- 5/16/2025
Category
🎥
Short filmTranscript
00:00Who knows what evil lurks in the hearts of men, only the shadow knows.
00:28Oh.
00:35Oh.
00:42Oh.
00:49Oh.
00:51Oh.
00:56Oh.
01:02Woman, woman, queen of everyone's heart.
01:08If you would think of the things they've done, you would meet the woman along his shore.
01:22Oh.
01:30First man Adam lived the easy life, until he gave that rib.
01:36That rib was eve a beautiful doll that ever rode in a crib.
01:41She taught him how to take a fruit, and she didn't even wince.
01:46And from that day man must work hard, and try to get single ever since.
01:51Woman, woman, queen of everyone's heart.
01:57If you would think of the things they've done, you would meet the woman along his shore.
02:03Oh.
02:05Oh.
02:11A real hip musician of Roman days, gained a lot of fame.
02:17He played progressive rock and roll, Nero was that cat's name.
02:22He took a handshake to his pen, just to hear a new sound.
02:27And while he'd fiddle night and day, his empire Rome went to the ground.
02:31Woman, woman, queen of everyone's heart.
02:38If you would think of the things they've done, you would meet the woman along his shore.
02:55Monsieur.
02:56Felicia.
02:57Oh, Tony.
03:02English, please, Felicia.
03:04I'm happy to know you, young man.
03:06Will you join us?
03:12It's an honor, Senor Presidente.
03:14Oh, Tony's family comes from Santa Cruz, father.
03:17And besides, who doesn't know Pablo Ramirez?
03:20Everyone knows you're in exile while your brother is...
03:22It does not offend me.
03:24All the world knows when my brother Victor is.
03:27He chooses to follow General Valdez.
03:29I do not.
03:31Oh, Felicia.
03:33Mr. Ramirez.
03:34And bring me bourbon on the rocks.
03:41Tony, I asked you to meet us here tonight because we need help.
03:45And do you think you can trust me?
03:47I'm sure of it.
03:48In spite of the fact that I'm for Tarot?
03:50Of course.
03:51Yes, father.
03:52We know that Tarot and Rocco are spies for the Generalissimo.
03:55And they're using Tarot's place for headquarters.
03:58Tony just played in the band there.
04:00I trust him.
04:02My daughter is an excellent judge of character, Senor Calder.
04:06But our situation is a delicate one.
04:21My friends in Santa Cruz are preparing to move against the dictator.
04:25They wish me to come out of exile.
04:27But we are being watched constantly.
04:29The Generalissimo will never permit my father to speak out unless...
04:32Unless he has someone here to back his play.
04:35You are perceptive, Senor.
04:37We have heard of a man who can give us this help.
04:40His name is Lamont Cranston.
04:43He is said to be a friend of L.S. Spectro, the Shadow.
04:48I know Lamont Cranston.
04:50He's a real jazz fan.
04:52I met him at the club about a year ago.
04:54I can call him for you.
04:56Yes, that is the reason we knew you could help us.
04:59Will you do it, Tony?
05:01There is danger.
05:03The Generalissimo's men will not permit this contact if they can prevent it.
05:07I'll make the phone call tonight.
05:09Tony, thank you.
05:11Santa Cruz will also be grateful.
05:14And in the meantime, you two better stay out of sight.
06:14Long distance?
06:16Give me New York.
06:17Mr. Lamont Cranston at Murray Hill, 37941.
06:22And reverse the charges.
06:24What number?
06:25It's a number.
06:26I'm sorry, I don't know.
06:28I'm sorry.
06:29I'm sorry.
06:30I'm sorry.
06:31I'm sorry.
06:32I'm sorry.
06:33I'm sorry.
06:34I'm sorry.
06:35I'm sorry.
06:36I'm sorry.
06:37I'm sorry.
06:38I'm sorry.
06:39I'm sorry.
06:40I'm sorry.
06:41I'm sorry.
06:42I'm sorry.
06:43What number are you calling from?
06:45This is Magnolia, 0019.
06:47And what is your name, please?
06:49Alcalde.
06:50Tony Alcalde.
06:53Hello?
06:54Mr. Lamont Cranston?
