I...
00:45:10Yes, you're promoting a new talent, I know that.
00:45:12Doris, please!
00:45:17So, you forgot everything.
00:45:20All the good times we spent together.
00:45:29All the good times we spent together.
00:45:34Lino, my love.
00:45:39Doris, you have to understand.
00:45:43Everything is over between us.
00:45:47Nothing connects us anymore.
00:45:50Nothing.
00:45:58Nothing.
00:45:59Nothing.
00:46:00Nothing.
00:46:26Guys, excuse me for a moment.
00:46:28Excuse me for a moment.
00:46:58Excuse me for a moment.
00:47:28THE END
00:47:59THE END
00:48:10Where are we going from here?
00:48:12We have an hour's time.
00:48:14Don't you want to be back at seven?
00:48:16Yes, at seven.
00:48:18Cigarette?
00:48:19No, thank you. I don't smoke.
00:48:23I like women who smoke.
00:48:26What are you thinking about?
00:48:28Nothing. I'm just looking.
00:48:30I'm just looking.
00:48:53Behind that hill is a dream lake.
00:48:57You'll see it and you'll tell me if I'm right.
00:49:00THE END
00:49:31THE END
00:49:37THE END
00:50:00What do you think of the lake?
00:50:01It's very nice.
00:50:03THE END
00:50:06Maroula, why don't you let yourself go?
00:50:10It's too late.
00:50:11Please, let's go back, Mr. Agis.
00:50:13I have to be back at seven.
00:50:16Why are you talking to me like that?
00:50:18I'm a stranger to you.
00:50:23I don't know what's going on with me.
00:50:26I feel bad coming with you.
00:50:29Maroula,
00:50:30a short walk on the lake will do you good.
00:50:33We'll be back at seven, I promise.
00:51:01THE END
00:51:09Didn't you tell her we were starting at seven?
00:51:16I'm afraid nothing will happen.
00:51:30THE END
00:52:00THE END
00:52:17Isn't she pretty?
00:52:19Who knows?
00:52:30THE END
00:52:33THE END
00:52:59Good morning, boss.
00:53:01It's been a while.
00:53:03How are you?
00:53:34THE END
00:53:48How are you, Maroula?
00:53:49How are you?
00:54:03I come here when I'm tired.
00:54:05Away from the noise.
00:54:19THE END
00:54:49THE END
00:55:19THE END
00:55:24I'm late, I have to go.
00:55:29Goodbye.
00:55:45Maroula!
00:55:47Maroula!
00:55:48Maroula!
00:56:02Maroula!
00:56:07Maroula!
00:56:09Maroula!
00:56:11I'm late.
00:56:14You made me laugh.
00:56:19You still don't get it.
00:56:22I love you.
00:56:24I love you, Maroula.
00:56:27I want to leave.
00:56:29I want to leave.
00:56:32I want to leave.
00:56:38You're free to do whatever you want.
00:56:41I just want to tell you one thing.
00:56:43Linos, the one you introduced me to yesterday.
00:56:45Yes, yes, yes.
00:56:46Yes, yes, yes.
00:56:47He's an innocent man.
00:56:49He's just after married women and doesn't give a damn about you.
00:57:13It's like he's got a gun.
00:57:16Find something clean to cover up.
00:57:46Maroula.
00:57:51Maroula.
00:57:53Why don't you want to believe me?
00:57:56You have to.
00:57:57You have to stay here for a few days.
00:57:59It'll do you good.
00:58:17Apostolis.
00:58:19Apostolis, please.
00:58:21Come here.
00:58:30He's in a hurry.
00:58:33Don't worry.
00:58:35I'll send him right away.
00:59:06Well, when I put something on the mark, I hit it.
00:59:17Life can't be nice without adventures.
00:59:21Agis, we belong to two different worlds.
00:59:24Well, that doesn't matter.
00:59:27Come on.
00:59:39Linos, a letter for you.
00:59:58Linos, I still don't know which of us is to blame.
01:00:02I'm asking you to forgive me.
01:00:08I'm asking you to forgive me.
01:00:09I'm asking you to forgive me.
01:00:14I'm asking you to forgive me.
01:00:18They're all the same.
01:00:39They're all the same.
01:01:09They're all the same.
01:01:10They're all the same.
01:01:38Apostolis.
01:01:40Apostolis.
01:01:46I want you to tell me your opinion freely.
01:01:51It's not so easy what you're asking for, Mr. Agis.
01:01:54Yes, but I don't want you to answer me as a servant.
01:01:58But as a friend.
01:02:00You love each other very often.
01:02:04And you forget quickly.
01:02:06Yes, but it's not the same with Maroula.
01:02:09Do you see it clearly, too?
01:02:12You're the one in charge.
