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00:00I
00:02I
00:04I
00:06Sohail, come on, come on, Rai Dhaj will be here.
00:30You can't have a car in the road.
00:32I don't want to keep the car in this condition.
00:38Raiad's car is not the same.
00:42Raiad, actually, I was waiting for Maapara to buy ice cream.
00:46Maapara also came?
00:49Yes, Maapara loves you.
00:52She was waiting for her to take her.
00:56I love her love.
00:58What do you mean?
01:00No, no, nothing.
01:02I'll give her my love.
01:05Peace be upon you.
01:07Peace be upon you.
01:09Raiad, you are looking for her?
01:13Do you know that Maapara was telling me that I could never come without Maapara?
01:18Why, Maapara?
01:19You're right, Raiad.
01:23You can come without Maapara, but you can't come without Maapara.
01:30What?
01:31Is this no rule?
01:32No, there's no rule.
01:33But...
01:34Basically, Maapara means that Maapara is a very important issue.
01:39Yeah, basically, Maapara means that Maapara means that Maapara is a very important issue.
01:44I'm sorry to say that Maapara is a very important issue.
01:45No, I'm sorry.
01:46I'm sorry, Maapara.
01:47Actually, this is a wrong thing.
01:49I'm so sorry auntie, you have to be a mistake.
01:56Actually, all the wrong things are in this situation.
01:59Because if you don't think about this,
02:02I'm going to come and say,
02:05I'm going to eat ice cream.
02:07And then we're going to eat ice cream.
02:09So, you're going to eat ice cream.
02:12You're going to eat the ice cream.
02:14You're going to eat a lot of time.
02:16It's too late.
02:17It's too late.
02:18It's too late.
02:19It's too late.
02:20It's too late.
02:21Yes, but auntie, it's not too late.
02:24I think it's too late.
02:25It's too late.
02:27Now you're listening?
02:29Yes, absolutely.
02:30Koshak?
02:31Koshak?
02:32Koshak?
02:33Now it's too late.
02:35What about Koshak?
02:37Mom, that's nothing.
02:39Just try to confirm this.
02:41Some of them are less than our house.
02:44So, I told them that there are no other house.
02:46You're both together.
02:48Why are you saying the Bible?
02:50Yes.
02:52It's together.
02:54Koshak?
02:56What's your fault?
02:58You're your own place.
02:59You're your own place.
03:01Do you have any competition?
03:07I don't want to talk to you.
03:09Please come with me.
03:11Yes, sure.
03:13Do you sit in Bethu?
03:15Absolutely.
03:16Absolutely.
03:17Come on, Bethu.
03:18Please, please, please.
03:19Take a seat.
03:20Take a seat.
03:21Come on.
03:43Please, sit down.
03:44Please, sit down.
03:45Please, sit down.
03:46Please, sit down.
03:47Please, sit down.
03:52Please, sit down.
03:53Please, sit down.
03:54Please, sit down.
03:58What is it?
03:59Sorry, my mom.
04:03I'm sorry.
04:05I don't know anything about this.
04:07But I'm not sure about you.
04:09I'm sure you love my love.
04:11But you're the only one to this house.
04:13You understand?
04:17It's not that bad.
04:19Let's go ahead and get ready.
04:21I'll leave you and my mom will leave the salon.
04:25Sorry, I'm sorry.
04:27I'm not going to be prepared with one of my parents with one of my parents.
04:31Why? If you're prepared from one place, you'll be able to save the time.
04:36I feel that she's not comfortable with me.
04:40That's why she's been here today,
04:43while she knew that she knew that we had to know the parents.
04:46No, son. She's like her.
04:49She's like a small child.
04:52I know her from childhood.
04:54She doesn't think about it.
04:57But whatever you say, she's not a child.
05:03I feel like she doesn't accept me at home.
05:07What are you talking about?
05:09You're a master of the house.
05:11Your mother is just like a daughter.
05:14I know.
05:16She's like a daughter.
05:17That's why I gave her 25,000 rupees.
05:19She was talking to her.
