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Bonus Channel
  • 5/12/2025
Transcript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:01:59Oh dear, is this another war picture?
00:02:03Let's go back to the quiet and peaceful days before the war.
00:02:11So this is peace.
00:02:12So these are the tranquil days of 1939.
00:02:15Yes, for this is the age of speed and noise so much like war you hardly notice the difference.
00:02:19This is the day of athletic sports of all kinds.
00:02:28This is the day of devotion to the grateful art of dancing.
00:02:35This is the day of the worship of the beautiful wide open spaces.
00:02:38And of giving thanks for all the blessings of the green and lovely countryside.
00:02:46This is 1939.
00:02:49No, this isn't what we want either.
00:02:52Although it's very pleasant.
00:02:54Let's go back further still to Grandmama's day.
00:02:56Don't you think it was so much nicer?
00:02:59So much more stately and dignified.
00:03:02Lazy days and gentle evenings undisturbed by any harsh note of reality.
00:03:07Many brave hearts are asleep in the deep.
00:03:15So beware.
00:03:24Beware.
00:03:24Yes, these were the days.
00:03:28Grandmama knew that her place was in the home.
00:03:30Although Grandpapa could go in for a stern life of dangerous sport.
00:03:36Women were women.
00:03:37And they didn't forget it.
00:03:39Even if men forgot it.
00:03:41And when they had finished their embroidery and needed a thrill of excitement,
00:03:44they could always unpick it and start again.
00:03:47While their menfolk roved abroad.
00:03:48A wheel, a wheel.
00:03:49And you needn't think they never had their moments.
00:03:56A young man was more or less expected to sow his wild oats.
00:03:59Always providing that there was no harvest.
00:04:03But young ladies knew nothing of all that.
00:04:06They lived in a world apart until the day of true romance.
00:04:09The never to be forgotten moment in a young girl's life.
00:04:14So different from modern times.
00:04:17Before the days of petrol rationing,
00:04:18you moderns looked upon the motor car as the most useful invention.
00:04:22It's hard to believe that the biggest thrill of Victorian girl got out of a carriage
00:04:26was this.
00:04:32You can't get into much trouble doing that.
00:04:34Very little remains undiscovered about the modern girl.
00:04:37You can see she's beautiful.
00:04:39You know she is no fool.
00:04:41But there used to be a song,
00:04:43Be good, sweet maid, and let who will be clever.
00:04:45But she was clever enough to be good.
00:04:47And the result, you must admit,
00:04:49was elegant and charming.
00:04:50If she seemed at times a little shy,
00:04:56it was because where the dashing stronger sex were concerned,
00:04:59she had to be so modest.
00:05:01She is gown for the theatre.
00:05:03And I wonder what it would be like,
00:05:05that play she was going to see.
00:05:07Would it be dull and stuffy?
00:05:08Or would she hide her blushes in the programme?
00:05:12They say it's very modern and terribly daring.
00:05:17Mm-hmm.
00:05:18Perhaps we're going to find out just why they were called the naughty nineties.
00:05:22I don't think he would know.
00:05:25Nor would she.
00:05:28Nor she.
00:05:29No, I'm sure she wouldn't.
00:05:31But he might.
00:05:31You see, he's a duke.
00:05:34And if you were a duke in the nineties,
00:05:35you could do almost anything.
00:05:36Handsome!
00:05:38A cab would stop for you without even considering
00:05:40that you could scarcely pay the fare.
00:05:42Bristol House.
00:05:44To Bristol House,
00:05:45historic townhouse of successive generations of the Dukes of Bristol,
00:05:48where many a lovely Duchess of Bristol
00:05:50had been at home for all the brilliant functions of the London season,
00:05:53attended by kings and princesses,
00:05:55by the cultured, the famous, and the aristocratic,
00:05:57and even, occasionally, by her husband.
00:06:01But George is a bachelor,
00:06:03and very hard up,
00:06:04and so this ninth duke of Bristol...
00:06:06Tenth!
00:06:06And so this tenth duke of Bristol
00:06:08finds himself in the unusual position
00:06:09of having accepted an invitation to a ball at his own house.
00:06:13Most remarkable.
00:06:17Tell me, Your Grace,
00:06:18how did you lose your money?
00:06:20Women.
00:06:21Yes, I know, I mean your big money.
00:06:23Big women.
00:06:27A gay and charming scene.
00:06:30But who is rich enough to be able to rent this great house
00:06:32from a duke in need of money,
00:06:33complete with his incomparable butler parks
00:06:35and a devoted staff of servants?
00:06:37Only someone exceedingly wealthy.
00:06:40But could anyone so wealthy be also young and beautiful?
00:06:43Surely only an American.
00:06:47Well, here you would say would be a bride for George
00:06:49who would satisfy all his trustees' requirements,
00:06:52and indeed most of George's also.
00:06:53But only in his dreams,
00:06:56lying in bed in the morning,
00:06:58can George contemplate the idea of marriage.
00:07:01In his waking hours,
00:07:02the thought fills him with horror.
00:07:03He scarcely sees her.
00:07:08Good evening, George.
00:07:10How nice of you to come.
00:07:11Not at all, Helen.
00:07:13Not at all.
00:07:13Well, there you are.
00:07:23All this wealth and gaiety after that
00:07:25would taste more acid than the pickles
00:07:26from which Helen's father built his fortune.
00:07:28As it does, indeed, to Richard Halton,
00:07:31who hasn't the advantage of wealth
00:07:32to sweeten the taste.
00:07:34Being a friend of George
00:07:35is burden enough for any man to bear,
00:07:37and for a man of the very highest breeding
00:07:38and the very lowest income,
00:07:40life is one long attempt
00:07:41to accomplish the impossible.
00:07:42Dammit, sir, that's not crooked.
00:07:59Poor George, it must be very sad
00:08:01coming back to your own house as a guest.
00:08:03Better return as a guest
00:08:04than remain as a host
00:08:05to a broker's man.
00:08:06There's nothing for it, George.
00:08:07We must make some money.
00:08:08Try to figure I'm a duke, Richard,
00:08:09and talk sense.
00:08:10Could help.
00:08:10We'll drink to the woman I love.
00:08:13Don't be disgusting.
00:08:14Look, here she comes.
00:08:16The one on the left.
00:08:19Do you mean to tell me
00:08:20that you love Mariah Wislak,
00:08:21having no respect for age?
00:08:23George.
00:08:23We must join them.
00:08:32Well, here we are again.
00:08:34Somehow I'm able to control my excitement.
00:08:36Splendid.
00:08:37Shall I get you some fruit cup?
00:08:38Or perhaps our dear, revered,
00:08:40old friend, Mrs. Wislak
00:08:42will lend us her slipper.
00:08:43I'm not the idea of revered
00:08:45or old friend,
00:08:46and I'll thank you.
00:08:46Naughty, naughty.
00:08:47That's the third time
00:08:48you've spoken harshly to be denied.
00:08:49Don't do that.
00:08:51You know how I dislike it.
00:08:53You had a little more brain.
00:08:55You've been in an asylum.
00:08:58Richard has either enjoyed
00:08:59your joke immensely
00:08:59or has eaten something indigestible.
00:09:01One of these days,
00:09:01I shall write to the times
00:09:02on present-day manners.
00:09:03That should be highly interesting.
00:09:05I think it will cause a sensation.
00:09:07That you can write a letter at all
00:09:08should cause a great sensation.
00:09:10I forgive you, Mariah.
00:09:11Old friends are old friends.
00:09:12George,
00:09:13if you use the word old to me again,
00:09:15I shall throw something at you.
00:09:16Very well, Mariah,
00:09:17but when I reached the age of 41,
00:09:18I was not ashamed.
00:09:20My sister,
00:09:20who will be 41 in August,
00:09:22isn't.
00:09:22You beast!
00:09:27Bounder!
00:09:34Am I a bounder, Helen?
00:09:36I don't think so, George.
00:09:38Not really.
00:09:39No, I don't think so either.
00:09:41Good evening, Helen.
00:09:43Good evening, Angela.
00:09:44Good evening, George.
00:09:44Good evening, Angela.
00:09:47I didn't know you knew her.
00:09:48Oh, yes.
00:09:49We have a sneering acquaintance.
00:09:50Really?
00:09:51She's also strongly fancied
00:09:52by my trustees.
00:09:53Oh, Helen.
00:09:55Richard,
00:09:56is Mariah very upset?
00:09:57Oh, terribly.
00:09:57I couldn't do anything with her.
00:09:58Would you go to her?
00:09:59Of course.
00:10:00Excuse me, George.
00:10:02I suppose it amuses you
00:10:03to have made a woman cry.
00:10:05I said nothing
00:10:05that could possibly make her cry.
00:10:07Didn't you,
00:10:07in a sneering way,
00:10:08accuse her of being 41?
00:10:09I did,
00:10:10but she's not crying
00:10:10because I said she's 41.
00:10:12She's crying because she is 41.
00:10:14Well, if you must know,
00:10:17I'm the same age as his sister.
00:10:19That damn woman
00:10:20can't keep her mouth shut
00:10:20about anything.
00:10:22Oh, how I dislike him.
00:10:25I'm sorry
00:10:26because I like him so much.
00:10:28Yes, but you wouldn't marry him.
00:10:29How far is it in the handsome
00:10:31from here
00:10:31to St. George's Hannover Square?
00:10:32Twenty minutes.
00:10:33Why?
00:10:34If he asked me
00:10:35to marry him tonight,
00:10:36I'd run it in five.
00:10:38But if he did marry,
00:10:39you'd only be for your money.
00:10:40Well, why not?
00:10:41Plenty of women
00:10:42have lived with him
00:10:43for his.
00:10:43Tophous.
