00.00 - 1.07 ''Sunday Night'' (documentary, ep. "How To Stop Worrying and Love the Theatre", 1966)
1.08 - 1.32 "Love's Labour's Lost", 1965
1.33 - 1.52 "The Power Game" S3 (series, 1969)
1.54 - 2.06 "A Midsummer Night's Dream", 1968
2.07 - 4.54 "The Power Game" S3 (series, 1969)
4.55 - 5.32 ''Mad Jack", 1970
5.33 - 6.33 "Macbeth", 1970
6.34 - 8.04 "Biography" (mini series, ep. "Beethoven", 1970)
8.05 - 8.54 "The Hero of My Life - Charles Dickens" (1970)
8.55 - 9.49 "UFO" (series, ep. "The Sound of Silence", 1971)
9.50 - 11.02 Saturday Night Theatre" ("Green Julia", 1971)
11.03 - 12.11 "Nicholas and Alexandra", 1971
12.12 - 12.43 "Follow Me"(''The Public Eye''), 1972
12.44 - 13.28 ''Bequest To the Nation'' (''The Nelson Affair''), 1973
13.29- 13.54 "Jane Eyre" (mini series, 1973)
13.55 - 15.15 "The Homecoming", 1973
15.16 - 15.54 "Thriller" (series, ep. "Ring Once For Death" aka "Death in Small Doses",1973)
15.55 - 16.32 "Thriller" (series, ep. "A Coffin For the Bride", 1974)
16.33 - 16.59 "Play of the Month" - ''The Importance of Being Earnest" (1974)
17.00 - 17.27 "Play of the Month" - ''King Lear" (1975)
17.28 - 18.48 "Quiller" (series, 1975)
18.49 - 19.38 "Jackanory" ("The Edge of Evening", Part 1 "The Sky-Blue Whistling Spark"), 1977
19.39 - 21.03 "Sunday Night Drama" - ''The Last Romantic" (1978)
21.04 - 21.38 "Play of the Week" - ''She Fell Among Thieves" (1978)
21.39 - 22.07 "Tinker, Tailor, Soldier, Spy" (mini series, 1979)
22.08 - 22.41 "Flesh and Blood" (series, 1980)
22.42 - 23.19 "Lady Killers" ("The Root of All Evil"), 1981
23.20 - 23.58 "Time for Murder" (series, ep. "Dust to Dust", 1985)
23.59 - 24.43 "Doctor Who" (series) -"The Trial of a Time Lord" - "The Ultimate Foe", 1986)
24.44 - 25.15 "Worlds Beyond" (series, ep. "Undying Love", 1987)
25.16 - 25.34 "Ruth Rendell Mysteries" (series, ep. "A Guilty Thing Surprised" (1988)
25.35 - 26.00 "Somewhere to Run" (1989)
26.01 - 26.43 "A Bit of a Do" (series, 1989)
26.44 - 27.24 "About Face" (series, 1989)
27.25 - 27.59 "Stay Lucky" (series, ep. "The Devil Wept in Leeds", 1990)
28.00 - 28.28 "The Case-Book of Sherlock Holmes" (series, ep. "The Disappearance of Lady Frances Carfax", 1991)
28.29 - 28.58 "Press Gang" (series, ep. "UnXpected", 1992)
28.59 - 29.27"The Good Guys" (series, ep. "Verschwinden", 1992)
29.28 - 30.00 ''99-1" (series, ep. "The Shooting Party", 1995)
30.01 - 30.36 "Jackanory" ("Ice Palace"), 1994
30.37 - 31.01 "Outside Edge" (series, ep. "The New Player",1996)
31.02 - 31.50 "Noah's Ark" (series, ep. "Two of a Kind" (1997)
31.51 - 32.27 "Adam's Family Tree" (series, ep. "Hassles with Castles", 1998)
32.28 - 33.01 "Holby City" (series, ep. "Extra Time", 2001)
33.02 - 33.42 "The Royal" (seres, ep."Consequences", 2003)
33.43 - 34.17 Holby City (series, ep. "Judge Not, Lest Ye Be Judged", 2006)
34.18 - 36.01 Emmerdale (series, 2008)
36.02 - 36.40 "Albert's Memorial" (2009)
36.41 - 37.44 "Casualty" series, ep. No Goodbyes
1.08 - 1.32 "Love's Labour's Lost", 1965
1.33 - 1.52 "The Power Game" S3 (series, 1969)
1.54 - 2.06 "A Midsummer Night's Dream", 1968
2.07 - 4.54 "The Power Game" S3 (series, 1969)
4.55 - 5.32 ''Mad Jack", 1970
5.33 - 6.33 "Macbeth", 1970
6.34 - 8.04 "Biography" (mini series, ep. "Beethoven", 1970)
8.05 - 8.54 "The Hero of My Life - Charles Dickens" (1970)
8.55 - 9.49 "UFO" (series, ep. "The Sound of Silence", 1971)
