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00:00:00I don't know how to thank you, Professor, you operated on me, you completely healed me,
00:00:25you were very good, I don't know how to thank you.
00:00:28Professor, thank you, thank you, you were very good, I don't know how to thank you, Professor, you're like a father to me.
00:00:37Dad! Dad! Tell my dad how nice you are! Give me a hug!
00:00:41I'll hug you too, Dad! Tell my dad how nice you are!
00:00:45I don't know how nice you are! How nice you are!
00:00:47How are you?
00:00:49The commentator is waiting for you at the Ministry for the press conference.
00:00:52Come, come with me.
00:00:54See you later!
00:00:56Bye, Dad!
00:00:58Where are you going?
00:01:00Listen, you operate too, you're so good!
00:01:02Please.
00:01:03Bye, Dad!
00:01:28I fell in love with you.
00:01:53Dear Amedeo, finally good news, I see that my wife has decided not to rent the apartment anymore.
00:01:58No, no, his wife has decided to rent it.
00:02:00But, we'll see.
00:02:04But, why is this happening to me?
00:02:23No, no, never.
00:02:38Stop insisting, you don't need a clinic, you don't need a studio here, you know very well that your patients are scary, they are so unhealthy, so sick.
00:02:50If you want to know, I rented the apartment to avoid a scoundrel like that.
00:02:54And who would you have rented it to?
00:02:56To a girl from Milan, through the agency. She's a pianist.
00:02:59A pianist?
00:03:01But damn it!
00:03:04Do you realize?
00:03:05Imagine that a morning like this happens to me after working all night.
00:03:08What do I do? I know how to feel serenity.
00:03:11But I am the only one who spent the night alone while you were having fun.
00:03:16But you hear, don't forget that the doctor's job is a mission.
00:03:19This bed has become the park of memories.
00:03:22Hi, mommy.
00:03:23Hi, I was talking to your father.
00:03:26Yes, yes, I heard. Hi.
00:03:29Nice figure that you make us talk like this in front of him.
00:03:32And you didn't. At least you made him sleep at night.
00:03:34At least he sometimes remembered to be a man.
00:03:37Bye.
00:03:49Good morning!
00:03:50Call me, don't make me worry.
00:03:52But the office is a hundred meters away. Bye, love.
00:03:54Bye.
00:03:55March!
00:03:56No, here, no, here, no, here.
00:03:58To the right.
00:04:03No, here, no, here, no, here.
00:04:06No, here, no, here, no, here.
00:04:09Bye.
00:04:10No, here, no, here, no, here.
00:04:13No, here, no, here, no, here.
00:04:16No, here, no, here, no, here.
00:04:19Dear Elvira!
00:04:20Good morning, colonel.
00:04:21Didn't you clean up the mess of June 2?
00:04:24Amedeo!
00:04:25How are you, colonel?
00:04:27Be careful, eh.
00:04:28Yesterday the rats didn't poop.
00:04:30Don't worry, today I gave them cow's mozzarella.
00:04:32As soon as they come out, they poop.
00:04:33Good.
00:04:34Be careful, rats.
00:04:35Poop!
00:04:37I'm going to kill you.
00:04:39Instead of getting out of the gate with these beasts,
00:04:41you have to get out of the garden.
00:04:43No, if not, with whom would you escape?
00:04:45Who would you tell to kill you?
00:04:46The colonel?
00:04:47Come on, dad.
00:04:48Defecate the dogs.
00:04:52Oh, rascals.
00:04:53Can't you take care of these damn bastards?
00:04:56Dad, I'm not a shepherd.
00:04:58I'm a playboy.
00:04:59No, you're a playboy.
00:05:07Wait, don't go.
00:05:08Why?
00:05:09Oh, bastards!
00:05:10Run!
00:05:11Dogs!
00:05:13Where are the sheep?
00:05:16Maybe they're here.
00:05:20Mom, the barn!
00:05:43No!
00:05:56Go!
00:06:02Ball! Ball!
00:06:03Stop the ball! Stop the ball!
00:06:05Rascals.
00:06:08No!
00:06:09No!
00:06:11What an ass!
00:06:12No, you confuse the glasses with the ass.
00:06:14No, no.
00:06:15Come on, play.
00:06:16I said, look, what an ass!
00:06:33How good you are!
00:06:39No.
00:07:09No.
00:07:40Hey, guys.
00:07:41He's going to our house.
00:07:43I have an idea.
00:07:44Strange.
00:07:45Where are you going?
00:07:59Is there a doorman?
00:08:02It's me, the doorman Junio.
00:08:05Wasn't there an apartment to rent here?
00:08:07There really was.
00:08:08If they haven't already rented it.
00:08:10Anyway, I'll take you to the owner.
00:08:12Come on, let's go.
00:08:15No, my dear.
00:08:16If I take you, it's my house.
00:08:18I'm sorry.
00:08:19Give me the luggage.
00:08:21Please.
00:08:22Bring it up.
00:08:23What?
00:08:24Come on, Robert.
00:08:25Come on, you have to get up.
00:08:26Come on, come on.
00:08:27Go, go.
00:08:30This way.
00:08:31This way.
00:08:36Hey, it's me.
00:08:37No, you stand up.
00:08:38You have to lose weight.
00:08:50Please, please.
00:09:02Hello?
00:09:09Gina!
00:09:10Teresa!
00:09:11The door!
00:09:15Our damn door!
00:09:20All dead.
00:09:21There's no one.
00:09:23I have to open it even when I sleep.
00:09:25Who is it?
00:09:26Dad, open it.
00:09:27There's a lady for the door.
00:09:29Dad, open it.
00:09:30There's a lady for the apartment to rent.
00:09:32I don't care.
00:09:33We've already rented it to a piano teacher.
00:09:36But it's me, Luisa de Dominicis.
00:09:46I'm a master.
00:09:48Good morning.
00:09:49I'm so sorry, but I can't open it.
00:09:51I'm in trouble.
00:09:52I'll do it in a moment.
00:09:59Give me a hand.
00:10:15Voila, here I am.
00:10:16Did I do it fast?
00:10:17Please, it wouldn't be better.
00:10:19How kind of you.
00:10:21Certainly in my profession, tempestility is indispensable.
00:10:29Journalist?
00:10:30No, surgeon.
00:10:33Come, come, I'll show you the thing.
00:10:35The apartment.
00:10:37We are on the same floor.
00:10:42Sorry for any inconvenience.
00:10:48Small, but with all the comforts.
00:10:51Very nice here.
00:10:54I like it.
00:10:55Even the cooking corner is really very nice.
00:10:57I like it a lot.
00:10:58I'm glad you like it.
00:11:03And what's over there? Is there a terrace?
00:11:05Yes.
00:11:06Can I see? I'm sorry.
00:11:07Of course, I'll do it.
00:11:12But what a beautiful terrace on its side.
00:11:14And what a beautiful view.
00:11:15You tell me.
00:11:17I've always wanted to have a house with a terrace.
00:11:21Twenty thousand.
00:11:22Twenty thousand.
00:11:23Twenty thousand?
00:11:25Who is it?
00:11:26I don't know.
00:11:29Ettore.
00:11:30Twenty thousand.
00:11:31Oh, look at this.
00:11:34Twenty thousand.
00:11:35But what a big ass.
00:11:37There's even a discount.
00:11:38Fifteen thousand.
00:11:40This closet is beautiful.
00:11:41Do you know how important it is for a woman?
00:11:43My wife doesn't tell me anything else.
00:11:45And so you play the piano.
00:11:48Yes.
00:11:49I don't know.
00:11:50You say it as if I were a Martian.
00:11:52My job is a job like everyone else's.
00:11:55In Milan I had a lot of students.
00:11:57Really?
00:11:58Yes.
00:11:59Even twelve or thirteen a day.
00:12:01I'm sure there will soon be a good, let's say, clientele here too.
00:12:06Is the phone working?
00:12:07Yes, of course.
00:12:08See how worried he is.
00:12:09No.
00:12:10Yes, yes.
00:12:11Otherwise, to reattach it, you need a heritage and a life.
00:12:13There is one in bed and the other in the kitchen corner.
00:12:17If this beast disturbs you, I'll return it to the zoo.
