- 11/05/2025
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00:00I'll see you next time.
00:30Ah, Jerry, you've got a straight line to the green from there.
00:37Wish I had, sir. I'm behind a tree.
00:43You crawler.
00:45First rule of business.
00:47Thank God for the boss you always lose.
00:49Afraid I shall have to hack it out from here, sir.
01:00Farzan, are you playing golf with us?
01:08They're chestnuts, I think.
01:11Nature's very bountiful, you know.
01:13Are those mushrooms or toast tools?
01:15I don't know.
01:16You're supposed to be playing golf, not replenishing your larder.
01:18That's what you think.
01:20Are those damsons?
01:21Will you be putting at all today, good?
01:31Oh, sorry.
01:34Blackberries.
01:42Hold those, will you?
01:51Oh, well done, sir.
02:06Brilliant part.
02:09Six for me.
02:10You took eight.
02:13Six.
02:16Mind you, Jerry, you've got an easy tap in for a half there.
02:19No, nothing's safe till it's dead.
02:28I'll hold you, sir.
02:30I just don't seem to be able to read these greens like you can.
02:43Oh, incidentally, Jerry,
02:44Van Kampen of Holland's Plastique's coming over on Saturday.
02:48Yes, sir.
02:49Hmm.
02:49Put him up for the weekend, will you?
02:51You know the sort of thing.
02:52Then bring him into the office on Monday and we'll get under business, right?
02:54Pleasure, sir.
02:55Good.
02:57Now then,
02:57three hundred and four a yard, par four.
03:00Yes, it dog legs round to the right.
03:03But with your slice.
03:04By what?
03:04The way you can deliberately
03:06slice the ball.
03:08You should have no trouble at all.
03:10Yes, of course.
03:12What are you taking here, good?
03:16Pardon?
03:17I said, what are you taking here?
03:19A shotgun.
03:22Rabbits.
03:22The thing is, Barbara,
03:39I have rehearsed and rehearsed until I am word-perfect.
03:42It's just that I can't remember the lines.
03:44Margot, do get it in proportion.
03:47This is an amateur production of The Sound of Music at Surbiton Town Hall.
03:51Not a command performance.
03:52Yes, I realise that, but I am the star.
03:56If I'm wrong, everything's wrong.
03:58Well, look, what is it about this particular scene that bothers you?
04:03It's Miss Mountsharp's nephew.
04:05He's playing one of Baron von Trapp's children.
04:07So?
04:08His nose runs, Barbara.
04:10Whenever he's on stage, there's nowhere else I can look.
04:14Yes, I know what you mean.
04:15Look, would you give me the lead-in to the song again?
04:18Right.
04:18Now, the setting is Baron von Trapp's castle.
04:21Schloss, actually.
04:22Schloss, then.
04:23And Maria...
04:24That's me, of course.
04:25That's you.
04:26You're in your bedroom, and there's a thunderstorm outside.
04:29That will be Mr Wainwright with his sheet of metal, of course.
04:32Of course.
04:32Now, the children, frightened by Mr Wainwright and his sheet of metal,
04:37rush in...
04:38Yes, then I, as Maria, sit on the bed with my arms round the children,
04:44hoping desperately, Barbara, that that runny-nosed little wretch
04:47is not one of those I have to pack.
04:49Very sensible.
04:49Now, the children go blah, blah, blah, blah, blah.
04:54No, Barbara.
04:55I am not a devotee of Stanislavski.
04:57I need the lines.
05:00Right.
05:01Oh, Fräulein, oh, Fräulein, oh, Fräulein, oh, Fräulein, oh, Fräulein, oh, Fräulein.
05:05There are seven children, you see.
05:07Yes, I've gathered that.
05:09Oh, Fräulein Maria, we are frightened by the storm.
05:12We are frightened, oh, Fräulein Maria.
05:15Barbara, can't you give me a little more?
05:16Oh, Margot, I've had a busy day.
05:18I'm not up to playing seven Austrian children.
05:21I'm sorry, dear.
