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  • 5/14/2025
An evil immortal magician on a killing spree targets one specific couple in an attempt to prolong his life through soul transference.

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Transcript
00:00:00The End
00:00:02The End
00:00:04Fred, I'm sorry.
00:00:17Calling Dr. Grenigan. You're wanted in surgery.
00:00:30The End
00:00:32The End
00:00:34The End
00:00:36The End
00:00:42The End
00:00:44Oh
00:02:00Come on, let me take you home.
00:02:06Greg, I'd like to stay here for a little while.
00:02:11All right.
00:02:13I'll wait for you outside.
00:02:18I'd like to be alone.
00:02:20And please, this tomb is never to be locked.
00:02:23It's never to be locked, do you understand?
00:02:26Never.
00:02:26I'll wait for you.
00:02:45Laura, please come back.
00:02:50Come back to me.
00:02:52I'll come back to you.
00:02:54I promise.
00:02:56I'll come back.
00:03:15I'll come back.
00:03:45Laura.
00:04:15Let's go.
00:05:15I really don't think these daily visits here are doing you any good.
00:05:41I can't help it, Greg.
00:05:42You're wrong. You can't help it.
00:05:44You've got to try, though.
00:05:46She warned me about my fast driving,
00:05:48and she's the one that's had to suffer because of it.
00:05:51Fred, the accident wasn't your fault.
00:05:52Now, stop blaming yourself.
00:05:54Greg, she said she'd come back.
00:05:56How?
00:05:58I don't know. I have no idea.
00:05:59She promised she'd come back.
00:06:00I know, I know.
00:06:01Look, let's get some lunch.
00:06:04I have an idea.
00:06:06I've got a couple of tickets to the fights tonight.
00:06:07Now, maybe you'd like to join me.
00:06:09Not now, Greg. Thanks.
00:06:13All right.
00:06:14You're good.
00:06:41Hello, Jim.
00:06:55Fred!
00:06:56What's happening, baby?
00:06:58Say, Jim, do you remember a while back
00:06:59you told me about this woman you know
00:07:01who conducts seances?
00:07:02Ah, you mean Katrina?
00:07:05Yeah, she's something else.
00:07:07Yeah, well, I mean,
00:07:08can she really make contact to the dead?
00:07:10Well, she hasn't had any complaints
00:07:12from any of her customers yet.
00:07:13I see.
00:07:15Well, Jim, is it possible for you to arrange
00:07:17for me to go to one of these things?
00:07:19Sure.
00:07:20All right, I'll set it up right away.
00:07:22Now, please, you will extend your hands,
00:07:25palms down on the table before you,
00:07:26being sure your little fingers are touching
00:07:28those of the person on either side of you.
00:07:31And now, dear friends,
00:07:33we shall try to communicate
00:07:34with the spirit world.
00:07:37Please, close your eyes
00:07:42and concentrate.
00:07:49Spirits of the night,
00:07:52spirits of the dark, hear me.
00:07:56If you are present, hear me.
00:08:00Oh, wait, I think, yes,
00:08:12there is a spirit present.
00:08:17It begins to reveal itself to me now.
00:08:21Here, young man,
00:08:24you who are sitting on my right.
00:08:31Me?
00:08:32Yes.
00:08:34I have contacted your grandmother.
00:08:37My grandmother?
00:08:39But one of them is still living.
00:08:41If he's not the one I have contacted.
00:08:44Oh, God.
00:08:45Shh, quiet.
00:08:46Quiet.
00:08:47Do you wish to speak with her?
00:08:51No, no, no.
00:08:54Just tell her I settle low.
00:08:59That spirit is gone.
00:09:08Mary, yes,
00:09:10I feel the presence of yet another spirit.
00:09:16Recently departed wife of the gentleman,
00:09:19the first gentleman seated on my left.
00:09:25Laura.
00:09:28I'm sure your husband, Brent,
00:09:31is yearning to hear your voice.
00:09:35Laura, speak.
00:09:38Speak to your husband.
00:09:41Let him hear the sweet sound of your voice again.
00:09:47Speak.
00:09:49Fred,
00:09:51this is Laura.
00:09:55Laura Sanders, your wife.
00:09:58Do you hear me, Fred?
00:10:01Answer me, Fred.
00:10:04Do you hear me?
00:10:06This is Laura.
00:10:09Fred.
00:10:11Fred.
00:10:14Fred, this is Laura.
00:10:15Your wife.
00:10:40Your wife.
00:10:42I just can't believe that something like this is possible.
00:10:53Well, then let's forget it.
00:10:55No, wait. Can I see the woman?
00:10:58Sure. When would you like to see her?
00:11:00How about tonight?
00:11:02Fine. I'll tell you what, you'll be at this address around midnight.
00:11:06You'll see what I'm talking about.
00:11:08All right.
00:11:12Hello, I'm Fred Saunders.
00:11:29Oh, hello, Mr. Saunders. I'm so happy you could come.
00:11:33Are you the gentleman whose wife returned back home?
00:11:35Yes, after 30 years.
00:11:3730 long years and she came back to me.
00:11:40Thanks to these good gentlemen here in the Society.
00:11:44The Society?
00:11:45Yes, the Society of the Dead.
00:11:48They brought her back to me.
00:11:50Would you like to meet her?
00:11:52Yes, I certainly would.
00:11:54Very well.
00:11:54Isn't she lovely?
00:12:03And I swear I can still hear it.
00:12:25And you used to kid me about dating a palm reader.
00:12:30Here you are with a phony seance, his hooded men the whole bit.
00:12:35Oh, come on, Fred. Snap out of it.
00:12:39Listen.
00:12:39I'm asking you as an old friend.
00:12:43But as your doctor, I'm telling you, you've got to pull yourself together.
00:12:47Look at you. You're a mess.
00:12:49Do you honestly believe Laura would want you to carry on like this?