00:12:21But no.
00:12:22No, no.
00:12:23Leave it, for God's sake.
00:12:24I like animals.
00:12:25I'll feel more protected.
00:12:27Thank goodness.
00:12:28It's really very nice here.
00:12:30It's comfortable.
00:12:31I'll tell you, I'm...
00:12:33I'm really sure I'll be fine here.
00:12:36I'm glad you like it.
00:12:37Besides, I'm also very honored to have a tenant like you.
00:12:41But now we have to get rid of the nuisance.
00:12:44Guys!
00:12:47Goodbye.
00:12:54Goodbye.
00:12:55Goodbye.
00:12:56Goodbye.
00:13:21Yes?
00:13:22Assessor Bonci Marinotti?
00:13:23It's me, Louise.
00:13:24Ah!
00:13:25One moment.
00:13:26One moment.
00:13:27Here.
00:13:29Here.
00:13:30I'll sign the rest later.
00:13:31Go, go.
00:13:32Go.
00:13:33Go.
00:13:34So?
00:13:35How do you say it?
00:13:36It seems you don't like it.
00:13:37No.
00:13:38No, it's just that I'm still a little upset about what happened this morning.
00:13:43And you got me in full...
00:13:45In full consultation for the mother.
00:13:47Yes.
00:13:48Yes.
00:13:49I'm sorry, I didn't know.
00:13:50Well, patience.
00:13:51It's gone now.
00:13:52How are they doing?
00:13:53How are things in Milan?
00:13:55But I'm in Lucca.
00:13:56Oh God!
00:13:58In Lucca?
00:13:59In Lucca?
00:14:01What are you doing here in Lucca?
00:14:02Are you passing through?
00:14:03But no, I'm not passing through, my love.
00:14:05I came to live here.
00:14:06To live here?
00:14:07And how will you do it?
00:14:09As I always did.
00:14:10Ah yes, of course.
00:14:12At the beginning it will be a little difficult, but...
00:14:14As soon as I get to know myself, I will exercise my profession like in Milan.
00:14:18Don't worry.
00:14:19You're not the one who will have to keep me.
00:14:21No, no, no.
00:14:22I wasn't saying that.
00:14:23For God's sake.
00:14:24Oh God, oh God, oh God.
00:14:25For God's sake.
00:14:26What hotel are you in?
00:14:27What hotel?
00:14:28I have a nest, all mine, cute, you know.
00:14:30There's a nice terrace and a magnificent bed.
00:14:33A nest, yes, yes.
00:14:34With a bed.
00:14:35I don't know what to say.
00:14:36I don't know what to say.
00:14:37I really don't know what to say.
00:14:38Even if I knew it, I wouldn't tell you.
00:14:39But, dear, what's wrong with you?
00:14:41You seem terrified.
00:14:42No, no, no.
00:14:43What terrified?
00:14:44I'm...
00:14:45I'm agitated.
00:14:46I don't know what to say because I...
00:14:47I love you.
00:14:48I love you.
00:14:49So, I'm agitated because I love you.
00:14:51Where are we meeting?
00:14:52I don't know.
00:14:53At the square of the new church?
00:14:54Yes, yes, yes, yes, yes.
00:14:56All right, all right.
00:14:57Take a seat.
00:14:58But of course I know your car.
00:15:00Bye.
00:15:01Bye.
00:15:02Another race, squirrel.
00:15:04This is worse than the Yamaha 113.
00:15:07Where is it possible that I have to struggle
00:15:09from morning to evening with the misfortune of your son?
00:15:11He's always going around.
00:15:12Hey, hey, hey.
00:15:13I'm waiting, you know.
00:15:14You should have come a long time ago.
00:15:16Hello.
00:15:17Are you eating?
00:15:18Ah, good morning.
00:15:19Well arrived, doctor.
00:15:20We were just preparing lunch for you.
00:15:22All right?
00:15:23How many times do I have to tell you that I don't want to wait
00:15:25when I have to eat?
00:15:26I'm sick of dying when I have to eat.
00:15:27Excuse me, dad.
00:15:28Where are you?
00:15:29Dad, I accompanied the new tenant to the professor.
00:15:31Ah, yes.
00:15:32Come on, take this egg to mom,
00:15:33telling her I'm going to the laundry.
00:15:34Thank you, mom.
00:15:35Take the egg to mom,
00:15:36that now you do the accounts with Pepe.
00:15:38Sit down.
00:15:39Yes, yes.
00:15:40So, tell me everything.
00:15:41Dad, the new tenant is a disaster.
00:15:43And who opened it?
00:15:45All of them, dad, all of them.
00:15:47Do you want to make me drink, bitch?
00:15:49Exactly.
00:15:50Exactly what?
00:15:59Hello?
00:16:00Yes?
00:16:01Do I talk to that asshole of my son?
00:16:02Yes.
00:16:03What advice do you want?
00:16:04What are you taking me for the ass?
00:16:06Dad, the new tenant is a disaster.
00:16:08What does he do?
00:16:09He's a bitch.
00:16:10Depraved.
00:16:11But how?
00:16:12Once he brings you good news.
00:16:14And what would this good news be?
00:16:16Nothing.
00:16:17There's an increase of 20% for the doormen.
00:16:19But in 1985, though.
00:16:20Oh, my God.
00:16:22You still haven't taken the egg to mom?
00:16:24And take it, come on.
00:16:26And take this egg to mom,
00:16:27so you become beautiful like Pepe.
00:16:29And don't remind him,
00:16:30or he'll get mad.
00:16:32And you, suck the egg to mom,
00:16:34so you become fat.
00:16:35I don't like it.
00:16:36Get out of my ass.
00:16:37Oh, don't talk to me like that, you know.
00:16:39Oh, but she's stupid.
00:16:41Don't answer like that to your mother.
00:16:43And don't treat me like that.
00:16:44So you learn.
00:16:45And you, behave like your father.
00:16:52And today, suck the egg.
00:17:08Come on.
00:17:16But where could he be?
00:17:25Luisa, I'm here.
00:17:30Hi, little pigeon.
00:17:32Come in, come in.
00:17:33Come down, quickly.
00:17:34Come on.
00:17:35What are you doing hiding there in the car?
00:17:37Come on, come on.
00:17:38Shut up.
00:17:39Come down right away.
00:17:40Come in.
00:17:41But what are you, the counter-espionage?
00:17:43Yes, throw the hamburger at you.
00:17:45I'm playing the election as a mayor.
00:17:47Do you realize that?
00:17:48No, no, no, no.
00:17:49Stay still.
00:17:50Stay still, please, Luisa.
00:17:51Stay still.
00:17:52In a few days, there will be the elections.
00:17:54I've set up the entire electoral campaign
00:17:56in defense of morality.
00:17:57Do you realize that?
00:17:58Then introduce me to your mother.
00:17:59Are you crazy?
00:18:00The slightest emotion could be fatal to her.
00:18:02You know, for too much happiness.
00:18:04As soon as she gets better, we'll see.
00:18:05We'll see.
00:18:06What a disappointment.
00:18:07To think that in Milan you were so fiery.
00:18:09Maybe I was wrong to come here to him.
00:18:11Yes, really.
00:18:12You were a real scoundrel.
00:18:13Look.
00:18:15Quiet, someone's coming.
00:18:23The locksmith is a vigil.
00:18:32It's our manager's car, isn't it?
00:18:36Load it.
00:18:38All of you.
00:18:39Do it like this.
00:18:40Practice well, and then...
00:18:52Do you think I was the one who wanted Pedernale Island in this square?
00:19:04I'll find a way.
00:19:10Now we'll do it like the paratroopers.
00:19:12Jump down at the count of one.
00:19:14Don't be afraid, I'm here.
00:19:15I'll come and find you tonight.
00:19:16Are you ready?
00:19:17Yes, all right.
00:19:18Go, go.
00:19:20Out two.
00:19:25Oh God, where are you going?
00:19:27I'm sorry.
00:19:28For God's sake, maybe you can do it again.
00:19:33Now it's your turn, Marinotti and Ferdinando.
00:19:35At the same time, hold on tight and jump.
00:19:37Out two.
00:19:40Oh God!
00:19:46What a pain!