9.50 - 11.02 Saturday Night Theatre" ("Green Julia", 1971)
11.03 - 12.11 "Nicholas and Alexandra", 1971
12.12 - 12.43 "Follow Me"(''The Public Eye''), 1972
12.44 - 13.28 ''Bequest To the Nation'' (''The Nelson Affair''), 1973
13.29- 13.54 "Jane Eyre" (mini series, 1973)
13.55 - 15.15 "The Homecoming", 1973
15.16 - 15.54 "Thriller" (series, ep. "Ring Once For Death" aka "Death in Small Doses",1973)
15.55 - 16.32 "Thriller" (series, ep. "A Coffin For the Bride", 1974)
16.33 - 16.59 "Play of the Month" - ''The Importance of Being Earnest" (1974)
17.00 - 17.27 "Play of the Month" - ''King Lear" (1975)
17.28 - 18.48 "Quiller" (series, 1975)
18.49 - 19.38 "Jackanory" ("The Edge of Evening", Part 1 "The Sky-Blue Whistling Spark"), 1977
19.39 - 21.03 "Sunday Night Drama" - ''The Last Romantic" (1978)
21.04 - 21.38 "Play of the Week" - ''She Fell Among Thieves" (1978)
21.39 - 22.07 "Tinker, Tailor, Soldier, Spy" (mini series, 1979)
22.08 - 22.41 "Flesh and Blood" (series, 1980)
22.42 - 23.19 "Lady Killers" ("The Root of All Evil"), 1981
23.20 - 23.58 "Time for Murder" (series, ep. "Dust to Dust", 1985)
23.59 - 24.43 "Doctor Who" (series) -"The Trial of a Time Lord" - "The Ultimate Foe", 1986)
24.44 - 25.15 "Worlds Beyond" (series, ep. "Undying Love", 1987)
25.16 - 25.34 "Ruth Rendell Mysteries" (series, ep. "A Guilty Thing Surprised" (1988)
25.35 - 26.00 "Somewhere to Run" (1989)
26.01 - 26.43 "A Bit of a Do" (series, 1989)
26.44 - 27.24 "About Face" (series, 1989)
27.25 - 27.59 "Stay Lucky" (series, ep. "The Devil Wept in Leeds", 1990)
28.00 - 28.28 "The Case-Book of Sherlock Holmes" (series, ep. "The Disappearance of Lady Frances Carfax", 1991)
28.29 - 28.58 "Press Gang" (series, ep. "UnXpected", 1992)
28.59 - 29.27"The Good Guys" (series, ep. "Verschwinden", 1992)
29.28 - 30.00 ''99-1" (series, ep. "The Shooting Party", 1995)
30.01 - 30.36 "Jackanory" ("Ice Palace"), 1994
30.37 - 31.01 "Outside Edge" (series, ep. "The New Player",1996)
31.02 - 31.50 "Noah's Ark" (series, ep. "Two of a Kind" (1997)
31.51 - 32.27 "Adam's Family Tree" (series, ep. "Hassles with Castles", 1998)
32.28 - 33.01 "Holby City" (series, ep. "Extra Time", 2001)
33.02 - 33.42 "The Royal" (seres, ep."Consequences", 2003)
33.43 - 34.17 Holby City (series, ep. "Judge Not, Lest Ye Be Judged", 2006)
34.18 - 36.01 Emmerdale (series, 2008)
36.02 - 36.40 "Albert's Memorial" (2009)
36.41 - 37.44 "Casualty" series, ep. No Goodbyes
Category
✨
PeopleTranscript
00:00Looks like a foreigner to me, sir.
00:08What is moving in that sock there?
00:15It's just potatoes, sir.
00:17I will put my spear through that sock there.
00:23But take it easy, sir.
00:25Will you tell me what is in that sock?
00:28Never.
00:28Never?
00:29Never.
00:30Well, then, you take this for him, then.
00:35Ow!
00:36Ow!
00:36Help!
00:37Ow!
00:38Ow!
00:38Ow!
00:41Come back here, you terrible-looking traitor!
00:44These wounds I had on Crispin's day,
00:47old men forget, yet all shall be forgot.
00:51But he'll remember, with advantages,
00:53what feats he did that day.
00:56Then shall our names, familiar in his mouth,
00:58as household words.
01:00Harry the King, Bedford and Exeter,
01:01Warwick and Talbot, Salisbury and Gloucester,
01:04be in their flowing cups, freshly remembered.
01:07A woman I foreswore, but I will prove,
01:10Thou being a goddess, I foreswore not thee.
01:12Ha, ha, ha, ha!