05:21I did it for her to kill her.
05:24But what did she do?
05:25My mother is just like a child.
05:28So, you told me that it's not my wife.
05:30What did she do?
05:32What did she do?
05:34I said,
05:35My mother didn't do anything to me.
05:38That's why she was a good friend of mine.
05:43And at night...
05:45No, but...
05:46Necklace was my favorite.
05:51If it was such a necklace,
05:53you should be with your mother or your sister.
05:56Not in my mother's purse.
06:01Mom...
06:02I don't want to worry about you.
06:04I don't want to worry about you.
06:06No, I don't want to worry about you.
06:09Just finish this thing here.
06:12Don't forget it.
06:14I'll take everything to you.
06:18Ah...
06:20My mother...
06:22How much time will you ask for Sohail?
06:26Don't send her to Sohail.
06:28She's not okay.
06:30She's not okay?
06:32What's your mother?
06:33No...
06:34Nothing happened.
06:35You go home with her.
06:37I'll talk to you with your house.
06:39And...
06:40Parlor...
06:41We're going to go to her for her.
06:43Yes...
06:44I was going to go.
06:45But...
06:46You're going to send her to Sohail.
06:47You're going to go home with her.
06:48You're going home.
06:49I'll send her to Sohail.
06:50You're going home.
06:51You're going home.
06:52You're going home.
06:53I'll send her to Sohail.
06:54Go.
06:55Go.
06:56Go.
06:57Go.
06:58Go.
06:59Go.
07:00Go.
07:01Go.
07:02Go.
07:09Go.
07:11Beautiful.
07:13Go.
07:14Go.
07:15My mother, you didn't go to Parla?
07:44No, you didn't have to go to a girl with a parlour.
07:46That's why she failed her.
07:49So, she cancelled her.
07:51But, she's gone to a parlour.
07:57How did you tell her?
07:59I told her.
08:01She told her.
08:03She came?
08:04Yes, she came.
08:05She's in the room and she's in the room.
08:07She's in the room and she's in the room.
08:09She's in the room.
08:11She doesn't want to meet anyone.
08:12She doesn't.
08:13No.
08:16Maapara?
08:17Maapara?
08:18Maapara?
08:25Raid, what happened to you today?
08:27A small thing in your heart,
08:28you gave me so much?
08:30Look, Maapara,
08:32it's a small thing for you.
08:34But, I think,
08:35every thing is big.
08:38Okay.
08:39That's why you compared to Maapara
08:42Maapara?
08:43Yes.
08:44You should have to feel that
08:45Maapara's right.
08:46That's why you've given it.
08:47And that's why you've given it.
08:48That's why you've given it.
08:50Okay.
08:51So, I said that
08:52today,
08:53Maapara's right,
08:54you've got to eat ice cream.
08:56Maapara's right.
08:57So,
08:58you're going to have to write
08:59a home later,
09:00you've got to get a home with a
09:21She couldn't wait for a little bit.
09:24She had to do the weight.
09:25But because of your government,
09:27her hair fell off for her mother's heart.
09:30She was upset.
09:31Because of the necklaces, her mood was upset.
09:34She was telling me.
09:38Oh, okay.
09:40So this means that for her mood,
09:42you gave us a joke and gave us a house.
09:48I didn't want anything.
09:52And so,
09:53her heart fell off for her heart.
09:55Mother, what do you need to do with your heart?
09:58The actual problem is the brain,
09:59so let's just take the brain right away.
10:01You're talking about your big brother.
10:03No, Mother, I'm talking about you.
10:07Is there a direct reaction from you?
10:09Look,
10:10if someone will regret me,
10:12I won't regret it.
10:14I won't regret it.
10:15So,
10:16why did you regret it?
10:18You're telling me,
10:19why did you regret it?
10:20Why did you regret it?
10:21Oh, come on, Mom.
10:22I'm not so afraid
10:24that I have to use my own purpose
10:26to fulfill the servants.
10:27This is my father's house.
10:29If someone's coming to me,
10:30you're right.