00:12:53When she comes back?
00:12:54Oh, damn it, Fred. Will you stop that?
00:12:57People don't come back from the dead.
00:12:59No matter how hard you're trying to preserve her body, it won't help.
00:13:01I realize what you're going through.
00:13:06But you've just got to accept the fact that she's gone.
00:13:09Laura is dead.
00:13:12But you're young, Fred, and you're alive.
00:13:15I'm sure that someday
00:13:17you'll find someone who'll make you just as happy as Laura did.
00:13:21But in the meantime, for God's sake, let Laura rest in peace.
00:13:26What do you say?
00:13:31I know.
00:13:34How about coming up to my place for dinner tonight?
00:13:36I just fired my cook, so I'll have to play chef now.
00:13:40That ought to be good for a lad.
00:13:42What do you say?
00:13:44Laura is coming back to me, Greg.
00:13:47I don't know how or when, but
00:13:50she is coming back to me.
00:14:01Good morning.
00:14:21Morning, Sandy.
00:14:22Coffee?
00:14:22Yeah, please.
00:14:23What's that?
00:14:43Something to read with your coffee.
00:14:45I've been laughing my head off at some of the ads in this thing.
00:14:48If you don't shock easily, you might enjoy it.
00:14:50Well, I'll try not to be shocked.
00:14:53Yes, I saw your ad in the paper about reincarnation and
00:15:21I'll try not to be shocked.
00:15:23Tonight?
00:15:24Why, I think so.
00:15:29Fine, I'll meet you there around 11 o'clock.
00:15:31Oh, just ask for Mr. Saunders.
00:15:51To Tana.
00:15:53And no last name?
00:15:55You call me Tana, and I'll call you Fred.
00:15:58All right.
00:16:03I had to do a bit of research on you.
00:16:07Oh, I am very sorry.
00:16:10I see that you have lost your wife recently.
00:16:12Yes, Laura's the reason I'm interested in reincarnation, or whatever you call it.
00:16:17To enable me to...
00:16:19To see her again?
00:16:21To be able to hold her and touch her?
00:16:24Yes, exactly.
00:16:26And you found that this couldn't be achieved by false spiritualists who conduct phony seances.
00:16:31Correct?
00:16:32Correct?
00:16:37My research, remember?
00:16:40No, Mr. Saunders.
00:16:42I mean Fred.
00:16:44There is only one person in the entire world who has the power to make the body of your wife live and breathe again.
00:16:53You mean you're representing someone who claims to be able to bring the dead back to life?
00:16:58He not only claims to do it.
00:17:00He does it.
00:17:01And that's only a portion of what this man can do.
00:17:05What his genius can...
00:17:06Tana, Tana.
00:17:07I've had my fill of people who claim.
00:17:11You don't have to take my word for it.
00:17:15Why not see for yourself?
00:17:18Then how do I do that?
00:17:20Simple.
00:17:21Meet me here tomorrow night at the same time.
00:17:24And I'll take you to this man.
00:17:26The only man who can see to it that your wife keeps that promise she made to you on her deathbed.
00:17:51Go!
00:17:53I really did none before her.
00:17:54Go!
00:17:56Go!
00:17:57Go!
00:17:58Go!
00:18:00Go!
00:18:02Go!
00:18:03Guess who's saving man!
00:18:06Go!
00:18:07Go!
00:18:09Go!
00:18:10Come!
00:18:12Get brother!
00:18:13Who's saving man?
00:18:14Come?
00:18:16He was saving for another man how to do that.
00:18:18You're not saving man for these men riding heavy together.
00:18:50Are these demonstrations always the same?
00:18:55Each one varies.
00:18:59And what's in store for us tonight?
00:19:01Oddly enough, not even I know.
00:19:03And that's quite unusual because, well, you see, the doctor and I are quite close.
00:19:10I see.
00:19:12And you call him doctor?
00:19:14Yes.
00:19:15Doctor of brilliance.
00:19:17The genius of all ages.
00:19:21The man who has conquered death.
00:19:24The most powerful man on earth.
00:19:26Good evening, ladies and gentlemen.
00:19:46In a few moments, you will see a demonstration the likes of which I can assure you you have never seen before.
00:19:56A demonstration of supernatural powers which I have perfected that will amaze you beyond your wildest expectations.
00:20:04But because of the nature of this demonstration, I must ask all of you present to take an oath of silence.
00:20:14I must ask you all to swear never to reveal what you shall see here tonight.
00:20:19Now, will you please rise?
00:20:23Now, will you please rise?
00:20:23Now, extend your arms, lift your heads high, and close your eyes.
00:20:38Repeat after me.
00:20:39I swear that I shall reveal to no one.
00:20:43I swear that I shall reveal to no one what I am about to witness.
00:20:49What I am about to witness.
00:20:51And if I break this solemn oath, may all those I love and cherish, may all those I love and cherish, be cursed with endless sufferings.
00:21:07Be cursed with endless suffering.
00:21:09And may their souls, and may their souls, be damned forever.
00:21:17Be damned forever.
00:21:20Now, please be seated.
00:21:26And now, for our demonstration.
00:21:30You see here, what was only yesterday, a living, breathing mortal.
00:21:41A beautiful young girl with exquisite features and a body like a goddess.
00:21:46But, poor thing is dead.
00:21:49Yes, she is dead.
00:21:52And this is a fact I would like to prove before going any further in my demonstration,
00:21:56just in case anyone might have any doubts about the condition of this lovely creature you see here before you.
00:22:03May I ask for a volunteer to come up here and see for yourself that there is no life left in this lovely creature.
00:22:11A volunteer, please.
00:22:13Sure, I'll volunteer.
00:22:14Excellent.
00:22:15Would you come up here, please?
00:22:19Now, would you listen to see if there is any heartbeat?
00:22:22Oh, why, certainly.
00:22:26She's dead, all right.
