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  • 5/15/2025
#ChineseDrama
►Drama Name:Hidden Marriage With Boss► Plot summary:
A hard-working new designer Sheng Yang (played by Xiao Zhan) and a well-known advertising director in the industry, Jian Bing (played by Bai Baihe), met by chance and started a "rechargeable love" story that illuminates and heals each other. Under Jian Bing's inspiration and encouragement, Sheng Yang continued to grow and emerged in the industry, while Jian Bing regained her confidence in life and love with Sheng Yang's care and companionship. The two people who are gradually falling in love inevitably encounter many obstacles in reality. Family, work, and emotional crises follow one after another. The family and friends around them are also facing their own life confusions and emotional choices: among them, there are youth campus There are the ignorant first love in the story, the regret of missing the secret love for many years, and the contradictory "parental love"... In the end, Sheng Yang and Jian Bing went through ups and downs, bravely pursued their dreams, depended on each other warmly, and loved each other with all their strength. And everyone in the story is also moving forward together on the road of life that alternates between wind and rain and sunshine, and strives to become a "better self".
AsianDrama #ChineseDrama#

Category

😹
Fun
Transcript
01:30You
02:00You
02:30Oh
03:00Sure
03:07Sure
03:20What's wrong
03:30Ah
04:00Oh
04:30Hmm
05:00Oh
05:30Oh
06:00Oh
06:02Hmm
06:33Hmm
06:58Hmm
07:02Hmm
07:15What are you doing?
07:17Hmm
07:47Hmm
08:18Hmm
08:28Hmm
08:31Hmm
08:42Hmm
08:47It doesn't mean anything if you don't say anything.
08:50We haven't even talked about it. What do you know?
08:54Watch this.
08:56What are you doing?
09:01Hello, what would you like to order?
09:06Are you a fool?
09:08I'm sorry.
09:12You're still laughing?
09:14Did you see that?
09:15What are you doing?
09:17If a girl is willing to let you hold her hand,
09:20it means you have feelings for her.
09:22If you don't like her,
09:24you'll take your hand away.
09:27Yesterday,
09:29after ten minutes,
09:32Luo Mingjuan laughed so hard.
09:34Let's eat.
09:44Dad, why don't I move out?
09:47Although my salary is not high,
09:49I've been working for so many years,
09:51and I've saved a lot of money.
09:53I've been working for so long,
09:54I should have moved out a long time ago.
09:57I've already looked after the house.
09:58The house near the company is quite cheap.
10:01I can afford it.
10:03I just think
10:05if I move out,
10:06you two will have your own space.
10:08You can't fight anymore.
10:11Yes.
10:12When Luo Mingjuan gets angry,
10:13she'll use you to stay at home.
10:15She'll talk about things.
10:17If you really move out,
10:19she'll definitely chase you for three years.
10:21She'll stop you when you cry.
10:24If you stay at home,
10:25at least
10:27it's a melting pot between us.
10:28To be honest,
10:29it's not that you didn't grow up
10:30and you can't leave this family.
10:32It's Luo Mingjuan.
10:33She didn't grow up.
10:34She can't leave you.
10:37She can't accept
10:38the fact that you can be independent.
10:41It's hard to say.
10:42You break up.
10:43Luo Mingjuan hasn't broken up yet.
10:46Plus,
10:47you don't know
10:48when she'll get up
10:49and when she'll go down
10:50in her middle age.
10:52At our age,
10:53if you really have a little problem,
10:55it's really me pointing at you.
10:57It's me pointing at your nose to scold.
10:59You point at my nose to scold.
11:01It doesn't make sense.
11:02It doesn't make sense.
11:04If you're here,
11:05the situation will be different.
11:07We don't have to point at each other.
11:11You're all pointing at me, aren't you?
11:14You're in the middle.
11:17She can't hurt me.
11:19I can't hurt her.
11:21This is the greatest value
11:22you have in this family.
11:23Right?
11:24Look at Auntie Quan across the street.
11:25Men and women are all abroad.
11:27They may not be able to come back
11:28for two or three years.
11:29They can't find a place to quarrel.