10:31You're right.
10:32You're right.
10:33You're right.
10:34You're right.
10:35You're right.
10:36You're right.
10:37You're right.
10:38You're right.
10:39You're right.
10:40You're right.
10:41You're right.
10:42You're right.
10:43I'm sorry to say so,
10:44but if I'm going to your own purpose,
10:45then you're right.
10:46You're right.
10:47What do you want to say?
10:49Look,
10:50I want to say,
10:51that as I've said,
10:52that as I've said,
10:53my mother,
10:54you've forgotten your relationship
10:55with her.
10:57But when your mother
10:58wants to treat her as a servant,
11:00then you're wrong.
11:01Why?
11:02Because you're exactly
11:05what you think.
11:06But I'm sorry.
11:07That's not going to be hypocrisy.
11:08So I'm going to say hypocrisy.
11:09I'm going to say hypocrisy.
11:10The mother...
11:11I don't know
11:12what you say to the mother
11:13and what you understand
11:14and what you understand.
11:15But if the mother's place
11:17is wrong,
11:18you're never going to be
11:19wrong or never bring home.
11:21But I,
11:22I'm what I'm who I'm who.
11:24I'm who I'm wearing.
11:25I'm wearing my clothes
11:26that I'm wearing my clothes
11:27as I'm wearing the clothes
11:28as I'm wearing
11:31I'm going to put my hands on my own.
11:34I'm going to put my hands on my own.
11:36I'm going to put my hands on my own.
11:56You should have to feel that
11:58Maapara ki kya haisiyat hai iz ghar mein
12:00aur woh haisiyat kisi or ne nini
12:02balkah aapne aur dad ne di hai
12:04achha tabhi to mein kohun
12:06ka aaj tumhe maapara ko manane ki itni jaldi pard gaye
12:08ke tumse aise krim khilane le gaya ho
12:12achha
12:14to sari maafi jhurti
12:16mein bhi chouduung ghi nai
12:22tumko to pander jana thah
12:24tayyar honi gai nai
12:26mein baller se tiyar hoke kya karungi
12:30yeh bhi sahih khaa tum
12:32zara sa mu dholo
12:34kajan laga lo to
12:36kaisa chamak utta hai chera
12:38ee chamak sab ko kiyo ne dikhti dhadhi
12:40tumhari dhadhi ko to dikhti hai na
12:42aaina dhekho
12:44kaisa chamak raha hai chera
12:46achha ab chaldi se tiyar ho jau
12:48dheer ho rahi hai
12:50aur sunu chhoti begam se kehna ke
12:52dhadhi ki darbiyat thik nai hai
12:54aur haan
12:56rahmat kapse phone kar raha hai
12:58phone to uthalo
13:00tum uthati nai yoh phone
13:04tayyar ho jau jaldi
13:06huzzet ka to wu shuruo se tiz hai
13:16huzzet ka to wu shuruo se tiz hai
13:30lakin
13:32haajra se kub a'tak gaya
13:34aur suhiil
13:36usne kiyo haajra se kaha
13:38maapara se maafi maanghe
13:40haajra joh kuch maapara ke bárhe me
13:42keha raha tiyo such to nai
13:44kakye aisa tiyo nai
13:46ke maapara nai raiit ke ke ke kehne
13:48pere suhiil se kuch keh diya
13:50agar aisa hai
13:52toh ye maapara ke lii
13:54ghalat ho ga
13:56nahi
13:58mein maapara ko kisi kheel
14:00kheel ka hizsa nahi banne dungi
14:02maapara
14:06ammi ji aap yaha pere beethi miya
14:08mein aapko puree gher mein dhune raha hong
14:10aray waa
14:12meri beethi toh bohat piaari lag rahi hai
14:16ammi ji baha bhi paaler se aagayi
14:18haa aagayi
14:20woh muzhe toh paaler leke nahi gaii
14:22meinne bhi toh unke saath jana tha na
14:24maapara
14:28maapara
14:30woh muzhe tumse eek zirururi baat karni hai
14:32ji ji bholai
14:34dhkho raiit
14:36thoda ghusse ka teez hai
14:38jazbati hai