00:22:37I couldn't feel, I couldn't hear a thing.
00:22:39Thank you very much.
00:22:41You are welcome.
00:22:44Yes, ladies and gentlemen,
00:22:47this woman had everything a girl would want.
00:22:50But her young life was snuffed out by a jealous lover.
00:22:53Her soul has gone into another realm,
00:22:57but her body lies here, about to waste away, unless...
00:23:01Now, this girl, unlike our gorgeous creature here,
00:23:10is neither dead nor beautiful.
00:23:14She's the unfortunate victim of an explosion in a chemical factory,
00:23:19which has left her entire face and body a mass of horrible scars and burns.
00:23:25Ladies and gentlemen,
00:23:33must she be condemned to spend the rest of her days with a face so grotesque?
00:23:38The answer is no.
00:23:41Through selective reincarnation,
00:23:44she will toss off this mangled body
00:23:46and her soul will assume this beautiful one here.
00:23:51But first,
00:23:53as she requested,
00:23:55she must, as we call it,
00:23:57die.
00:24:02And so we shall gladly fulfill her request.
00:24:06And in so doing,
00:24:07why not be entertaining at the same time?
00:24:09Being an amateur magician,
00:24:11I thought I might delight you nice people
00:24:13by performing the old
00:24:15saw the girl in half trick.
00:24:18Oh, I almost forgot.
00:24:20Of course, my version of this old trick
00:24:22is that I actually do
00:24:24saw the girl in half.
00:24:27Shall we, Thor?
00:24:28Why, he's mad.
00:24:58Yes, like a fox.
00:25:24The girl's request has been fulfilled.
00:25:26Her soul, her soul no longer has to be trapped
00:25:29in such a hideous body.
00:25:31And where is her soul?
00:25:34Watch,
00:25:35as I summon it before your very eyes.
00:25:44But that's murder.
00:25:46Is it?
00:25:47The silly girl wanted to die.
00:25:50She didn't want to live in that body of hers.
00:25:53All he's doing is obliging her.
00:25:59Now, please,
00:26:00be absolutely silent
00:26:02and watch.
00:26:03Behold her soul.
00:26:13A beautiful soul
00:26:14about to enter a body deserving of it.
00:26:18Watch,
00:26:18as you shall see the dead rise,
00:26:20coming back to life
00:26:22through selective reincarnation.
00:26:24That's a fuckingweisen,
00:26:25can't stay silent.
00:26:35I'll see.
00:26:35I'll see you then.
00:26:36Come in.
00:26:38Go on.
00:26:38Go on.
00:26:40ORGAN PLAYS
00:27:10There.
00:27:28Of course, those of you who might want to leave your present bodies
00:27:32and reincarnate into a new one, don't worry.
00:27:35It needn't be done in the unpleasant manner you just saw here.
00:27:38I was just being theatrical.
00:27:42And now this young lady, what shall we call her?
00:27:46She's like a goddess of beauty.
00:27:49Ah, yes, Venus.
00:27:51Venus shall be her name.
00:27:54And now Venus and I shall be happy to answer any of your questions.
00:27:58If what I saw really happened, then I still say it's murder.
00:28:11Oh, it really happened.
00:28:13But whether it was murder or not,
00:28:16well, this is a theater, not a courtroom.
00:28:17But can't you just see your wife coming back to life like this Venus just did?
00:28:24Think of it, Fred.
00:28:26Wouldn't that be worth more to you than anything else?
00:28:29Yes.
00:28:34Yes, it would.
00:28:39Good evening.
00:28:42And you must be Mr. Saunders.
00:28:44I hope you enjoyed our demonstration.
00:28:47He said it was murder.
00:28:49Murder?
00:28:50Such an ugly word, Mr. Saunders.
00:28:52Well, what would you call it, Doctor?
00:28:54A means to an end.
00:28:56You've seen the marvelous results.
00:28:59Isn't she beautiful?
00:29:06And it is results we're after, isn't it, Mr. Saunders?
00:29:12Could you bring anyone back from the dead?
00:29:14Could anyone mean your wife?
00:29:16Do you want me to try for you?
00:29:21No, thank you.
00:29:23Well, if you should change your mind, I'll always be at your service.
00:29:27It was a pleasure meeting you.
00:29:28Now, if you'll excuse me.
00:29:29Will I see you later?
00:29:31I don't know, my dear.
00:29:33I have all those guests to attend to.
00:29:36You mean one guest, don't you?
00:29:39I should have known that you would want to attend to her.
00:29:43Can you blame me?
00:29:44She's so beautiful and so, so young.
00:29:51Excuse me.
00:29:52Listen, I think you're super.
00:29:56And what can I do for you?
00:29:57Are you kidding?
00:29:59See, I don't care if you cut me into tiny bits.
00:30:02But you've just got to put my soul into a bod like that.
00:30:06Mm.
00:30:07Mm.
00:30:07Mm.
00:30:07Mm.
00:30:08Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:09Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:10Mm.
00:30:14Mm.
00:30:41Mm.
00:30:42Laura!
00:31:12Sous-titrage ST' 501
00:31:42ORGAN PLAYS
00:32:12ORGAN PLAYS
00:32:42ORGAN PLAYS
00:33:12ORGAN PLAYS
00:33:42ORGAN PLAYS
00:33:55Mr. Saunders.
00:34:09Are you all right, sir?
00:34:11Yes.
00:34:11Do you still want me to keep the tomb unlocked?
00:34:30Yes, sir.
00:34:32Yes, sir.
00:34:41Here's the report you wanted.
00:34:49Oh, thank you, Sandy.
00:34:51Fred, I know I'm breaking the boss secretary barrier, but I was just wondering.
00:34:57My date called, and he had to break our date for the theater tonight.
00:35:01I kind of hate to waste these two tickets.
00:35:02Would you like to go?
00:35:04That sounds good, Sandy.