05:22It's the director in me coming out.
05:25Post-incidentally, which is totally inadequately filled
05:27by Miss Mountshaft's brother-in-law, who has a steel plate in his head.
05:31Can you give me the last line again?
05:34Oh, Fräulein Maria.
05:36Yes.
05:38Then I say, don't be afraid of the storm, children.
05:43Shall I tell you a secret?
05:45Do you know what I do when I am frightened of something?
05:49Why?
05:50I simply think of my favourite things.
05:57Into song.
05:58Yes, I won't sing, Barbara, because I'm saving the voice for Friday.
06:02Right, very sensible.
06:03Well, the lyrics, then.
06:04Yes.
06:06Raindrops on noses and dewdrops on...
06:09No, no, no.
06:11You see, it's that child and his wretched nose again.
06:14Well, you can get his nose now.
06:15It's raindrops on roses, whiskers on kittens.
06:19Yes, whiskers on kittens.
06:21Bright copper kettles and...
06:23Warm.
06:24Warm woolen mittens.
06:26Wild geese that fly with the moon on their wings.
06:29These are a few of my favourite things.
06:32Perfect.
06:32Yes, I think I've got it now.
06:33When the shark bites, when the bee...
06:36Shark!
06:37Oh, my God.
06:39I've strayed into the Throopany Opera.
06:41Well, that's it.
06:42It's going to be total disaster.
06:43I should be laughed off the stage.
06:44I can't.
06:45I can't.
06:46Come on, go sit down.
06:47Now, come on, calm down.
06:49Now, look, this is just nerves, that's all it is.
06:54I was the same when I had to play the recorder at the school concert.
06:57Really?
06:58Yes.
06:58If I hadn't been nervous, I'd have just flicked over the pages.
07:01As it was, I dashed at it, knocked the stand over and stuck the recorder up my nose.
07:07Noses keep cropping up, don't they?
07:09Yes, but I was only 11.
07:11You're a woman of...
07:11A mature...
07:13You do know it, Margot, and you'll be wonderful.
07:17You'll see.
07:18Thank you, Barbara.
07:19And thank you for stopping my hysterical outburst.
07:22It's just that, ooh, this is so important to me.
07:24Yes, I know.
07:25Well, look, a couple of gins before you go on and you'll knock them dead.
07:28You won't even notice the runny nose.
07:30I hope not.
07:31Right, now.
07:32Hello, girls.
07:34Oh, hello.
07:35Have a nice gossip?
07:36No, we've been playing strip poker with a postman.
07:39Probably.
07:40Well, you chaps had a good round of golf.
07:42Fair, I shot an 87.
07:44Tom?
07:45Fair, I shot two rabbits.
07:46Anything else?
07:47Ah, a couple of pound of blackberries, some dams, and a few chestnuts.
07:50I didn't shoot him, I picked him.
07:51I do hope Andrew wasn't offended.
07:54Oh, no, I let him win.
07:55Good.
07:56Oh, by the way, darling, you remember that Mr Van Campen?
07:59We met him in Amsterdam.
08:01Oh, yes, charming man.
08:03One house in Hilversum and one in Delft, incidentally.
08:06Nice.
08:07Well, anyway, we're putting him up for the weekend.
08:09We most certainly are not.
08:11What?
08:12Why?
08:12But he's alive with the sound of music.
08:15Oh, God, I forgot.
08:16Well, thank you very much, Cherry.
08:18Thank you very much for forgetting the most important weekend of my whole year.
08:22But I practically agreed.
08:23What am I to do?
08:24Well, tell Sir to get...
08:25Look, tell him that Margot's got something very important to do and you can't put the bloke up.
08:29Simple.
08:30But that would mean saying no.
08:32Well, would be a change from saying yes all the time.
08:36Tom wasn't a yes man when he worked for the company.
08:39No, Tom never got further than the fourth floor, did he?
08:42Look, that isn't the point, Cherry.
08:43He takes advantage of you, both of you.
08:44He treats your house like a hotel.