01:13vows are but breath and breath of vapor is then thou fair fun fair son well how's the club
01:33taking my appointment the club keep your tongue out of your cheek darling we might come very well
01:38together the club the career diplomats and they don't like these appointments from outside
01:43what you mean is that they're plotting like mad to stop them and me there is a consensus for giving
01:48plum jobs to professionals well put darling so should a murderer look so dead so grim so should
01:57the murdered look and so should i pierce through the heart with your stern cruelty yet you the murderer
02:03look as bright as clear as yonder venus in her glimmering sphere one must keep one's life
02:09excessively tidy i quite understand that yes well naturally i don't wish to intrude on what is in
02:18fact your private life and which i'm sure is responsibly conducted as far as possible
02:23yes quite however should you ever be approached it uh may be that it's already too late i don't
02:32understand you well quite understandably you don't all of which seems to show that there's nothing to
02:38it however it could be not true to what my dear fellow what will we have here with the cia there in
02:50every west terribly busy people mr mobs what are you proposing to me we require your assistance and
02:57what if i refuse oh my dear fellow nothing absolutely nothing this isn't the kgb isn't it i was warned this
03:04morning my friendship with a certain lady could well be misconstrued in some quarters
03:08oh dear boy what an awful thing to suggest well presumably you actually want me to work for you
03:14or you wouldn't have approached me well of course we want you to work for us we'd be most pleased to
03:19have you with us you're not jealous oh no lincoln i've no right to be have i no no you haven't
03:28there's nothing to do with rice actually only chromosomes lincoln all i said was he's a crafty
03:32politician who believes in using people quite an innocent afternoon really all things considered
03:38depends whether you measure innocence by the act or the intent how do you know what my intent was
03:43no i suppose i don't nor are yours either do i i don't particularly want to be filed under occasional
03:51and various i'd hoped you wouldn't be
03:54do you want to see him alone or would you like me here with you alone i think if we're both
04:01together one of us is sure to look guilty the reason for which being of course that we are
04:08i didn't have a nanny either they're pretty rare in council houses i wonder where all the other
04:17lads who were at school with us are now all right lincoln your sleeve isn't full of trump cards i'm just
04:23telling you oh no the etiquette here is one doesn't tell one suggests in an amiable spirit of concord
04:29we both learned that it's how we got out of our class yeah well contrary to the spirit of the service
04:37lincoln i am telling you what
04:41you declare your neutrality or if you can't declare it abide by it or
04:49or i'll break your back too one could hurt one's hand doing that you know
04:55does it matter losing your legs for people will always be kind and you need not show that you mind
05:02when the others come in after hunting to gobble their muffins and eggs
05:06does it matter losing your sight there's such splendid work for the blind
05:11and people will always be kind as you sit on the terrace remembering and turning your face to the light
05:17do they matter those dreams from the pit you can drink and forget and be glad
05:24and people won't say that you're mad for they'll know you fought for your country
05:29and no one will worry a bit
05:32the queen my lord
05:36is dead
05:39she should have died here after there would have been a time for such a word
05:54tomorrow and tomorrow and tomorrow
06:02creeps in this petty pace from day to day to the last syllable of recorded time
06:08and all our yesterdays have lighted fools the way to dusty death
06:12out
06:13out brief candle
06:16life's but a walking shadow
06:19a poor player
06:21that struts and frets his hour upon the stage and then is heard no more
06:25it is a tale told by an idiot
06:28full of sound and fury
06:30signifying nothing
06:32my hearing
06:34my hearing is going
06:37I'm going deaf
06:39both ears
06:40I shall be totally deaf by the time I'm 35
06:43there's a reason for it
06:48something I'm being made to learn
06:51everything in my past has been preparing me for what I must do
06:56I lie awake and I go over my life
06:59I watch things
07:02falling into place
07:03gathering momentum
07:05and I try and see how my
07:08disability could be part of it
07:10as a child catching a chill after a swim
07:13or my father striking me here when he was drunk
07:17or an insect that crawled into my ear one summer's night so I awoke screaming
07:20why
07:23why
07:25why should a great
07:28hunger be implanted in me
07:31a genius to achieve something most specific
07:33a task that I have to fulfill
07:35that it is my life's function to fulfill without a shadow of a doubt
07:39and at the same time be endowed with all the powers and skills and functions to the highest degree necessary to carry it through
07:45save one
07:46my supreme function
07:48the noblest part of my being
07:50my hearing
07:51and moreover
07:53not to be deprived of it until I'm well along the course
07:57why should men be allowed to glimpse at paradise when they cannot enter it
08:03so in his fifties
08:06Dickens escaped more and more into the only secure emotional world he had left
08:11his readings
08:11increasingly he seemed fully alive only in the affection of his audience
08:16and behind the jolly facade of his early books
08:19Sam Vella my lord
08:21replied the gentleman
08:22do you spell it with a V or a W
08:26inquired the judge
08:28well that depends upon the taste and fancy of the speller my lord
08:31replied Sam
08:31I never had occasion to spell it more than once or twice
08:34but I spelled it with a W
08:35here a voice from the gallery exclaimed aloud
08:38quite right too Sammy Vell
08:40quite right
08:41put it down a W my lord
08:42put it down a W
08:43who is that
08:45who dare address the court
08:47said the judge
08:48you know who that was sir
08:50I rather suspect he was my father my lord
08:53that
09:01that
09:04that
09:04that
09:04that
09:17that
09:30that
09:31that
09:31that
09:35that
09:37that
09:39that
09:41Oh, she was an art student once.