14:40aur kubhi kubhi ghusse mein bhoat urta sida bhi bhol jata hai
14:42lakin zirururi toh nahi ki uski her baat mani chai
14:44kya matlab
14:46matlab
14:48bhabi is ghar ki izzet hai
14:50is ghar ki badei bahu hai
14:52hai na
14:54ji ji bilkul hai
14:56toh saas ke baad
14:58ghar ki badei bahu juh hai
15:00woh ghar ki sarbaraa hoti hai
15:01hoti hai na
15:02belkal hoti hai
15:04toh agar ghar ka sarbaraa
15:06chhoton ko kuchh dhe
15:08toh uska shukriya daa karna chahiye
15:10ya usse shikaayat karni chahiye
15:11shukriya daa karna chahiya amai ji
15:13hai na
15:14toh bas aindha khayal rakhna
15:16may kubhi bhi tumhari moussa
15:18bhabi ke liye
15:19koi buri bati na sumo
15:21sen
15:26may kya kiya hai
15:27tumnye kya karna hai
15:28lerekin dhekho suhail se
15:29koji uski bibi ke baare
15:30me baat karanga
15:31tao usse bura laganga na
15:32lerekin
15:33amai ji suhail bhaai se
15:35bhabi ke baare me
15:36koji baat kyun karanga
15:37tum
15:38tumne ki na bita
15:40beishak
15:41ah
15:42tumne nekles wali baat
15:43suhail se acchhe dilse ki
15:44tiyo
15:45ur usne tumhari baat ka maan
15:46bih rakhha
15:47lerekin suhail koji baat
15:48acchhi nye laganga
15:49What did you say?
15:51He said something else.
15:53He said something else.
15:55He said something else.
15:57He gave you so much money.
15:59He gave you a shout-out.
16:01Yes?
16:03If you will be a love of baby,
16:05then she will be happy.
16:07And if she will be happy,
16:09then she will be good.
16:11They are both alike.
16:13And you will give us a shout-out.
16:17And you will give us a shout-out to Soheel.
16:19So that Soheel feels good.
16:21Yes, honey.
16:27I'm coming now.
16:41Hello?
16:43Hello?
16:47I'm coming now.
16:49No, I'm coming now.
16:51It feels good.
16:53And you don't feel good.
16:55Get out of here.
16:57What is this?
16:59This is a true mystery seminar.
17:09This is a story about digital mechanics and video editing.
17:11This is a story about digital mechanics.
17:13I'm coming now.
17:15I'm coming now.
17:17I'm coming now.
17:19I'm going now.
17:21I'm getting started.
17:23What the hell is that?
17:30Why are you hiding here?
17:35Nothing.
17:36It's just a pain in your head.
17:41Why are you sitting here so calm and calm?
17:47Nothing. I'm just crying in my head.
17:56Guys, now Suhil is calling you.
17:58You'll go there and sit there.
18:04Will you go to college tomorrow?
18:06Yes. Why?
18:08We'll go with them.
18:12Mom.
18:17Why are you sitting so far?
18:28What's that?
18:30If you're sitting in your house,
18:32it's better for you to be careful.
18:34It's better for you to be careful.
18:38Mom.
18:39Mom.
18:40Mom.
18:41Mom.
18:42Mom.
18:43Mom.
18:44Mom.
18:45Are you serious?
18:46Are you serious?
18:47Are you serious?
18:48Are you serious?
18:49I don't see such makeup on my mother's face?
18:50I don't see such makeup on my mother's face?
18:51I don't see such makeup on my mother's face?
18:52I don't see such makeup on my face.
18:53I don't see such makeup on my face.
18:54I don't see such makeup on my face.
18:55Mom, are you serious?
18:57I don't see such makeup on my mother's face?
18:58I don't see such makeup on my mother's face.
18:59I don't see such makeup on my mother's face.
19:01I don't see such makeup on my mother's face.
19:04I don't see GPS on my face.