11:33If you really want to move out,
11:35there's only one way.
11:37Hurry up and find a girlfriend.
11:41I know what you're going to say.
11:44By that time,
11:45I'm sure
11:47I'll shoot you with a gun.
11:49I'll carry you out.
11:52Besides,
11:53no matter how cheap the rent is,
11:54it's worth thousands of dollars.
11:56If your mother knows
11:57that the water flows into the field,
11:59her blood pressure will drop to 180.
12:05Come on.
12:06Don't keep saying my mother.
12:08What are you going to do
12:09about this?
12:14Look at Luo Mingjuan.
12:17Live as long as you can.
12:19It's no fun
12:21if you can't live
12:22and have to live.
12:25Eat.
12:27Don't worry about it.
12:32Eat.
12:41Did you get the reply from Jiafang?
12:44I did.
12:47Cheng Bin has a problem.
12:49He wants us to change it.
12:50Then change it.
12:51Right?
12:52Didn't you say
12:53Jiafang is the master
12:54and we are the grandsons?
12:56What's wrong with him?
12:58He can say something about rhythm.
13:00But it's not the same as what he thinks.
13:02But he can't say
13:03what he thinks.
13:04Otherwise,
13:05you can tilt your head
13:06to me.
13:07I'll pull it out
13:08and see what he thinks.
13:10If you don't make it clear to me,
13:12you'll talk nonsense to me
13:13and make a face to me.
13:14I can't serve him.
13:16All right, all right, calm down.
13:18What do we do now?
13:20I don't know what to do.
13:23Show me the video.
13:27Have a look.
13:28What's wrong?
13:40I think it's pretty good.
13:41It's pretty good.
13:47What do we do now?
13:48We have to change it.
13:53How about
13:54I call Jianmin?
13:56Wait a minute.
13:57What are you going to do?
13:59I'm telling you.
14:00The best ex-husband
14:01is to be like dead.
14:02Don't die in the blink of an eye.
14:07I know
14:08you two used to edit videos together.
14:09He'll give you a plan.
14:11But you have to get used to it now.
14:13He can't
14:14appear around you at any time.
14:24Hello,
14:25I'm Mingke Song.
14:28Hello.
14:35This way, please.
14:42This way, please.
14:45Hello, director.
14:46I'm Song Chen.
14:47Hello.
14:49Hello.
14:50I'm Song Chen.
14:51Hello.
14:53Don't look.
14:54Don't look.
14:55This way, please.
14:56Yangyang,
14:57don't you want to introduce me?
14:59What am I introducing?
15:01I really like
15:02your ads these years.
15:03I've watched every one of them.
15:05Really?
15:06Have you watched the latest one?
15:07Yes.
15:08The one with instant noodles.
15:09I think it's very good.
15:10I think it's very good.
15:11The one with the props.
15:12Yes, the one with the big knife.
15:17I'm going to work.
15:18Do you want to go?
15:20No.
15:22You don't want to thank me?
15:25I'm really sorry.
15:26Everyone else in our company
15:27is normal.
15:28This way, please.
15:34Good morning.
15:35Good morning.
15:36Good morning.
15:37Good morning, Director Yu.
15:41No problem.
15:44Director,
15:45this is the contract
15:46that we confirmed
15:47before.
15:48Take a look.
15:49If there's no problem,
15:50you can sign it.
15:51Okay.
16:01I'll keep this one.
16:02Okay.
16:07Director,
16:08I understand
16:09what you're saying.
16:10I understand everything.
16:13It's because of this film
16:14that I want to ask him
16:15if he has any inspiration.
16:17He's very busy right now.
16:18He took on a new project.
16:20Don't bother him.
16:22What project?
16:23It's none of your business.
16:28Tell me.
16:29How can I help you?
16:31I'll do it.
16:33You...
16:35What's wrong with me?
16:36With your personality,
16:37you still dare to pick and choose.
16:38It's good that I don't dislike you.
16:43It's Director Chen.
16:45Hello.
16:48Director Chen.
16:49Old Xu.
16:50Yes.
16:51Didn't you say you'd hand in the film today?