00:19:58Assessor Marinotti, she's here.
00:20:00Go!
00:20:10But will it work?
00:20:12Are you kidding me?
00:20:13This hole goes exactly to the eye of the tiger.
00:20:15I did my calculations.
00:20:19What kind of calculations did you do?
00:20:21No, but I can make mistakes too.
00:20:23Try to seal this hole.
00:20:24I think the house will be ruined.
00:20:26Maybe you can feel it.
00:20:27Is it hard?
00:20:28Yes, yes.
00:20:29Don't panic, I'll take care of it.
00:20:31Go.
00:20:32Like this.
00:20:34Wow, I'm sweating.
00:20:36Wow, I'm sweating.
00:20:40What do we do now?
00:20:43Let's move to the other eye.
00:20:45Let's hope we don't touch the gas pipe.
00:20:49Let's hope.
00:21:00Hi!
00:21:01Has the new tenant arrived?
00:21:03Unfortunately, yes.
00:21:04They woke me up.
00:21:05What?
00:21:06What do you mean, yes?
00:21:09Well, I'm going to see her tonight before dinner.
00:21:12I'm going to the clinic, it's an emergency.
00:21:14Bye.
00:21:21Good morning, professor.
00:21:22Hi, Medea.
00:21:23What are you doing in the clinic?
00:21:24Working.
00:21:25How many operations today?
00:21:27Three in the stomach and two in the liver.
00:21:29Enjoy your meal.
00:21:30Dear professor, you work too much.
00:21:32You need a little more rest.
00:21:34You need to go to the sea.
00:21:35I'll do it, I'll do it, professor.
00:21:36Here, sit down.
00:21:38You need to tan.
00:21:39Then I saw that lately you are a little tired.
00:21:41Really, all house and shop.
00:21:44Medea, what are you doing?
00:21:45Did you drink?
00:21:46We are three men, professor.
00:21:47You can tell me.
00:21:48Because I modestly do the doorman.
00:21:50The doorman?
00:21:51And I realized that here the area is full.
00:21:54Full.
00:21:55Dear professor.
00:21:57Here the area is full of puppets.
00:21:59Really.
00:22:01I hid eight of them last night.
00:22:03This is a strange area.
00:22:04Maybe it's the only one in Lucca that is full of puppets.
00:22:07Do you know that the doorman has twelve?
00:22:09Twelve, really?
00:22:11It seems a strange thing, but it's just like that.
00:22:13Then you do not ...
00:22:14Professor, it's all a ...
00:22:16Do you want me to scratch you?
00:22:17Let's hope it's not an epidemic.
00:22:19Let's hope.
00:22:20Anyway, they seem to be puppets, professor.
00:22:22But where do they nest?
00:22:24Upstairs in your house, professor.
00:22:25In my house?
00:22:26But do not you know that the nanny is the puppet master?
00:22:30Stay still!
00:22:31Stay still!
00:22:32But how?
00:22:33First you scratch, then you scratch.
00:22:34But how do you allow yourself?
00:22:36Oh well.
00:22:37Who told you?
00:22:38The people.
00:22:39Eh?
00:22:40Voices of the people.
00:22:43You in this little palace are a luxury.
00:22:45So no petticoats, understood?
00:22:47Okay, do not scratch, professor.
00:22:49I'll be mute like a tomb.
00:22:50If ever a tomb.
00:22:51Okay, tomb, tomb, in English.
00:22:52Anyway, on this tomb, let's put a stone on it.
00:22:55Okay, goodbye and many things.
00:22:58Do not scream, otherwise I'll make you a license.
00:23:00The door.
00:23:01I will not make you a license.
00:23:02I'll make you a license.
00:23:03The door.
00:23:04I'll make you a license.
00:23:06Okay, in the door, okay.
00:23:10Disturb?
00:23:11No, tell me.
00:23:13No, I ...
00:23:14Since ...
00:23:15Really ...
00:23:17You know ...
00:23:18They are those things ...
00:23:20I do not know how to start.
00:23:23But I see that you have a lot to do.
00:23:25And I do not want to waste your time.
00:23:27No, say, say.
00:23:30Ah!
00:23:32Ah!
00:23:35What is it?
00:23:36It's a crime!
00:23:37You are scoundrels, as you wish!
00:23:39Get out!
00:23:40Get out!
00:23:43What is it?
00:23:45Who is it?
00:23:46It's me, your cat.
00:23:48And who is the cat with the boots?
00:23:54But, but what's wrong?
00:23:56Tell me!
00:23:59I did it!
00:24:00I did it!
00:24:01I managed to get up without being seen by anyone.
00:24:04Not even the guard.
00:24:05You do not seem to exaggerate.
00:24:06We are free citizens.
00:24:07My love.
00:24:08Maybe you are.
00:24:09But I do not.
00:24:10I do not.
00:24:11Do you understand?
00:24:12Even if they ask you something, tell them I'm your brother, okay?
00:24:15But I do not understand.
00:24:16It's ridiculous.
00:24:17Yes, yes, I know, I know.
00:24:18But be patient.
00:24:19Be patient for a while.
00:24:20But you have not yet given me a kiss.
00:24:22Come on.
00:24:24Be quiet.
00:24:26I do not know why, but I do not feel alone in this house.
00:24:30I feel as if I were being watched.
00:24:33Beautiful, sweet, buttered.
00:24:36Give me a kiss.
00:24:37To me.
00:24:38Give me a kiss.
00:24:39To me.
00:24:40Give it to me.
00:24:41You gave me so much.
00:24:42Did you want to see me?
00:24:43Yes, yes, yes.
00:24:44Tell me the truth.
00:24:45Did you want me more?
00:24:46Yes.
00:24:47More?
00:24:48Always more?
00:24:49I'm coming, ma'am.
00:24:51Ah.
00:24:55I hope I do not disturb.
00:24:57I can not imagine.
00:24:58I can not sleep in this house.
00:25:03My husband has just called me from the clinic.
00:25:05It will be a matter of the long-term.
00:25:07He has an urgent case.
00:25:14There must be cats outside.
00:25:16These cats are like little pigs.
00:25:17All day long laid on the floor.
00:25:19Then at night, they go out to party.
00:25:21Come on, let's go and see.
00:25:23No, no, no, Mrs. Busati, on the terrace, no, no, no.
00:25:26Besides, you know, I like them.
00:25:28They even make me company.
00:25:29That's fine.
00:25:30If that's the case, then I'll come back later to get the dishes.
00:25:32You eat in the meantime.
00:25:33And I recommend that you put it like that on the table.
00:25:35Don't worry, Mrs. Busati.
00:25:37Good evening.
00:25:41Oh, oh, oh, oh, oh.
00:25:43Finally.
00:25:45But the Madonna!
00:25:46No!
00:25:50Who is it?
00:25:51It's me, Dr. Busati.
00:25:56Come in, because it's better to avoid being seen.
00:25:58But look, I was really going to go to bed.
00:26:02Alone, alone?
00:26:05With whom?
00:26:06I'm alone.
00:26:10Is that how you say it?
00:26:13Who wants to be here at this time of night?
00:26:16I'm here.
00:26:19Did you understand, the poor man?
00:26:21I brought you a little present.
00:26:23Do you like it?
00:26:24How dear.
00:26:25Today, unfortunately, I had to run away.
00:26:27I couldn't welcome you as it should.
00:26:31How crazy!
00:26:32It's midnight.
00:26:33I have to go home.
00:26:34Who hears my wife?
00:26:35If not ...
00:26:36For a girl like her, with what she knows how to do ...
00:26:41Ding!
00:26:47Who is it?
00:26:48Dr. Busati.
00:26:53Where do I hide?
00:26:54My wife.
00:26:55The closet!
00:26:56No, not the closet!
00:27:00Where do I go?
00:27:03The bed!
00:27:07Move!
00:27:11The bed!
00:27:12No, no, no!
00:27:13Get out!
00:27:14Get out!
00:27:15Get out!
00:27:22The tiger is waiting for me!
00:27:23The terracotta!
00:27:24No!
00:27:40No!
00:28:00Is it on fire?
00:28:01Yes.
00:28:11Goodbye.
00:28:12I'm so happy to have you as a neighbor.