00:10:44I've loved her
00:10:45for more years
00:10:45than I care to remember.
00:10:47Do you mean to tell me
00:10:48that you've loved that old...
00:10:49Silence.
00:10:49You were about to call her
00:10:50by a name
00:10:51that would have prevented
00:10:51me ever speaking to you again.
00:10:53Have a drink.
00:10:55Or have you had too many?
00:10:56I will have a drink
00:10:57and I've not had too many.
00:10:58Richard, old boy,
00:10:59I love you as a brother,
00:11:00but I must say
00:11:01I would rather see you dead.
00:11:02George, I warn you.
00:11:03If you say another word
00:11:04against Mrs. Whislack,
00:11:05our friendship is at an end.
00:11:07Very well.
00:11:08But you can't stop
00:11:09me wishing you were dead.
00:11:10Are you addressing me, sir?
00:11:12I see your point.
00:11:13You'd never marry again,
00:11:14not even if you
00:11:15loved someone terribly.
00:11:16Well, I should require
00:11:17to know a great deal
00:11:18more about my next.
00:11:19Well, how can you
00:11:20until you marry him?
00:11:21I shall take him away
00:11:22with me for a month alone.
00:11:24Take him away?
00:11:26On approval?
00:11:28Take a man away with...
00:11:30But, Mariah,
00:11:31how can you think
00:11:32of such a thing?
00:11:33Oh, Helen,
00:11:34I thought you Americans
00:11:35were unconventional.
00:11:36Well, I don't think
00:11:37we'd go as far as that.
00:11:39No?
00:11:40Well, our men are different.
00:11:41Perhaps Englishmen
00:11:42are less amorous,
00:11:43less, uh, enterprising.
00:11:46I shouldn't rely
00:11:47too much on that.
00:11:48Did you know
00:11:48her late husband,
00:11:49Arthur Whislack?
00:11:51Did I know?
00:11:52Did I watch him
00:11:53with murder in my heart,
00:11:54treating that divine creature
00:11:55with cruelty and neglect
00:11:56and eventually die of drink?
00:11:58He hated drink.
00:11:59Then why did he?
00:11:59He chose it
00:12:00as the most regrettable
00:12:01way of being unconscious
00:12:02while waiting his release.
00:12:04George, I warned you,
00:12:05if you said another word...
00:12:05Richard, old boy,
00:12:06if I had in any way
00:12:07hurt your feelings,
00:12:08I apologize.
00:12:09Have a cigar.
00:12:10Now, I know
00:12:11your apologies, Sincere.
00:12:13Is it yours?
00:12:14Certainly not.
00:12:15It was provided
00:12:16by our hostess.
00:12:17But, Mariah,
00:12:17is it fair to expose
00:12:18a man to such temptation?
00:12:20Suppose his love
00:12:21for you overcame him
00:12:22and he should attempt
00:12:23to, uh...
00:12:23I should, of course,
00:12:24take a revolver.
00:12:25Yes, but suppose
00:12:26you came to care for him.
00:12:27Then my aim
00:12:28might not be so accurate.
00:12:29But what is more important?
00:12:30Have you asked her
00:12:31if she loves you?
00:12:32How can I?
00:12:33My income is
00:12:34$300 a year.
00:12:36Hers is $25,000.
00:12:38Oh, now I take
00:12:39everything back.
00:12:40You've given me a reason
00:12:40why you are right to love her.
00:12:42You're suggesting
00:12:43that I love her for the money?
00:12:44I'm suggesting
00:12:44it's a reason you should.
00:12:46What do you think
00:12:46you could learn
00:12:47about a man in a month?
00:12:48As much as I wish.
00:12:49But, Mariah,
00:12:50the scandal.
00:12:51Oh, I should choose
00:12:51someone less inclined
00:12:52to gossip than most men.
00:12:54Mariah,
00:12:55I believe you've got
00:12:56someone in mind.
00:12:57Well, as a matter of fact,
00:12:58there is a man
00:12:58in your party tonight
00:12:59who within a month
00:13:00might surprise me.
00:13:01There's nothing void,
00:13:02Richard.
00:13:02You must propose to her.
00:13:04I haven't the courage.
00:13:05Ever tried brandy?
00:13:07One day,
00:13:07I sat with a bottle
00:13:08of brandy in front of me
00:13:09and recited to it
00:13:10the language I should use
00:13:11when asking her
00:13:12to be my wife.
00:13:13With the result
00:13:14that when I went
00:13:14into the room,
00:13:15I was unable
00:13:16even to wish her
00:13:16good evening.
00:13:17Ah, bad luck.
00:13:18But, Richard,
00:13:19do as I say
00:13:20and I give you my word
00:13:21that a month from tonight
00:13:22you'll pop into a bed
00:13:23with the cry,
00:13:24Mariah, here I am.
00:13:26George,
00:13:27that is an observation
00:13:28which I consider
00:13:29most unsuitable,
00:13:30either here
00:13:30or in the place
00:13:31you suggest.
00:13:32I was speaking
00:13:33metaphorically.
00:13:34I trust, sir.
00:13:34You must have courage,
00:13:35Richard.
00:13:36Think what marriage
00:13:36to Mariah means to you.
00:13:38Someone to be with,
00:13:39to talk to,
00:13:40no money cares,
00:13:41no cares of any kind.
00:13:42It's not for me.
00:13:43Think of the little ones
00:13:44prattling up and down
00:13:45the room.
00:13:46No, no,
00:13:46I take that back.
00:13:47Why?
00:13:49Very well,
00:13:49if you insist.
00:13:50My dear George,
00:13:51married life to me
00:13:52without children.
00:13:53Are you laughing, George?
00:13:55No, no,
00:13:55I've got a cold coming up.
00:13:57It's the sort of thing
00:13:58you would laugh at.
00:14:00One other little thing.
00:14:02Please be polite
00:14:03to Mariah.
00:14:03Mmm,
00:14:04that's not a little thing,
00:14:05but I will help you,
00:14:06Richard.
00:14:06I'll even warm Mariah
00:14:07up for you
00:14:08to make your proposal.
00:14:10Cigars in the drawing
00:14:10will not impress
00:14:11Mariah favourably.
00:14:14Number 16,
00:14:15then,
00:14:15after the Lancers.
00:14:16Come,
00:14:16thank you.
00:14:21Mariah.
00:14:22Well?
00:14:23Tonight,
00:14:23I apparently said something
00:14:24quite unintentionally
00:14:25that hurt your feelings.
00:14:27Oh, well?
00:14:28I'm sorry.
00:14:30Obviously,
00:14:30you have been drinking.
00:14:31Why?
00:14:32Otherwise,
00:14:33you would never have apologised.
00:14:37I admit,
00:14:38I have been drinking.
00:14:39I drank because
00:14:40I was depressed.
00:14:41Richard depressed me.
00:14:42Oh.
00:14:42Richard has been pointing out
00:14:45to me my limitations
00:14:45but so gently,
00:14:47so understandingly
00:14:48that I was compelled
00:14:49to listen.
00:14:50Oh.
00:14:52Until tonight,
00:14:52I never knew the real Richard,
00:14:54dear Richard.
00:14:56Oh.
00:14:56Have you lost your voice
00:14:57by any chance?
00:14:58No.
00:14:59Why?
00:14:59It's unlike you,
00:15:00only to be able to say,
00:15:01oh,
00:15:02George.
00:15:02Ah,
00:15:03there you are.
00:15:03Let's all have some supper.
00:15:07You see?
00:15:11Would you mind,
00:15:12Dr. Graham?
00:15:13Watch that.
00:15:14May we join you?
00:15:15Oh,
00:15:16yes,
00:15:16yes,
00:15:16certainly.
00:15:17I'm just going
00:15:17when I finish this.
00:15:20Dr. Graham,
00:15:21famously,
00:15:22I suppose,
00:15:22Mr.
00:15:22A great success,
00:15:23apparently.
00:15:24We were talking
00:15:24of Richard.
00:15:25You were talking
00:15:26of Richard?
00:15:28Of his gentleness,
00:15:29his love of little children.
00:15:30How many has he got?
00:15:31Richard is a bachelor.
00:15:32That has not
00:15:33answered my question.
00:15:34None.
00:15:35How do you know?
00:15:36Well,
00:15:36he's not that kind
00:15:36of a man.
00:15:38I trust not.
00:15:41And it is through,
00:15:42Richard,
00:15:43that tonight
00:15:43I have a feeling
00:15:43I'd like to get
00:15:44near to nature.
00:15:45To walk on grass
00:15:46to hear the birds
00:15:47sing their simple
00:15:48songs of love.
00:15:50Birds don't sing
00:15:51at night.
00:15:51Perhaps not for you,
00:15:52Mariah.
00:15:53Would it amuse you
00:15:54to accompany me,
00:15:55Helen?
00:15:55I'd love to,
00:15:56George.
00:15:56Well,
00:15:57how about supper?
00:15:58We are to move
00:15:58to eat.
00:16:02Besides,
00:16:02there's a buffet
00:16:03in the Marquis.
00:16:04I've not forgotten
00:16:04that.
00:16:05Just what were you
00:16:06saying to George?
00:16:08I was telling him
00:16:09of the need
00:16:10men have
00:16:11for the affection
00:16:12of a good woman.
00:16:14Go on.
00:16:15I drew a little
00:16:17picture of returning
00:16:18to one's home
00:16:19in the evening.
00:16:19Where'd you been
00:16:20in the afternoon?
00:16:22Oh,
00:16:22nowhere in particular.
00:16:25I see.
00:16:26Go on.
00:16:28And there,
00:16:29seated at one's
00:16:30dinner table,
00:16:31a divine lady.
00:16:33To whom you would
00:16:33address a few kind
00:16:34words before going
00:16:35out to dine
00:16:35with someone else.