19:05Mom, are you serious?
19:10I don't see such makeup on my mother's face.
19:13Stop.
19:16Name yourself.
19:17So I don't see such makeup on my dad's face.
19:23It's so sweet.
19:25I do not see up every other person.
19:27You look at the eyes of your eyes.
19:30So, go ahead and move your mouth.
19:32Your eyes will not look.
19:43I'll take you something.
19:46I don't need to think about it.
19:48I'll throw all my eyes on my head.
19:52Let's go, let's go.
19:59One second.
20:00Peace be upon you.
20:01How are you?
20:09I'm sorry, but...
20:10First of all, I have a problem with Manu.
20:13Why?
20:14You have a problem with me.
20:17Oh, you're saying it with your heart?
20:20I always say it with your heart.
20:22People don't do so much planning.
20:30What...
20:31What do you mean by yourself?
20:34Because I don't talk like other people.
20:40Point to be noted.
20:45I'll join you guys later.
20:47Okay.
20:52If you don't have a mood for your food,
20:54I'll take food.
20:56Yes, I'll take food.
20:58But in our hands,
21:00we eat after the event.
21:03We eat after the event.
21:04But if you're very fast,
21:05then...
21:06eat it.
21:07Hello?
21:08What are you doing?
21:10Hey,
21:12why aren't you eating food?
21:17It's all ciao.
21:32Why don't you eat food?
21:34Why doesn't you eat food?
21:37It's not hungry.
21:39It's a very bad thing.
21:41Come and meet both of you.
21:43We're eating food. Let's go.
21:45Let's go.
21:46No, Mother.
21:47Mother, my friend Esma came with me.
21:50I will eat with her.
21:52She will believe she will.
21:53Let's go.
21:54Let's eat.
21:55Okay?
21:56Yes.
22:05Just tell me.
22:07Walima was on the lawn, right?
22:09Why was she at home?
22:11Rai, I think that she is a good person at home.
22:15That's why.
22:20This is Rai, right?
22:26Who are you showing?
22:29I don't know who is.
22:42Maapara,
22:43I have talked to her for her.
22:45I'm sorry.
22:48Go.
22:50When you say sorry, why don't you say sorry?
22:54Actually, Rai had some privacy for me.
22:59That's why I told her.
23:03Why do you want to keep away from someone?
23:12What does it mean?
23:17When they have to get away from someone,
23:19they have to get away from someone.
23:21This is their habit, right?
23:23What does it mean?
23:25I don't understand the meaning of your story.
23:28I mean...
23:30Anyways,
23:31you are waiting for your mangeter here.
23:34My mangeter?
23:35Yes, yes.
23:36Your mangeter.
23:37Rai had told me about France.
23:39about France.
23:44Rai?
23:50Excuse me.
24:02Oh, finally.
24:09What is this?
24:11What nature?
24:13What nature?
24:14What nature?
24:15Let me tell you.
24:16What nature?
24:17Which?
24:18What's this.
24:20What did you tell from her?
24:21How did she tell me about it?
24:22She told me anything, she told me.
24:24What she told me about it.
24:26What did I say about it?
24:28I didn't say anything.
24:29Okay, so I said that if I want to get away from someone else, then I'll be close to someone else.
24:36Yes, you don't do it.
24:37Yes, I do. I can eat food from the sink or anything else.
24:42Why did you say that I was waiting for a month?
24:46I didn't say anything.
24:47Why did you say that I was waiting for a month?
24:52Look, at that time I felt it was okay.
24:55Is it okay or this is also your strategy?
24:58Listen to me.
24:59Whatever I do or whatever I say, there is no solid reason behind it.
25:03And if you don't get to reach your mind, then ask me next time.
25:08Don't do it like this.
25:17Okay, so you've reached here.
25:21And you haven't told me.
25:23It's a good thing to tell you about what I'm announcing.
25:27You've been asking for so many years.
25:29Today, when he took a stand for you, he said that he's not going to announce.
25:33You don't say that you're going to stand for him.
25:35Oh, one of them has saved you.