09:52Julia's human, you know.
09:55You're in love with her.
09:57What?
09:58You're in love with Julia.
10:01It's a horrid possibility.
10:04Ah, you're a real bastard.
10:07You think so?
10:07I credit you nothing more atrocious than towering egotism.
10:11I'm monstrous selfishness,
10:13and you're a fully paid-up, double-distilled bastard.
10:17You seem unnecessarily bitter.
10:19Bitter? Why should I be bitter?
10:21I can see no adequate reason why you should be bitter.
10:23I certainly can't.
10:24I mean, you're all right, aren't you?
10:25You've got your fiancé. You've got your maize.
10:27Now, tell me something.
10:29Are you in love with Gloria?
10:32Actually.
10:33Well, that's perfect, isn't it?
10:35You should pity, not rebuff my swanishness.
10:39Well, what's it like being in love?
10:42Oh, it's marvellous.
10:44Does it make everything glow with a pink glow?
10:46Mm, that's right.
10:48Pink glow.
10:48Oh, isn't that nice?
10:51Unfortunately, Julia doesn't make things pink for me.
10:55Now, if you'd be so kind,
10:56just shine Gloria in this direction once more.
11:00The photo.
11:00You can save him.
11:03You can stop it.
11:04Certainly.
11:06Your man started it.
11:07He should be punished.
11:09He will be.
11:10And Nagorny?
11:11Taking someone's life.
11:16No man should have that power.
11:18You had it?
11:20Yes.
11:20And I have learned that a strong man has no need of power.
11:27And a weak man is destroyed by it.
11:30I am being punished for what I have done.
11:34Nagorny is innocent.
11:35He's like a child.
11:38You don't shoot children, do you?
11:40In your new world are there penalties for innocence.
11:43She says the spring was late this year,
11:45but very beautiful.
11:46Lord, but it's good to be alive.
11:54The world is like a field in summer,
11:57bursting with good things.
11:59One day,
12:00and all the wars are over.
12:03Someone young will lead us to the harvest.
12:07As long as there are children,
12:09anything is possible.
12:11You mean they don't actually kiss in public?
12:13Certainly not.
12:14But what do they do then?
12:16Well,
12:16watching from a distance,
12:19I'd say
12:19that their relationship
12:21is one of their utmost tenderness.
12:25They stare at each other.
12:27They give each other
12:28those secret little glances.
12:31I believe the French call him...
12:32Damn him!
12:34Mr. Sidley.
12:35What's his name?
12:36Where does he live?
12:37Don't you know you're a detective, aren't you?
12:39Yes.
12:39Well, why have you come here?
12:41I want his name and address by tonight.
12:43Mr. Sidley.
12:43By...
12:44Surely we have better ships than the French.
12:46No, sir, certainly not.
12:48But they are better handled.
12:50Yet what kind of men are they handled by?
12:54Four-fifths of them have been pressed, kidnapped,
12:58knocked on the head and thrown aboard a man of war
12:59to face a brutal and degrading slavery,
13:01which they must submit to,
13:03or bear their backs of the cat-o'-nine-tails.
13:05But at the Nile the seaman drank to Nelson.
13:09Yes, sir.
13:10To Nelson.
13:12And that is my point.
13:14I see.
13:15He's made these mutinous dogs love him.
13:18They beg to serve in any squadron he commands
13:20and cry like women when they hear he's wounded.
13:22Could he have done that if he hadn't been great in what he is
13:26as well as in what he's done?
13:28She can't help being mad.
13:31Jane, my darling, you misjudge me again.
13:34It's not because she's mad I hate her.
13:36If you were mad, do you think I should hate you?
13:39I do, sir.
13:40Then you're mistaken.
13:42And know nothing about me.
13:43Nothing about the sort of love of which I'm capable.
13:46Your flesh is as dear to me as my own.
13:50Your mind is my treasure.
13:52And if it were broken, it would be my treasure still.
13:56The last thing I want is a breath of air.
13:58Why do you want a breath of air?
13:59I just do.
14:00But it's late.
14:02I won't go far. I'll come back.
14:04I'll wait up for you.
14:07Why?
14:08I'm not going to bed without you.
14:17Can I have the key?
14:25Why don't you go to bed?
14:36I won't be long.
14:38I didn't say that.
14:53Look, I'll go and pack.
14:56You rest for a while.
14:58Will you?
15:00They won't be back for at least an hour.
15:01You can sleep.
15:04Rest.
15:05Please?
15:09You can help me with my lectures when we get back.
15:12I'd love that.
15:13I'd be so grateful for it, really.
15:15No, you're right.