00:16:37Oh,
00:16:37not at all.
00:16:38I should stay
00:16:38and dine with her.
00:16:40That's original.
00:16:41I've never really
00:16:42thanked you
00:16:42for letting me
00:16:43rent this lovely
00:16:44house of yours.
00:16:45I've never really
00:16:45thanked you
00:16:46for renting it.
00:16:48Somehow,
00:16:48I hate the thought
00:16:49of leaving it
00:16:49when I go back
00:16:50to America.
00:16:51Somehow,
00:16:51so do I.
00:16:52You know,
00:16:53Helen,
00:16:54I am not
00:16:54appreciated.
00:16:56You easily
00:16:56could be.
00:16:57But how?
00:16:59Well,
00:16:59don't you ever
00:17:00want to do
00:17:00anything for anyone?
00:17:01My dear,
00:17:02the most that
00:17:02can be expected
00:17:03from any Duke
00:17:04is to think.
00:17:06Well,
00:17:06then,
00:17:06if you feel
00:17:07you're not
00:17:07being appreciated,
00:17:09why don't you
00:17:09marry?
00:17:10Ah,
00:17:10that.
00:17:11I will tell you.
00:17:13Feeling as you do,
00:17:14Richard,
00:17:14I want you never
00:17:15married.
00:17:16Ah.
00:17:17Meaning?
00:17:18Well,
00:17:19the love of a good
00:17:19woman is not
00:17:20for me.
00:17:22Then why not
00:17:22try one of the
00:17:23others?
00:17:23There's plenty
00:17:24to choose from.
00:17:25Oh,
00:17:26no,
00:17:26you don't understand.
00:17:27There's only one
00:17:28woman,
00:17:29and she's too
00:17:30good,
00:17:30too beautiful,
00:17:31too noble
00:17:32for such as me.
00:17:33Oh,
00:17:33shut up.
00:17:35I'm sorry.
00:17:36How much longer
00:17:37are you going on
00:17:38beating about the bush?
00:17:39Why not come out
00:17:39in the open like a man
00:17:40and say,
00:17:41Mariah,
00:17:41I love you.
00:17:42Will you or won't
00:17:43you be my wife?
00:17:44I had no idea
00:17:45you knew.
00:17:46Go on,
00:17:46then,
00:17:46say it.
00:17:47Say it.
00:17:51You have a sweet
00:17:52voice,
00:17:53Helen.
00:17:53Thank you,
00:17:54George.
00:17:55But you seldom
00:17:55sing.
00:17:57That is a great
00:17:58accomplishment.
00:17:59You were talking
00:18:00of marriage.
00:18:01Alas,
00:18:02yes.
00:18:03It has no
00:18:04attraction for you?
00:18:05On the contrary,
00:18:05the husbands of no
00:18:06less than three women
00:18:07I've known have
00:18:07threatened me with it.
00:18:09No,
00:18:09I meant some
00:18:10unmarried girl
00:18:11who's fond of you
00:18:12and might make you happy.
00:18:14I've often thought
00:18:14of marriage
00:18:15with distaste.
00:18:16but there is one woman.
00:18:19Yes.
00:18:20The one woman in the world.
00:18:21Beautiful,
00:18:22charming,
00:18:23gracious,
00:18:24intelligent.
00:18:25You'd marry her?
00:18:26Happily.
00:18:28But where is she?
00:18:29Where?
00:18:32Where,
00:18:32indeed.
00:18:36Now,
00:18:36tell me,
00:18:36Richard,
00:18:37do you love me?
00:18:38With all my heart.
00:18:39With all my...
00:18:39love you embraces all that.
00:18:41Now then,
00:18:42is your object matrimony?
00:18:44Or the other thing?
00:18:46I'd give ten years of my life
00:18:47to be your husband.
00:18:49But I've no desire
00:18:49that our marriage ceremony
00:18:51should take the form
00:18:51of a burial service.
00:18:53Richard,
00:18:54I should like you to know
00:18:55I'm very fond of you.
00:18:57But I can't believe it.
00:18:58Why should you care for me?
00:19:00You'd be wise
00:19:00not to let me dwell on that.
00:19:02This is too wonderful.
00:19:03Don't get excited.
00:19:04You're getting the best part first.
00:19:06Now,
00:19:07get up and sit down.
00:19:10Now,
00:19:10let's be practical.
00:19:12My income
00:19:12is £25,000 a year.
00:19:15Many congratulations.
00:19:17What's yours?
00:19:19Mine.
00:19:20Well,
00:19:21it varies.
00:19:22Sometimes it's up
00:19:23and then again
00:19:23it's down.
00:19:25Mm-hmm.
00:19:26What is it when it's up?
00:19:27Well,
00:19:28you know,
00:19:28money means so little to me
00:19:29I really haven't an idea.
00:19:31Where do you bank?
00:19:32Anywhere.
00:19:33I simply don't care.
00:19:34Fortunately,
00:19:35I could provide
00:19:35for both of us
00:19:36in the style
00:19:37to which I'm accustomed.
00:19:38I love you.
00:19:41Now then,
00:19:41what is today?
00:19:42Tuesday.
00:19:43Very well.
00:19:43On Friday,
00:19:44we'll leave
00:19:44on the midday train
00:19:45for Scotland
00:19:46where,
00:19:47to all intents and purposes,
00:19:48we shall spend a month together
00:19:49as married people.
00:19:51For us?
00:19:52Well?
00:19:54You and I
00:19:54spend a month together alone
00:19:56as married people.
00:19:57Yes.
00:19:58You're not serious.
00:19:59I am.
00:20:01But what an extremely good idea.
00:20:03What an intensely good idea.
00:20:06But this is perfectly delightful
00:20:08and the courage of it all.
00:20:10And if at the end of the month
00:20:11I find that we both feel alike,
00:20:13as it were,
00:20:14we will get married.
00:20:15If not,
00:20:16we'll have had a grand time
00:20:17and no harm done.
00:20:18Done.
00:20:20Oh,
00:20:20I really must congratulate you.
00:20:22I never remember looking forward
00:20:23to anything so much
00:20:24and the courage of it.
00:20:26Oh,
00:20:26if there were only more women
00:20:27in the world like you,
00:20:29what a happy world
00:20:30the world would be.
00:20:33Really, George.
00:20:35But I feel Richard
00:20:36needs my protection.
00:20:37Oh, one more thing.
00:20:39Every night
00:20:39you'll hear the clock
00:20:40in the hall strike eleven.
00:20:41Oh,
00:20:42now that's original.
00:20:43I really must
00:20:44congratulate you again.
00:20:46Which will be the signal
00:20:46for you to start
00:20:47putting on your coat.
00:20:48With what idea?
00:20:49With the idea of going out.
00:20:50Oh,
00:20:51but I should have had
00:20:51all the exercise
00:20:52I need during the day.
00:20:54Oh,
00:20:54I know,
00:20:55the dog.
00:20:55On the table in the hall
00:20:56you'll find a lantern
00:20:57which will enable you
00:20:58to find your way
00:20:59down to the boat
00:20:59so that you can
00:21:00row across to the mainland.
00:21:01Why should I want
00:21:02to go to the mainland?
00:21:03That is where
00:21:03you'll be sleeping.
00:21:06Oh,
00:21:07so I don't sleep
00:21:08in the house?
00:21:10You do not.
00:21:11Oh,
00:21:12how about wet nights?
00:21:14I should advise you
00:21:15to bring a raincoat.
00:21:17Raincoat?
00:21:18You know,
00:21:19I must say
00:21:19I feel you'd learn
00:21:20a great deal more
00:21:21about me
00:21:21if I were actually
00:21:22in the house
00:21:23the whole time.
00:21:24After all,
00:21:24I hope I'm attentive.
00:21:25That I should be able
00:21:26to decide
00:21:27in a month's time.
00:21:28Ah,
00:21:28number 15.
00:21:30Well,
00:21:30let's sit this one out.
00:21:31Nonsense.
00:21:31I never sit out
00:21:32the lancers.
00:21:33Your arm,
00:21:33Richard.
00:21:43Very hot.
00:21:45What do you mean?
00:21:46So you and she
00:21:46go off alone
00:21:47for a month together
00:21:48to see if you'll be
00:21:49all right married.
00:21:50I dislike your phraseology,
00:21:52but the answer is
00:21:53we do.
00:21:55What is George
00:21:56talking about?
00:21:57He's a bad influence,
00:21:58that man.
00:21:59I think they're
00:21:59under Chancy.
00:22:00They look quite innocent.
00:22:01I don't know.
00:22:11I don't know.
00:22:12I don't know.
00:22:14I don't know.
00:22:14What are you doing?
00:22:15I sleep in a hotel on the mainland, you mean you leave her every night?
00:22:43Very hard, not a mind.
00:23:08You're not suggesting that I should stay in the same house at night alone with her, are you?
00:23:11Why not?
00:23:12How dare you?
00:23:13I suppose it's raining.
00:23:26I thought of that.
00:23:27I'm taking a raincoat.
00:23:28You haven't got one?
00:23:29Yeah, but Bruce Harvey has.
00:23:33What are you two up to?
00:23:34Plotting, Mariah, just plotting.
00:23:40I trust it's not too violent for you, Mariah.
00:23:41No, I love it.
00:23:42Good.
00:23:43Help them out, George.
00:23:44Stop, George!
00:23:45Stop!
00:23:46Stop!
00:23:47Stop!
00:23:48Stop!
00:23:49Stop!
00:23:50Handsome!
00:23:51Here's one.
00:23:52Here's one.
00:23:57Here's one.
00:23:58I'm sorry to disturb you.
00:23:59What is your name?
00:24:00Horace Yogg's.
00:24:01I'm delighted.