00:28:15My pleasure.
00:28:16My pleasure.
00:28:17My pleasure.
00:28:18See you soon.
00:28:29The manioc!
00:28:41Stop!
00:28:42Stop!
00:28:43Come here!
00:28:44Did you see that?
00:28:45They took a full load.
00:28:51Waiter!
00:28:52I'm on alert!
00:28:53Who is it?
00:28:54Mrs. De Dominici.
00:28:55Is it for the full load?
00:28:56Yes.
00:28:57The last load.
00:28:58The last load.
00:28:59They are all at the last.
00:29:00If there was one, he would be the first.
00:29:02Come on!
00:29:03Unload!
00:29:04It's full.
00:29:05Mr. Bo, playboy.
00:29:06Come here.
00:29:07Here.
00:29:09I don't get it.
00:29:10If that woman does what you say,
00:29:12she should play the piano,
00:29:14but she should play...
00:29:15the bassoon, the double bassoon, right?
00:29:17She does that to hide her activity, doesn't she?
00:29:19I didn't know that.
00:29:20Look, it happens to you once a year,
00:29:22but you're smart.
00:29:23I took everything from Mom.
00:29:25Who did you take?
00:29:26I took everything from Mom.
00:29:27Oh, God!
00:29:29I took all this from Mom.
00:29:31Roberto, dinner!
00:29:32Dad is waiting for you.
00:29:34Come on!
00:29:35I'm coming right away.
00:29:38Ouch!
00:29:39I told you that fat people hurt you.
00:29:42In all the operations of the day,
00:29:45I demand...
00:29:48I demand...
00:29:50maximum punctuality,
00:29:52fuck!
00:29:54Because punctuality
00:29:56is synonymous with discipline.
00:29:58And discipline is the secret of punctuality.
00:30:01Good.
00:30:02I see that you know it.
00:30:03And then you have to show it
00:30:05with effort, fuck!
00:30:09You have to come to dinner on time,
00:30:11especially when there's a guest.
00:30:14But he's not a guest.
00:30:15He's always here.
00:30:16That's true, too.
00:30:18But he enjoys my unconditional esteem and trust,
00:30:22so he must be respected.
00:30:24And follow...
00:30:25my orders.
00:30:27Good.
00:30:28That's better.
00:30:30And now,
00:30:31fly!
00:30:34Jump!
00:30:38Forward!
00:30:40March!
00:30:42One,
00:30:43here!
00:30:45There you go.
00:30:46Thank you very much.
00:30:47Good morning, ma'am.
00:30:49Good morning, ma'am.
00:31:07So, nothing.
00:31:09I must have forgotten.
00:31:10It was obviously stupidity.
00:31:13It's not said, sir.
00:31:14Sometimes one can forget very important things.
00:31:17Yes, I know, but...
00:31:18I really don't remember this one.
00:31:19Well, maybe next time.
00:31:22Excuse me.
00:31:23The phone.
00:31:24Here you go.
00:31:28Hello?
00:31:29Hi, honey.
00:31:30Look, I can't come today.
00:31:31I have to go with the mayor
00:31:32to the Bernardoni Sisters Institute
00:31:34for electoral propaganda.
00:31:35It's very important.
00:31:37I understand.
00:31:38You can't free yourself, as usual.
00:31:41And what should I do?
00:31:42Should I stay here at home
00:31:44waiting for another phone call
00:31:45with which you tell me you can't come?
00:31:48All right, bye.
00:31:49What an idiot.
00:31:53What are you doing?
00:31:54Go away, Marcello.
00:31:56Well, I saw you on the phone
00:31:58so I thought it was better to go away.
00:32:01No, actually...
00:32:04Would you take me for a walk in the city?
00:32:06Of course.
00:32:07For a healthy family in a healthy society.
00:32:10What do you think?
00:32:11Good, good.
00:32:12But I don't like your photo.
00:32:13You don't look healthy.
00:32:14What do you mean I look healthy?
00:32:16I'm a little tanned.
00:32:17Does that mean I'll change my photo?
00:32:19Mr. Mayor,
00:32:20Colonel Marullo would like to speak to you.
00:32:22Oh, what a pain.
00:32:24Dear Mr. Mayor!
00:32:26Dear Colonel!
00:32:29Excuse me,
00:32:30I'll steal you a few minutes.
00:32:31Please.
00:32:32I wanted to agree with you
00:32:33on the visit of the students
00:32:35to the barracks
00:32:36for the Republic Day.
00:32:38I thank you.
00:32:40I thank you because
00:32:41I, too, personally
00:32:42consider it absolutely essential
00:32:45and a source of comfortable hopes
00:32:49that in a moment of darkness like this
00:32:52the young people
00:32:53will be led to appreciate
00:32:55the high moral values
00:32:57and the fervent instances of rebirth
00:33:00contained in the words
00:33:01homeland and discipline.
00:33:04You are extraordinary!
00:33:07But for heaven's sake,
00:33:08it's nothing exceptional.
00:33:10I always try,
00:33:11and only try,
00:33:12to express myself
00:33:13with the utmost simplicity.
00:33:16But your effort
00:33:17will be well compensated.
00:33:19We'll see you soon, Mr. Mayor.
00:33:22Everyone says so.
00:33:25Elections
00:33:27must be won by you!
00:33:30The Madonna!
00:33:32The Madonna
00:33:33is a witness
00:33:34that I don't ask for anything.
00:33:36It's the will of the people.
00:33:39But now,
00:33:40I'd like the opinion
00:33:41of an intelligent person
00:33:42on a certain thing.
00:33:44What do you think,
00:33:45colonel, of this sketch?
00:33:51Come.
00:33:53If you imagine it now,
00:33:54the whole square,
00:33:55the whole square
00:33:56will be torn to pieces
00:33:57with these posters.
00:33:58If you imagine it, what effect?
00:34:00Damn, what a bomb!
00:34:01Well, in short, a bomb.
00:34:02A nice thing,
00:34:03but let's not exaggerate.
00:34:04Are you crazy?
00:34:05Did you see
00:34:06what a touch of filial piety?
00:34:07Without exaggeration,
00:34:08I've never seen anything like it.
00:34:10But that's my swimming pool.
00:34:12A new one.
00:34:13Yes,
00:34:14I'm sure of it,
00:34:15I recognize it.
00:34:16I've just taken possession
00:34:17of an apartment
00:34:18in my palace.
00:34:19I'll come to see you more often,
00:34:20dear colonel.
00:34:21Nice recruit,
00:34:22damn it.
00:34:23She came from Milan.
00:34:25I've always said it,
00:34:26I'm already in good hands
00:34:27with the Milanese.
00:34:28With workers,
00:34:29full of ideas.
00:34:30Who knows,
00:34:31if they hadn't thought
00:34:32of a production
00:34:33in a series of girls like this,
00:34:34I'm sure they'd go steal.
00:34:37But look
00:34:38at that pride,
00:34:39at that bearing,
00:34:40at those thighs!
00:34:42We'd need an order
00:34:43that would prevent
00:34:44women from going
00:34:45on motorbikes
00:34:46with brats.
00:34:47Oh, come on,
00:34:48you can say these things
00:34:49at the beginning.
00:34:50Maybe there were some around.
00:34:51Blessed be the one
00:34:52who gets it.
00:34:53This one gets it
00:34:54from that kid
00:34:55who gets it.
00:34:56But what dad?
00:34:57What dad?
00:34:58That squirrel?
00:34:59He's a kid.
00:35:00Maybe he's
00:35:01his younger brother.
00:35:02Yes, but there's nothing
00:35:03to trust in younger brothers.
00:35:04They have certain arguments.
00:35:05Don't be afraid.
00:35:06He's a son
00:35:07of a reformed man.
00:35:08I know Dr. Mosatti
00:35:09very well.
00:35:10Trust me.
00:35:11But I'm not
00:35:12interested in him.
00:35:13Who is it?
00:35:14Who?
00:35:15Pierolino
00:35:16with the motorbike
00:35:17that everyone
00:35:18is carrying around.
00:35:19Ah,
00:35:20he's the son
00:35:21of my landlord.
00:35:22He made me
00:35:23visit the whole city.