06:55Yes, speaking.
06:56I have a collect call from Mr. Tony Alcalde in New Orleans.
07:00Will you accept the charges, please?
07:02I've heard, I'll accept charges.
07:04Go ahead, please.
07:05Mr. Cranston?
07:06Tony, where have you been hiding?
07:08You told me once if I ever needed help to call you.
07:10Well, I'm up to my ears in something deep right now.
07:13Can you come right down?
07:14I've got to see you.
07:16What's the trouble, Tony?
07:17I haven't got time to tell you now, Mr. Cranston.
07:20You've taken one crack at me already.
07:22I don't know.
07:23I think Tara's behind it.
07:25But anyway, I'll be at the...
07:28Operator.
07:29Operator, check that connection immediately.
07:43It was not he who hung up.
07:49It was not he who hung up.
07:51It was not he who hung up.
07:53It was not he who hung up.
07:55It was not he who hung up.
07:57He will go to New Orleans?
08:01He will, Dekendra.
08:03He will.
08:26Knock, knock, knock.
08:39Your nurse.
08:40Rocco.
08:41So, you have taken care of the Alcalde matter?
08:44Just now, but go to now.
08:46See?
08:47He was already talking to Cranston on the phone.
08:49Idiot.
08:50What did he say?
08:51He had only time to mention Tara's name before I cut him off.
08:54He will go direct to Tara's club.
08:56He must learn nothing.
08:58Nothing, you understand?
09:00We don't even know what he looks like.
09:02That will be easy.
09:03You will have Charlie page him at the airport.
09:06After he answers, you will not lose contact.
09:10Is that clear?
09:11Si.
09:12Do not make another mistake, Rocco.
09:25Amazing country.
09:27One airplane ride, you are plunged into another atmosphere entirely.
09:30A little like becoming the shadow.
09:32Not really.
09:33The airplane actually takes you somewhere else.
09:35When you become the shadow, you only seem to be somewhere else.
09:38Will Mr. Lamont Cranston come to the Delta Airlines ticket counter?
09:43Will Mr. Lamont Cranston come to the Delta Airlines ticket counter?
09:47Will Mr. Lamont Cranston come to the Delta Airlines ticket counter?
09:51Will Mr. Lamont Cranston come to the Delta Airlines ticket counter?
09:55My name is Cranston.
09:59Cranston, call, please.
10:05He did? Thank you.
10:07Sorry, Mr. Cranston, the party canceled your call.
10:10Say, you gentlemen got a car waiting for you?
10:12Or would you like some real fine New Orleans taxi cab service?
10:14We're all yours.
10:15Good, fine. Right over this way.
10:17Come on, men.
10:18Say, what hotel are you going to?
10:20He's on the veal.
10:21Best hotel there is.
10:22You'll like it there.
10:23Oh, by the way, give me your baggage checks.
10:26I'll take care of everything.
10:27I'll get the baggage.
10:28You go right out there to the cab at Mark Charlie's.
10:30All right, and I'll meet you out there in just a second.
10:32Fine.
10:43We have come to this beautiful New Orleans as cats to catch a mouse.
10:48But now it seems that...
10:50We are the mice.
10:52The pupil may be so bold as to instruct the teacher in the secrets of the mystics
10:55in attempting to solve a crime.
10:57There are times when the cat must play at being the mouse.
11:01So tonight I'll walk straight into their trap.
11:03The famous door, the jazz musicians, Carnegie Hall, Citadel of Terror, the beautiful.
11:07One word of caution, Lamont.
11:09I know, I know.
11:10Be careful.
11:11You'll become the shadow once too often, and...
11:14And there won't even be a shadow left.
11:16You cannot be serious when you are confronted by danger.
11:19Or when I confront a beautiful woman?
11:22I can see this is not the moment for any words of wisdom from me.
11:26No, no.
11:27You've given me much wisdom already, Gigandre.
11:29And I'm grateful.
11:30Good night.
11:46Good night.
12:11Thanks a lot.
12:12Come back again.
12:14Good night, Tara.
12:15Good night.
12:35Hey, this place is really rocking tonight, isn't it?
12:38Where's Tony O'Colley? I don't see him in the stand.