00:24:02This is Mr. Richard Holton.
00:24:03Mr. Horace Yogg's.
00:24:04Mr. Horace Yogg's.
00:24:05I'm delighted.
00:24:06This is Mr. Richard Holton.
00:24:07Mr. Horace Yogg's.
00:24:08How do you do?
00:24:09I'm sorry to disturb you.
00:24:10What is your name?
00:24:11Horace Yogg's.
00:24:12I'm delighted.
00:24:13This is Mr. Richard Holton.
00:24:14Mr. Horace Yogg's.
00:24:15Horace Yogg's.
00:24:16How do you do?
00:24:17Pleased to meet you.
00:24:18Will you guard that for me?
00:24:19Yes, certainly.
00:24:20Thank you very much.
00:24:21Hurry, Richard.
00:24:22Hurry.
00:24:23Hurry.
00:24:24Easy up.
00:24:25Of course.
00:24:26Good.
00:24:27Good.
00:24:28Good.
00:24:29Good.
00:24:30Good.
00:24:31Good.
00:24:32Good.
00:24:33Good.
00:24:34Good.
00:24:35Good.
00:24:36Good.
00:24:37Good.
00:24:38Good.
00:24:39Good.
00:24:40Good.
00:24:41Good.
00:24:43Good.
00:24:44Good.
00:24:45Good.
00:24:46Here, beautiful.
00:24:47No.
00:24:52Richard.
00:24:53Yeah?
00:24:54Do you really think you can convince Maria that you'll be all right, married?
00:24:58I am all right.
00:24:59You really ought to stay in the house with her.
00:25:00Moriah will never consent.
00:25:01I wish you wouldn't refer to it again.
00:25:03Now, very well, but I still can't help wishing you were dead.
00:25:05Richard.
00:25:06That's a nice party.
00:25:07верnie.
00:25:08Thank you, Mr. Horace Rider.
00:25:09Yes, sir.
00:25:10Will you pray?
00:25:11You ARE free.
00:25:12Too much?
00:25:13brave.
00:25:14nice party. Yes, very now. I forgot to say goodnight to Parks. Who's Parks? My butler. Let my house
00:25:20to the season. Let Parks to the season. Lord? Yes? Lord, he'll back and say goodnight to him. That's right.
00:25:27Round we go.
00:25:44Is Mr. Parks below? Yes, Your Grace. Good. I wish to visit him. We have arrived, Mr. Ogg, sir. Thank you.
00:25:58Ooh. That'll be half a crown. Half a crown? Here's the sovereign change. Say goodnight to your horse for me, will you?
00:26:05Good evening, Pants. Good morning, Your Grace. Mr. Halton and I would like to take a drink with you.
00:26:17Pleasure. Your room's somewhere at the back here, isn't it? Yes, Your Grace. Near the cellar?
00:26:21You'll find, Madam, has made very few changes, Your Grace. That's very proper. Good evening,
00:26:24Mrs. Dagan. Good evening, Your Grace. How are you getting on with your new mistress? Well,
00:26:28things are very queer these days. Queer? Hardly any noise. No. Hardly any drinking. No.
00:26:34And hardly any... Oh, I'm surprised. And we get spared regular. That's very queer.
00:26:43You weren't here in my time, were you? No, Your Grace. Pity. You beast.
00:26:48That's very handsome of you, Parks. I know your Grace's preference.
00:26:55Have another drink? Definitely. Good.
00:27:00Whistle?
00:27:01Settle? Settle.
00:27:05Whistle?
00:27:08Settle.
00:27:10We'll drink to Mariah.
00:27:11That's nice of you, George.
00:27:12Yeah, I'll talk. There you are.
00:27:14Thank you, George.
00:27:15To Mariah.
00:27:16To Mariah?
00:27:17I still can't help wishing you were dead.
00:27:20Good help.
00:27:22This whiskey tastes funny.
00:27:23You have no palate.
00:27:24This again.
00:27:25It's McQuilchie's Highland Decaux.
00:27:27It's McQuilchie's Highland Decaux.
00:27:29You're right.
00:27:30I apologise.
00:27:32Then.
00:27:32If you apologise, I'll come to Scotland with you.
00:27:36Oh, no, George.
00:27:37I asked you not to.
00:27:38Give me another drink.
00:27:39Not so strong.
00:27:40All right.
00:27:42Whistle.
00:27:44Settle.
00:27:46Whistle.
00:27:48Settle.
00:27:49There.
00:27:50Thank you, George.
00:27:51Now you've drowned it.
00:28:00I mistrust you, George.
00:28:02Why do you want to come with me?
00:28:04Oh, trustees.
00:28:06Married.
00:28:07Bankruptcy.
00:28:09Get away from it all.
00:28:10You'll have to sleep in a hotel.
00:28:13Hotel's full.
00:28:15It isn't.
00:28:18Make it full.
00:28:19Just a minute.
00:28:21You're full.
00:28:25I'm full.
00:28:26But the hotel's not full.
00:28:30What's the name of a hotel?
00:28:32Hmm?
00:28:34Dundrunnock Arms.
00:28:36Kyle of Loch Elch.
00:28:39What's the name of a hotel?
00:28:42Dundrunnock Arms.
00:28:45Kyle of Loch Elch.
00:28:47Hmm.
00:28:47Reserved.
00:28:49Reserved.
00:28:51All.
00:28:52Rooms.
00:28:54Saturday.
00:28:56Family.
00:28:57Eight.
00:28:59Do you think of a name?
00:29:01Twelve.
00:29:03Oh, that's very good.
00:29:05No, no.
00:29:06American name.
00:29:07All hotels impressed by Americans.
00:29:09Silas K.
00:29:12Must be Silas K.
00:29:14Oh, that's very good.
00:29:16Silas K.
00:29:20McQuinnis.
00:29:22That reminds me.
00:29:24Give me another drink.
00:29:25Who says birds don't sing at night?
00:29:33Huh?
00:29:39Good morning, Pops.
00:29:40Good morning, madam.
00:29:42Lovely party, don't you think?
00:29:43Yes, madam.
00:29:44I thought everything was perfect.
00:29:45They all stayed on and on.
00:29:47Yes, madam.
00:29:48And that's always a good sign, isn't it?
00:29:49Indeed it is, madam.
00:29:50In fact, some of them haven't gone yet.
00:29:55Haven't gone yet?
00:29:57Well, where are they?
00:30:20What is the matter with you, Richard?
00:30:21Why are you so nervous?
00:30:23I'm all right, Mariah.
00:30:24I'm glad to see you've brought your raincoat.
00:30:26Yes, I hope I shan't have to use it, Mariah.
00:30:28If you're still cherishing the hope
00:30:30that you're going to stay in the house with me,
00:30:32you're very much mistaken.
00:30:33Oh, no, Mariah.
00:30:34I'm only cherishing the hope that it won't rain.
00:30:50We're off.
00:31:01Oh, dear, for goodness sake,
00:31:02stop fussing, Richard.
00:31:04You're making that gentleman most uncomfortable.
00:31:06Excuse me, sir.
00:31:07I hope we haven't bothered you too much.
00:31:08Not at all, madam.
00:31:10Did you remember to bring...
00:31:20Here we are.
00:31:36One of your hats, Mariah, I believe.
00:31:40Goodbye, Mariah.
00:31:41Pleasant holiday to you.
00:31:42I'm afraid we shan't meet till it's over.
00:31:44If then, goodbye.
00:31:46Goodbye.
00:31:47Hurry with the luggage, Richard.
00:31:50I shall expect you in the morning
00:31:54to breakfast at 8.30.
00:31:55You will find the dinghy by the jetty,
00:31:57and you can row yourself across.
00:31:59Yes, Mariah.
00:32:00I'm looking forward to our first day together,
00:32:02alone.
00:32:04You haven't any rooms, have you?
00:32:06No.
00:32:07Good.
00:32:10Stop, stop!
00:32:11What's happened?
00:32:11Is anything the matter?
00:32:12The hotel is full.
00:32:13Not a room left.
00:32:15Richard, did you forget
00:32:16to reserve a room for yourself?
00:32:17He did not forget.
00:32:19They received his wire, but too late.
00:32:21McQuilch has them all.
00:32:22McQuilch?
00:32:23Silas K. McQuilch's wife and six children.
00:32:28I must look in for you.
00:32:29Excuse me.
00:32:30Have you no accommodation whatever?
00:32:44We're through.
00:32:46Oh, but did you not receive a telegram from this gentleman?
00:32:48Mr. McQuilch?
00:32:49No, no.
00:32:50Richard Halton.
00:32:51He says he sent one.
00:32:52Ah, he did.
00:32:53We're through.
00:32:54Have you no odd corner
00:32:55where I could stand up
00:32:55and sleep like a horse?
00:32:57Why, Mariah!
00:32:59Oh, Helen.
00:33:01Why, Helen,
00:33:02what on earth are you doing here?
00:33:03Darling, I've been trying to reach you.
00:33:05The McQuilch's are over from the States
00:33:07and I'm showing them round.
00:33:08I told Silas
00:33:09he simply had to see your island.
00:33:11Did you receive a wire from Mr. McQuilch?
00:33:15Aye.
00:33:15Unfortunately, your friends,
00:33:17the McQuilch's,
00:33:17have taken all the rooms
00:33:18and the hotel's foo the new.
00:33:20Well, as it happens,
00:33:21that can be fixed.
00:33:23Silas has had to go to a conference in Glasgow
00:33:25and the family won't be here for two or three days.
00:33:27I'm the advance guard.
00:33:29Richard and George can have their rooms.
00:33:32Splendid!
00:33:33Splendid, splendid.
00:33:34One of the rooms Mr. McQuilch reserved was for me
00:33:37and I thought that...