01:02:15For now.
01:02:17Excuse me.
01:02:19Give me the phone.
01:02:39This is Ano Potamon.
01:02:41I can't get my head around it.
01:02:43My Agis is on her way.
01:02:45But what I don't understand is how you know her.
01:02:48This reminds me of a personal incident.
01:02:52In 1937, when I was...
01:02:55Don't talk to me about your work.
01:02:57You're insensitive.
01:02:59Can't you see the difference between a lady and a servant?
01:03:02A hint of seduction.
01:03:04Passion.
01:03:06Innocence.
01:03:08I'm just a forefather, Paola.
01:03:10You're an idiot.
01:03:12When you're 20,000 years old, they're waiting for you in Piraeus.
01:03:19Apostolis.
01:03:21How is my son?
01:03:23Isn't he there?
01:03:25In the forest?
01:03:27Is this man with him?
01:03:29How?
01:03:31He stayed in the villa?
01:03:33Don't say anything.
01:03:35Love, eh?
01:03:36Get the cars ready.
01:04:07Don't touch anything.
01:04:24You should know.
01:04:26I don't care about your love affair.
01:04:28You can do whatever you want.
01:04:31Not with my son, though.
01:04:33Never.
01:04:34Not with my son.
01:04:36Never.
01:04:44It's 50,000.
01:04:46Take it.
01:04:48Take it and get out of my son's life.
01:04:50Ma'am...
01:04:52Take it and leave.
01:04:59Ma'am...
01:05:00I was just a passing acquaintance to your son.
01:05:05Keep your money.
01:05:07You love him so much.
01:05:12One day,
01:05:14you might feel that you've never been able to love anyone better.
01:05:30I love you.
01:05:57Marula!
01:05:59Marula!
01:06:04Marula!
01:06:12Apostolis?
01:06:14Where is Marula?
01:06:18She left, Mr. Agios.
01:06:20She left? Where did she go?
01:06:24Your mother was here.
01:06:26My mother?
01:06:28Yes.
01:06:42You are my brother
01:06:44and you have to help me.
01:06:50But...
01:06:52Is it so serious?
01:06:55This old woman bewitched him.
01:06:58I have to find out what's wrong with her.
01:07:01And what should I do?
01:07:06Well...
01:07:11Agis has to leave Athens.
01:07:19And will he believe what I tell him?
01:07:22That when he gets to London, he will discover the witch?
01:07:25Then it will be too late.
01:07:28After all, I know my son.
01:07:31A good company will make him forget everything.
01:07:38And you, thank God, you have a lot of delicious girls.
01:07:44It's time, Paul, for you to tell me to have a girlfriend.
01:07:49Not even a prophet.
01:07:54You found it.
01:07:55You found it.
01:07:57Catherine is the most suitable.
01:08:01She is a person of trust.
01:08:03She is your ex-girlfriend.
01:08:06You will explain the situation to her and she will understand.
01:08:10Mom!
01:08:12Tell Catherine to come to the small living room.
01:08:20What are you doing here?
01:08:21What are you doing here?
01:08:24Are you okay?
01:08:26Hello.
01:08:28I'm going to get ready.
01:08:29I'm going to get ready.
01:08:49My love, where is my mother?
01:08:52In her room, sir.
01:08:54She gave orders not to disturb her.
01:08:56Okay.
01:09:00Mother, why did you do that?
01:09:03How dare you to hit me?
01:09:06I'm asking you, who gave you the right?
01:09:10Agis, it's not right.
01:09:13But it's my duty to open the eyes of those who behave like fools.
01:09:21And only when I hear you, it hurts me.
01:09:23It hurts me.
01:09:28Even if I tell you that she is a maid?
01:09:31How do you know?
01:09:33It's the girl sent by Diomedes.
01:09:35Diomedes?
01:09:39Yes, it's him.
01:09:41Agis.
01:09:43Where are you calling from?
01:09:45It doesn't matter.
01:09:47I called you to apologize.
01:09:49What? Apologize?
01:09:51Apologize for what?
01:09:54For what you caused.
01:09:57But, Maroula, why are you saying all this now?
01:10:01Agis, I thought for a moment that I could not love you.
01:10:05But I laughed.
01:10:09When I met you, I had given my heart to someone else.
01:10:13I was unlucky.
01:10:15Now I will return to my island.
01:10:17Maroula.
01:10:19Maroula.
01:10:21Maroula.
01:10:23Maroula.
01:10:29Agis, I want to talk to you.
01:10:53I want to talk to you.
01:11:04Excuse me, sir, if you can be brief, because they are in a hurry.
01:11:07The mother is incomprehensible.
01:11:09Sit down.
01:11:11I fell at a bad time.
