- 5/11/2025
Kindaichi Shounen no Jikenbo Returns
คินดะอิจิกับคดีฆาตกรรมปริศนา Return ภาค 1
คินดะอิจิ Return S1 EP08 คดีฆาตกรรมคนแปรธาตุ File.3
#คินดะอิจิ #Kindaichi #คินดะอิจิReturn
คินดะอิจิกับคดีฆาตกรรมปริศนา Return ภาค 1
คินดะอิจิ Return S1 EP08 คดีฆาตกรรมคนแปรธาตุ File.3
#คินดะอิจิ #Kindaichi #คินดะอิจิReturn
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TVTranscript
00:00Thank you very much.
00:30I have to make a record for you
00:34You have to make a record for me
00:36I'll give you your name
00:38Brand new, brand new, brand new
00:42Brand new, brand new, don't worry
00:45The plan is going to start
00:48The start line is going to start
00:52From here to start
00:54Amazing story
01:00Biza
01:04Vila
01:05Biza
01:06Blos抵
01:06変わる旅1
01:08リロードされてこまっちって
01:12消されないように落ちないように
01:15手と手をつないだ記憶
01:19言葉足りぬすぎて
01:22誤解され孤独な迷宮
01:25You only have a door to open
01:31Brand new day, brand new way, don't be the door
01:35Now I'm not迷ing
01:39I've broken my eyes, and I'll see you
01:42I'll see you in the future
01:45Shining day, shining way,信じて
01:49After the tears flowed out
01:52I'll see you in the future
01:55I'll see you in the future
01:57I'll see you in the future
01:59Amazing Story
02:22I'll see you in the future
02:24I'll see you in the future
02:25I'll see you in the future
02:27I'll see you in the future
02:29I'll see you in the future
02:30I'll see you in the future
02:32I'll see you in the future
02:34I'll see you in the future
02:35He said that he would be the best to do.
02:38It's okay, right?
02:40What is it?
02:42What is it?
02:43Maybe he is a real man.
02:46He's a real man.
02:48He's like...
02:49He's like, if he's a real woman, he's a real man.
02:52He's like, you have to do something?
02:54He's like, no man.
02:56If he's a real man, he's not a real man.
02:59He's like, don't you?
03:01All the videos are added to the people of the people.
03:05Oh, this is a problem.
03:08The problem is that the doctor has a problem.
03:10The second problem is the problem of the doctor's office.
03:14What if you talk about the doctor's office?
03:16That's right, isn't it?
03:18Yes, but it's not a doctor's office.
03:21It's a job that has been a real life.
03:26I'm sure I'm feeling it.
03:28If something happens, it's not because of Rega Zhang.
03:31That's right.
03:33But if you're back, if you don't have any problems,
03:36you'll be able to do it again.
03:47This is Piyuki.
03:49What are you talking about?
03:51I'm telling you that Rega Zhang is the most.
03:54Why?
03:56I'm telling you that Rega Zhang is the most.
04:01And another thing is that Rega Zhang is the most.
04:07Why do you tell me about Rega Zhang?
04:10Why do you tell me?
04:12I'm telling you, Rega Zhang is the most.
04:15I'm telling you that Rega Zhang is the most.
04:18If you can do Rega, you can do it.
04:22The Rega Zhang is the most.
04:25Rega Zhang is the most.
04:27I'm telling you that Rega Zhang is the most.
04:29You take this.
04:30It is alright.
04:31I'm telling you, that Rega Zhang is the most.
04:32He is not the main one.
04:33I'm going to take a look at this point.
04:35This is the end of the day.
04:37Let's go.
04:39Who are you?
04:41You're welcome.
04:43You're welcome.
04:45You're welcome.
04:47You're welcome.
04:49You're welcome.
04:53You're welcome.
04:55You're welcome.
04:57You're welcome.
05:01You're welcome.
05:03Listen.
05:05You're welcome.
05:07You're welcome.
05:09I think that you're a good friend.
05:11I'mBill.
05:13You're right.
05:15I'm happy.
05:17You're welcome.
05:19Can you hear me?
05:21You're welcome.
05:23I feel like you are the one who is lost.
05:25And you make your own mind.
05:27Get out of here.
05:29If I know what you're going to do, take a look at this one.
05:37I'm sorry, Mr. Yunangi.
05:40I don't think it's true that it's going to be like this.
05:48Yunangi, why?
05:50It's possible that you can do it.
05:53What's happening to you?
05:55Is it about the evening or the evening or the evening?
05:57Or are you going to be a part of the group?
05:59What do you think?
06:01I'm going to ask you something.