00:33:38Mr. McQuilch reserved no rooms.
00:33:40There were no rooms left for Mr. McQuilch,
00:33:42to reserve them.
00:33:44We're foo.
00:33:45The new.
00:33:45The new.
00:33:46The new.
00:33:47If you'll excuse me,
00:33:48I'll have my tea.
00:34:08The new.
00:34:14Hurry along, Richard.
00:34:15Don't lag behind.
00:34:36You will guard this very carefully.
00:34:38It contains my old friend Mrs. Whislack's favourite toque.
00:34:41Tell me, Mariah,
00:34:43which is the late Mr. Whislack?
00:34:46Oh, George, please.
00:34:47Mrs. McCosh,
00:34:48are the rooms ready?
00:34:50You said in your letter
00:34:51it was only you and a guest.
00:34:52Well, that's quite right, but...
00:34:53You said nothing about the two gentlemen.
00:34:55I know.
00:34:56That happened afterwards.
00:34:57Afterwards?
00:34:58Is it your honeymoon, you're on?
00:34:59Oh, nonsense.
00:35:00I'm not married.
00:35:02Nobody's married.
00:35:03Go to the kitchen.
00:35:04Shut the door.
00:35:13Now,
00:35:14will you kindly explain?
00:35:15I don't have to explain anything to you, Mrs. McCosh.
00:35:20Please see to the luggage.
00:35:21I'll take no part in your plans.
00:35:23You'll be here two weeks
00:35:24and you'll do as you're told
00:35:25or you won't receive a penny.
00:35:27Bring me a bottle of whiskey.
00:35:28Oh!
00:35:29I'll have nothing...
00:35:30No, you won't.
00:35:31Not a penny.
00:35:32Very well.
00:35:33I'll stay.
00:35:35But mind you,
00:35:35I'll be watching
00:35:36and biding my time.
00:35:38Bring me a bottle of whiskey.
00:35:39I'm the one to give orders
00:35:40in this house.
00:35:41The whiskey will be unpacked.
00:35:42Ah.
00:35:42And locked up
00:35:43in due course.
00:35:45I like your little cottage, Mariah.
00:35:47It's so simple.
00:35:48Oh, thank you, George.
00:35:50I'm glad you like it.
00:35:51Where'd you get the staircase?
00:35:53Arthur picked it up in Venice
00:35:54on the first night of our honeymoon.
00:35:57Picked it up
00:35:57on the first night of your honeymoon?
00:35:59Hmm.
00:36:00What a man.
00:36:03Unpack for me, will you?
00:36:04Yes, mistress.
00:36:05Mistress?
00:36:06Not yet.
00:36:12It's a nightdress.
00:36:27I hope you'll find
00:36:28your bed comfortable.
00:36:29Eh?
00:36:30Oh, I shan't use that very much.
00:36:35You ought to be ashamed of yourself.
00:36:37Can't you?
00:36:37Get me some whiskey.
00:36:42I can see through it.
00:37:01Come away.
00:37:03Richard,
00:37:03there's a speck of dust in my eye.
00:37:05Will you kindly remove it?
00:37:06Yes.
00:37:12Catch your things.
00:37:29Richard,
00:37:30count the silver.
00:37:35Well, is dinner ready?
00:37:37No.
00:37:38Don't be a fool, George.
00:37:39All the servants have left.
00:37:40Well, we'll have to manage ourselves.
00:37:41I'll cook. You and Helen, I know, will help.
00:37:43Delighted, delighted, Mariah.
00:37:44George, of course, will be utterly useless.
00:37:46On the contrary, Mariah, you'll find I'm incredibly useful.
00:37:49I'm at my best at beds, I welcome washing up,
00:37:51and I'm a dab at dusting.
00:37:53You can leave everything to me.
00:38:05I'm just seventeen, and I've never been.
00:38:11I'm just seventeen.
00:38:17I'm just seventeen.
00:38:23I'm just seventeen.
00:38:31I'm nervous something's happened to George.
00:38:33I'm nervous that something hasn't.
00:38:35Having spent three weeks practically alone with him,
00:38:37I wonder you can tolerate his miserable selfishness.
00:38:40Well, he's completely unconscious of it.
00:38:44Richard's been a long time gone to the village.
00:38:46Well, it's a long pull there and back.
00:38:48Now, there's the kindest, sweetest man I've ever met.
00:38:51You don't think he's merely giving a good impression?
00:38:53Well, you haven't left much undone to find out
00:38:55if he has any weaknesses, have you, darling?
00:38:58Are you suggesting that I haven't been nice to him?
00:39:00How could I, when he always describes you as an angel?
00:39:03He probably knew you'd repeat it to me.
00:39:05Oh, thank heaven, you're safe.
00:39:07Why, Helen?
00:39:08Did you think something had happened to me?
00:39:09Well, I did rather.
00:39:10You see, when you went out and I asked you as there were no sevens
00:39:11to be back at one for lunch,
00:39:13well, naturally, when two o'clock came,
00:39:15I began to think something terrible must have happened.
00:39:17Oh, that's very charming of you, Helen,
00:39:19but I don't in the least mind having lunch late.
00:39:21Is it ready?
00:39:22I'm very hungry.
00:39:23Dinner's been ready for over an hour.
00:39:24Really?
00:39:25I hope it isn't spoilt.
00:39:26I'll get it for you, George, dear.
00:39:27Where I am.
00:39:28Where I am.
00:39:29Good morning.
00:39:30Do you think something terrible must have happened?
00:39:32Oh, that's very charming of you, Helen,
00:39:33but I don't in the least mind having lunch late.
00:39:35Is it ready?
00:39:36I'm very hungry.
00:39:37Dinner's been ready for over an hour.
00:39:38Really?
00:39:39I hope it isn't spoilt.
00:39:40I'll get it for you, George, dear.
00:39:42Where I am.
00:39:57Let's go.
00:39:59I'm hungry.
00:40:00Will I get it for you?
00:40:01No.
00:40:02But, please?
00:40:03Hello, not before.
00:40:04Open enfant.
00:40:05ediomo one of whom I am,
00:40:06theенсory one of my busca is for a living room
00:40:08for lunch.
00:40:09Here I am.
00:40:10I'm hungry.
00:40:11I hide right,癒 happened.
00:40:13Here you will.
00:40:16Visit Mara for a quarry.
00:40:17To make a nhất hole.
00:40:19Mroống meansgel perEO.
00:40:20When you say cheeserum,
00:40:23however,
00:40:24ha pizza,
00:40:26There you are, George, darling.
00:40:40Thank you, Helen.
00:40:42Some bread.
00:40:43Oh, I'm so sorry.
00:41:26Thank you, Helen.
00:41:34Want some butter?
00:41:35Oh, yes.
00:41:42George.
00:41:43Mariah.
00:41:44In the cellar, there's some champagne, moselle, hock.
00:41:47Please let me fetch it for you.
00:41:49Mariah, you know I never drink at lunch.
00:41:51Oh, but I want you to.
00:41:52I want you to let me fetch it for you.
00:41:53If you'll allow me to say so, I find your jokes singularly unfunny.
00:41:56Would you like some rice pudding?
00:41:59To say I would like some rice pudding would be both inaccurate and insincere.
00:42:02To say that I'm hungry and will eat some is an entirely different matter.
00:42:05Where's the cream?
00:42:06There is no cream.
00:42:07What, no cream?
00:42:08George.
00:42:09Mariah.
00:42:10Look at me.
00:42:11Does my face express anything to you?
00:42:15No.
00:42:16Do you know what would give me more pleasure than anything in the world?
00:42:20I can't imagine.
00:42:21To rub your nose in the rice pudding.
00:42:23You should try to avoid crudity, Mariah.
00:42:24I'm afraid I haven't put enough milk in it.
00:42:28I agree, but what it lacks in milk, it makes up for it in price.
00:42:31Throw it at him.
00:42:32Throw it at him.
00:42:32I can quite see why you don't keep your servants, Mariah.
00:42:35George, please.
00:42:36Are you suggesting that it's my fault that my servants left me?
00:42:38I'll put it another way.
00:42:40I suggest that one has to like you very much to remain in the same house with you, Mariah, dear.
00:42:44Just one second.
00:42:45Richard, you must be quite exhausted.
00:43:04Oh, thank you, Helen.
00:43:05I am rather.
00:43:06Where's Mariah?
00:43:07In the kitchen.
00:43:08She all right?
00:43:08Well, of course she's all right.
00:43:10That is not true.
00:43:11Richard, my dear fellow, I have some very bad news for you.
00:43:13You mean she's annoyed with me for being so long?
00:43:15Worse than that.
00:43:16Far worse.
00:43:16What?
00:43:17What do you think?
00:43:17She pulled my nose.
00:43:19Why isn't that damn thing bleeding?
00:43:21Why did she pull your nose?
00:43:22I've no idea.
00:43:23It doesn't seem to have improved it.
00:43:24So this is the return I get for coming up here to help you win her, hmm?
00:43:27Let me tell you something.
00:43:28I haven't got a chance in the world of winning her.
00:43:31And even if I had, it'd be in spite of you at least 50 times.
00:43:33I don't want to hear her anymore.
00:43:34I shall go outside and read.
00:43:35Give me my newspaper.
00:43:36I didn't have time to get her.
00:43:37You mean to say you haven't brought me my time?
00:43:38I have not.
00:43:39What of all the selfish devils.
00:43:40Oh, I've forgotten to say Mariah's telegram.
00:43:43Good.
00:43:48Come on, Manchu.
00:43:50Oh, there you are at last, Richard.
00:43:51I hope you remember to send my telegram.
00:43:53Oh, I'm terribly sorry.
00:43:55I'm afraid I didn't.
00:43:55Really, it's too bad of you.