12:41I don't know.
12:43Okay, get me a bourbon on the rocks.
12:45Yes, sir.
13:10Hey, can a square buy a good side man a drink?
13:13Yeah, you make an offer like that, you can't be square.
13:19Boy, that last chorus went clear out into space.
13:22Square?
13:23Did you say you were square?
13:25Hey, Rock Osaka.
13:27How do you like someone who says he's square when he's really hip, eh?
13:31I like straight goods.
13:33When you go around strange corners, how do you know it's you on the head?
13:36Yeah.
13:38Damn it.
13:41Now, you want a square.
13:43You got him in Rocco.
13:45That cat's big and he's mean.
13:48He's a listener, but he runs Terrace Place good.
13:52Hey, man, how about some rye on the little rocks, eh, man?
13:56The usual, huh, Billy?
13:57Yeah.
14:00Say, Billy, I heard there was a real fine horn man playing around here,
14:03a guy named Tony O'Colley.
14:05Is he as good as they say?
14:06Tony?
14:07Oh, man, he blows.
14:09He blows, man.
14:11He blows so good.
14:13He blew right out of town.
14:15Just blew.
14:16Didn't tell no one.
14:17Just took off and didn't come around no more.
14:20He's a shy, maybe.
14:23Doesn't anybody miss him?
14:25Tyra, maybe.
14:27But she's the kind of girl who don't miss a man too long.
14:31Hey, looks to me like she's got a few eyes for you, daddy-o.
14:39Billy, how about going back on the stand, huh?
14:41Tyra, baby, you took the words right out of my little old mouth.
14:46I'll get that drink up on the stand.
14:50You run the place, why not use the chairs?
14:56Cigarette?
14:57No, thanks.
14:58Well, you look fresh from up north.
15:00I am.
15:02You staying long?
15:04It's very possible.
15:05Right.
15:09Tell me, mister,
15:10what else do you collect besides hot jazz records?
15:13Oh, lots of things.
15:14Money, for instance.
15:15And people.
15:17Like Tony O'Colley.
15:19You wouldn't happen to have any idea where he's gone, would you?
15:21But he says he left town suddenly, is that fact?
15:23You wouldn't happen to have any idea where he's gone, would you?
15:25But he says he left town suddenly, is that fact?
15:28You tell me.
15:30Oh, no, your voice is much nicer than mine.
15:33The waiter made a mistake.
15:34This table is reserved.
15:35For a party of nine?
15:37Ten.
15:54Yeah, mister?
15:55Drive me around the block a couple of times, will you?
16:03Having a good time, mister?
16:06Hey, you get around, don't you?
16:08I'm where the buck is,
16:09and this time of night it's on Bourbon Street.
16:12Say, you look like a real sport to me.
16:14I know where there's a real fine spot where you can see a real good show.
16:17You know what I mean?
16:18No, thanks.
16:19Just drive me around the block.
16:20Okay.
16:24Say, that spot I was telling you about.
16:29Tell me about it.
16:31It's got a real fine New Orleans show.
16:35Yes.
16:39Go on.
16:41I'll drive you over there.
16:46This place,
16:48this place.
17:09Look, I didn't like the idea of driving around the block.
17:11When I turned around to look, so help me, he just wasn't there.
17:14What do you mean he wasn't there?
17:15I mean, I'm telling you, he just wasn't.
17:17For a moment, I thought I saw a shadow.
17:20How can you see a shadow if there ain't nobody there?
17:46The mind is capable of transmitting and receiving images.
17:50When you become the shadow,
17:53you send a powerful image into the mind of another.
17:57And he sees not you,
17:59but the shadow.
18:02You, however, must learn to
18:04be more in tune with what others are transmitting to you.
18:08You must not be afraid of being overwhelmed.
18:15You are not concentrating at all now, Lamont.
18:19I'm sorry, Gigandre.
18:20I tried to turn you into a philosopher,
18:23and you insist on being a soldier.
18:25Tony Alkali keeps running through my mind.
18:28We know something's happened to him.
18:30I must find out why all the secrecy, whenever his name is mentioned.
18:34You must learn to concentrate on the images.