08:46Margot doesn't mind.
08:47Not generally, Cherry, no.
08:49But if you deny me my crowning moment at the town hall, I shall never respect you again.
08:57Yes, you're perfectly right.
08:58I shouldn't have forgotten in the first place.
09:00Well, I shall just have to tell Sir no.
09:03Thank you very much, Cherry.
09:05Well, cheer up.
09:09You're only saying no to some pot-bellied old twit who cheeks at golf.
09:11Yeah, and slices.
09:12Exactly.
09:13Well, here's to Jerry.
09:15Sir Jerry, slayer of pot-bellied old twits.
09:17Yes.
09:19Mind if I use your loo?
09:25Push, push.
09:28I still think we should have hollowed it out of the skull at home.
09:31That would have made it damp and we couldn't have burned it.
09:33Oh, I hate you on the days when you're always right.
09:35I'll stop moaning or I'll trade you in for a mule.
09:41Oh, thanks, Cherry.
09:42That's very thoughtful.
09:43Couldn't have left early, could you?
09:44Couldn't have given us a lift.
09:46Sorry about that.
09:47I've had rather a heavy day.
09:50Well, did you get in to see Sir?
09:51Yes.
09:53Did you tell him about the weekend?
09:54Yes.
09:55What did he say?
09:56Nothing much.
09:58Just gave me a month's notice.
09:59Margot, will you please keep still?
10:10Keep still, woman.
10:11I'm sorry, Jerry.
10:13These flowers they've given me.
10:15I mean, one does not pick dahlias and chrysanthemums in an alpine meadow.
10:20And I'm still desperately worried about Baron von Trapp's lederhosen.
10:23Why?
10:24Because they have not been dubbing properly, and every time he bends over, they squeak.
10:29I mean, that's his problem.
10:30You can't worry about everything.
10:31No, I know, but I do.
10:33Oh, dear, I haven't even asked how your job hunting went today.
10:36Oh, I'm at full cry.
10:38Don't you worry.
10:38Oh, good.
10:39It shouldn't be too difficult to find another situation, should it?
10:41Oh, piece of cake.
10:43Now, I must remember not to kick the mountains as I make my entrance because they wobble.
10:49Is this a star-setting woman?
10:50Oh, Tom, Barbara, do come in.
10:52I couldn't afford a telegram, so we made you that.
10:54Oh, how kind.
10:57Shouldn't they be Edelweiss?
10:59You see, Barbara's noticed.
11:01I've told Miss Mountshark she should have ordered the real thing from Moisey Stevens,
11:04but no, plastic will do.
11:06The whole thing is tat, tat, tat.
11:08Oh, now, come on, Margot.
11:11We saw some of the cast on our way around here.
11:13They look very, very good.
11:14Except the kid with the runny nose.
11:15With his nose running on one side and the Baron's lederhose and squeaking on the other.
11:21I should go to pieces.
11:22I knew I should have.
11:23Overture learners, please.
11:25Overture learners.
11:25Overture beginners, you ghastly little child.
11:29Yes, I must.
11:31One wonders why one does it.
11:33Now, look, Margot, you'll be wonderful now.
11:35It's raindrops on roses.
11:37And whiskers on kittens.
11:38Oh, you see, you'll be a knockout, Margot.
11:41Don't forget, kid.
11:43Flo Zekefield is out front.
11:44Good luck, darling.
11:45Oh, thank you, Jerry.
11:46You've all been most kind.
11:49Oh, most kind.
11:53The hills are alive with the sun.
12:01Hasn't it gone quiet?
12:02The party!
12:03Oh, my God, the party!
12:04Right, everything's arranged.
12:05The moment the curtain comes down, we three go off and get everything ready,
12:08and you come on later with the cast and friends.
12:10Yes, of course.
12:11Sorry.
12:15Don't trip over the mountains.
12:16Don't trip over the mountains.
12:18Don't trip over the mountains.
12:20Well, I suppose we should be grateful they're not doing it on ice.
12:25Aren't you?