00:35:24Why?
00:35:25Are you jealous?
00:35:26Jealous?
00:35:27Me?
00:35:28A man
00:35:29like me,
00:35:30almost a mayor.
00:35:31Yes,
00:35:32I'm jealous.
00:35:33I find him
00:35:34a bad man.
00:35:35And I find it
00:35:36a bad taste
00:35:37to come here
00:35:38right under my office.
00:35:39But I just wanted
00:35:40to remind you
00:35:41that I'm still alive
00:35:42and that your elections
00:35:43don't count.
00:35:44Elections
00:35:45are important, Topina.
00:35:46And that's why
00:35:47we have to be careful.
00:35:48Anyway,
00:35:49you're taking me out
00:35:50tonight.
00:35:51I really
00:35:52want to go out.
00:35:53Tonight?
00:35:54But how?
00:35:55You have the piano.
00:35:56Like in the old days
00:35:57in Milan,
00:35:58with Rapsody
00:35:59and Anini,
00:36:00you have the piano.
00:36:01Look, the piano
00:36:02stays here,
00:36:03you know,
00:36:04but if it takes me,
00:36:05please,
00:36:06turn off Rapsody.
00:36:07Turn off
00:36:08Rapsody,
00:36:09because I don't care.
00:36:10Turn off
00:36:11Rapsody.
00:36:12Turn off
00:36:13Rapsody.
00:36:14I beg you.
00:36:15Turn off
00:36:16Rapsody.
00:36:17Turn off
00:36:18Rapsody.
00:36:20No.
00:36:21Turn off the piano,
00:36:22my love.
00:36:23Turn off the piano.
00:36:26Ooooooh.
00:36:29rurururururu ru.
00:36:31And I thought he was going to be my best friend ever.
00:36:38Ha, ha, ha.
00:36:42Allons-y!
00:36:43Stop it you fuck and be ashamed.
00:36:47Soldier, they don't let us shoot at peace, now go and tell him.
00:36:53Pa rap, pa rap, pa rap.
00:36:56What's up?
00:36:58Listen, go and tell him all of it.
00:37:01Come on.
00:37:03Wait, I'll take a look.
00:37:09Holy Mary, it's him.
00:37:10Who's him?
00:37:11Open the door!
00:37:13I'm the Colonel Marullo.
00:37:16Oh, they must have put me in the counter-espionage.
00:37:18What are you saying?
00:37:20Open the door!
00:37:21Or I'll throw down the door!
00:37:23I'll be right there.
00:37:24He lives here.
00:37:26Come, quickly, into the closet.
00:37:28Quickly.
00:37:29How can you film me?
00:37:32What is it?
00:37:33Let him go, I have to be at home at one.
00:37:35Go, go, go.
00:37:36Close the door.
00:37:40Good evening.
00:37:41Good evening.
00:37:42I want you to know that by law and public safety,
00:37:47you cannot break the...
00:37:53What was he saying?
00:37:55Nothing.
00:37:57I was saying...
00:37:59You were playing the piano, weren't you?
00:38:01Unfortunately, yes.
00:38:02I'm sorry if I disturbed you.
00:38:03But for heaven's sake, it doesn't exist.
00:38:05You play divinely,
00:38:07and I love listening to Rossini's music.
00:38:11It really was Beethoven.
00:38:13Beethoven?
00:38:14A foreigner?
00:38:16That's what I was saying.
00:38:18You're beautiful, you know.
00:38:20Not as a compliment, right?
00:38:22But you have a beautiful touch of...
00:38:25You have a beautiful touch of...
00:38:31You're a very talented girl.
00:38:34But my daughter, thank you.
00:38:36I married her off to my aunt.
00:38:38Good girl, good career.
00:38:40But he's a waste of time.
00:38:43You don't encourage him.
00:38:45If only he knew how to play the piano.
00:38:49If it's just for this, I can teach you a few lessons.
00:38:52Really?
00:38:53You'd do that?
00:38:55But it's wonderful!
00:38:57See you tomorrow.
00:38:58Good night.
00:39:03Farewell!
00:39:08A scream of pain, that's all.
00:39:10What is it, mommy?
00:39:12Don't scream like that!
00:39:15Oh, God!
00:39:16Oh, God!
00:39:17What is it?
00:39:18What's wrong, Luna?
00:39:19The baby!
00:39:20The baby!
00:39:21The baby will be a thought.
00:39:23Of course!
00:39:24You only think of her.
00:39:26Her and your lessons!
00:39:27I don't count anything for you!
00:39:29Shut up, shut up, my baby.
00:39:31We'll have a lot of time.
00:39:33You'll see.
00:39:34In fact, she's the one...
00:39:35Shut up.
00:39:37She's dangerous too.
00:39:39We must be careful.
00:39:40If I can, I'll call you tomorrow.
00:39:43I'll call you.
00:39:44Don't call me anymore.
00:39:45Asshole!
00:39:48Oh, God!
00:39:49Oh, God!
00:39:50Oh, God!
00:39:51Oh, God!
00:39:53You're in luck!
00:39:58Who's opening?
00:40:01Who has to open?
00:40:02I'm here for the party.
00:40:14Good morning, ma'am.
00:40:15Good morning, Mrs. Louise.
00:40:16Did Marcello go out?
00:40:17No.
00:40:18Marcello is getting dressed.
00:40:19Why?
00:40:20Because he promised to take me for a ride in the city.
00:40:23Marcello?
00:40:25Marcello?
00:40:27Yes, Mom.
00:40:28There's Mrs. Louisa.
00:40:29She says you have to go out together.
00:40:31Oh, yes.
00:40:32Tell her I'll be right there.
00:40:41Do you like it, Luca?
00:40:42I think it's great.
00:40:44Oh, enough with this.
00:40:45Let's get out of here.
00:40:46We have to be friends.
00:40:47As you wish.
00:40:48I mean, as you wish.
00:40:54We're here.
00:40:55I'll stop here, as you asked.
00:40:56Okay?
00:40:58Why this tone?
00:40:59What's wrong?
00:41:00Are you in a bad mood?
00:41:01Yes.
00:41:02No.
00:41:03I don't know.
00:41:04But you're such a strange boy.
00:41:06Sometimes it seems like you have it with me.
00:41:08And other times, instead...
00:41:10Other times, instead?
00:41:13I think you're infatuated with me.
00:41:16Infatuated?
00:41:17What a big word.
00:41:18Too demanding for a countess.
00:41:20Too many duties.
00:41:21Exhaustion.
00:41:23It's much better to have fun.
00:41:26It's your imagination.
00:41:28Or...
00:41:31Or you're too young.
00:41:34And you're a whore.
00:41:42Yes.
00:41:58Hello?
00:41:59Hi, it's me.
00:42:00Oh, it's you.
00:42:01Finally.
00:42:02When are you coming?
00:42:03Unfortunately, I have a meeting.
00:42:04I can't come.
00:42:05What?
00:42:06So suddenly?
00:42:07Try to understand.
00:42:08They opened the door at the last minute.
00:42:10A moment ago.
00:42:11There's also the mayor.
00:42:12I can't give up.
00:42:13If I get sick,
00:42:14I can't show myself around.
00:42:16Do you understand?
00:42:19Anyway,
00:42:20if you have the strength,
00:42:21let me go.
00:42:22I'll run away later.
00:42:23Okay?
00:42:24Darling, are you ready?
00:42:25We have to go.
00:42:27Don't worry.
00:42:28Don't worry.
00:42:29Anyway, I feel that you don't miss the company.
00:42:40Who does he think he is,
00:42:42calling me Penelope?
00:42:44To hell with him.
00:43:06Miss.
00:43:07Miss.
00:43:09What a nice surprise.
00:43:11Good evening, Professor.
00:43:12Where are you going so alone at this hour?
00:43:15I thought I'd go out for dinner.
00:43:17And then I don't know the city at night.
00:43:19It's not a big deal.
00:43:20We are poor people from the province.
00:43:21But there is a good restaurant.
00:43:23If I can dare to invite you.
00:43:25You can dare.
00:43:26You can dare.
00:43:28Please, I'll make room.
00:43:33Please, sit down.
00:43:37Papa.
00:43:42Hypocrite.