15:16I couldn't.
15:18Slip out from under my thumb and you'd go to pieces.
15:21Start talking.
15:23We'll still have to think of a happy solution, won't I?
15:24To stop you talking.
15:38That's my little joke, Ledworth.
15:40Just to show you how easy it could be.
15:44You behave yourself and I'll look after you.
15:46And behaving yourself means keep the front door locked.
15:52Your nose clean and pacing your drinking.
15:54You don't look like the sort of man who has to be lonely.
15:58Oh, but I am.
15:58I really am.
15:59On account of I'm so shy.
16:03I'm Mark.
16:04Mark Walker.
16:06I'm a talk to strange pretty girl that it.
16:08Stella McKenzie.
16:10Mackenzie.
16:11That's a good old Gaelic name.
16:13Explains an awful lot.
16:14Everything.
16:15Explains?
16:16Well, the way you look.
16:17Cool, superb.
16:18Only girls with the Gaelic in them have your kind of beauty.
16:21Speed you move, Mr. Walker.
16:23You should change your name to Sprinter.
16:25It's all talk, I promise.
16:26You can relax and feel completely safe with me.
16:29I'm not sure any girl should relax with you, Mr. Walker.
16:31The sooner you give up that nonsense, the better.
16:33I made arrangements this morning with Dr. Chasible to be christened myself.
16:37At 5.30.
16:38And I naturally will take the name of Ernest.
16:40Gwendolyn would wish it.
16:42We cannot both be christened Ernest.
16:43It's absurd.
16:45Besides, I have a perfect right to be christened if I like.
16:48There's no evidence at all that I've ever been christened by anybody.
16:51I should think it extremely probable I never was, and so does Dr. Chasible.
16:55It is entirely different in your case.
16:56You've been christened already.
16:57Yes, but I haven't been christened for years.
17:00Well, then.
17:02Legitimate Edgar.
17:04I must have your land.
17:05Our father's love is to the bastard Edmund, as to the legitimate.
17:11Fine word.
17:13Legitimate.
17:16Well, my legitimate, if this letter speed and my invention thrive, Edmund the base shall
17:21top the legitimate.
17:22I grow.
17:22I prosper.
17:24Now, gods, stand up for bastards.
17:26Have you any idea who you'll kill when you take action?
17:30Or how many?
17:31Old men?
17:32Women?
17:32Children?
17:33Ordinary innocent people?
17:35The price we pay.
17:37They pay.
17:38You don't.
17:38I am a religious man.
17:40I, too, pay for the crime of murder.
17:42But if I had to, I would use my own father.
17:47And a girl?
17:48Of course.
17:52I like her father.
17:54When it comes to it, we only look after those we like.
17:58Her father wants assurances from me, personally, that she's well alive.
18:01You're asking me to blow myself up with the plane?
18:04I'm not asking anything of your privilege.
18:06Well, that time fuse is broken.
18:10This nerve gas was manufactured in England?
18:12Yes.
18:13How did the opposition get it?
18:16Before the government's ban on nerve gas, three men working on the chemical plant that
18:20had been producing gas under government contract turned their minds to private profit.
18:27Now, the nerve gas now on Tango Victor was bought from them for a considerable fortune.
18:33Then it's not the British government's fault.
18:35That's not the point.
18:37It was made here.
18:39And for our enemies, that's more than enough.
18:41It's no good talking politics to a dying man.
18:44Go on, Angus.
18:45Sell it to me.
18:47Sell me my own execution.
18:48The yellow cat still sat on the table, smiling.
18:51Are you sure you want me to go?
18:53He said.
18:54Suppose I offer to stay and help you make magic.
18:58No, said Huddle.
18:59No more spells and sorcery for me.
19:01I don't want to be a witch.
19:02I'd rather be ordinary and live kindly and have friends.
19:07That's all I needed to know, said Victor.
19:10I'll be on my way.
19:12He turned into a lamb and then disappeared.
19:16Huddle heaved a great sigh of relief.
19:18She turned to Thomas.
19:20Sit by the fire, lad, she told him.
19:22I'll make a nice cup of tea.
19:24But first, she got all her magic books, including her grands, and dumped them in the middle of the fire.
19:31Then she went to fill the kettle.
19:33Goodbye.
19:34They accepted my resignation, yes.
19:41I suppose it was what I think it was.
19:44Well, I...
19:45Yes, sir, they said.
19:48I had been getting these so-called alcoholic blackouts.
19:53Odd stretches of time erased completely.
19:55It's a great relief, actually.
19:58Frankly, I could welcome the advent of total amnesia with open arms now.
20:02So, what will you do?
20:05No idea.
20:07There have been problems at home, too.
20:13You don't have to tell me if you don't want to.
20:15Geoffrey's kicked you out, I suppose.
20:22He didn't exactly kick me out.
20:24He sort of froze me out.
20:26I'm all right.
20:27I've cut down the drinking to an absolute minimum.