16:53Why didn't you reply to my WeChat message?
16:54Yes.
16:55Director Chen,
16:56I'm really sorry.
16:57I have to go on a business trip today.
16:58I'm on the plane.
17:01A business trip?
17:02Don't fool me.
17:04Why would I fool you?
17:06Tonight,
17:07I'll definitely
17:08hand in the film.
17:11Ladies and gentlemen,
17:13our plane is about to take off.
17:14Please make sure
17:15your seat belt is fastened.
17:17Your phone is turned off
17:18or in flight mode.
17:21Sir,
17:22I'm sorry.
17:23Please turn off your phone.
17:24Our plane is about to take off.
17:25Thank you for your cooperation.
17:28Director Chen,
17:29did you hear that?
17:30She asked me to turn off my phone.
17:31I'll turn off my phone first.
17:32I'll tell you when I land.
17:34Hello.
17:36That's awesome.
17:37You sound just like her.
17:45What should we do now?
17:46She's in such a hurry.
17:47Can you hand in the film tonight?
17:49You only know how to lie.
17:50I said tonight, okay?
17:52Tonight at 8 p.m.
17:53Tonight at 3 a.m.
17:54As long as I don't sleep.
17:57Tonight.
17:59Sit down.
18:00Where are you going?
18:01To edit the film.
18:03I don't know how to edit it.
18:10How did you get the inspiration
18:11to edit the film?
18:12We're both filmmakers.
18:14Both domestic and foreign.
18:16We're both filmmakers.
18:18Short films.
18:19We take them out and watch them.
18:20Right?
18:21We turn on the lights and open a bottle of wine.
18:23Sometimes she can think of it.
18:24Sometimes I can think of it.
18:26We'll edit it
18:27according to that plan.
18:30I don't know where
18:33people go to create now.
18:36I can open a bottle of wine.
18:38Isn't it just drinking?
18:39I can open a bottle of wine.
18:41Isn't it just drinking?
18:43I can drink as much as I want.
18:44It's okay to pick the fragrance.
18:46I've been talking for a long time
18:47and you only know how to drink.
18:49I'm helping you find inspiration.
18:53Okay.
18:56What are you doing?
18:59I'm going to edit the film.
19:01You drink with me.
19:02I'm looking for inspiration.
19:09Director.
19:11These are some concepts
19:12about the early stages of the brand
19:13that we made.
19:15There are some introductions
19:16about the background.
19:23These are all made by Shengnan.
19:28Is there anything
19:30you need to add?
19:32It's pretty good.
19:34It's very careful.
19:37But I think
19:38although we are
19:39a makeup product,
19:41I don't think
19:42it should only be
19:43for young women.
19:46I just read
19:48the previous presentation.
19:49Yes.
19:50Clients' needs
19:51and their ideas
19:52are also a kind of
19:53right and freedom.
19:57In the ads of the last century,
19:59the image of women
20:01was defined
20:02very unilaterally.
20:03Basically,
20:04it was defined
20:05as virtuous.
20:06So I think
20:07our proposal
20:08should break
20:09this unilateral aesthetic.
20:11I hope
20:13to show
20:14the different beauty
20:16of women
20:18of different ages
20:19and classes
20:21in a group way.
20:25I see.
20:26Then we will modify
20:27the proposal
20:28as you said.
20:33Director,
20:34your coffee.
20:49You look tired.
20:50Didn't you have a good rest?
20:52Did I?
20:53Yes.
20:57Are you nervous
20:58because you have a meeting
21:00and a proposal
21:01with me today
21:02and didn't sleep well
21:04all night?
21:05No.
21:06That's strange.
21:07Your eyes are red.
21:09And you are
21:10not active today.
21:12I'll give you another chance.
21:13What's on your mind?
21:20It's my parents.
21:22They had a divorce last night
21:23and had a fight all night.
21:25Why?
21:27Can I say it?
21:31My dad
21:32thinks my mom
21:33has an affair.
21:37Really?
21:38How old is she?
21:40Do you think
21:41what he said is true?
21:42Of course not.
21:44That's good.
21:45It's normal for a couple
21:46to have a fight.