18:38I wish I had your patience, Gigandre, but I haven't.
18:41Well, someday.
18:42Someday you will understand.
18:47Tony mentioned only one name before that phone went dead.
18:50Tara.
18:51Tara.
18:53She's a cold fish.
18:57But you can hook even a killer shark with the right kind of bait.
19:09Get me the famous door.
19:13The trick in deep-sea fishing, I am told,
19:16is not to be pulled into the water
19:18where the sharks can tear you to pieces.
19:21If you play at the chair,
19:22something really hot to sell or trade.
19:36Well, good morning.
19:43Lamont, look behind you.
19:48Move away.
19:57Did you arrange that for me?
19:58Clumsy dropper almost got you, too.
20:13Go back north, mister.
20:14I got nothing to say to you.
20:15That truck was about to say plenty.
20:18Look, let me tell you something.
20:20You're a good-looking, hunk of man.
20:22I've read your palm.
20:24You don't have a long lifeline.
20:26Now take my advice and go to a cold climate.
20:42All right.
21:42Let's go.
22:12Get in there.
22:25Very nice people.
22:26I wouldn't want anybody giving me trouble.
22:28There won't be any.
22:31I guess you're right.
22:34Good, I'll run you out.
22:35That's very nice, chief.
22:36The Shadow?
22:37Yes, Senor President, The Shadow.
22:38But there is no need for you to be alarmed.
22:41The Shadow is no friend of Generalissimo Valdez.
22:49Then you have come to help us.
22:54Yes, but first you must help yourselves.
22:56You are in danger here.
22:58Tony al-Khalili is dead.
23:01Valdez agents are ready to move against you.
23:04I must have time to discover how and when.
23:07Go to this address.
23:09You will be expected.
23:12Stay there until I return.
23:15But Chad, how can we get in touch with you if we need to?
23:20If you need, and only if you need,
23:22call Lamont Cranston at the DeVille Hotel.
23:25He will know where to find me.
23:27Now you must leave here immediately.
23:34The body of Tony Alcalde was found today
23:42on a tip phone to police headquarters
23:43by an anonymous stranger.
23:45No one at the club was able to explain how the body was.
23:52Hello?
23:54Tara?
23:59Why are you so interested in my leaving town?
24:03Oh, I don't remember anyone trying to kill me.
24:07It's nice of you to warn me.
24:11No, I always like to deal directly with the boss lady.
24:14I'll be seeing you.
24:16She is interesting to you?
24:18She has qualities.
24:21I'm seeing her again this evening.
24:23You will want me with you then?
24:25Fine, fine.
24:26If you can stand the music.
24:27I will try.
24:34The expected reception.
24:39Let's sit over here.
24:48There are many eyes upon us.
24:51As long as we sit tight in the middle of everything
24:53we'll be all right, I think.
25:01Hello, Tara.
25:02What are you doing back here?
25:03I warned you.
25:04Did you warn Tony Alcalde too?
25:06He's getting there.
25:07Tara, when are they going to play Mount Carly, baby?
25:10They'll play it.
25:11Come on, come on.
25:12I love that Mount Carly thing.
25:17I want to sit here and watch.
25:32Let's go.
25:54I think I've had enough jazz to last me for...
25:56Wait a minute.
26:04Hey there, man!
26:05That's the sweetest horn blowin' I've heard since my record machine blew up.
26:08You play any place in town, just tell me where and I'll be there.
26:10No, man, I blow out one of those cruise ships, you know,
26:12and I just kinda fall by here to get rid of some of that steam after all that square jive aboard.
26:16I gotta go back on board now.
26:17See ya.
26:20Check in with the bandstand.
26:21He says he came from a cruise ship to sit in for a chorus,
26:23but he's left his horn up there.
26:24There are two of them now.
26:28A mistake, perhaps.
26:29No mistake, he's gone.
26:30What musician leaves his trumpet?
26:33It's just a hunch, but Tony Alcali was a trumpet player, too.
26:37Let's start an experiment. I'll need your help.
26:40Move over to the bar.
26:41When the regular trumpet player starts to play, hypnotize him.
26:43Make him pick up the trumpet this man just left instead of his own.