00:35:06Look, I'll tell you what.
00:35:07Since you're providing the tickets, I'll take you to dinner, okay?
00:35:10That's fair enough.
00:35:11Fred, Fred, I'll come back to you, Fred.
00:35:20I promise.
00:35:22I'll come back.
00:35:25Sandy, look, about tonight, I'm sorry, I had made other plans.
00:35:31Will you give me a rain check?
00:35:34Sure, I understand.
00:35:35Hello, Tana.
00:35:55I'm Fred Saunders.
00:35:57Yes, I have changed my mind.
00:36:00I've decided to see the doctor after all.
00:36:02I've wondered, well, I said, I'm sure I know they're not going to be hanging.
00:36:07But now, if I'm having trouble, I'll pass you to guess we'll find the glass at the detectiveUNES.
00:36:08Now, do you prefer it this way, or this way?
00:36:38Hello, darling.
00:36:43I'm concentrating.
00:36:46But I just wanted to talk to you.
00:36:48I'm busy.
00:36:51So I notice.
00:36:56Do you remember when you used to buy things like that for me?
00:37:00Vaguely.
00:37:03Sorry to have distracted you.
00:37:06Oh, you didn't.
00:37:16Oh, don't stop now, my dear.
00:37:19Never stop at the crucial moment.
00:37:26Oh, Mr. Saunders, yes. Show him into the study.
00:37:36I have an appointment, but I won't be long.
00:37:41Exquisite, simply exquisite.
00:37:53Tell me, are you happy with your new body?
00:37:56Very happy.
00:37:58And are you grateful to your doctor?
00:38:01Very grateful.
00:38:03How grateful?
00:38:05Very grateful.
00:38:07I'll be back shortly to examine the extent of such gratitude.
00:38:24I'll be waiting.
00:38:37Ah, Mr. Saunders.
00:38:38Nice seeing you again, sir.
00:38:41Sorry to have kept you waiting.
00:38:46That's all right.
00:38:48Ah.
00:38:51I think you'll find this to your liking.
00:38:54It's all right, Thor.
00:38:57There's nothing to worry about.
00:38:58I'm quite safe with Mr. Saunders.
00:39:00He's a bit overprotective of me, but I'm glad he is.
00:39:03Once in Africa, he discouraged a young lion from attacking me.
00:39:08His intervention almost cost him an eye.
00:39:11Oh, if you think Thor looks bad, you should see the young lion.
00:39:16Brave man.
00:39:20Many years ago in Saudi Arabia, he chose to have his tongue ripped out,
00:39:25rather than reveal my whereabouts to an irate sheik.
00:39:29Ah, yes.
00:39:30Thor is a brave man.
00:39:35Now, what should we drink to, Mr. Saunders?
00:39:38Everlasting life, perhaps?
00:39:41And now, tell me why you changed your mind.
00:39:59You really are exquisite.
00:40:02I'm sure you'll be able to please him.
00:40:04I'll do my best.
00:40:06Good.
00:40:07I always did my best.
00:40:10Yes, but now it's my turn.
00:40:13Yes, it's your turn.
00:40:16I brought you something which will make you more desirable.
00:40:21That?
00:40:22Yes.
00:40:24This.
00:40:26Perhaps your wife, who must have loved you very much,
00:40:29meant that she would return to you possibly by means of you reliving your memories of her,
00:40:34or seeing things that reminded you of her.
00:40:37No, uh, she said that she would come back.
00:40:40Mr. Saunders, if by she you mean both your wife's body and soul together, that's impossible, even for me.
00:40:48It's too late.
00:40:50Her soul has already gone into another dimension.
00:40:53But I can bring life back to your wife's body, if you'd be interested in that, simply by infusing a soul which has recently left its own body, like the demonstration you saw last night.
00:41:06Yeah, but if my wife had a strange soul in her body, wouldn't she be different than how I knew her before?
00:41:12Well, of course she wouldn't have all the same traits, but she would retain some of them, because the new soul would be influenced by the physical habits and patterns the body has acquired through its many years of life.
00:41:24For example, if it was your wife's habit to kiss you first thing in the morning, well, I'm sure the new soul would obey this rather charming habit.
00:41:35I see.
00:41:37All right, then do it.
00:41:40Bring life back to her body.
00:41:42First, there is a matter of a fee.
00:41:45Well, you name it.
00:41:47Fifty thousand dollars.
00:41:50In cash, in advance.
00:41:52I can arrange that.
00:41:54Good.
00:41:55More cognac.
00:41:58Doctor, I was wondering, this ability of yours, this power, this formula, I mean, how?
00:42:08How do I do it?
00:42:10I was afraid you'd never ask.
00:42:16Well, to explain it properly, and I must admit I enjoy telling the story, we have to go back over a thousand years.
00:42:28That's right, Mr. Saunders.
00:42:32A thousand years.
00:42:39Of course, I was residing at a different address then.
00:42:44And residing in a different body.
00:42:47One not nearly as nice as the one I have now.
00:42:50But, to continue.
00:42:53After experimenting for half a lifetime, I found what I believed to be the correct formula needed to create the miracle of all time.
00:43:03Yes, while others tried ways to perpetuate their bodies, I had tried to develop a way to keep the soul on earth for as long as it wanted.
00:43:14To be able to choose its own body for reincarnation, at any time and any place.
00:43:21But, time was running out.
00:43:24I had little life left in my old body.
00:43:27I needed a nice, young, healthy body in which to place my soon departing soul.
00:43:33I had no other choice but to try to put my soul into the body of my young apprentice.
00:43:40Imagine my royal soul going into this peasant's body.
00:43:45But, this was no time to make class distinctions.
00:43:49No, it was time to challenge the impossible.
00:43:54But first, I had to convince my young serf that it was permissible for him to share wine with a member of the ruling class.
00:44:02As I think of it, it's amazing how greatly he resembled my present body.