00:43:43He doesn't even respect my father.
00:43:46But I know where he takes you.
00:43:48First the Pope, and then the rest.
00:43:51But this time I beg you.
00:43:52Please, sir.
00:43:53A white fernet for you.
00:43:55And a white fernet for the lady.
00:43:58But does he really digest?
00:44:00Well, as they say,
00:44:02he has never betrayed an antigestion.
00:44:15Do you like it here?
00:44:16Very nice.
00:44:17I'm happy.
00:44:18Excuse me for a moment.
00:44:19I have to make a phone call at the hospital.
00:44:21If you're talking to your wife,
00:44:22why don't you tell her to come here with us for dinner?
00:44:25Good.
00:44:27Actually, good.
00:44:32What would you like, ma'am?
00:44:34A tonic water, please.
00:44:46Yes?
00:44:47Hello?
00:44:48Teresa, it's me.
00:44:49Hi.
00:44:50Look, I'm going to miss the night.
00:44:52It must be a dinner with the flies.
00:44:54I hear a loud noise.
00:44:55Can you land?
00:44:56Don't joke.
00:44:57They're preparing the fernet.
00:44:58Really?
00:44:59It's a very difficult operation.
00:45:01I don't know if I'll be able to save him.
00:45:04I don't understand what you said.
00:45:06Anyway, good night.
00:45:11Don't make fun of me.
00:45:12What a pleasure.
00:45:13My savior.
00:45:16Professor.
00:45:17Come on, I'll introduce you to my wife Margherita.
00:45:20You have to have lunch with me.
00:45:22Come on, professor.
00:45:23I have to go.
00:45:24Come on, come on.
00:45:25A dying patient.
00:45:26I can't.
00:45:27Don't let him die.
00:45:28Come on.
00:45:29I have to go.
00:45:30Come on.
00:45:31I can't.
00:45:32Come on.
00:45:33Come on.
00:45:34Come on.
00:45:43It's raining.
00:45:56Ma'am, a message for you.
00:45:59I'm sorry to inform you that duty calls me at the head of a dying man.
00:46:05We'll do it again.
00:46:06His always devoted Bussanti.
00:46:08I always come here to the game.
00:46:10You eat really well.
00:46:11Assessor.
00:46:12Good evening.
00:46:13Good evening, assessor.
00:46:14Good evening.
00:46:16Please, sit down.
00:46:18You're really beautiful tonight.
00:46:20You're beautiful, simple.
00:46:22You're kind.
00:46:23Son of a priest.
00:46:24What did you say, please?
00:46:26That gentleman who just sat down.
00:46:29Who is it?
00:46:30The Marinotti assessor.
00:46:31Marinotti.
00:46:32Marinotti.
00:46:33Marinotti.
00:46:34Marinotti.
00:46:35Marinotti.
00:46:36Marinotti.
00:46:37Marinotti.
00:46:38Marinotti.
00:46:39Marinotti.
00:46:40Marinotti.
00:46:41Marinotti.
00:46:42Marinotti.
00:46:43Marinotti.
00:46:45Yes, of course.
00:46:46He's our regular customer.
00:46:48Is the lady who's with him his mother?
00:46:51No, it's his wife.
00:46:55His wife?
00:46:57Why? Is he married?
00:46:59He's married and he's spending.
00:47:01You're the one who finances all his electoral expenses.
00:47:04Excuse me, ma'am.
00:47:14Hi.
00:47:15Hi, Marcello.
00:47:16I'm glad to see you.
00:47:18Are you really not angry?
00:47:20Angry?
00:47:21Why?
00:47:22What are you saying?
00:47:23It happens to everyone to be in a bad mood and to say unpleasant things.
00:47:27Come on, why don't we go together?
00:47:29I was angry because you never take me seriously.
00:47:32Me?
00:47:33Of course I take you seriously.
00:47:35Come on.
00:47:36Yes.
00:47:37So why did you go out with my father?
00:47:41Because I met him at home.
00:47:43I asked him for the name of a good restaurant and he brought me here.
00:47:46And he went to the hospital with his loved ones.
00:47:48I'm really an idiot.
00:47:50Do the gentlemen have to eat?
00:47:52Yes, I would like a table near the window.
00:47:54Please, ma'am, please.
00:47:57Let's go.
00:47:58But a million here, a million there.
00:48:00We're already at 18.
00:48:01And dear friend, this is your political career.
00:48:03You're unfair to me.
00:48:05Be patient.
00:48:06I'll take care of it.
00:48:08Be patient.
00:48:09I did all this for you.
00:48:10It will be a very fun evening.
00:48:16Here you see.
00:48:17So a little.
00:48:18Can I recommend some excellent tortellini and cream?
00:48:21Yes, the tortellini are fine.
00:48:22Yes, yes.
00:48:23Also for you tortellini and champagne.
00:48:25That's disgusting.
00:48:26But how disgusting?
00:48:27It's a very good wine.
00:48:28But what wine?
00:48:29This is a squeeze of capi.
00:48:31Please, sir.
00:48:32Or do you feel it?
00:48:33Is there a degree more than the courgettes?
00:48:35Tell me, if you can drink such a thing.
00:48:38Blanc de blanc.
00:48:39Prince of Piedmont and well iced.
00:48:41Yes, yes.
00:48:42It's fine, thank you.
00:48:49Oh, God!
00:48:50Oh, fucking Eva!
00:48:52I'm sorry, sir.
00:48:53He escaped me.
00:48:54Not me.
00:48:55It came to me spontaneously.
00:48:57Come on, let's go.
00:48:59But how?
00:49:00We're leaving so soon.
00:49:01Yes.
00:49:02Everything goes wrong here tonight.
00:49:03Chin, chin.
00:49:05Let's go home?
00:49:06Yes, let's go home.
00:49:17What happened?
00:49:18Nothing, nothing.
00:49:19You drank a little too much.
00:49:20How do you feel?
00:49:21Good.
00:49:22I just want to throw up.
00:49:23Ah, good.
00:49:25Where am I?
00:49:27At my house.
00:49:30Where am I?
00:49:31At my house.
00:49:32It's mine.
00:49:33Finally.
00:49:34I've been wanting it so much.
00:49:35But do you love me?
00:49:37Of course I love you.
00:49:39So, who's that pig that comes here?
00:49:41What are you saying?
00:49:42Him.
00:49:43I've seen him, you know.
00:49:44What do you think?
00:49:46You say that because you're a little drunk.
00:49:48No.
00:49:50It's because I'm suffering too much for my age.
00:49:59I'll make you a coffee.
00:50:02Topina, it's me.
00:50:09Finally I'm alone and I can talk to you quietly.
00:50:12What about your wife?
00:50:14Topina, I understand that for you it was a big blow to find out that I was married.
00:50:19But all this doesn't have to change anything in our relationship.
00:50:22Oh, no?
00:50:24No, because I can see my wife.
00:50:26She couldn't see me.
00:50:28She's so dumb that I don't even touch her with a finger.
00:50:30Really?
00:50:31I swear, I swear.
00:50:33And now you know what I'm going to do?
00:50:35As soon as I'm elected, as soon as they elect me,
00:50:38I'm going to fuck the electors, get a divorce and marry you.
00:50:41Really? And you know it?
00:50:44Please, Topina, don't do this.
00:50:46You know I love you, I love you, I love you, I love you, I love you.
00:50:49Ferdinando!
00:50:50I love you more than anything.
00:50:52It emits a feeling of vigor and peace.
00:50:56My heart sinks.
00:50:58I love you.
00:51:00If I don't come to your election to try, where do I try?
00:51:03I understand. Hurry up.
00:51:05All right.
00:51:07It's my wife's cessation.
00:51:09What are you saying?
00:51:10Cessation. Cessation.
00:51:12Cessation of trying my voice and coming out. All right?
00:51:16Bye, love.
00:51:17Bye. See you tomorrow at ten, Topina.
00:51:29Bye.
00:51:44I get it.
00:51:59I get it.
00:52:29I get it.
00:53:00What are you doing?
00:53:02No, it's just that...
00:53:04What?
00:53:05What are you saying?
00:53:06They're happening...
00:53:07Be quiet.
00:53:08Turkish things are happening.