12:25It'd make it a lot funnier, wouldn't it?
12:27Tom, now, look, I know you.
12:29You will not laugh.
12:30I don't care if the nuns come on in football boots.
12:33You will not laugh.
12:35Stuff your hanky in your mouth.
12:37Don't you think we should get to our seats?
12:39Yes, come on, come on.
12:40Showtime, Jerry.
12:40Come along.
12:41Go all the grease bait and the smell of the crowd and all that.
12:43Oh, yes.
12:50Haven't found another job, have you?
12:52No.
12:53Well, only a matter of time.
12:55Once the word gets around to commercial wizards on the market, you'll be in.
12:57You are out of touch, Tom.
12:59I'm 42.
13:00At my executive level, that's practically senile.
13:02Yeah, but you've got contacts.
13:04Yes, the funny thing is, the moment they hear you've got the sack, they sort of fade away like old soldiers.
13:08What sort of friends are they?
13:10Well, they're not friends.
13:11They're contacts.
13:12Contacts are people who meet each other in pubs and boost each other's egos with large gins,
13:16then spend the rest of the day stabbing each other in the back with large knives.
13:20Jerry, come on, there must be plenty of other jobs.
13:23These days.
13:24Oh.
13:27Oh, poor old Jerry.
13:29It's all right, Barbara.
13:30I can still walk.
13:32Don't worry.
13:33I'll be all right.
13:34Bad time to get lumbered with the expense of a first-night party, isn't it?
13:37Yes, trouble is I've got a last-night party to pay for as well.
13:40Oh, blimey, when's that?
13:42Tomorrow.
13:42They're only having two nights.
13:43I mean...
14:06That was the sound of music, wasn't it?
14:13Possibly.
14:19I only ask because at one time I thought they'd wandered into the folly for Gere.
14:23You mean the sunrise scene when all the nuns suddenly realised they were in see-through habits?
14:29Yes.
14:31I never really believed in them after that.
14:34Why did Margot sing Maria?
14:36What's the name of the character she's playing?
14:39I know it is.
14:39I thought the song came from West Side Story.
14:41Oh, dear.
14:44Oh.
14:47It struck me as rather odd at the time.
14:50I don't think anything would have struck me as odd by then.
14:53No.
14:55Still, one can't expect an amateur production to be perfect, can one?
15:00Not after tonight.
15:01Is the mayor incontinent?
15:09I don't know.
15:10Why?
15:11Well, he kept popping out.
15:15Probably just a music lover.
15:18Oh, Margot.
15:20Oh.
15:21Smile, Tom.
15:21Here they come.
15:22Quick, quick.
15:26Margot.
15:26Well, bravo.
15:30Good evening.
15:34Where's the crowd?
15:36Nobody's coming.
15:37Well, really?
15:39Oh.
15:39Oh.
15:40Oh, well.
15:41Let them do what they like.
15:43I mean, the show had a few gremlins in it, of course.
15:45I mean, nothing that can't be...
15:46But you, Margot, you were...
15:47Oh, you...
15:48I said you, didn't I, Barbara?
15:49Yes, you did.
15:50And I said...
15:51Yeah, I'll say it again.
15:52A few mistakes agreed.
15:54But all in all, you were really...
15:56Really...
15:57You were...
15:58Bloody awful.
16:03Well, I was.
16:06Oh, come on.
16:08You can't take all the blame.
16:09The rest of the cast were awful as...
16:11As well.
16:14You were going to say, as well.
16:16No, no.
16:18Oh, Margot, look.
16:19What leading lady could possibly do her best
16:21playing opposite a bloke with squeaky trousers?
16:24It was bad enough four rows back.
16:26Heaven knows what it sounded like on stage.
16:28Somebody should have taken him out and oiled him.
16:30And have a conductor with his arm in a sling.
16:32His conducting arm, I might add.
16:34And see-through nuns.
16:37Exploding footlights.
16:42No, I'm sorry.
16:43Everything you say is true.
16:44But the fact remains that I was the leading lady.