00:44:09Not nearly as polished, of course.
00:44:12And so, we drank a toast to the success of the greatest experiment the world had ever known.
00:44:25Naturally, I didn't swallow a drop of the wine.
00:44:29Not after what I put into it.
00:44:32But the thirsty young serf, not used to having such quality beverages, took a long, healthy draught.
00:44:40Then dropped over dead from poisoning.
00:44:46Oh, well.
00:44:48And so, I had committed my first of many, many, what you would call, murders.
00:44:54After all, I was determined to keep my soul on earth.
00:44:59But, if I was going to perform this neat little trick, I realized I'd better do it quickly.
00:45:04You see, the life was oozing out of my tired old body.
00:45:08If my formula did not work now, it would be too late to try again.
00:45:13As I expected, the final pain came.
00:45:16And my old body died.
00:45:19But a moment later, thanks to my formula, my soul left that old body and entered the body of the young serf.
00:45:36And so, life returned to the once dead young man.
00:45:41Life provided by my soul.
00:45:49It had worked.
00:45:51I had found the secret of selective reincarnation.
00:45:57I had conquered death.
00:46:00And though I was in the body of a mere serf, I had all I needed to be an emperor.
00:46:07Namely, that precious vial containing my special formula.
00:46:10I also took my royal cloak.
00:46:16You see, I wouldn't have felt dressed without it.
00:46:19So, I went out into the world equipped with the greatest power on earth.
00:46:31Available for all who might need it.
00:46:34It was comforting to know that whenever my body wore out, I could always reincarnate my soul into another one.
00:46:42When the serf's body finally did wear out, I found myself in the rather embarrassing predicament where the only body at my disposal was that of a beautiful woman.
00:46:54I had to kill the poor thing.
00:46:57And once again, my formula worked.
00:47:01I must admit, having my soul in the body of a female proved to be quite an experience.
00:47:13However, I was fortunate enough to quickly find a healthy young male body.
00:47:20My soul was a bit more comfortable there.
00:47:23I went on to play countless other roles in order to keep my soul alive.
00:47:28And to do this, I had to use bodies of all sizes and shapes.
00:47:35Why, I even knew what it was like to be a child again.
00:47:40Now that was fun.
00:47:42And I experienced membership in races other than my own.
00:47:48So I really did learn how it felt to be of a different color.
00:47:52Marvelous experiences down through the ages to the present day.
00:47:59Keeping my formula ever handy to benefit not only myself, but of course, my fellow man.
00:48:07And thanks to my special talent, I have seen more, done more, and experienced more than any soul in history.
00:48:17I've had riches, I've had power.
00:48:21Power enough to rule the world if I wanted to.
00:48:25Instead, I prefer to spend my time in more pleasurable pursuits.
00:48:32Ah, which reminds me, I have someone waiting.
00:48:37All that remains now is for me to make the necessary preparations, and for you to bring the money.
00:48:51I'll call you as soon as I'm ready. Good night, Mr. Saunders.
00:48:55Good night, Doctor.
00:48:56Good night, Doctor.
00:48:57Good night.
00:49:24Wake up, my dear.
00:49:27Wake up.
00:49:30Wake up.
00:49:35Washing?
00:49:36Sure, let me tell that you're here.
00:49:39There he is.
00:49:40Sandy, hi, Greg. Cancel the porter equipment, will you?
00:49:42I dropped by to invite you to my place for dinner tonight.
00:49:44I'm breaking in a new cook, and I need a guinea pig.
00:49:46How about it?
00:49:47No, I'm sorry.
00:49:48Good, I've got a guinea pig.
00:49:49Now, what about you, lovely one?
00:49:50I can call Maria and have her thaw on another stage.
00:49:52Greg, I'm sorry, not tonight, huh?
00:49:53What's wrong with him?
00:49:54I don't know.
00:49:55We had arrangements to go to the theater tonight, and then he got a phone call.
00:49:59I just don't know.
00:50:00Sandy, I'm worried about that guy.
00:50:02So am I.
00:50:03You do care for him, don't you?
00:50:04I'm afraid so.
00:50:05That's good.
00:50:06Now, don't you give up to the ship.
00:50:18I think you're just what this doctor ordered.
00:50:19Well, thank you, doctor.
00:50:2150,000.
00:50:22Not really that much considering the service I'm about to perform.
00:50:27Shall we go to my private theater?
00:50:29Theater?
00:50:30Why?
00:50:31Yes, I don't know what it is.
00:50:33Peter, why?
00:50:35Yes, I don't know what gets into me,
00:50:37but I have this compulsion to do everything theatrically.
00:50:41You see, this is because in the 18th century,
00:50:44I occupied the body of a wonderfully talented but frustrated actor.
00:50:49I've been pretty much the ham ever since.
00:50:51Come, Mr. Saunders, the show must go on.
00:50:59Doctor, there's something I must know before you go ahead with this.
00:51:02And what is that, Mr. Saunders?
00:51:05Well, you're going to need a soul for my wife's body.
00:51:07Now, whose soul?
00:51:08Now, now, we agreed that didn't really matter, didn't we?
00:51:11But I must know.
00:51:13Very well.
00:51:21No!
00:51:22Why, please don't interfere, Mr. Saunders.
00:51:24Just relax and enjoy the show.
00:51:27No, wait!
00:51:30But this is murder!
00:51:31That ugly word again.
00:51:34No!
00:51:38You see, you made our knife-thrower miss.
00:51:41But, Doctor, I can't permit this!
00:51:43Would you rather have Thor throw the next knife at you, Mr. Saunders?
00:51:46I'm sure he couldn't miss at this close range.
00:51:49Oh, don't feel so badly, Mr. Saunders.
00:52:03It was over in a second.
00:52:05Who knows?
00:52:06If we allowed nature to take its course,
00:52:08Tana might have lived to be very, very old.