01:11:13I had no idea what was happening to you.
01:11:16Excuse me.
01:11:18Tell me quickly what is happening to you.
01:11:23We are in a bad situation.
01:11:25We are being sent to Sfiri.
01:11:27What can I tell you now? You know it.
01:11:29Well, they had not given us permission until 1964.
01:11:32Until 1964, we would have left the third ship, as we had agreed.
01:11:36But Tokis...
01:11:38How many Tokis arrived?
01:11:40Up to 800,000.
01:11:43And your father showed mercy in the beginning.
01:11:48That is, we are all going to hell.
01:11:51Agis, you have to go.
01:11:54We need a new man.
01:11:57You have to help the democracy.
01:11:59There in London we have our own people and they will help you.
01:12:02Democracy will take place tomorrow night.
01:12:04But my aunt...
01:12:06I understand.
01:12:08It's about the girl you love.
01:12:10It's my business.
01:12:12I will help you, I promise.
01:12:14Will you take her to your house the days I will be away?
01:12:17As you wish.
01:12:21Then come with me.
01:12:23We have to find her.
01:12:25One moment.
01:12:28Catherine!
01:12:36Your secretary will inform you about everything.
01:12:51And now, our popular composer, with so many successes,
01:12:55will make an exception for you.
01:12:57He will sing his new success,
01:13:00For you, my love.
01:13:20For you, my love
01:13:24I will open up the heavens
01:13:30I will open up the heavens
01:13:37I will open up the heavens
01:13:44I will open up the heavens
01:13:50And with the wine of the stars, I will drown my pain.
01:14:09And with the wine of the stars, I will drown my pain.
01:14:39For you, my love, I will build a church
01:14:59And with the wine of the stars, I will drown my pain.
01:15:13And with the wine of the stars, I will drown my pain.
01:15:43And with the wine of the stars, I will drown my pain.
01:16:13And with the wine of the stars, I will drown my pain.
01:16:43And with the wine of the stars, I will drown my pain.
01:17:02I came to say goodbye. I am leaving my island.
01:17:13And with the wine of the stars, I will drown my pain.
01:17:38Let's go.
01:17:40And with the wine of the stars, I will drown my pain.
01:18:05Now I won't let you leave me. We will leave together for the island.
01:18:36These are the contracts.
01:18:44And these are the contracts.
01:18:58We agree on everything.
01:19:05We agree on everything.
01:19:07We agree on everything.
01:19:34Do you like it?
01:19:38An erotic tango.
01:19:41Do you like it?
01:19:42It's lovely.
01:19:43Then let's dance.
01:19:44Why not?
01:20:07I am happy that we will go together to London.
01:20:10This way we will have the chance to get to know each other better.
01:20:14No discussion.
01:20:24Agi, my love, it's time for you to get up.
01:20:33Catherine is waiting for you.
01:20:37Agi, wake up, my child.
01:20:39Mr. Agis left on his own, ma'am.
01:20:42He gave me an order to tell you that he will not travel to London.
01:20:47Did you let him go?
01:20:49Judas.
01:20:50Excuse me.
01:20:52My name is Agapios and not Judas.
01:20:56I dismiss you.
01:21:07See you.
01:21:29Where is he?
01:21:30He has left.
01:21:31I am going to the pub with Maroula.
01:21:34Come here. Come here, I'll tell you something.
01:21:37Come here.
01:21:39Come here.
01:21:40Tell me.
01:21:42What time are they leaving?
01:21:44In the morning.
01:21:45They're leaving with the ship to Aronis.
01:21:48Ah, good.
01:21:49Yes.
01:21:54Bye.
01:21:55Bye.
01:22:04Bye.
01:22:13It was good.
01:22:22Well, farewell.
01:22:27Bye.
01:22:28We'll be here again in fifteen days.
01:22:30Okay.
01:22:31Maroula?
01:22:33Hello.
01:22:35Hello, Maroula.
01:22:37Goodbye, Maroula. Goodbye.
01:22:46Here.
01:23:31Maroula?
01:23:58Maroula?
01:24:00Maroula?
01:24:03Maroula?
01:24:16Mr. Agis,
01:24:18there are many Maroulas in your world.
01:24:21But this Maroula that is leaving,
01:24:23left the tablecloth.
01:24:25They both left so happy.
01:24:30Goodbye.
01:24:51Get in the car, guys. Get in.
01:24:54We are going out
01:24:56only with two people.
01:24:58As you wish.
01:25:00Goodbye.
01:25:10And now, it's our turn.
01:25:12The two of us.
01:25:15No kisses on the neck,
01:25:17no kisses on the head.
01:25:21Artists shouldn't get married.
01:25:23Never.
01:25:28THE END
01:25:58THE END
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