20:30Look, I don't mean to pry, James, but have you never considered marriage?
20:37Only in the abstract.
20:39Oh, really?
20:39Haven't you ever got close?
20:40I find the difficulty with relationships, actually, isn't finding someone suitable that
20:48is possible to live with, but being able to reveal oneself to that person and be tolerated
20:54for what one is, without finding the other person an object of pity or contempt, as it
21:02were.
21:07Montrez-moi vos mains.
21:10I said, show me your hands.
21:22The hands of a mechanic.
21:24They're far too well kept for a mechanic.
21:26The hands of a Rolls-Royce train chauffeur, ma'am, as well kept as our reputation.
21:31And my orders...
21:32Are to do as I say.
21:34You may be under Mr. Chandler's orders, but you're under my roof, and what I say here goes.
21:37Oh, yes, ma'am.
21:38That's all I know.
21:41What the hell are you shrugging at us like that for?
21:44I'm accusing you of playing hooky behind my back, with a damn defector from your own
21:48damn section, of playing damn fool parlor games, and you don't know the stakes, and all you
21:52do is shrug at me?
21:54There's a law, Gwilum, against consorting with enemy agents.
21:58Do you want me to throw the book at you?
22:00I haven't seen him!
22:01Who's playing games?
22:03Not me.
22:04You are.
22:04So get off my back.
22:06I resigned to make it easier for you.
22:11Hate my guts.
22:15No.
22:16You won't have to leave the job.
22:18I wouldn't have let you anyway.
22:19I know what it means to you.
22:20I'm going back north.
22:24Back to the womb?
22:27Sorry, I forgot.
22:28You're right, in a sense.
22:30With the funeral that clinched it.
22:32I can't be very rational about it.
22:35Part of me suffers from arrested development, I suppose.
22:38I seem to have an infantile preoccupation with the...
22:40Dada.
22:42It's all right.
22:43I'll keep an eye on him.
22:45Right sudden, just for a moment.
22:47Ada, my dear.
22:49Lily.
22:51You've been in hospital ever such a long time, Dada.
22:55Are you better now?
22:56Not yet, my darling.
22:58What funny clothes you're wearing.
23:00Well, Ada, dear, I have to go away on a big ship to get better.
23:04And I don't suppose I shall be back for a very long time.
23:07I don't mind, so long as you come back quite well.
23:11It's all right, Margaret.
23:12Don't cry.
23:15Here, Sheta.
23:19Will you marry me?
23:23You have lied to me in your letters, Mr. Tuff.
23:27In which particular?
23:29In as far as I remember, the particular lie,
23:32that you are shy and unable to put yourself forward in company,
23:36which is the reason for your lack of success in life.
23:39I found that charmingly frank.
23:41It isn't altogether untrue.
23:44You are hardly shy.
23:46I am.
23:47Often.
23:48But not when I'm intrigued by something.
23:51Then I don't care much for anything but finding out,
23:54understanding,
23:55straightening,
23:56smoothing the wrinkles from the paper.
23:58Come now, Doctor.
24:01How else can I obtain my freedom?
24:04Operate as a complete entity,
24:06unfettered by your side of my existence.
24:10Only by ridding myself of you and your misplaced morality,
24:14your constant crusading,
24:16your...
24:17Idiotic honesty?
24:18Oh, microbe.
24:20Pardon me for trying to help.
24:22I'm neutral in this set-up, you know.
24:25Only by releasing myself from the misguided maxims that you nurture can I be free.
24:29Sounds to me like Armageddon's beckoning you, Doc.
24:32With you destroyed,
24:34and no longer able to constrain me,
24:37and with unlimited access to the Matrix,
24:40there will be nothing on my reach.
24:44Sitting after sitting, and still no apparent progress.
24:47The months are sliding past.
24:50Billy is growing more desperate.
24:53And Finch's silence underlines his disbelief.
24:56I'm...
24:57I'm...
24:59reaching the edge of despair.
25:02And those bloody pipes.
25:05Where are they?
25:06What do they mean?
25:08If only there was some way of breaking through.
25:13I must go and see Finch.
25:14Were you a happily married couple, would you say, sir?
25:20Of course we were happily married.
25:22Asking any of our friends.
25:24Or ask them!
25:28I'm sorry, but would I be like this?
25:30Though I am.
25:32If we hadn't been happy.
25:34I don't understand what's the matter with her.
25:38Maybe I should talk to a social worker.
25:42I haven't even spoken to the man.
25:43He'll only tell you what he tells me.
25:46Sarah's in need of help and support.
25:49Yes.
25:51I'm trying.
25:52I know you are.
25:54Darling, I know you are.
25:57Maybe I should talk to her.
26:01I was invited to a fancy dress party,
26:03and I couldn't find it.
26:05Oh, I see.
26:06I'm sorry.
26:07I'm sorry.
26:08Never.
26:08Yes.
26:09He was invited to a fancy dress party.