16:48I could have saved that show.
16:50Instead of which, I gave a performance
16:51that plumbed the very depths of ineptitude.
16:55I am right, aren't I?
16:58Yes, you were terrible.
16:59Thank you, Tom.
17:02Why do you sing Maria from West Side Story?
17:05You tell me.
17:06The state I was in, I might just as easily have sung
17:08the soldier's chorus from Faust.
17:11Well, there's always tomorrow night.
17:13There isn't.
17:14We've been taken off.
17:16You were only on for two nights.
17:18Well, the mayor said we were giving the borough a bad name.
17:21What about the people with tickets?
17:27Well, we're telling them that the chandelier is unsafe.
17:31It probably is after tonight.
17:33I spoke very briefly to Miss Mountstraft after the performance.
17:39Do you know what that stupid woman said?
17:41She said,
17:42Never mind, Mrs. Ledbetter, that's show business.
17:45I nearly struck her.
17:48Well, come on, let's celebrate.
17:49I mean, let's have a drink.
17:51This will cheer us all up.
17:52Champagne.
17:53Margot?
17:53No, thank you, Jerry.
17:55Barbara?
17:57Um, no, not at the moment, thanks.
17:59Tom?
18:00Uh, no, no, not for me, no.
18:04All right.
18:05All right.
18:14There's lots of food.
18:15Yes, there is, isn't there?
18:18Oh, come on, Margot, cheer up.
18:20A little disaster at the town hall isn't the end of the world, now, is it?
18:23No, of course not.
18:25It was a little production by little people in a little town hall.
18:28Well, that's all right, then.
18:31It isn't.
18:32The thing that really depresses me is that I have been totally selfish.
18:35I was so besotted by this fiasco that I never gave a thought to the really important thing,
18:40which is Jerry losing his job.
18:42Hey, that's all right, darling.
18:44Getting the sack isn't a tragedy.
18:46Of course it is, and all the best people do it.
18:48Look at Ted Heath.
18:49Ah, it's true enough.
18:50Well, wedgie, then.
18:53Worse!
18:54I'm not a fool, Tom.
18:56I'm an executive's wife, and I know very well, if I take the time to think,
19:00that Jerry is not simply going to walk into another job.
19:04Are you, Jerry?
19:05No, it doesn't look like it.
19:07It's all my fault.
19:08If I'd simply entertain Mr Van Campen in the first place, you'd never have got the sack.
19:12There's never any question of that.
19:15This show was important to you.
19:17Yes, it was.
19:18What a total waste of time it turned out to be.
19:21That's not the point.
19:22Darling, I may have been engaged to the company, but I'm married to you.
19:26Oh, Jerry.
19:29Well, uh, goodbye, all.
19:31Please, don't go.
19:32No, don't go.
19:33All right, tell you what, look.
19:35You start that end, I'll start this end, and we meet in the middle.
19:37Right, and Jerry and I will do the same with the champagne.
19:40Last one to pass, I will do the washing up.
19:42No, I think I'll go to bed, if you don't mind.
19:48Good night.
19:49Good night, Margot.
19:50Good night, Margot.
19:54Jerry.
19:56No, I think I'll be off, too.
20:00Well, tuck in.
20:01You don't mind letting yourselves out, do you?
20:03No, of course not, no.
20:04Night, Jerry.
20:05Night, Jerry.
20:12You, uh, know the pigs are constipated, and there's no fuel for the generator.
20:20Yes.
20:21You know we've got grey aphys in the Brussels sprouts.
20:24Yes.
20:25We aren't half lucky.
20:26I know.
20:29What are you doing?
20:30Who are you phoning?
20:31I'm going to try and get Jerry's job back.
20:32How?
20:33Look, just leave it to me, woman, will you?
20:34Just leave it to me, please.
20:35Ah, what?
20:35Shh, shh, shh, shh.
20:36Hello, sir?
20:38Ah, Tom here, sir.
20:39Tom Good.
20:41Yes.
20:42Look, sir.
20:44Well, this is all very pleasant, Tim.