21:47It will be fine in a few days.
21:49Yes.
21:50I understand.
21:52But I hate
21:53when they
21:54always talk about
21:55divorce.
21:56It's like
21:57divorce is
21:58a weapon
21:59that can even
22:00hurt each other.
22:01I'm sorry.
22:06Ever since I was a kid,
22:07I heard them
22:08talking about divorce.
22:09I believed them
22:10when I was a kid.
22:11I thought I would
22:12have to choose
22:13between my dad and mom.
22:15I was ready.
22:16I just waited
22:17and waited
22:18and waited.
22:20But they didn't divorce.
22:22Yes.
22:23They made up
22:24after a fight.
22:26I found that
22:27they were like kids.
22:29They fought
22:30and argued.
22:31But they couldn't divorce.
22:33They fought
22:34but they couldn't divorce.
22:36If they wanted to divorce,
22:37they wouldn't even talk.
22:39I think
22:40if they can
22:41communicate well,
22:42there's no need
22:43to divorce.
22:50I'm sorry.
22:51I didn't think
22:52about it
22:53in the morning.
22:55No, no.
22:57I don't think
22:58divorce is a bad thing.
23:01Marriage is for happiness.
23:03So is divorce.
23:06I see.
23:07I'll go back
23:08and tell them to divorce.
23:10Okay.
23:15Actually, I understand.
23:17They have each other
23:18in their hearts.
23:19They can't live without each other.
23:21But if
23:22they express their love
23:23by hurting each other,
23:25no matter how good their relationship is,
23:26they can't bear
23:27to hurt each other.
23:30Then you should
23:31persuade them to communicate well.
23:33I did.
23:34I don't know how many times
23:35I've persuaded them since I was a kid.
23:37My mom's temper.
23:38If she gets angry,
23:39my dad can't control her at all.
23:44Why should your dad control her?
23:46Your dad should understand her
23:47and soothe her emotions.
23:50Yes.
23:51When women get angry,
23:52men usually
23:53think it's unreasonable.
23:55But let me tell you.
23:56When women have emotions
23:57to vent,
23:59it's definitely not a sudden event.
24:01It must be
24:02the result of
24:03getting more disappointed
24:04and sad
24:05day by day.
24:11I see.
24:13I see.
24:14It's my dad's fault.
24:15It must be wrong.
24:17But I can't
24:18help him.
24:19You didn't see
24:20they had a fight
24:21last night.
24:23They fought so hard.
24:24I think
24:25they're serious this time.
24:34How old do you think
24:37the last act
24:40in your proposal
24:41is?
24:43About 50 years old.
24:51I got it.
24:52What do you want to say?
24:54How to solve the problem?
24:56Let's go.
24:58Where are we going?
24:59Your home.
25:01My home?
25:22I'm home.
25:53I'm home.
26:05Hello, brother.
26:06Why are you here?
26:08It's a little late today.
26:09So we came
26:10to a small team.
26:12Let me introduce you.
26:13I've been working with you
26:14for many years.
26:15This is Brother Yao.
26:16This is Zengguang Lin.
26:17This is Sister Zengguang.
26:18This is Luyin Xiaodai.
26:19This is Ma Ruyi.
26:20This is Zeng Jiayuan.
26:21This is Diao Ningsheng.
26:22Nice to meet you.
26:23You too.
26:24Thanks for your hard work today.
26:25This way please.
26:27Watch out for each other.
26:39Be nervous in front of others.
26:40They won't be nervous.
26:42Once nervous,
26:43they can't speak
26:44their mind.
26:47Do you know how many people
26:48I've interviewed in the past years?
26:49I was surprised to see a 70-year-old man and a 70-year-old woman,
26:52and a few-year-old child.
26:54I found that when people are nervous,
26:58or when they're not prepared,
27:00or when they're facing strangers,
27:02it's easier to tell the truth.
27:05Wow, your house has a great atmosphere.
27:08If I knew I was going to shoot, I would have worn work clothes.
27:11I thought I was just going to sign a contract with your company.
27:15My house is right up here.
27:17The door to the 7th floor.
27:197th floor?