26:46It's the one on the right.
26:51They're gonna start.
26:55We close in one half hour.
26:56Well, you can sweep me out with the rest, then.
26:58I don't want to wait.
27:00I give in.
27:02The lady says out, so, uh...
27:05I don't want to wait.
27:06I give in.
27:08The lady says out, so, uh...
27:34I give in.
27:36I give in.
27:38I give in.
27:49So, Fender, can you understand anything?
27:53Yes.
27:55I'm sure I'm on the track of something now.
27:58They, too, are on the track.
28:04Oh, you're a real clinker, Joe.
28:07You better go wash your mouth up with soap.
28:10All right, boys, we'll go without it.
28:13And one, and.
28:26Go now.
28:31Can't help it.
29:02Charlie, grab your cab, head to Cranston off the road.
29:19Right.
29:32Don't move, not a move, not a finger, turn around now.
29:52Put down that horn and take a couple of steps back.
29:58Put down that horn, I said, and take a couple of steps back, and step back.
30:10Now my eyes are right on you, right on you, so don't move a finger.
30:23Well, I don't know what you did or how you did it, but, but you've got to be here.
31:23Good evening, ladies and gentlemen.
31:52This is Bill Endicott with your 6 o'clock edition of News in the World Tonight.
31:56First, the local picture.
31:58Here in New Orleans, police are holding two men and a woman for the brutal murder of a
32:02well-known jazz musician, Tony Alcalde, trumpet player at the famous door.
32:07Police allege Alcalde was stabbed to death by Ramon Rocco Martinez.
32:11Held as accomplices are Tara O'Neill and Billy Sanchez.
32:15All three prisoners are employees of the club.
32:18Our overseas lead story tonight is one that may shock you a little, but there's a lesson
32:22in it for all of us.
32:24We're about to show you a newsreel of an actual execution, an execution that took place only
32:28a few hours ago.
32:30The place, Santa Cruz.
32:32The victim, Victor Ramirez, confidential aide to Generalissimo Valdez, and until this afternoon,
32:38second most powerful man in Santa Cruz.
32:41Suppose we let Victor Ramirez tell his own story in his own words.
33:11Victor Ramirez, former secretary to our beloved Generalissimo, you have been found guilty of
33:26conspiring to undermine the new glory of Santa Cruz and to replace our beloved Generalissimo
33:33with the weak, corrupt forces of your brother, Pablo Ramirez.
33:40Is there anything you wish to say?
33:45Only to my brother.
33:47My last words are only to him.
33:51Pablo, a dying man asks for your forgiveness.
33:58I have betrayed you more than once, ever since we were children.
34:06Pablo, I have always been jealous of you.
34:10Even in fighting the Generalissimo, I have acted out of envy.
34:15I wanted to be the hero of our revolution.
34:19But now that I'm about to die, I speak the final truth.
34:30You alone remain the hope of Santa Cruz.
34:36Wherever you are, my brother, come out of hiding.
34:40Tell our people that the Generalissimo's days are numbered.
35:00I had a feeling this scene might cause the thundering.
35:27You're Ramirez's daughter.
35:28Yes.
35:29Yes, in speaking.
35:30Yes, Felicia.
35:31I was afraid of that.
35:32All right.
35:33I'll get there as fast as I can.
35:34No, no.
35:35I'll be very happy to.
35:36You don't approve of my going to Ramirez's hideout, do you?
35:37Who am I to approve or disapprove?
35:38I am merely a man named Ramirez.
35:39I am a man named Ramirez.
35:40I am a man named Ramirez.
35:41I am Ramirez.
35:42I am Ramirez.
35:43I am Ramirez.
35:44I am Ramirez.
35:45I am Ramirez.
35:46I am Ramirez.
35:47I am Ramirez.
35:48I am Ramirez.
35:49I am Ramirez.
35:50I am Ramirez.
35:51I am Ramirez.
35:52I am Ramirez.
35:53I am Ramirez.
35:54I am Ramirez.
35:55I am Ramirez.
35:57I am merely a man named Degendra, who has taught you certain ancient techniques of mind.
36:03Go ahead, just as you please.