26:11Couldn't find it.
26:12Oh, I really think that is the saddest thing I've ever heard.
26:21I'm Henry VIII.
26:23Are you?
26:23Are you really?
26:24Jane would have wanted me to go.
26:26She loved fancy dress.
26:27I worked it out once.
26:29In 22 years of marriage, we wore fancy dress 33 times.
26:34I hope you don't mind.
26:35I knew if I went home to change, I'd lose impetus.
26:37I wouldn't find the courage to come,
26:39and I certainly haven't the courage to stay at home on my own.
26:42I dread this Christmas.
26:44If you're not going to stay with me,
26:46I might as well go out there,
26:48tell them the facts,
26:49and let them tear me apart.
26:51That's that, male.
26:52Helen, tell me you don't love me.
26:54I...
26:55That's the only question.
26:57Because if you love me,
26:59we've got to face this together.
27:00We can't keep living in the past.
27:02What's that is done,
27:03and we've now got to look forward.
27:05Forward to...
27:07Well, the future.
27:09This is a beginning, not an end.
27:12I love you.
27:13If you love me,
27:17you've got to help me.
27:20Helen, please.
27:26Dear me, Sally Harcassle,
27:29is this your big plan to stop me?
27:34You kill him,
27:35I confess to murder and go to prison.
27:40You won't confess, you know.
27:42Once he's dead,
27:44once there's nothing you can do,
27:45you won't give up your liberty so easily.
27:48I'm doing only what I have to do.
27:51I know your lives would be better
27:53if this man were dead.
27:55So I am on a bound
27:57to do you this service.
28:00What I have is owls.
28:02Owls in the East Wing.
28:04Want to see the owls?
28:07Where does she keep them?
28:09Does she travel with them?
28:12No.
28:13Well, then, where are they kept?
28:18My lord, your sister has vanished.
28:22How and why, we do not know.
28:25But I have reason to believe
28:25that she is in the gravest danger.
28:27Let us imagine this John England.
28:32It is entirely possible
28:33that he's not a particularly happy man.
28:37Perhaps he's become hopelessly typecast
28:39in one role
28:39and his acting career
28:41is effectively over.
28:43He may even drink rather too much.
28:48Possibly
28:48he even blames himself
28:50for the accident
28:51that killed his wife.
28:53In those circumstances,
28:56is it so odd
28:57that he decides
28:58to become someone else?
28:59I've been hearing voices again.
29:04I've been hearing voices again.
29:04Why did you go to that hospital?
29:14Well, the nurse, Sonia.
29:33Maclaverty must have told you.
29:36Maclaverty's told me lots of things.
29:38Things I would rather not believe
29:40and I wouldn't have believed them.
29:41But my voice has told me
29:42exactly the same
29:43and they're never wrong.
29:45Stop what you're doing, everybody.
29:52This is what I do
29:53to people
29:54who betray my trust.
30:00As Stargic stooped
30:01for the final lunge,
30:02the boy whipped off his mitten
30:04and flung the ice pips
30:05into the evil face.
30:07His voice echoed shrill
30:08through the cavern.
30:09Brothers, nevermore shall part
30:11Melt the winter
30:12in his heart
30:13At once there came
30:15a rumbling sound
30:16and the cavern floor quivered.
30:18Stargic staggered back
30:19with an awful cry,
30:21his hands clawing at his face.
30:23Ivan was flung to the floor.
30:25Behind him,
30:25the ice prison heaved,
30:27split and shivered
30:28into fragments.
30:30Ivan scrambled to his feet
30:31and backed off,
30:32eyeing the old man warily.
30:35Stargic made no attempt
30:36to follow.
30:37Oh, my God.
30:39Oh, Virginia.
30:41Don't ah, Virginia me.
30:43Where is he?
30:47Hello, darling.
30:48How can I help you?
30:50I want to talk to you, darling.
30:54Now, do we do it in private
30:56or in front of your playmates?
31:00Enough of it, you.
31:07It's on.
31:09Okay.
31:10Well, it's alive,
31:34but it's not breathing.
31:36Come on.
31:43It's breathing.
31:50My life's work stopped firm,
31:53stopped proud.
31:54And then
31:56came the Normans.
31:59Over the seas they came.
32:02Thousands of them.
32:04They came,
32:05they saw,
32:06and they conquered.
32:07You call that a castle?
32:15They said.
32:17We don't like your cassettes.
32:21Why not?
32:21They are not big enough.
32:23Well, size isn't everything.
32:28Rachel, you were particularly impressive,
32:30and I realize you've given a great deal
32:31of consideration to your request.
32:33This isn't simply adolescent angst at work.
32:36You are without doubt
32:38a young person of great intelligence.
32:42However,
32:44intelligence and wisdom
32:46are two very different things.
32:49And you do remain a young person,
32:51a minor.
32:52If I were to find in your favor,
32:55I think I would be denying
32:56a remarkable child
32:58the chance to become
32:59an even more remarkable adult.