27:20Yes, 7th floor.
27:22No elevator?
27:23Sorry, no elevator.
27:25Thank you, thank you.
27:27Thank you, thank you.
27:47For more information, visit www.FEMA.gov
28:18Someone's knocking on the door.
28:30Someone's knocking on the door.
28:42Hello.
28:43Coming, coming.
28:47Hello.
28:48Who are you looking for?
28:51Let me introduce you.
28:53This is Director Jian Ming.
28:55He's our company's recent advertising director.
28:57These people are his colleagues.
29:00Hello, Mr. Shen.
29:01Do you remember me?
29:03You were very nervous at the time,
29:05so I told you to use the camera as your son's eyes.
29:17Who's that?
29:18Yan Yan's...
29:19Big Director is here.
29:21Is he the Big Director?
29:22Come, come, come.
29:23Who's here?
29:24Mom.
29:25This is...
29:26He interviewed me before.
29:28He's our advertising director.
29:29Hello, Director.
29:30Hello, Director.
29:31Yan Yan, what are you doing here?
29:33I want to shoot an ad at our house today.
29:35Shoot an ad at our house?
29:40Mom, why don't you let him in first?
29:42Come, come, come.
29:43Come in, come in.
29:44Sorry to bother you.
29:45Come, come, come.
29:46Come, come, come.
29:47Be careful when you move things.
29:48Don't bump into anything in the house.
29:50I ran into water.
29:51I ran into water.
29:58Sit down, sit down.
29:59Don't stand.
30:00Here, Director.
30:01Drink some water.
30:03It's like you're at home.
30:04You're welcome.
30:05You said you wanted to shoot an ad at our house.
30:07What kind of ad?
30:11I didn't say hello in advance this time,
30:13so I came to bother you two.
30:14It was my idea.
30:15This time, we're going to shoot
30:17a makeup ad with a realistic style.
30:19We're not going to hire a professional actor.
30:22We want to find a couple
30:24who are truly in love in real life.
30:26So,
30:27not only do we want to shoot at our house,
30:28but we also hope
30:29the two of you can give it a shot.
30:33Dad, Mom.
30:34I signed up for you two.
30:37When the director saw the photo,
30:39he thought you two had a very good image.
30:41It's very suitable.
30:42And I hope you can
30:43stay in this natural state.
30:45So, I didn't tell you in advance.
30:49Later, I talked to Sheng Yang.
30:51I found out that
30:52it was Sheng Da who took the photo ten years ago.
30:54So, look at this fate.
30:56This time,
30:57it must be you two.
30:58But this makeup ad
31:01is so sudden.
31:02We didn't do anything.
31:04This image
31:05won't be too good, right?
31:07It doesn't matter if it's good or not.
31:09The key is that he's not in love.
31:13At our age,
31:15how can a couple be in love?
31:16It's polite not to kill each other.
31:20Dad Sheng,
31:21you're still so humorous.
31:24Actually,
31:25we don't have a lot of money
31:29for this shoot.
31:31Can you two
31:33help me and Sheng Yang?
31:35Yes, yes, yes.
31:36It doesn't matter.
31:37It doesn't matter if it's money or not.
31:38This is their company.
31:39I know what kind of limited company it is.
31:40Everything is limited.
31:41Budget is also limited.
31:42Especially when it comes to salary.
31:43It's very limited.
31:44I understand.
31:47It's good that you two understand.
31:48This shoot is very simple.
31:50You don't have to look at the camera.
31:51Just answer a few questions.
31:53Just sit there and relax.
31:57But I'm so messy.
31:59Look at this image.
32:00Will it be embarrassing to be on camera?
32:04Don't worry.
32:05We brought a professional makeup team.
32:08And we also prepared
32:10beautiful clothes for you.
32:11We promise to dress you up beautifully.
32:17Sit here.
32:18Sit, sit, sit.
32:19This is not suitable.
32:20It's too messy here.
32:21We want this environment.
32:26Sit here.
32:27Here.
32:28Sister Luo needs to adjust.
32:29Let's talk for a while.
32:31You don't need me
32:32to shoot a cosmetics ad, do you?