00:53:09Come here.
00:53:10There's something...
00:53:12Piece of shit.
00:53:13Give it to me one night.
00:53:15Look at that.
00:53:17There are two thighs that look like four.
00:53:21Mother of God, what is this?
00:53:24Panoramic.
00:53:25It looks like Califugo's Venus.
00:53:27Amedeo, Califugo's Venus.
00:53:29Califugo, Califugo.
00:53:30How dare you?
00:53:32We're not frogs.
00:53:34That's not it.
00:53:35Let me say it.
00:53:36You're a boy, you're not a sailor.
00:53:39Cessation has its own laws of compensation.
00:53:41We have the stimuli of meat.
00:53:43They have the stimuli of fish.
00:53:45That's nice.
00:53:46Amedeo.
00:53:47You're a pig.
00:53:49You're a pig.
00:53:51Stop looking at her.
00:53:53You pig.
00:53:54Stop it.
00:53:55I said stop it.
00:53:56I told you to stop.
00:53:57What the hell is the matter with you?
00:54:05And remember, the next time you see us,
00:54:07I'll tell your wife and I'll make you slap your face like this.
00:54:10I don't understand my wife slapping me like that.
00:54:12Because it's better that you know that in this little palace you're a luxury.
00:54:15Clear?
00:54:16What the hell do you want, you little lady?
00:54:18You understand?
00:54:19You have to tell me this sentence, your father, not you.
00:54:21You come here and you have a bandana, a raquette.
00:54:23Like me.
00:54:24Don't throw it in the trash.
00:54:25Like an asshole.
00:54:26Hey.
00:54:27I like dolls, but if you piss me off, I'll take you in five minutes.
00:54:29I'll break your head and put it in your throat.
00:54:31In the knee.
00:54:32Clear?
00:54:33Oh.
00:54:34No.
00:54:35Ah.
00:54:36Ah.
00:54:37Ah.
00:54:38Ah.
00:54:39Ah.
00:54:40Ah.
00:54:41Ah.
00:54:42Ah.
00:54:43Ah.
00:54:44Ah.
00:54:45Ah.
00:54:46Ah.
00:54:47Ah.
00:54:48Ah.
00:54:49Ah.
00:54:50Ah.
00:54:51Ah.
00:54:52Ah.
00:54:53So when I'm alone, I can feel it.
00:54:55All right, director.
00:54:57But not right now. I have an appointment.
00:55:00Yes, of course.
00:55:01I wanted to tell you one last thing.
00:55:03Last night, when we were together, nothing happened between us.
00:55:08No? Why?
00:55:10Because it would have been a real shame not to remember.
00:55:14Yes, a real shame.
00:55:23Hello?
00:55:25Hello?
00:55:26Luisa? Topina? It's me.
00:55:29Listen, Luisa.
00:55:31Damn it, I'm really late.
00:55:33You know, at ten?
00:55:35At ten o'clock, I have to receive an election committee here.
00:55:39Don't get mad because I'm in deep shit.
00:55:42Don't worry, it's your natural habitat.
00:55:46Honey, I can't come.
00:55:48Anyway, I'll call you later.
00:55:50No, don't worry. There's no reason.
00:55:53And I don't know if you'll find me. Bye.
00:56:00Would you take me for a ride in town?
00:56:03Of course.
00:56:04I left my motorcycle in front of the restaurant.
00:56:06This morning, when I went to pick it up, it wasn't there.
00:56:08Be brave, you'll see you'll find it.
00:56:10I wouldn't care about the motorcycle, if you were my girlfriend.
00:56:13Come on, don't exaggerate.
00:56:15No, no, I really don't think so.
00:56:17We could always walk like this.
00:56:19Like now, hugged.
00:56:21You're so sweet.
00:56:22You too.
00:56:23Since you arrived, even if you make me suffer a little,
00:56:26this city has improved a lot.
00:56:31Everything looks more beautiful.
00:56:33I'm glad you're so slow.
00:56:34Why don't you ever take me seriously?
00:56:38Excuse me a moment, I'll be right back.
00:56:47I'll be right back.
00:56:52Sweetheart, you know what I told you last night?
00:56:55We'll get married and we'll always be together.
00:56:58Are you happy?
00:56:59I don't know, Ferdinando, I don't know.
00:57:01That pig again.
00:57:05You have to believe me, you know.
00:57:06I can't lie, I love you.
00:57:08Of course, I know that.
00:57:09Anyway, I don't like it when you keep passing that motorcycle under my window.
00:57:13Why? Does the noise bother you?
00:57:14I don't care.
00:57:15It's always stuck to that pig.
00:57:17Come on, don't be ridiculous.
00:57:18You know that boy is nothing to me.
00:57:21You love me.
00:57:22But they came here for you.
00:57:23So why do you always take him with you?
00:57:25How can you not understand?
00:57:26I do it to make you jealous, don't I?
00:57:29Jealous?
00:57:30I'm jealous of that pig.
00:57:32Dear Marinozzi.
00:57:33Who is it?
00:57:34Ma'am.
00:57:35I'll explain to the lady.
00:57:37Look, ma'am, always go ahead.
00:57:39Straight ahead is the town hall, right?
00:57:42The town hall is on the right.
00:57:44There's a little gate.
00:57:45That's it.
00:57:46And then if you go, ask the guard.
00:57:48I'm coming to you tonight.
00:57:49Is that clear, ma'am?
00:57:51Yes, thank you.
00:57:52Good evening.
00:57:53Goodbye.
00:57:54Take care.
00:57:55Good evening.
00:58:07What are you doing?
00:58:08Are you looking for me?
00:58:09Take this.
00:58:28Who is it?
00:58:29Darling, it's me, your Sarzanino.
00:58:31I'll open right away.
00:58:43Dear Assessor, what a splendid surprise!
00:58:46How did you know about my daughter?
00:58:48I had called you this morning.
00:58:50I'll tell you today, it's a party like this,
00:58:52for a few intimate ones,
00:58:54but tomorrow it's a big party.
00:58:56After the wedding, there will be lunch.
00:58:59Please, Assessor, the elevator is ready.
00:59:03Even the husband doesn't mind, does he?
00:59:05Thank you, Lucia, look what a surprise!
00:59:09There's Assessor Bonci-Marino.
00:59:12Nice to meet you.
00:59:13Nice to meet you.
00:59:14Assessor, what happiness!
00:59:16What splendid flowers, Assessor Marino!
00:59:18What flowers!
00:59:19Great!
00:59:20These are my flowers, right?
00:59:21No, no, no.
00:59:22No, they're not for you.
00:59:25Assessor.
00:59:26Assessor.
00:59:31Oh, strange man.
00:59:32I've already seen that one.
00:59:35But what a chameleon!
00:59:36Assessor, I'm coming.
00:59:38I'm not joking.
00:59:40I really have a meeting.
00:59:41Assessor, you don't know our fish?
00:59:43No, no, Colonel, no compliments.
00:59:45No fish, but I'm happy with a tartine.
00:59:47I heard the husband...
00:59:48Captain Fish!
00:59:50My future husband.
01:00:09Oh, Assessor.
01:00:21Flowers again, flowers!
01:00:26Ah, you're here.
01:00:27I was going.
01:00:28No, no, I came to pick them up.
01:00:29So dear, so passionate.
01:00:31Come, come.
01:00:34Here you go, Assessor.
01:00:35Please, you make us happy.
01:00:37I don't know how to explain it.
01:00:38But look at those teeth!
01:00:40They seemed a little big to me.
01:00:41No, they were bigger.
01:00:42The ones before were big enough.
01:00:44But now you're entertaining yourself, aren't you?
01:00:46Please, counselor, if you'll excuse me.
01:00:47Mr. Busatti, Mr. Busatti.
01:00:49How do I feel with you?
01:00:50Pleasure.
01:00:51Counselor Marinotti, I am happy to have you here with us.
01:00:54Your presence honors our house.
01:00:57By the way, the teacher of piano is not invited.
01:01:01But yes, I went twice.
01:01:03He has a fever and can't move.
01:01:05Poor thing.
01:01:06He said he can't come.
01:01:07I'm so sorry.
01:01:08Oh, shit.