00:52:11And her ego never would have permitted her to bear such a catastrophe.
00:52:16Or she might have contracted a lingering illness.
00:52:19You see, this way, very little suffering.
00:52:23And as far as her soul is concerned,
00:52:25well, your wife could do far worse.
00:52:28Tana has a fine soul.
00:52:34Tana has a fine soul.
00:52:34Tana has a fine soul.
00:53:04Tana has a fine soul.
00:53:15Oh, she's lovely.
00:53:19I can see why you want her back.
00:53:23And in a few moments, Mr. Saunders,
00:53:26you'll be holding her in your arms again.
00:53:28Enter that body.
00:53:38Enter that body.
00:53:44I command you, enter that body.
00:53:48I don't understand.
00:53:56This has never happened before.
00:54:03Let Laura rest in peace.
00:54:04For God's sake, let Laura rest in peace.
00:54:08I'm glad.
00:54:10In a way, I'm glad.
00:54:11Now, let's go, doctor.
00:54:14For some strange reason,
00:54:16Laura's body rejected Tana's soul.
00:54:20Well, whatever the reason was,
00:54:21I want you to forget it.
00:54:23Forget that I suggested such a thing.
00:54:25You could keep your fee and leave well enough alone.
00:54:29I prefer not to see you again, doctor,
00:54:31under any conditions.
00:54:32I wonder why I failed.
00:54:49I thought I heard it.
00:54:51You don't believe me, do you?
00:54:53You think I imagine the whole thing, don't you?
00:54:54No, unfortunately, I do believe you.
00:54:59Not even your imagination
00:55:01could dream up a story like that.
00:55:03Greg, what do I do now?
00:55:04You're the lethal lawyer, Fred.
00:55:05You ought to know the answer to that.
00:55:07You tell the police.
00:55:08Police?
00:55:09What else?
00:55:10This madman committed a murder
00:55:11right before your eyes.
00:55:12Yeah, and I'm his accomplice.
00:55:14Oh, don't be stupid.
00:55:16You tried to stop him, didn't you?
00:55:18You said he threatened your own life
00:55:19if you tried to interfere, right?
00:55:20Yes, of course.
00:55:22I didn't want to see Tana die,
00:55:24but I did want it to work.
00:55:27So, you see, in here,
00:55:28I am his accomplice.
00:55:29Well, that's something
00:55:30you have to work out for yourself,
00:55:32isn't it, Fred?
00:55:34In the meantime,
00:55:34we'd better tell the police
00:55:35before the so-called doctor
00:55:37murders anybody else.
00:55:38Yeah, they'd never believe us.
00:55:43They'll believe the dead body.
00:55:45If they can find it,
00:55:46I'm sure this madman's
00:55:47taking care of that little animal.
00:55:48And nevertheless,
00:55:48we should still tell the police.
00:55:50No, I want to wait
00:55:50before we tell them.
00:55:51Wait for what?
00:55:51For this not to kill
00:55:52a few more people?
00:55:53Greg, I don't want to tell them
00:55:54now.
00:55:54I want to wait.
00:55:55Now, will you get off it?
00:55:57Sit down and relax, Fred.
00:55:58I'll get you something
00:55:59for your nerves.
00:56:02I'll come back to you.
00:56:04I promise.
00:56:05I promise.
00:56:05No.
00:56:14No.
00:56:15No.
00:56:16No.
00:56:17No.
00:56:17No.
00:56:18No.
00:56:19No.
00:56:20I think we should stop and help the poor dear, don't you?
00:56:50Here, my dear, let me help you.
00:56:53Thanks. Thanks a lot, mister.
00:57:07This is an awful place to have a flat tire.
00:57:20Oh!
00:57:21Oh!
00:57:22Oh!
00:57:29Oh!
00:57:30Oh!
00:57:39Oh!
00:57:50Enter that body.
00:58:03I command you, enter that body.
00:58:07Enter that body.
00:58:10I command you, enter that body.
00:58:20Keep driving, keep driving, and keep looking.
00:58:27I mustn't fail.
00:58:50Hey, man, what do you think you're doing?
00:58:55Get out of my way.
00:58:57Make me.
00:58:59Now cool it.
00:59:00I'm warning you, get out of my way.
00:59:04Listen, weirdo, you better split while you've got a chance.
00:59:20Oh, Johnny!
00:59:22Oh!
00:59:22Oh!
00:59:23Ah!
00:59:26Ah!
00:59:41Ah!
00:59:46Ah!
00:59:47Ah!
00:59:48I command you, enter that body.
01:00:12The soul of mine even affects my blood.
01:00:33It's only fitting, though. A rare infection for a rare mortal, eh, Thor?
01:00:39This infection won't stop, but neither will I.
01:00:44Not until I successfully put a soul in that woman's body.
01:00:48Well, I'm watching this movie, and it's giving me the creeps.
01:01:06Well, no, I don't want to turn it off. I want to see how it ends.
01:01:11Honey, honey, wake up. Can't you come over?
01:01:18Oh, my God. Huh?
01:01:24Oh, well, there's a girl in the picture. She's all alone. And she hears footsteps.
01:01:33Honey. Honey, now I hear footsteps, just like in the movie.
01:01:43Can't you please come over? Please, I think somebody's coming toward my apartment.
01:01:53I can't lock it. It's busted. Just like the girl in the movie.
01:02:02God, look what's at her door. Honey. Honey, now somebody's at my door.
01:02:12Somebody's coming in my apartment.
01:02:14Help!
01:02:25Help!
01:02:27Help!
01:02:31Help!
01:02:33Help!
01:02:37Help!
01:02:38Help! Help! Help! Help! Help! Help!
01:02:54Honey? Oh, honey, come on. I wish you'd stop watching those late-night horror flicks.
01:03:00Honey, are you mad at me?
01:03:02Enter that body. I command you, enter that body.