32:34Of course I need it.
32:36You are a beneficiary.
32:37My wife is dressed up beautifully.
32:39It's a pleasure to see you at home.
32:40It's also a pleasure to take you out.
32:42Well,
32:44vanity.
32:45It's a fairy tale.
32:50There is no shooting now, right?
32:52No, no, no.
32:53Not yet.
32:54It will officially start when Sister Luo comes.
32:56Aunt Yang, you look really good in this.
32:58It's okay.
32:59I just said
33:00my sleeves are so white.
33:01You look good in everything.
33:02Aunt, sit down and get your hair done.
33:04It's really nice.
33:05Really?
33:06It's really nice.
33:07The director said it was nice.
33:08I...
33:09I'm not used to this.
33:11It's nice.
33:13Mom,
33:14look at my dad.
33:16Brother Zheng,
33:17why do you say
33:18women's fashion is vanity?
33:20Look,
33:21I don't know
33:22what she looks like.
33:23We have been living together
33:24for so long.
33:25I can count
33:26a few items
33:27with my eyes closed.
33:29When do you think
33:31you are the most beautiful?
33:34When I cook in the kitchen.
33:36Look,
33:37you are the most beautiful when you cook.
33:38No.
33:39What do you mean?
33:40The kitchen is here.
33:41I'm praising you.
33:42Once,
33:43I saw an old woman
33:44downstairs
33:45picking up garbage.
33:47Look, look.
33:48She was making pancakes.
33:49She put the flowers in her hand
33:51and brought a glass of water to someone.
33:53At that time, I felt
33:56I was quite happy
33:59to marry such a woman.
34:00Beautiful in heart.
34:01Yes.
34:03Beautiful
34:04when young.
34:05Flower.
34:06Really?
34:07How many people
34:08do you have?
34:09A lot.
34:10From the dormitory
34:11to the canteen.
34:12Those boys
34:13are all the same.
34:14They are like flies.
34:15You can't even chase them away.
34:17Then why do you think
34:18I have a crush on you?
34:20Why do you think I have a crush on you?
34:22Because you are arrogant.
34:23But who would dare
34:24to show this ugly face?
34:25Only I persist.
34:27I don't like
34:28those hypocrites
34:29who can
34:30be so hypocritical.
34:32Of course,
34:33I don't have that strength.
34:34Yes.
34:35The only thing I can do
34:36is
34:38to be with her all the time.
34:45You are with her all the time.
34:47Do you think
34:48she is happy
34:50every day?
34:52I don't know if she was happy before.
34:54But recently,
34:55she is not happy.
34:57Why?
34:59I am
35:00numb to material things.
35:03Cry.
35:04Cry.
35:05I am stingy.
35:06I don't let her spend money to buy things.
35:07You are stingy.
35:08Since I got married,
35:09I haven't bought
35:10anything for myself.
35:12The watch.
35:13She gave it to me
35:14when we got married.
35:15The phone.
35:16My son bought it for me.
35:17Right?
35:18My clothes.
35:19There are two ways to wear it.
35:21You can only wear it
35:23all the time.
35:24I am afraid that she will be happy.
35:25I won't change it if she doesn't like it.
35:27You are too humorous.
35:29What about our family conditions?
35:30This is normal.
35:32There are four old men upstairs.
35:33Fortunately, there is only one son downstairs.
35:36These old men
35:37are sick and hospitalized.
35:39They have to take medicine
35:40several times a day.
35:47I can't afford
35:48ten pills
35:49for a month.
35:52Fortunately,
35:53there is some savings at home.
35:54Otherwise,
35:57I don't have money to buy medicine.
36:01Speaking of which,
36:02it's my fault.
36:03I am not capable.
36:04If I had studied hard
36:05when I was young
36:06and found a decent job,
36:08I wouldn't be like this now.
36:11I wouldn't let my daughter
36:13suffer with me.
36:19Speaking of which,
36:20I am not a bad person
36:21at work.
36:22There is nothing wrong with work.
36:23Do you know
36:24why I want to do this job?
36:26It's related to your job.
36:28When I was a kid,
36:29I watched a movie.