00:43:57Do you realize I shall have nothing to read for two or three days?
00:43:59Oh, I know.
00:44:00I can't tell you how sorry I am.
00:44:01Well, if I'd known you weren't going to send it, I'd have gone myself.
00:44:04I noticed you brought all the things you want.
00:44:06Tell her to go to hell.
00:44:11What did you say?
00:44:12Tell her to go to hell.
00:44:13What?
00:44:15I said you look tired and not at all well.
00:44:17Nothing.
00:44:18Oh, I'm all right.
00:44:19Really, I am.
00:44:19He's quite all right, aren't you?
00:44:21Yes, of course.
00:44:22Oh, tell me something I can do to make up.
00:44:24Why, like if Manchu his little bath.
00:44:26Think you could?
00:44:27Oh, yes, of course.
00:44:28I have a way with animals they take to me, you know.
00:44:30How you can hope to impress Mariah favorably by ill-treating her little dog, I don't know.
00:44:42I bent down in a friendly way, nothing more than a little beast bitten.
00:44:45Oh, what's the...
00:44:46Give me that, Richard.
00:44:48It's lucky for you that I feel particularly good-tempered tonight.
00:44:51What caused that?
00:44:53Drink, food, or money?
00:44:54None of those.
00:44:55I have decided to make Helen a faithful husband.
00:44:58Jolly decent of you.
00:44:59Well, it's a most unusual thing in our family.
00:45:01I agree.
00:45:02Yes.
00:45:03I've been watching Helen carefully, and I've come to the conclusion that she's a fit and
00:45:07proper person to be the Duchess of Bristol.
00:45:10Well, does she think you're a fit and proper person to be the Duke?
00:45:13Tonight, after a simple meal, a glass of wine, I hope, and a cigar.
00:45:17Where do you hide your cigars?
00:45:19I only brought 50, very considerably.
00:45:21I only smoke them when you're not there.
00:45:23You mean devil.
00:45:24As I was saying, tonight, after a simple meal, etc., I shall ask her to become my wife.
00:45:30It's my experience that after a meal, simple or otherwise, you invariably go to sleep.
00:45:34Sleep?
00:45:35On this, my night of romance, sleep?
00:45:37On this, my night of romance, sleep, sleep, sleep, sleep, sleep, sleep, sleep, sleep.
00:45:51Damn it, is there no peace in this house?
00:46:06I agree.
00:46:06That's very, very interesting.
00:46:09Oh, I'm terribly sorry.
00:46:11You frightened me.
00:46:12I was asleep.
00:46:13Really?
00:46:13Oh, you know how one says things when one's half unconscious.
00:46:16The last man I married was frequently in that condition.
00:46:19I found that was the only time he spoke the truth.
00:46:22But you know I didn't mean it.
00:46:23Well, why say it?
00:46:24Well, good heavens, woman, I...
00:46:25Don't call me woman and don't shout at me.
00:46:27I'm not deaf.
00:46:28I'm sorry, Emrah.
00:46:29And if you must smoke cigars, which I've told you I hate,
00:46:32kindly don't drop your ash on the floor.
00:46:34Now get something and clean it up.
00:46:36Yes, darling.
00:46:47There's another bit there.
00:46:48Why, Richard, what are you doing?
00:46:56Sweeping up George's cigar ash.
00:46:59I'm sorry to have interrupted your after-dinner lap, Richard.
00:47:02Since you're awake now, perhaps you've no objection to my going on practicing.
00:47:06Of course not, Mariah.
00:47:10I can't understand it.
00:47:13Before I came here, she always gave me the impression that she liked me.
00:47:16It's too bad, Alvin.
00:47:18What do you suggest I should do?
00:47:20Tell her to go to Helen.
00:47:22What?
00:47:23Tell her to go to H-E-double-L.
00:47:25Oh, I couldn't do...
00:47:25Richard, when I'm married, you can live with us.
00:47:34I'll even insist on Helen making you a small allowance.
00:47:36Certainly not.
00:47:38How much?
00:47:38Well, Helen's a very well-to-do girl.
00:47:41Five shillings a week.
00:47:42Why, Helen, what a charming answer to my thoughts.
00:47:52You were thinking of me, George.
00:47:53Indeed I was.
00:47:56Do you remember this music?
00:47:58Yes, I know it very well.
00:48:00Do you remember where you heard it last?
00:48:02Mmm, I've heard it so often, you know.
00:48:05Oh.
00:48:05You don't mind cigars?
00:48:08No, I like them.
00:48:10Ah, that's why you're so delightful, so sympathetic.
00:48:12You always seem to understand.
00:48:14I hope you will always think so, George, dear.
00:48:17I shall, believe me.
00:48:19Helen, I am anxious to tell you something that's long been in my mind.
00:48:25Please do.
00:48:26I beg of you not to consider it the impulse of youth.
00:48:30I won't, George, dear.
00:48:32Very well.
00:48:35There is only one woman in the world I would ask to be the Duchess of Bristol.
00:48:39That's very interesting.
00:48:41And if you ask me who she is, I will tell you.
00:48:45Who is she, George?
00:48:46You, Helen.
00:48:49I'm very touched and very flattered.
00:48:51And I am very happy.
00:48:56Thank you, George.
00:49:04I suppose there's only one woman in this world who would refuse to be the Duchess of Bristol.
00:49:08And if you ask me who she is, I will tell you.
00:49:12Who is she then?
00:49:14Me, George, dear.
00:49:15Do I hear correctly?
00:49:17Your hearing is perfect.
00:49:18You refuse to be the Duchess of Bristol?
00:49:21I do.
00:49:22May I ask why?
00:49:23Only because you happen to be the Duke.
00:49:26Are you insulting me, Helen?
00:49:31Not nearly as much as you've insulted me.
00:49:33What do you mean?
00:49:35You should have only asked me for my money.
00:49:37You should not have included me with it.
00:49:40I emphatically deny that I asked you to be my wife merely on account of your money.
00:49:44No.
00:49:44No, and I'd have you know there are many women who would be delighted to marry me.
00:49:47I'm sure there are many women who would have loved to have been the Duchess of Bristol.
00:49:50Frankly, I wanted to myself.
00:49:53Until I spent three weeks with you here.
00:49:58May I give you a piece of advice, George?
00:50:01Marry Mariah.
00:50:02How dare you?
00:50:03For sheer selfishness, you'd both win the cup outright.
00:50:05Do you mean to tell me that I'm anything like Mariah?
00:50:07If she doesn't get away about everything, she sucks.
00:50:10So do you.
00:50:11If Richard doesn't wait on her hand and put...
00:50:12I've never allowed Richard to wait on me once.
00:50:15Only because you were too busy allowing meat.
00:50:18I thought you liked it.
00:50:20Anyway, yours is a grand position.
00:50:21I envy you.
00:50:23It's something for a profiteer's daughter to have refused a Duke.
00:50:29George, many years ago there was a butcher's shop.
00:50:31An august person passing it one day was not attracted by the meat in the window, but by the butcher's wife.
00:50:38The butcher, with an ambitious eye to a knighthood, encouraged him to pass it frequently.
00:50:44With the result, he became a baronet.
00:50:48Now the butcher's wife was encouraged.
00:50:50She too acquired an ambition.
00:50:53So she left the butcher.
00:50:55With the result, her son was born a Duke.
00:50:57So far as I can see, the only difference between our two families is
00:51:03my father only profiteered in pickles.
00:51:17You are divine, George, dear.
00:51:19I hope I shall always know you.
00:51:22What are you laughing at?
00:51:24If ever another girl falls in love with you.
00:51:26Marry her the next day.
00:51:36What on earth's the matter with George today?
00:51:38Do you think we ought to break his door down?
00:51:40I'm getting quite worried about him.
00:51:41I don't think you need be, just because he stays in his room all day.
00:51:44He hasn't even eaten the food I left on a tray for him.
00:51:46That, I admit, is remarkable.
00:51:48You don't suppose he's cut his throat or hanged himself, do you?
00:51:50Nonsense.
00:51:51He would never be so considerate.
00:51:52I'm glad you didn't wait tea for me.
00:51:55The tide was stronger than I thought.
00:51:59The tide?
00:52:00Yes, it was my turn to row over and get the post.
00:52:03Look what you've done, you fool.
00:52:05Oh, it's all right.
00:52:05There's nothing broken.
00:52:06We just need some more milk.
00:52:08You must be tired.
00:52:09I'll get it.
00:52:10Somebody ought to go with him.
00:52:19He's not safe to be left alone.
00:52:21Nonsense.
00:52:23He's all right.
00:52:27Sorry I've been so long.
00:52:29You're quite well, George, old man.
00:52:31I feel terribly well, thank you, Richard.
00:52:34Where's the post?
00:52:35Post?
00:52:36There wasn't any.
00:52:54Pretty, don't you think?
00:52:59Stop.
00:53:00Stop.
00:53:02Stop him, Richard.
00:53:02Why, Mariah, I'm so sorry.
00:53:05I was only playing for you.
00:53:06I thought you liked it.
00:53:07George, I've had enough of this.
00:53:09This what?
00:53:09This fooling.
00:53:10Can't you see your frightening, Mariah?
00:53:11Oh, I'm so sorry, Mariah.
00:53:12I didn't mean to.
00:53:13I'm very sorry.
00:53:14Careful, George, old man.
00:53:15Careful.
00:53:16It's my turn to do the washing up.
00:53:18Oh, don't hurry with your tea.
00:53:20I'll go and put the kettle on.
00:53:25All this before he sets fire to the house.
00:53:32Why are you behaving like an idiot fighting us all?
00:53:47I'm showing Helen I'm not a bit like Mariah.
00:53:49What on earth are you talking about?
00:53:51Don't tell me I'm a liar because I'm not.