33:00There are no rules in these cases.
33:03Patients can regain consciousness
33:05after a few days,
33:05weeks,
33:06months.
33:08Yes.
33:09Even years.
33:11Or never.
33:14Never.
33:15Say never, Henry.
33:18When Caroline told me
33:19you'd ask to marry her,
33:20I said she couldn't have landed
33:21a better chap.
33:21A decent man
33:24who'd always stand by her.
33:25She was,
33:27is,
33:28blessed with a loving husband.
33:31But we shouldn't allow
33:31our hearts to rule our heads.
33:34If there's no hope
33:35of recovery,
33:36no life outside that machine,
33:38why don't we
33:38bite the bullet,
33:40switch the damn thing off?
33:42Now,
33:43we can explore the possibilities
33:44of a transplant,
33:46but
33:46at your age...
33:47that kind of thing
33:49only happens when...
33:51Well, I mean,
33:52a transplant is
33:53last resort time.
33:57We'll increase the
33:58pain relief.
34:01And I'm looking for medication
34:02to protect your body
34:03from infection.
34:05I'm going to die.
34:07Right now,
34:09Esther's focus on making that
34:10later rather than the sooner.
34:12Okay?
34:13I didn't even lock
34:14my back door.
34:17That's why I've decided
34:19the time has come
34:20for you to get back
34:21to doing what you do best.
34:23Running my company
34:24with a rod of iron.
34:26What?
34:26Really?
34:27I appreciate all your
34:29sterling efforts,
34:29but your heart's not really
34:31in play in the nursemaid,
34:32is it?
34:33Maybe not.
34:34Starting today,
34:35I want you to stop
34:37fussing around me
34:37and get back to work.
34:39Who's going to look after you?
34:41I'm taking your advice
34:42and getting a nurse.
34:43Shall I call
34:44one of my contacts?
34:45Everything's been arranged.
34:46Someone's starting
34:48this afternoon.
34:49Now, off you go.
34:51Make me lots
34:51of filthy lucre.
34:53Right.
34:56Thank you, my dear,
34:57for being so patient.
35:07Are you crazy?
35:09Quite possibly.
35:10I heard her on the phone
35:11earlier,
35:12talking to David.
35:13I'm sure of it.
35:14I can't believe
35:15you're going to let her...
35:15Miles,
35:16you're a good boy
35:17and your heart's
35:18in the right place.
35:19But will you stop
35:20trying to spoil my fun?
35:22How can I trust
35:23a woman who possesses
35:24so little judgment
35:25shall shackle herself
35:26to a man devoid
35:27of grace,
35:28charm,
35:28or class?
35:29A man with whom
35:30she has nothing in common.
35:31Oh, we have more
35:32in common than you think.
35:34Word has it
35:35one of those brothers
35:36killed their father.
35:38Want a murderer
35:38as a husband,
35:39do you?
35:41Anna,
35:42I'm begging you.
35:43That man will
35:44crush you.
35:46He'll break your heart.
35:48I do, Don.
35:50I should have
35:50called you Dad.
35:53Marry into his
35:54cursed family
35:55and it'll bring you
35:56nothing but heartbreak.
35:58Marry this man
35:59and you're lost to me.
36:02Hinderberg.
36:05Hinderberg.
36:06You want us
36:07to cart you
36:08all the way
36:09back to Germany?
36:10Yes.
36:11We three,
36:12we're oppos,
36:14right?
36:16Something happened there.
36:18Something important.
36:21Something that
36:21changed our lives.
36:24Remember?
36:26The rest is just,
36:28well,
36:28a load of bollocks.
36:30He's asking a hell of a lot.
36:31I know, I know.
36:33But I'm doing you
36:34a favor.
36:34Doing us a favor.
36:35I need to go back.
36:38You need to go back.
36:40To remember.
36:41I'm sorry.
36:43I'm so tired.
36:44Of course you're tired
36:46because you need
36:47treatment.
36:48He's sick and confused.
36:50He doesn't know
36:50what he wants.
36:51He has the capacity
36:52to make his own decisions.
36:55You can't just give up.
36:57I'll sue you.
36:58I'll sue the hospital.
37:00I can't believe
37:01you give in so easily.
37:05I've just tried
37:07for a little longer.
37:10For me.
37:18Continue
37:19the treatment.
37:22Are you absolutely certain
37:24this is what you want?
37:25I want
37:31to carry on.
37:33extreme.
37:34You're a needy yены.
37:35Because you don't have to try
37:35youröني.
37:37You don't have to say
37:38it'sundeny.
37:39It's so big.
37:40You don't have to know
37:41how bad it is.
37:44I tried that65.
37:47She doesn't have to track
37:48.
37:49I said you guys
37:50have to turnvernay.
37:51Well, here we go.
37:52The human nature
37:54is like we have to expand
37:56why we need it to be
37:58a one.
37:59For me,