25:38You're angry at the top.
25:39You're so unhappy.
25:41What do you mean?
25:42Who saved you?
25:44The auntie who was watching you, was liking you for your daughter.
25:47Who's angry young man came and said that he's been asked for her.
25:50But my mother was not asking for me.
25:55Mahapurarah is the only thing to understand.
25:58He's cleared his path.
25:59Now, to listen to your own money,
26:02I think there will be a proposal or tension.
26:32I told you to take the set and change the set.
26:39That set doesn't like it, leave it alone.
26:44I don't like it in this set.
26:47Leave it alone.
26:57Why did you remove everything?
27:01It looked good.
27:03Now I've seen you as well.
27:07If you don't like it all, what's your benefit?
27:13I like it.
27:15I don't like it.
27:17It looked good.
27:19I also liked it yesterday.
27:21But...
27:22But...
27:23What happened yesterday, I'll know.
27:26The story is over.
27:28It was a little disturbed.
27:31I'm sorry.
27:34For yesterday.
27:36It looked good.
27:38It's a good thing.
27:39You have to be aware of my feelings.
27:43If you don't have to be aware of your feelings,
27:48then you don't have to be aware of your necklace.
27:52It's not a good thing.
27:53What does it mean?
27:54Nothing.
27:55Let's leave it.
27:56It's a good thing.
27:57It's a good thing.
27:59It feels good.
28:00It feels good.
28:02If you don't like the necklaces, how can I keep my necklaces?
28:07Yes.
28:09You don't have to wear this necklaces and makeup, but I feel good.
28:15Yes.
28:17If you are happy with this necklaces and makeup, then wear it.
28:25If you are happy with this necklaces, I will be happy with this necklaces.
28:36You are right.
28:39You all know that I have never talked to you.
28:45That's why I have so much fun.
28:48You are very good.
28:51You don't know the good things, but I am the same as you are.
28:58I am the same as you are.
29:13I don't have to eat it yet.
29:18I'm upset because of that.
29:21I don't know what's going on in his mind.
29:26Maapara?
29:32Come inside.
29:34Now, sit down below the sky and eat.
29:36What will happen?
29:37It will happen.
29:38I've been waiting for you.
29:40Your mind is broken.
29:43I'm telling you,
29:44that I don't have to hurt the sky.
29:46I'm afraid of the sky.
29:49What are you doing?
29:50What are you doing?
29:51What are you doing?
29:52What are you doing?
29:53Now, the sky will come back.
29:54Why do I come back?
29:56I just want to go together.
29:59I'll take a step back.
30:01Okay, just stay.
30:02Sit straight and talk about hair.
30:04It's not a day or a day.
30:05It's just a fashion.
30:07If you're sitting in a chair,
30:09you'll be sitting in a chair.
30:10If you've fallen asleep,
30:11you'll cry again.
30:13Oh.
30:15Okay, stop.
30:16I've explained thousands of times
30:18that you need to take care of those girls.
30:20Okay, dad.
30:21Tell me one thing.
30:22What?
30:23What?
30:24What?
30:25What?
30:26What?
30:27What?
30:28What?
30:29What?
30:30What?
30:31What?
30:32What?
30:33What?
30:34What?
30:35What?
30:36What?
30:37What?
30:38What?
30:39What?
30:40What?
30:41What?
30:42What?
30:43What?
30:44What?
30:45What?
30:46What?
30:47What?
30:48What?
30:49What?
30:50What?
30:51What?
30:52What?
30:53What?
30:54What?
30:55What?
30:56What?
30:57What?
30:58What?
30:59What?
31:00What?
31:01What?
31:02What?
31:03What?
31:04What?
31:05What?
31:06What?
31:07What?
31:08What?
31:09What?
31:10What?
31:11What?
31:12What?
31:13What?
31:14What?
31:15What?
31:16What?
31:17What?
31:18What?
31:19What?
31:20What?
31:21What?
31:22What?
31:23What?
31:24What?
31:25What?
31:26What?
31:27What?