20:47Tom.
20:47Tom?
20:49Ah, nothing like a log fire, hmm?
20:53Tell me, where do you buy your logs?
20:54Ah, well, you don't.
20:55We middle the trees fall over on the common from Dutch Elden Disease,
20:57and then we haul them home.
20:59Oh, I see.
21:00What's your own lorry, have you?
21:01Not exactly, no.
21:02It's a trolley with four pram wheels.
21:04Here we are.
21:05We call this the Peapod Express.
21:08Ah, home brew.
21:09Yes, I'll be careful.
21:10It's very powerful.
21:11Ah, my dear Tim, I have drunk tequila in Mexico City,
21:16snaps in Berlin, and sake in Kyoto.
21:20Cheers.
21:21Cheers.
21:30My God!
21:32Told you.
21:33Well, now, you may have thought this was a social gathering,
21:36but, er, in fact, I do have an ulterior motive.
21:40I know.
21:40Well, you want me to give Jerry his job back.
21:44Yes, all right, I do.
21:45Why should I?
21:46I'll tell you.
21:47But first of all, let me say this.
21:49You're not a fool, and I'm not going to treat you like one.
21:51I'm not going to waste time on going all around the houses trying to find some infinitely subtle way to influence your decision.
21:57I'm just going to come straight to the point.
21:59When?
21:59Well, let me add this.
22:00I used to work for you, and I walked out, right?
22:06All right, so now we're just two ordinary blokes, right?
22:08Now, I'm not going to be about the bush.
22:10I'm just going to say what I think.
22:12Yes, but what is it?
22:16Jerry's a nice bloke.
22:18Any more wine?
22:20Well, Jerry is a nice bloke.
22:23So?
22:24Well.
22:25Well, what?
22:26Well, nice blokes shouldn't be sacked for putting their wives before their jobs.
22:29Oh, I think that's for me to decide.
22:31Anything else?
22:34Yes, lots.
22:36Barbara?
22:38Yes.
22:38Yes, actually, I do have something to say.
22:41Why don't you think of the woman in this?
22:43Think of Margot.
22:4499 times out of 100, she's been the unofficial hostess for your company.
22:48It's like United Nations next door sometimes.
22:51I mean, she entertains Russians, French, Belgians.
22:54If you said there were 50 Eskimos coming for dinner, she'd be down the shops trying to buy whale blubber.
22:59So, what was the difficulty with one single Dutchman last weekend?
23:04Well, I mean, she has her own life, too, for heaven's sake.
23:07I think I'll have a drop more of that, if I may.
23:12All right.
23:13Maybe this will do it.
23:14I was your top designer at JJM, wasn't I?
23:17Yes.
23:17All right.
23:18You take Jerry back.
23:19I'm willing to take on any freelance work your fellows can't handle.
23:22And I might tell you this is a contradiction of terms of the way I lead my life.
23:25And I don't do it lightly.
23:27You don't have to.
23:28I've found a better designer than you.
23:33But Jerry is a nice bloke.
23:35There you go, you see.
23:36You charge your whole argument with emotionalism.
23:39It's just a waste of time.
23:41I'm a businessman.
23:42Now, as a businessman, the one thing that might sway me would be if you were to tell me that Jerry was the kind of efficient executive that I need.
23:51Well, he is.
23:51I know.
23:53That's why I've decided to keep him on.
23:56What?
23:57Well, I may have been a bit liverish when I fired him anyway, putting the fear of God into one's executives never does me any harm.
24:04Now, if he's learned his lesson, I'm quite prepared to reinstate him.
24:07Then why do you watch us wriggle and squirm when you've already decided?
24:11Are you some sort of a sadist?
24:13No, I just thought that you might like to give Jerry the news.
24:16I mean, I'm certainly not going to approach him personally.
24:19I thought I might use you as a kind of, whoa, filter system.
24:23This isn't a sewage farm.
24:24Will you tell him or not?
24:27Yes, all right, I'll tell him.
24:29Good.