01:01:25With all the men in the world,
01:01:27I had to fall in love with a married mollusk.
01:01:34Who is it?
01:01:35It's me, Busatti.
01:01:40Good evening.
01:01:41What do you want?
01:01:42I was at Marullo's and I heard you had a fever.
01:01:44I thought that as a doctor...
01:01:46Yes, he'd like to visit you, maybe take off your clothes.
01:01:48Fuck you!
01:01:49I'm a doctor.
01:01:50Look, I don't doubt it, but you're a big pain in the ass.
01:01:55I see you're in a bad mood.
01:01:57I'll get rid of the disturbance.
01:02:00I see you're in a bad mood.
01:02:02I'll get rid of the disturbance.
01:02:03Good evening.
01:02:04Good evening.
01:02:08All the flowers are closed.
01:02:10I walked all over the city.
01:02:12Because it's my car, everyone knows it.
01:02:14What do I invent now?
01:02:20At least you'll like the thought.
01:02:30It's me, your Ferzanino. Open up.
01:02:33At the right time.
01:03:00He's a bit rude with the scissors.
01:03:20I'm really pissed off.
01:03:23But Carzanino will be able to reach his genius.
01:03:30From the back courtyard.
01:03:51Mother of God!
01:03:59Mother of God!
01:04:07Hello?
01:04:08Darling, great things, great news.
01:04:12Yes, today I recorded a conference for a private television.
01:04:17And tonight, from the bed, we'll see it together.
01:04:22I don't want to see you anymore.
01:04:24Come on, don't be like that. You're a genius, Carzan.
01:04:27You'll see when I tell you.
01:04:29Do you know what you'll do?
01:04:32Look, terrible things happened last night.
01:04:36Very interesting.
01:04:38Okay, I understand.
01:04:40I'll be right there and I'll tell you, okay?
01:04:43Bye, darling, bye.
01:04:57Bye.
01:05:28THE END
01:05:48You...
01:05:49Do you remember me?
01:05:52Maybe you'll be remorseful.
01:05:57THE END
01:06:27My wife is a whale.
01:06:28Well, at night, when I make love to my wife,
01:06:30it's as if Barnard had pierced my heart.
01:06:32I get a kind of rejection.
01:06:35Voilà!
01:06:36I'm in, sorry.
01:06:37You're in, you're in, miss, how?
01:06:39She's beautiful, you know, not like my wife.
01:06:41So I said to myself, dear Medeo, let's call the lady,
01:06:43it's true that it gives us a little relief, you know?
01:06:45Come here, sit down, don't kiss the girl.
01:06:48The proverb says that the lady
01:06:50works hard for the belly and for the music.
01:06:53Why? Do you like my music?
01:06:55She drives me crazy, miss,
01:06:57especially when she plays Beethoven's Rhapsody.
01:06:59She drives me crazy, so I like her to death.
01:07:02And your grandmother?
01:07:03Well, let's not exaggerate.
01:07:05I'm 45 years old.
01:07:06I'm still active, but I'm also 45 years old.
01:07:09Then I like Sebastiano Bacco.
01:07:11Touch and run.
01:07:12I like the touch, the escape a little less.
01:07:14They look at me like idiots, they're assholes, let's say.
01:07:17Listen, miss, let's get down to business.
01:07:19I only have 50,000 lire, I'm sorry, but I only have this.
01:07:21No, but it's too much.
01:07:22How is it too much, miss?
01:07:23You deserve millions, billions, beautiful as she is.
01:07:29Are you a beginner?
01:07:30Well, I'm a sailor man.
01:07:32I have my experience, I have it.
01:07:35But it goes to the ear.
01:07:37I really didn't get this one.
01:07:39I mean, it goes to the ear.
01:07:41You're a little crazy, aren't you?
01:07:43If we like it, we'll do everything,
01:07:44ear, nose, mouth, or bull's-eye.
01:07:46We'll do whatever you want.
01:07:48Well, let's do a little surfing.
01:07:50Yes, let's do a little surfing,
01:07:52a little swimming, a little jumping.
01:07:54We'll throw ourselves on the couch,
01:07:55tra la la, tra la la.
01:08:09Ottavio?
01:08:10Yes, dad?
01:08:11Listen, handsome, you're the playboy, aren't you?
01:08:13I'm the playboy, why?
01:08:14The one who sent me on the puppet?
01:08:16Do you need a hand?
01:08:17I'll give you a hand.
01:08:20This is the first.
01:08:21And don't touch our puppet, or it won't grow.
01:08:23That's why I didn't grow up, but it always does.
01:08:25And this is the second.
01:08:28And what's so funny?
01:08:31Your mother did well.
01:08:32And you too.
01:08:36The importance of family is equality.
01:08:52The flowers.
01:08:53The flowers.
01:08:54How beautiful.
01:08:55Oh, dear sir!
01:08:57I'm glad you remembered.
01:08:59Your presence honors us all.
01:09:01Oh, mother.
01:09:02By the way, ladies,
01:09:03I'm sorry if we take advantage of your car.
01:09:05Because I have relatives from abroad.
01:09:07I don't want them to become very close relatives.
01:09:09Good for you.
01:09:12Come, come, sir.
01:09:13We'll take advantage of your car.
01:09:15Thank you, sir.
01:09:16It was a pleasure.
01:09:20We're leaving now.
01:09:21See you soon.
01:09:22You must come back.
01:09:23I will.
01:09:24I'll come back.
01:09:25Have fun.
01:09:26Good luck.
01:09:27Don't worry.
01:09:28I'll make it all right.
01:09:29Hello.
01:09:30Have fun.
01:09:33Have fun.
01:09:34Thank you, sir.
01:09:35That's it.
01:09:36That's it.
01:09:37That's it.
01:09:38That's it.
01:09:40Thanks.
01:09:41You're welcome.
01:09:42Thanks.
01:09:43Let's go.
01:09:44Let's go.
01:09:45Bye.
01:09:46Bye.
01:09:47Don't forget to make a reservation.
01:09:48Don't forget.
01:09:49Who is it?
01:09:51It's me, Marcello.
01:09:53Marcello, didn't you go to the wedding?
01:09:55No, I didn't go.
01:09:56But I have to talk to you, please.
01:10:00I can't now, I'm waiting for someone.
01:10:03That pig, maybe, eh?
01:10:05Beat him!
01:10:11I'm sorry, Marcello.
01:10:13I'm sorry.
01:10:15I'm sorry.
01:10:17I'm sorry.
01:10:20Open it!
01:10:22Open it!
01:10:23Stop it!
01:10:24We have nothing to say to each other.
01:10:27Open it!
01:10:29Open it!
01:10:32We'll see.
01:10:33No.
01:10:45Puntemés, you can't choose a house in more than 100 countries around the world.
01:10:50And don't forget it.
01:10:52The nation can be saved,
01:10:55insofar as, that is, the infinite cells that make up the connective tissue, that is, the family, will be saved.
01:11:05The family is the basis of everything.
01:11:08The family is a nucleus of concord, a nucleus of love, and above all, a nucleus of morality.
01:11:14Therefore, if each of us worked hard, we could finally save that priceless, that incredible heritage of a nation, which is morality.
01:11:45I'm sorry.
01:12:08How stupid.
01:12:10And I brought it to him, so they'd be more comfortable.
01:12:14Marcello, what are you doing? Are you crazy? How dare you come in? You don't have the right.
01:12:17Oh, no? And who has the right?
01:12:19It's none of your business.
01:12:20Oh, it's none of my business?
01:12:22You've already forgotten that you told me, I love you, and a toast, and a kiss.
01:12:26They were all foolishness. You must forget them.
01:12:28They weren't foolishness, they were cowardice.
01:12:31They were used to make that pig jealous.
01:12:34And I play the game like a fool.
01:12:36You said it!
01:12:38Bitch.
01:12:41What the hell?
01:12:44And you, how do you define yourself? You, who make holes in the walls.
01:12:47Do you think you're different? You're a fool.
01:12:50I'll kill you.
01:13:15I love you.
01:13:20I love you.
01:13:23I love you.
01:13:27I love you.
01:13:30I love you.
01:13:33I love you.
01:13:44I love you.
01:14:14THE END