31:28What?
31:29What?
31:30What?
31:31What?
31:32What?
31:33What?
31:34What?
31:35Do you understand anything?
31:37Give your hands.
31:39How does it kill you?
31:41You get a lot of love.
31:43There are thousands of times, Maapara,
31:45that you don't have to do such bad things.
31:49You don't give such bad things.
31:51If you don't give such bad things,
31:53you don't give such bad things.
31:55You don't give such bad things, Maapara.
31:57Don't do such bad things.
31:59This is all your films.
32:01You keep saying dialogue every time.
32:03I don't give such bad things.
32:05I don't give such bad things.
32:07I don't give such bad things.
32:09How do you feel?
32:11How do you feel like talking about love?
32:13Let's eat it.
32:15I don't eat it.
32:17I don't eat it.
32:19I'll eat custard in the inside.
32:25Custard?
32:27I'm a faggot.
32:29I'm a faggot.
32:31I'm a faggot.
32:33I'm a faggot.
32:35I'm eating custard with all your functions.
32:37I'm eating custard by myself.
32:39How do you feel like?
33:11I am waiting for you.
33:17Wow, shalom.
33:20What a story.
33:21It's a trolley.
33:22It's a trolley.
33:24It's a trolley.
33:24It's a trolley.
33:26You can go and get it.
33:27You can come and get it.
33:29It's like this morning.
33:31You will be sleeping.
33:32It's gone.
33:33My baby's a trolley.
33:34I don't sleep.
33:35It's not a trolley.
33:35You can't get it.
33:37I'm here.
33:38I'm here.
33:38It's a real pleasure.
33:40Oh, nice.
34:05You go where are you?
34:07Coffee.
34:08Come and talk to me.
34:10Let's go.
34:11Your sister had so much thought of your sleep.
34:14She said that you're going to sleep so fast.
34:17Your sleep will be bad.
34:19But I knew that you're going to sleep.
34:22Now you're new to this house.
34:24You'll feel like you're going out.
34:27That's why I thought that I'm going to take your sleep.
34:32And then I'll take you with yourself.
34:35Okay?
34:36You're going to sleep.
34:39Where is your mother?
34:41Mother?
34:42She's sleeping.
34:44She's very clean.
34:48You're going to sleep.
34:51You're going to sleep.
34:52And you're going to sleep.
34:53If you don't mind, you won't be able to see it.
34:56No, no, it's not like you are thinking about it.
35:00It's just a little bit. It's a very clear heart.
35:06If your story is okay, why don't you meet the stage?
35:12Sakina! Sakina, Maapara to send you!
35:16Now, let's see. Your eyes will look at it and your daughter will not hurt her.
35:24She doesn't hurt her.
35:26She doesn't hurt her.
35:28What do you mean?
35:30I mean, she doesn't hurt her.
35:39So, Sahil is taking a shower for hours.
35:43It's cold. Let's call her.
35:46Sahil!
35:47Do you want to answer the question of my story?
35:50Don't tell me that you didn't hurt her.
35:52Dad, I can't give you the answer to your question.
35:56You can tell me that you want to listen to me.
35:59I want to listen to you.
36:01Why did you hurt her?
36:04I've told you that I didn't hurt her.
36:07That's crazy.
36:09The founder, he made her a
36:22friend of mine.
36:23Sakina, imma a coffee.
36:25Yes, I do.
36:26I'll tell you's been following.
36:27Where are you going?
36:30Man, I'm going to go to the mother.
36:33I'm going to go to the house for my coffee.
36:34I'm going to go to the house for my coffee.
36:35I'm going to go to the house for my coffee.
36:36So my coffee will be calling her?
36:39Are you watching?
36:40This is my house?
36:41I'm watching.
36:42I'm not watching.
36:43And this is no bad thing.
36:46I'm going to go to my mother's daughter.
36:48When she comes, she will not sing.
36:50And she's also saying.
36:52She's not saying.
36:53She's not saying?
36:54She's not saying.
36:55Yes.
37:03I'm going to go to the house.