01:03:14Why do you reject these beautiful souls?
01:03:17They're beautiful. Beautiful, I tell you. Why?
01:03:32Fred. Fred. Please, let me rest in peace. Please, let me rest in peace.
01:03:54All right. I'm sorry. Sorry. Sorry.
01:04:07You're right.
01:04:09Thank you. And from now on, please see to it that it remains locked.
01:04:24Don't worry, Mr. Saunders. I've got the only key.
01:04:27Thank you. You feel better now?
01:04:30Much better. Good.
01:04:33Fred. You want some more advice?
01:04:36I'm listening.
01:04:38Go back to your office.
01:04:39Whisk that gorgeous secretary of yours off to lunch or dinner. The whole works.
01:04:43Enjoy yourself. Get your mind off of this. Okay?
01:04:47Okay. You're the doctor.
01:04:49Good job.
01:04:50Thank you very much.
01:04:53All right, far over the last one.
01:04:56Thank you, Mr. Saunders.
01:04:59Thank you, sir.
01:05:02All right.
01:05:44You know, it's good to see you laughing again.
01:06:06It's good to be laughing again, Sandy.
01:06:11I have you to thank for that.
01:06:14Well, I was just doing my job, boss.
01:06:17Now, how would you like a cup of coffee or maybe a nightcap?
01:06:21Love one.
01:06:22Good.
01:06:23Hello?
01:06:24Young lady.
01:06:42Would you mind staying in that phone booth for just one moment?
01:06:46I'd like to talk to you.
01:06:48Huh?
01:06:49Who's this?
01:06:54Hey, weirdo.
01:06:55Is this what you were looking for, my dear?
01:07:08Is this what you were looking for, my dear?
01:07:24No.
01:07:25No.
01:07:26No.
01:07:27No.
01:07:28No.
01:07:29No.
01:07:30No.
01:07:31This try-off kiss is better when she's dead than Tana did when she was alive.
01:07:52Locked.
01:07:53Hello, doctor.
01:07:57I thought it was you.
01:07:58Well, if it isn't my old friend Franz.
01:08:04I see that the body I got you is holding up nicely.
01:08:05Nicely?
01:08:06Well, it does look a bit uncomfortable.
01:08:08But you get what you pay for, Franz.
01:08:09However, when you can afford a new one, you don't mind the one.
01:08:10I'm taking it.
01:08:11I'm taking it off at it.
01:08:12I'm taking it off at a moment of the time.
01:08:13I'm taking it off at first.
01:08:14You won't.
01:08:15I'm taking it off.
01:08:16The lock.
01:08:18No.
01:08:19This is the lock.
01:08:20I'm taking it off.
01:08:21I'm taking it off.
01:08:23I'm taking it off, Lord.
01:08:24I'm taking it off.
01:08:25He's taking it off.
01:08:26This is the lock.
01:08:28It's been a lock.
01:08:29Locked.
01:08:30Hello, doctor.
01:08:31I thought it was you.
01:08:32Well, if it isn't my old friend Franz.
01:08:34I see that the body I got you is holding up nicely.
01:08:36Nicely?
01:08:37you know where to come yes sir oh by the way would you would this help
01:08:53how can such a lovely body have such an uncooperative soul
01:09:07scary movie we saw tonight wasn't it uh-huh you know i could be in those movies alice
01:09:13i can be pretty scary myself oh harry you couldn't scare a fly oh yeah watch this
01:09:22oh harry all right let me try this
01:09:25see see i told you i could be in those movies i'm just as scary those guys that play the monsters
01:09:37it's really be getting good you screamed that time i didn't even try to scare you
01:09:47amateur
01:09:47and now young lady i'll show you how a professional frightens the girls
01:09:55enter that body i command you enter that body
01:10:09one clue as to why i'm failing
01:10:18one clue as to why i have a lot of time
01:10:30i have a lot of time
01:10:40one clue as to why i love you
01:10:52uh
01:10:53i'll see you
01:10:55still where i left you
01:10:58still where i left you my dear do you realize you haven't left this room in almost two weeks
01:11:15leave me alone please now where is that candle you had in here
01:11:21oh no don't light it but how else will i be able to see what i'm doing
01:11:31you'll never have to cry
01:11:39sounds good greg i'm sure sandy loved it wait a minute here she is i'll ask her darling it's greg
01:11:50he wants to have us over for dinner what if he's not cooking i'd love it you're on partner i'll see
01:11:55you what's that there's somebody left in front of your office door it's addressed to you
01:11:58shall i open it well that's one way to find out what's in it
01:12:01this is to let you know i'm still trying
01:12:20enter that body i command you enter that body
01:12:40i command you enter that body
01:12:44enter that body
01:12:47enter that body
01:12:49i command you enter that body
01:12:53why why damn you
01:13:00why do you reject these beautiful souls
01:13:03well you just lie there so smug and secure in your coldness and lifelessness but i swear to you
01:13:13i am succeeding
01:13:15it's open
01:13:28thank god
01:13:36you know greg this maniac's not going to give up until he succeeds
01:13:41you'd better have her body removed from this place and never put into a grave
01:13:47so that's it
01:14:02i need a soul as strong as laura's soul and when i find it must be taken out of its body gently
01:14:09no violence oh
01:14:19so little time left i must find a soul strong enough to enter laura's body
01:14:26show me the soul
01:14:31the soul strong enough to enter that woman's body
01:14:38show me show me
01:14:41show me
01:14:42i think
01:14:48yes i think i see it
01:14:52yes there it is
01:14:57the face of the soul i need
01:15:00and what a lovely face
01:15:04now to find my car
01:15:07you know i forgot my purse
01:15:09we make a fine pair
01:15:10not only i'll get my purse you look for the car
01:15:12okay
01:15:27good evening mr saunders