36:05You don't care one way or the other, do you?
36:06Well, then why are you sending me disapproving thought waves so strong they've got me practically nailed to the floor?
36:12The dictator's gunmen have been looking for Ramirez ever since the day you found him a place to hide.
36:17They do not know where he is, but they follow you constantly.
36:21I know that.
36:22There's one outside now.
36:23You have greater powers than most men, but a gunman's bullet will kill you just as quickly.
36:29Then I'll have to use a few tricks.
36:31You call the things I have taught you tricks?
36:34Ah, no, but we're a very modest people, we Americans.
36:39The first one to reach the moon will probably say,
36:41it was nothing, just a little trick I learned with a rocket.
36:44Just remember, each time you use your powers, you run the risk of revealing the shadow's true identity.
36:51I'll have to take that chance.
36:53Ramirez wants to reveal himself publicly tomorrow.
36:56The city's full of hired killers waiting for him.
37:21Could I trouble you for a light?
37:36Sure.
37:51Madre de Dios.
38:16Father, Mr. Cranston is here.
38:19Oh, I'm sorry Felicia troubled you, Mr. Cranston.
38:23No trouble at all, Senor Presidente.
38:25I wish your daughter would trouble me more often.
38:28I'll be finished in a few moments.
38:30Make yourself comfortable.
38:42Excuse me for interrupting, Senor Presidente, but, um,
38:46are your friends in Santa Cruz ready?
38:48Yes.
38:49So that's why the Generalissimo executed your brother?
38:52But the Generalissimo doesn't know when it will begin or who will lead it.
38:56Then he would give his right arm to force you to tell him.
39:01If I'm stepping out of line sir, please tell me, but,
39:04well it isn't like you to risk everything, not at a time like this.
39:09I must respect my brother's dying wish.
39:12Then your brother has left you no choice, has he?
39:14My brother was what he was.
39:16In his moment of truth he told the world what he was.
39:20And now he's dead.
39:23But everyone in Santa Cruz knows his dying wish.
39:27That I pray for his soul and that I speak openly to my people.
39:31It helps that you understand, Mr. Cranston.
39:34Don't you see it too, Felicia?
39:36If I remain in hiding tomorrow,
39:38the rumor will spread throughout Santa Cruz that I'm dead.
39:42Or worse, that I'm a coward.
39:46Even Pablo Ramirez is afraid of the Generalissimo, the word will fly.
39:50Afraid even to go to church to pray for his brother's soul.
39:55And courage will seep out of the people like wine from a broken bottle.
40:03That is how fate works.
40:06So tomorrow I must take my chances.
40:10I have no choice.
40:13Mr. Cranston...
40:16I know I have no right to ask this, but tomorrow...
40:19Could you... would you...
40:21I'll be there with you.
40:43I'll be there with you.
41:03My friends, fellow countrymen.
41:08I have just prayed for my brother's soul.
41:13Now I speak to my countrymen in Santa Cruz.
41:18Within 24 hours, the Generalissimo will be overthrown.
41:25But the people love him.
41:27Within 24 hours, Santa Cruz will be free.
41:35Lamont...
41:38Lamont, can you reach me?
41:41Ramirez is in danger.
42:00I've got to get through.
42:02Let me through.
42:11Let me through!
42:41Let me through!
43:12Father!
43:17Senor Ramirez!
43:19Looking for someone?
43:21I would be honored to be your father, Senorita, but I'm not even married.
43:24We're sailing immediately.
43:26I am sorry, but we take no passengers except those we have planned on.
43:32I'm sorry, but I'm not even married.
43:35I'm sorry, but I'm not even married.
43:38We take no passengers except those we have planned on.
43:42Senorita, I may run into your father.
43:45I'll tell him you were looking for him.
43:49We still have a chance.
44:01No, I'm afraid I can't give out that information, sir.
44:04But it's a matter of great urgency.
44:06Yes, I gave you the license number of one of them, but I'm sure they rented two cars exactly alike.
44:11I don't remember.
44:13That is, I'm not even sure if the cars you mentioned were our cars.
44:16Your file will show that. May I look?
44:19I just can't give out that information to anybody who asks.
44:22Oh, excuse me, sir.