24:30Well, I think I'd better be going.
24:32Thanks for the drink.
24:33Oh, not at all.
24:34Thanks for making us better people.
24:36Uh, just, just, just tell me one thing, would you?
24:38When you say, if Jerry has learned his lesson, you mean he becomes crawling back on all fours, licks your boots and says sorry for being a naughty boy?
24:44Yes, I suppose I do, in so many words.
24:47And just what the hell do you give him back in exchange?
24:5118,000 a year, an expense account and a company car.
24:54Good night.
24:58No, James, no, it's not that I particularly want to leave JJM.
25:02No, just that one likes to keep the old ear to the ground, you know.
25:05What?
25:07Oh, you've heard.
25:08Yes.
25:10Yes, all right, James, put it like that.
25:11Yes, I do want a job.
25:13No.
25:14No, of course not.
25:16No, well, it's just a thought.
25:18Well, see you around sometime, James.
25:20Yeah, and to Margaret.
25:21Yes, you must both...
25:24I do hope you get dysentery soon, James.
25:28Oh, well.
25:29So much for James and Maggie Preston.
25:32At least we won't have to listen to any more of those interminable stories about her womb.
25:37I'm beginning to realise what it must have been like to have the plague.
25:40Yes.
25:41Even that social climber, Veronica Naismith, cut me dead in the hairdressers today.
25:45I hope you cut her back.
25:46I certainly did.
25:47Her auburn rinse is no longer a secret in Surbiton.
25:52You know, Tom and Barbara are the only real friends we've got.
25:55I'm beginning to see that.
25:56It's just a shame they don't have any influence.
25:58Or money.
25:59I'm afraid we're heading for a recession.
26:02Well, we'll be able to economise on Christmas cards anyway.
26:06The number of people we've cut off our list.
26:08I've been thinking about having to economise, Jake.
26:11In fact, I've already made a start.
26:14Bless you.
26:15Well, you know Mrs Pearson comes in five days a week to clean?
26:19Yes.
26:20I've told her that from now on it'll only be three.
26:24Thank you, Margo.
26:29Sir, Ma and Pa Kettle from next door.
26:30Can we come in?
26:31Yes, of course, Tom.
26:32Have a drink.
26:33Oh, yes, please.
26:34I could use one.
26:36Who's been ruffling your feathers?
26:37The Marquis de Sade.
26:39Who?
26:40Sir, Andy.
26:41Oh, you've no idea how close I came to letting him have it with that bottle.
26:45When?
26:45Just now.
26:46We asked him round to try and persuade him to get Jerry his job back.
26:49Oh, that was kind.
26:50You'll never know how near he came to ending up in my affluence, digester.
26:53Oh, don't mind, Tom.
26:54Thanks for trying anyway.
26:55Oh, you can have your job back any time you like.
26:57What?
26:58Jerry.
26:59Oh, yes, just make your public confession.
27:01A couple of hours on a ducking stool.
27:02Sackcloth and ashes for a month.
27:04I'll be able to see.
27:05Don't worry, he's got a lot to learn yet, that man.
27:07A lot to learn about people, that man, I can tell you.
27:09Got a lot to learn about Jerry.
27:10Right.
27:11If he really thinks that Jerry was simply...
27:13Hello, sir.
27:14Yes.
27:16Jerry here.
27:17Yes, yes.
27:19I say, awfully decent of you about this, sir.
27:21Very decent indeed.
27:23Yes, yes.
27:24Oh, I absolutely agree, sir.
27:25Andrew and Felicity must come to dinner soon.
27:28That was my guess, sir.
27:28You must come round to dinner soon.
27:31Well, any time you'd like, sir.
27:32Open house here, you know that, sir.
27:34Should we go play with our chickens?
27:37Saturday, that'll be fine, yes.
27:39How many?
27:41Eight.
27:42Yes, bring them all along.
27:43All Japanese.
27:46How interesting.
27:47I've always wanted to cook seaweed.
27:49My message has always wanted to cook seaweed.
27:51Yes.
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