00:53:52You know what she said when I asked her to marry me?
00:53:54What?
00:53:55She said I'm an ass, I'm conceited, I'm selfish, I nag.
00:53:58I'm the descendant of a...
00:53:59No, no.
00:54:01I tell you, I am.
00:54:03Oh, she said I am.
00:54:04I've never been so disappointed in anybody in all my life.
00:54:07Everything would have been all right
00:54:08if your old woman hadn't started this unapproval business.
00:54:10Are you referring to Mrs. Wisdak?
00:54:12In the last three weeks, Helen's found out a thousand things about me
00:54:15and she doesn't like one of them.
00:54:16I'm leaving tomorrow in the midday train.
00:54:18Did you love her, George?
00:54:20How could a man harassed to death with financial troubles
00:54:22as I am concentrate on love?
00:54:24It's unreasonable, Richard.
00:54:25Anyway, you go and get your old woman to turn you down
00:54:27and see how you like it.
00:54:29I've more sense than you have.
00:54:30I'm not risking it.
00:54:32I'm leaving with you.
00:54:33Coward.
00:54:35Not at all.
00:54:36I want to save her the embarrassment of telling me I failed her.
00:54:44Are you better?
00:54:47Are you better?
00:54:49Are you better?
00:54:50Please don't shout at me, Mariah.
00:54:52I wish to tell you that your behaviour was perfectly disgraceful.
00:54:55And shall I tell you why my behaviour was perfectly disgraceful?
00:54:57Why?
00:54:58I wish it to be known that I have not one thing in common,
00:55:00nor am I in the least like...
00:55:01George!
00:55:02Very well, Richard.
00:55:03For your sake, I won't.
00:55:05But I'm writing to you, Mariah.
00:55:11Your hand is all wet, Richard.
00:55:13Oh, I'm sorry, Mariah, I was about to wash up.
00:55:16What do you make such a noise?
00:55:18The washing up's to be done, Mariah.
00:55:19Of course it is, and I'm very grateful to you.
00:55:21Richard, I want to tell you something.
00:55:23Oh, that's all right, Mariah.
00:55:24I know.
00:55:24Oh, please, Richard, what I have to say is very embarrassing.
00:55:26You might realise.
00:55:27I know, and I'm sorry.
00:55:28I brought you here for the purpose of finding out, as you know,
00:55:31that if we married, would there be a chance of us both being happy?
00:55:34Quietly, Mariah.
00:55:34Will you please be quiet?
00:55:35Sorry?
00:55:36When I left London, I liked you very much.
00:55:38I almost believed you possessed qualities that might endear you to be.
00:55:41I know.
00:55:41But I had no idea how nice you really are.
00:55:43What did you say?
00:55:43Don't interrupt, please.
00:55:45I was going to say, I think you're a thousand times nicer than I ever thought you were.
00:55:48Nicer.
00:55:48Please don't interrupt, it's very irritating.
00:55:51Now, what was I saying?
00:55:52Oh, yes.
00:55:53I have decided not only to marry you, but to prove to you how much I trust you.
00:55:58I'm going to settle five thousand a year on you for life.
00:56:02Are you pleased?
00:56:04Pleased?
00:56:05But I'm delighted.
00:56:07And all this time I thought you disliked me.
00:56:09You'll never begin to know how miserable I've been.
00:56:12Oh, but why?
00:56:13Well, you were so intolerant, so horrid to me.
00:56:15Horrid to you?
00:56:16What are you talking about?
00:56:18Oh, now let's straighten this out.
00:56:20You know, you tried every way of provoking me to see whether I was bad-tempered or not.
00:56:23I did nothing of the kind.
00:56:25I'd never descend to anything so mean.
00:56:26Mariah, you don't mean to tell me that that was really you all the time?
00:56:33Of course.
00:56:35Is that how you'd be if we were married?
00:56:37Naturally.
00:56:40How long did your late husband live with you, Mariah?
00:56:44Eighteen years, why?
00:56:45What a man.
00:56:47What a constitution.
00:56:48How dare you speak to me like that?
00:56:50If you had the faintest idea how you've been speaking to me during the last three weeks,
00:56:55you'd know how and why I dared.
00:56:56Richard, are you mad?
00:56:58Mariah, dear, double that 5,000.
00:57:00Treble that 5,000.
00:57:01Give me every shilling you have in the world, and then the answer would be no.
00:57:05Oh, Richard.
00:57:06Mariah, I shall always love you for having given me the opportunity of finding you out.
00:57:10I would have married you, not knowing.
00:57:12You, you beast.
00:57:14May I remind you, Mariah, there's a great deal more washing up to be done.
00:57:28George.
00:57:29If you have anything to say to me, kindly address me through a third peasant.
00:57:32What have you been doing in your room all this evening?
00:57:34Seeking repose.
00:57:35And just now?
00:57:36Seeking alcohol without much success, I may say.
00:57:38George, will you come and talk to me?
00:57:42If you promise not to revile me again.
00:57:44Not tonight, anyway.
00:57:47Helen, once there was a time when I thought you liked me.
00:57:51Liked you?
00:57:53Three weeks ago, I adored you.
00:57:55If you'd asked me to marry you then, I would have.
00:57:59I adored you so much.
00:58:01And now?
00:58:01I've spent the last three weeks with you, and I think it's been my greatest disappointment.
00:58:07You mean I died on you?
00:58:09The second day.
00:58:10The second day?
00:58:12Well, that's not the experience of other women who have known me.
00:58:15You know, Helen, I'm always being asked out to dinner parties because people find me amusing.
00:58:19A dinner party only lasts two hours.
00:58:22A marriage has been known to last for two years.
00:58:25Yes.
00:58:25Helen, these last three weeks, are they indelibly imprinted on your mind?
00:58:33They are imprinted.
00:58:35Why?
00:58:38I only asked.
00:58:44I suppose it's because I'm a woman and therefore infinitely foolish.
00:58:49But I think I could forget these past three weeks, if you could tell me one thing.
00:58:54Dadly.
00:58:55The colour of my eyes?
00:58:59Blue.
00:59:12Good night, George, dear.
00:59:14Come in.
00:59:28Helen.
00:59:28Shh.
00:59:29Come away from the door.
00:59:30I thought for a moment you were Mariah.
00:59:32Mariah's lying in bed, stunned by the shock you gave her.
00:59:34I find myself curiously unmoved.
00:59:36I'm afraid I've given George a bit of a shock, too.
00:59:38Oh, where's he?
00:59:40Poor dear, he's sitting at the bottom of the stairs trying to convince himself he's colourblind.
00:59:43Colourblind?
00:59:44Well, it doesn't matter, Richard.
00:59:45He'll recover.
00:59:46To do any good, I'm afraid he needs at least six months on a desert island.
00:59:50Hmm.
00:59:51Alone with Mariah.
00:59:53Alone with Mariah.
00:59:55Richard, I really came to ask whether you were enjoying it here very much.
00:59:59Oh, Helen.
00:59:59You know, I'm having a perfectly awful time.
01:00:02Then why go on having a perfectly awful time?
01:00:05Hmm.
01:00:06Oh, I see what you mean.
01:00:08Oh, you are clever, Helen.
01:00:10But of course, the sooner the better.
01:00:12Then you agree that the island should be deserted?
01:00:14As far as I'm concerned, tomorrow.
01:00:15All right, then.
01:00:16Tomorrow.
01:00:17Good night.
01:00:18I'll see if the coast is here.
01:00:19Richard.
01:00:20Yes?
01:00:21I wonder if you could tell me something.
01:00:23Of course, Helen.
01:00:23What?
01:00:24The colour of my eyes.
01:00:25What a funny question.
01:00:28Green, of course.
01:00:30How observant you are.
01:00:31Thank you, Richard.
01:00:35Tomorrow.
01:00:36Tomorrow.
01:00:55Not a sound.
01:01:23Not a sound.
01:01:25You'd hardly believe they were in the house.
01:01:28Well, how dare they stay here?
01:01:29Well, you can't expect them to wait on a cold railway plan.
01:01:32Why not?
01:01:35To think that I brought that brute here to see if I liked him.
01:01:38And he has the audacity to say he doesn't like me.
01:01:41My stomach is cold.
01:01:42My head is hot.
01:01:43My arteries are hardening.
01:01:45Only alcohol will get me on the train.
01:01:47Nonsense.
01:01:48Never again do I raise a finger.
01:01:50Sarge, you shouldn't have drunk all the cooking, Shere.
01:01:52I would not have asked you, Richard, were it not for the fact that I meet those extremely unpleasant women.
01:01:59As it is, I shall die standing.
01:02:01I'm not sure which of us is the luckier.
01:02:03I, to have lost a vulgar little man.
01:02:05Or you, to have avoided marrying a congenital idiot.
01:02:09Well, George isn't entirely an idiot.
01:02:11I quite agree.
01:02:13What do you want?
01:02:14The rain is now coming through the roof in 15 places.
01:02:17Well, what of it?
01:02:18We have only 14 receptacles.
01:02:22Well?
01:02:23Well, what do you suggest?
01:02:24I suggest that you will find the railway platform far less uncomfortable than my house.
01:02:28Well, Richard and I have talked it over and decided we'd find it exactly the same.
01:02:31Then why not get Richard to mend the roof?
01:02:32I don't think you'd agree.
01:02:34Ever since he told you the truth about yourself, he's so conceited there's no holding him.
01:02:37Is he boasting about that?
01:02:38Rather.
01:02:39Now he's bragging that one day he'll turn you into a decent woman.
01:02:42How dare he?
01:02:43Well, he says he can be done.
01:02:44He's very childish today.
01:02:47Mrs. Whislack, would you give me the key of the alcohol cupboard?
01:02:51I will not.