44:25Average on a car.
44:27Yes, sir, by the day or by week.
44:30Yes, sir, longer if you like.
44:32Yes, I'll be glad to discuss rates with you when you come in.
44:35Yes, sir, thank you for calling.
44:55Francisco Funopolo?
44:58Mr. Francisco?
45:00The craziest thing just happened.
45:02A man, he disappeared.
45:05He came here to find out about those cars you rented.
45:09And the file card just sort of moved.
45:18This is our only hope of getting him out of New Orleans.
45:21The police will never stop a funeral procession.
45:24The yacht will be waiting for us at Pilot Town.
45:26In one hour, we will be in international waters.
45:29Hurry!
45:32There they are.
46:02There they are.
46:32There they are.
47:02There they are.
47:32Father!
47:34Father!
48:03It seems your friends are late.
48:07If you do not speak today, by tomorrow you will be dead.
48:12Whether I live or die, Santa Cruz will be free.
48:15It is you who are late, Colonel.
48:17The revolution has already started.
48:19You're lying, Presidente.
48:32This is the first time that I have seen you this nervous.
48:35No, I'm not nervous.
48:38I'm just a little bit worried.
48:41I'll be there in a minute.
48:43Wait for me.
48:45Wait for me.
48:47Wait for me.
48:49Wait for me.
48:51Wait for me.
48:53Wait for me.
48:55Wait for me.
48:57Wait for me.
48:59Start the motors, get ready to take them aboard.
49:02Tell the Generalissimo's aid that Pablo Ramirez is here in our hands.
49:59This is the Generalissimo, calling to Santa Cruz.
50:29Father!
50:30I didn't answer me, I know he saw me.
50:39Come on, I've got to get you to a safe place.
50:41Captain, someone's on board, there's a boat tied alongside.
51:04It's probably Cranston, he won't get off this boat alive.
51:07Come on, let's find him.
51:18Your father wouldn't get away with anything like that.
51:48Look, ahead of you.
52:17We stopped.
52:18Why have the engines stopped?
52:19Welcome aboard, Mr. Cranston.
52:20Up with your hands.
52:47Now that you've both got me covered, would you mind answering a question?
52:51Shoot him now, senor.
52:52Condemned men always have a right to speak, and you ought to know that, colonel.
52:58This idea of getting your brother into the open by staging a fake execution, whose was
53:01it?
53:02Yours or the Generalissimo's?
53:05Our minds work like one.
53:06That's why I am the Generalissimo's aid.
53:09That's why I am the Generalissimo's aid.
53:17Where'd he go?
53:32No, Colonel! No!
53:36Victor, you pig! You always were jealous of me!
53:41I did not shoot at you! It was...
53:44Are you all right, sir?
54:06See to Felicia.
54:08Lamont!
54:14This time Victor Ramirez really died.
54:16The Colonel's firing squad.
54:19Colonel, the revolt has started in Santa Cruz.
54:21What has happened?
54:23The revolt is underway.
54:25The radio, Senor Presidente.
54:27They call your name.
54:29Your friends have seized the radio in Santa Cruz.
54:32And the Generalissimo?
54:34The radio says he is dead.
54:36And they said, long live freedom.
54:40Then why are we fighting each other, you men and I?
54:45Aren't we all brothers?
54:49Jealousy, hunger for power, lead to this.
54:55Put down your guns.
54:59Is it so bad to be free, not to have to kill one another?
55:14Viva Pablo Ramirez!
55:18Is it really true?
55:21It just came over the radio.
55:23We are free? We can go home?
55:28I don't know how you did it, Mr. Cranston, but whatever you did,
55:32Santa Cruz will never forget it.
55:34Thank you, sir.
55:36But I've been well rewarded.
55:38I'm sorry I was so impulsive.
55:41The pleasure was all mine.
55:42Not at all.
55:44I found it pleasant, too.
55:46I think it is time we all return to shore.
55:49I'll make the lunch available for you.
55:56It is a great victory to win a place in a girl's heart,
56:01but even a greater victory to save her country from tyranny.
56:13Who knows what evil lurks in the hearts of men?
56:18Only the shadow knows.
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