36:32I was too old
36:33to remember the name of the movie.
36:34I even forgot the plot.
36:36I remember there was a line.
36:38A little monster wants to eat garbage.
36:41There is a cartoon on the Internet
36:42about a little monster
36:43who is full of energy
36:44after eating garbage
36:45to help children.
36:46That's why I watched this movie.
36:48It's a job
36:49to serve others.
36:51It's good.
36:53I heard that.
36:54Really.
36:55Do you think
36:56my hairstyle is okay?
36:58Clean and neat.
36:59What do you mean?
37:01Clean yourself
37:02every day
37:05and clean the city
37:06thoroughly.
37:08Right?
37:10You just
37:11said it again
37:13and again.
37:14If we talk about it again,
37:16if you have financial conditions,
37:18within the scope of your ability,
37:21would you like to buy
37:23beautiful clothes
37:24and cosmetics
37:25for your lover
37:26and let her dress up?
37:30Yes, I do.
37:32If you don't have financial conditions,
37:34it will be better.
37:37If you follow me,
37:39you will suffer.
37:42Mom, why are you so cold?
37:44I understand.
37:46If you want to have a good family,
37:47you still have to
37:49be happy.
37:53Don't cry.
37:55When will we shoot?
37:57Almost.
37:59Let me have a look.
38:01Let me have a look.
38:03Your makeup is messed up.
38:05I'll fix it.
38:06Okay.
38:13Hurry up.
38:14Are you looking for inspiration?
38:15How many are you looking for?
38:18I asked you to accompany me to find inspiration.
38:20Don't talk to me.
38:21How can I focus on watching the film?
38:23Can you shut up?
38:24Okay, I'll shut up.
38:30I'm sorry.
38:44The last time we watched a movie together
38:46was in high school, right?
38:50What movie did we watch?
38:52Arrogance and Prejudice.
38:54Where did you watch it?
38:56Is there such a thing?
38:57Why don't I remember?
38:58What can you remember?
39:02I just remember
39:03you were very manly at that time.
39:06But now you are
39:07more and more feminine.
39:09This transfer is good.
39:12It can be used.
39:16What do you mean by transfer?
39:19You don't even know what a transfer is?
39:21I'm busy.
39:22We didn't graduate from high school, okay?
39:23No, no, no.
39:24This transfer
39:25means that in different spaces
39:27in different scenes
39:28there is a connection and transition
39:29between the camera and the camera.
39:33Don't talk to me about this nonsense.
39:34It's useless.
39:35You usually lie to little girls like this, right?
39:37Is Jian Bing also
39:38cheated by you like this?
39:40Aren't you the same?
39:42The man with the hook
39:43can wear high heels
39:45and wear tight clothes
39:47and spray perfume
39:48and then use some alcohol
39:49to spray on the man.
39:50Let me tell you.
39:51The reason why we
39:53have been good friends for so many years
39:55is because we have the same smell.
39:57It's a match made in heaven.
39:58I almost embarrassed myself.
40:02The hook is out of the elephant's mouth.
40:04Who gave you a match made in heaven?
40:06Don't look at me.
40:07Don't look at me.
40:08Don't look at me.
40:22You don't believe me?
40:23I can't control myself.
40:53I can't control myself.
41:24I can't control myself.
41:36You are drunk.
41:38No.
41:39You are drunk.
41:42I am calm.
41:48Do you know...
41:49I know.
41:51You fell in love with me
41:52when you were in junior high school.
41:55Do you know...
41:56I know.
41:59We are the same kind of people.
42:01We are not sincere.
42:02We love each other.
42:03We love each other.
42:04We love each other.
42:05You are a tycoon.
42:07How many years have you been in trouble?
42:08Have you thought about it?
42:09Have you thought about it clearly?
42:13You are crazy.
42:21Let me tell you.
42:23Today,
42:24we don't take anything with us.
42:26Don't take it to your heart.
42:27Yes.
42:30You know everything.
42:31Take it to the grave.
42:32No.
42:33Who dares to say who is a dog?
42:34Who is a dog?
42:51No.
42:52You can't leave it to me.

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