01:02:54Did you have that brandyance odour, as I told you?
01:02:56She whom you once loved refuses to cough up the key.
01:03:00Give me the key of that cupboard which should never be locked.
01:03:02I'll do nothing of the salt.
01:03:03Give it to me, I tell you.
01:03:04No.
01:03:05Then you place me in the hideous position of having to reveal myself as a man who has always known where it was.
01:03:13You've been to say that all this time you've had access to the liquor without telling me?
01:03:20You had your cigars.
01:03:22And it's only because you're cold that I'm relenting.
01:03:25Sir.
01:03:26Hello.
01:03:27Yes?
01:03:29Be good enough to get George a small brandy and soda.
01:03:33Better come get ready.
01:03:34How dare you whisper to my late fiancée?
01:03:37Ah.
01:03:38You libertine, blowing kisses to a girl young enough to be your daughter.
01:03:42Mrs. Wislack, for me to have been Helen's father, I should have had to have been an enterprising boy of 14.
01:03:53How long?
01:03:54Four minutes.
01:03:55In the kitchen.
01:03:56Go down the back stairs.
01:03:57Four minutes.
01:04:00Mrs. Wislack!
01:04:03Ariah!
01:04:03I don't want to speak to you, but I must.
01:04:05I don't want to speak to you, and I won't.
01:04:06Stop.
01:04:08Do you love Richard?
01:04:08Shh, don't shout.
01:04:10Do you love Richard?
01:04:11Yes, you beast.
01:04:12Must you shout the facts of life outside Richard's bedroom?
01:04:15Come to my room.
01:04:23I never thought I would willingly enter here.
01:04:25Please be seated.
01:04:29I feel less frightened of you when you're sitting down.
01:04:31What have you got to say?
01:04:32Are you prepared to call a truce for ten minutes?
01:04:34A reason?
01:04:35Love.
01:04:35Five minutes.
01:04:36Very well.
01:04:36In a few hours, Richard and I will have left this house forever.
01:04:39Thank heaven.
01:04:40Stop pretending.
01:04:41Well, surely a woman's entitled to some modesty.
01:04:43Not when you're about to lose your loved one.
01:04:45I close my eyes.
01:04:46I see her divine face, her little hands.
01:04:48I am in love.
01:04:49With yourself, perhaps.
01:04:51Shut up.
01:04:51Out.
01:05:08What are you doing?
01:05:09Kindly put down my nightdress.
01:05:11It's a nightdress no longer.
01:05:12It's a flag of truce.
01:05:13Sit down.
01:05:14Now, to continue.
01:05:16I propose to stay here and keep Richard tomb.
01:05:19Home?
01:05:19In such moments, damnable as it is, we must forget the word honor.
01:05:23That should be easy for you.
01:05:25Aye.
01:05:25I beg your pardon.
01:05:27Granted.
01:05:27Now, I thought of a way to win them back.
01:05:30Oh.
01:05:31Mariah, I imagine few men have been in love with you.
01:05:35I beg your pardon.
01:05:36Granted.
01:05:37Of one thing I am certain.
01:05:39I must never let Helen see my heart is broken.
01:05:43I have a pain here.
01:05:45Wind.
01:05:47I beg your pardon.
01:05:48Granted, but you try me very hard, Mariah.
01:05:50Now, what I suggest is, that we shall be so pleasant and friendly and even affectionate
01:05:55to each other, that Richard will not dare to leave me here with you.
01:05:58If we show them a united front, we'll lose confidence.
01:06:02Drink to me only with thine eyes, and I will pledge thee mine.
01:06:15You hurry down for the boat.
01:06:17I'll meet you with the luggage in a few minutes.
01:06:19You're quite sure we're doing the right thing.
01:06:21Of course, I'm sure.
01:06:22Oh, very well, then.
01:06:23But don't be too long.
01:06:25Honey.
01:06:26I thought I heard.
01:06:29I did.
01:06:29All right.
01:06:51I die of jobs, never to stop.
01:06:58I would not change all my mind.
01:07:13Charming, my dear, charming.
01:07:15What a delightful voice you have.
01:07:17Thank you, George.
01:07:18What did you say, George?
01:07:19Oh, by the way, Richard, Mariah has persuaded me to stay on.
01:07:22I hope your journey south will not be too lonely.
01:07:24What did you say, George?
01:07:25Oh, pay no attention to that vulgar little man.
01:07:27I'm not a vulgar little man.
01:07:28You look vulgar.
01:07:29You're quite right, George.
01:07:30Ah, bless you, Mariah, bless you all.
01:07:31Don't.
01:07:32Don't you think Patty's quite wonderful this season?
01:07:34Personally, I prefer caviar.
01:07:36No, I mean the singer, Adelina.
01:07:38Oh, the common garden woman.
01:07:39Well, Mariah, there are voices and there are voices.
01:07:41That's what I feel about yours.
01:07:43You know, you know, you know, you know,
01:07:45you know, you know, you know,
01:07:47that's what I feel about yours.
01:07:48You know, your voice has a certain rare quality, fortunately.
01:07:52Thank you, Mariah.
01:07:54What would you like me to sing?
01:07:56That one about when you were 41.
01:07:58What?
01:07:5917.
01:08:00Oh.
01:08:01Oh, do you mean this one?
01:08:02That's the fella.
01:08:05Richard, instead of standing there gaping,
01:08:07you could be upstairs unpacking my suitcases.
01:08:09All of them?
01:08:10All of them.
01:08:11All of them.
01:08:12And put out my pajamas.
01:08:13Mariah, what is your favorite color?
01:08:15Pink.
01:08:16Put out my pink pajamas.
01:08:18Pink.
01:08:19Play away, Mariah, but let your music be only for me.
01:08:26I'm just 17, and I've never been to any stately ball.
01:08:31What have you been doing?
01:08:36Putting out George's pink pajamas.
01:08:38I have opened wide my lattice, letting in the laughing breeze,
01:08:55telling happy stories to the flowers and the trees.
01:08:59Telling happy stories to the flowers and the trees.
01:09:07Oh, the spring, oh, the spring.
01:09:09Oh, the spring.
01:09:10The leaves coming.
01:09:11Oh, the spring, the spring is coming.
01:09:13Oh, the spring, the spring is coming.
01:09:16Oh, the spring, the spring is coming.
01:09:18Tis goodbye to all us.
01:09:23They're coming.
01:09:24Let them find us in a more romantic setting.
01:09:26Come.
01:09:34They've both gone.
01:09:38Idiot.
01:09:57It's all your fault.
01:09:58Stop them, stop them. Why don't you do something?
01:10:00You'd have to bite me to swim out like a dog and bring them both back in my teeth.
01:10:03Bite him, Manchu, bite him.
01:10:04I warn you.
01:10:05One move from that loathsome creature and I'll hurl her into the water.
01:10:08And I may not stop at her.
01:10:10Him.
01:10:11Come on, Manchu.
01:10:17Mariah.
01:10:18Mariah!
01:10:19Well?
01:10:20Do boats ever come near this island?
01:10:22Not for weeks on end.
01:10:23Couldn't we signal to the mainland?
01:10:25But how?
01:10:26Well, you'd burn down the house.
01:10:27You try.
01:10:28That means you and I alone here.
01:10:30Yes, and just think what people will say.
01:10:32They'll say nothing.
01:10:33My reputation will save you from that.
01:10:35Your what?
01:10:36My reputation as a man of taste.
01:10:38Where are you going?
01:10:39What are you going to do?
01:10:40I'm going to my bed.
01:10:41Well, you needn't trouble to lock your door, Mariah.
01:10:44Only the rain will want to come in.
01:10:46And you've got to come and turn right away.
01:10:48John.
01:10:49All you needn't, dear.
01:10:49What?
01:10:50You're still in the rain.
01:10:51You're still in the rain.
01:10:52All you needn't.
01:10:54All you needn't to get.
01:10:56I'm going to lay for you.
01:10:57I'm going to lay for you.
01:10:58You're still in the rain.
01:11:00And now we're all going to lay for you.
01:11:01George.
01:11:02I'm going to lay for you.
01:11:03You're still in the rain.
01:11:04A new rain.
01:11:06Oh, oh, oh, oh, oh.
01:11:36THE END
01:12:06THE END
01:12:36THE END
01:13:06THE END
01:13:36THE END
01:14:06THE END
01:14:36George
01:14:36How do you do?
01:14:38There's a man in my room
01:14:40Why?
01:14:43She's not in her bed
01:14:44Ah, there they are!
01:15:05Ah, so it was you breaking into Mariah's bedroom
01:15:07What are you doing with Mariah?
01:15:09Oh, what are you doing in George's room?
01:15:10Well, I thought you'd finish with him
01:15:11Oh, you burglars!
01:15:12How dare I what?
01:15:14Make love to Mariah
01:15:15Oh, I'm very fond of Mariah
01:15:16Oh, I'm very fond of you
01:15:16And that's a picture of your daddy taken on our honeymoon
01:15:28Honeymoon is when you go away together after you are married
01:15:32And that's grandpapa
01:15:34Oh, and that's a picture of your daddy taken on our honeymoon
01:15:40Honeymoon is when you go away together after you are married
01:15:44Pardon me, Lady Bristol, haven't you made a mistake?
01:15:48Oh, I'm not Lady Bristol
01:15:49And I don't think I made a mistake
01:15:52You mean, you married Richard?
01:15:55That's right
01:15:55But what happened to George?
01:15:57Whom did he marry in the end?
01:15:59You'd be surprised
01:16:01Look
01:16:02You're joking
01:16:05Believe me, it's no joke
01:16:07George!
01:16:08Coming, darling
01:16:09Ho!
01:16:22Ho!
01:16:23Ho!
01:16:24Ho!
01:16:25Ho!