01:15:29i thought you'd be happy to know that i've solved our problem
01:15:32didn't i tell you i didn't want to see you again
01:15:34now leave me alone
01:15:36but i've discovered how to bring your beloved laura back to life
01:15:39i've found the perfect soul
01:15:41look i'm warning you once and for all
01:15:43i got it sorry to keep you waiting
01:15:45come on honey let's go
01:15:46what's wrong
01:15:47i'll explain to you later
01:15:48careful of the young lady mr saunders
01:15:51remember that soul i told you about
01:15:54now don't open that door for anyone but me
01:16:13don't worry i won't
01:16:14i'll check with you later just to make sure everything's all right
01:16:17right now i'm gonna meet with greg and see what we can do about this madman
01:16:20don't worry
01:16:22i'll try
01:16:24now that i've found the right soul i must find the proper way to take that soul out of its body
01:16:30which method
01:16:37which method
01:16:51which one
01:16:55i remember once when i was in the body of a physician back in the days when we used to bleed people
01:17:07i bled this one person too long and unfortunately my patient died
01:17:13but it seemed like such a pleasant way to go
01:17:17in fact i recall how enjoyable it was to watch
01:17:24that's it
01:17:29bleed my next victim
01:17:32of course i'll bleed her to death
01:17:36nice and slowly
01:17:38that way the soul will leave the body without the slightest ripple
01:17:45have you ever seen someone bleed to death thor
01:17:50oh you'll like it
01:17:53just a second friend
01:17:56with all the legal connections and personal friends you've got in the police department
01:17:59you'd think there'd be something they could do
01:18:02but what am i gonna tell them
01:18:03go pick up this guy because he thinks sandy's soul is perfect for my dead wife's body
01:18:08that'll go over real big
01:18:10now greg i gotta think of something else
01:18:13look one thing's for sure i just can't sit here and wait for that guy to strike again
01:18:18whoa whoa whoa just what's on that legal mind of yours
01:18:21what's on my mind is not legal
01:18:23what what are you up to
01:18:25look maybe the police can't do anything about that doctor friend of ours but
01:18:29but i can now come on with me
01:18:48who is it
01:18:54it's me friend
01:18:55what do you want
01:19:00now
01:19:03i'm sure mr song has told you how interested i am in your rather unique soul
01:19:08you're insane
01:19:09you're very beautiful
01:19:11it's a pity there isn't time to appreciate it
01:19:14it looks deserted fred you wanna wait for it
01:19:31no let's check with sandy to be sure she's on
01:19:34let a little bit
01:19:41no 자
01:19:52oh
01:19:54yes
01:19:55yes
01:19:59oh
01:20:01Let's go.
01:20:31Get the container.
01:20:39And now, my dear, to ensure the fact your soul leaves that beautiful body of yours in a nice, serene manner, I'm afraid I'm going to have to bleed you to death in a nice, serene manner.
01:20:55Ah, my trusty old helpers.
01:20:59This what?
01:20:59No.
01:21:01This one.
01:21:03Now, now, this will be completely painless.
01:21:07For me, that is.
01:21:08There.
01:21:09That wasn't too bad, was it?
01:21:24Now, just relax, and soon you'll feel yourself getting drowsier and drowsier.
01:21:34Just like going to sleep.
01:21:38Just like falling asleep.
01:21:42And then, let's go.
01:21:44I'll see.
01:21:45I'll see you next time.
01:21:51What?
01:21:54And when it reaches here, she'll be dead.
01:22:24He was here.
01:22:49You're most fortunate, my dear.
01:22:51You have such lovely blood.
01:23:05Before you close your eyes for the last time, I want to tell you something.
01:23:09Please don't feel too badly.
01:23:11You're much too lovely to remain dead.
01:23:14So I promise you, just as soon as I'm able, and as soon as I get myself a new body, I promise you, my lovely, I'll bring your body back to life again.
01:23:28And then, who knows?
01:23:33In the meantime, sleep.
01:23:36Sleep, but just for a little while.
01:23:52Thank you!
01:23:56Good! It's flowing exactly on schedule. She'll be dead at exactly...
01:24:25Get rid of them.
01:24:55Get rid of them!
01:24:57Get rid of them!
01:24:59Get rid of them!
01:25:01Get rid of them!
01:25:03Get rid of them!
01:25:13Get rid of them!
01:25:23Get rid of them!
01:25:33Get rid of them!
01:25:45Get rid of them!
01:25:55Get rid of them!
01:25:57Get rid of them!
01:25:59Get rid of them!
01:26:01Get rid of them!
01:26:05Get rid of them!
01:26:07Get rid of them!
01:26:09Get rid of them!
01:26:11Get rid of them!
01:26:15Get rid of them!
01:26:19Get rid of them!
01:26:24Come on!
01:26:31Get rid of them!
01:26:35celokism
01:26:37Franz!
01:26:39Franz!
01:26:41Franz!
01:26:43Franz!
01:26:45Franz!
01:26:47Franz!
01:26:49Franz!
01:26:51Franz!
01:26:53Franz, open the tomb.
01:26:55Quickly!
01:26:57Doctor, they took her out of the tomb.
01:26:59They buried her.
01:27:01Where? Where?
01:27:03Beyond the hill.
01:27:05Over and go.
01:27:07Get some shovels.
01:27:09Quickly!
01:27:17She's doing fine.
01:27:35They were doing fine withcare.
01:27:37You should go out of the bed.
01:27:39But don't be ahead of her.
01:27:41through knocked through.
01:27:43You should experience another brush
01:27:45and you're a perfect demander,
01:27:47and it's so nice to see each other.
01:27:49But the way back can't throw it anymore.
01:27:51Linux is really beautiful.
01:27:53Once you have the scrolling down,
01:27:55we're moving into meditation.
01:28:27Fred, I've come back, darling. I've come back.
01:28:35I've come back. Oh, yes, I've come back.
01:28:57I've come back.