06:03If I'm going to talk about the truth, please.
06:05But I need to know how to make it more.
06:09I want to make it more and more.
06:11And to make it more and more.
06:17That's so good.
06:19The name is the idol.
06:21The idol who died for two years.
06:23The idol who died for two years?
06:25I'm going. I'm going.
06:27I'm going.
06:29Haruka, I'm just 16 years old.
06:31She has been in the hospital for 14 years.
06:35She has been able to meet her for her.
06:38She's a great person.
06:41But she's not a good person.
06:43She's not a good person.
06:45She's a good person.
06:47She's a great person.
06:49She's a great person.
06:51She's like a good person.
06:53And why do you need to be a good person?
06:56I think she is a good person.
06:59She's a good person.
07:00It's a good person.
07:02It's a good person.
07:03But it's a good person.
07:05I'm going.
07:07I'm going to be a good person.
07:09I love you.
07:10How are you?
07:11I'm going.
07:14How are you doing?
07:16I'm going.
07:17Why are you waiting for me?
07:18I'm not going.
07:20She's doing so well.
07:21And she told me.
07:22The only reason is you.
07:23Why are you.
07:24I don't have to talk about this story.
07:26But she rather than I know.
07:27But I don't think I'm gonna be a good girl.
07:29But I don't know what that means.
07:31The only thing I want is to ask about is my friend.
07:37And I want to ask what I want to ask.
07:39I'm just like my friend.
07:41He is a guy who is here to be a writer.
07:43He's a guy who is here to answer the question.
07:45He is an actor,
07:47he is a guy who is the guy who is he,
07:49but if he wants to be like this,
07:51he can't be a guy,
07:53I can't do it anymore.
07:55I'm a big guy, because I'm a guy from the other side.
07:58You're dead, you're dead, you're dead.
08:00Are you serious?
08:02I mean, you've got a piece of paper from the other side of the other side.
08:08What do you mean?
08:11I'm going to see you.
08:13I'm going to ask you to help you.
08:16Do you see it?
08:19I can't help you.
08:20If you can help you, you can help me.
08:22If you can help me, please tell me what I'm going to ask you for.
08:27This is the camera's camera's camera.
08:29Is it the camera's camera's camera?
08:31I'm a fan of my camera.
08:34I'm going to be a fan of my camera.
08:37I'm going to talk to you.
08:38I'm going to play in college.
08:41You're like this?
08:42I like to play with my camera.
08:45This is the camera.
08:47Oh, my.
08:49I'm like...
08:50I'm not sure what you're talking about.
08:52Oh, really? What's your opinion?
08:56What's your opinion?
08:57I know, I know about the Golush,
09:01which is the original version of the Fookamori.
09:05I've never heard of it.
09:07I've never heard of it.
09:10I've never heard of it.
09:12But I've never heard of it.
09:16I've never heard of it.
09:18I think it's the one who's going to be here.
09:20Who is that?
09:22I don't think it's going to be a joke.
09:24Eh?
09:25It's going to be a joke, right?
09:27It's going to be a joke.
09:29I'm going to be a joke.
09:32Or...
09:34It's going to be a joke.
09:36Your job will run out of the dark.
09:41It's going to be a joke.
09:44There's no joke.
09:47But do you think that you've seen the right cause?
09:49The right answer.
09:51Right.
09:53The right answer.
09:55The right answer.
09:57What is the right answer?
09:59Yes.
10:01Yes, I can see you in the middle of the room.
10:04What?
10:05You see?
10:06This is like a house in the second floor.
10:10Yes, it's an item in the right path.
10:13The house is all the way to make the right path.
10:18The right path is the right path.
10:21This is the right path.
10:23You can see it.
10:25What?
10:26It's in the right time.
10:28Oh, that's right.
10:30I think it's about this.
10:32My name is D-Day.
10:34This is my name.
10:36My name is 22.
10:40I'm 28.
10:42I'm 24.
10:44I'm 25.
10:46I'm 25.
10:48I'm 26.
10:50I'm 26.
10:52I'm 26.
10:54I'm 26.
10:56I'm 27.
10:58How are you?
11:00You're doing great, Yuki.
11:02I'm looking for good luck.
11:04Really?
11:06You're so good.
11:08You're all the same.
11:10I'm not sure.
11:12You're all the same.
11:14You're all the same.
11:22What's that?
11:24You can all of them come to the same way.
11:26Yes, you are all the same.
11:28You're all the same.
11:30You don't get the same.
11:32You want to get the same.
11:34Really?
11:36I can't reach the same way.
11:38You don't, OK?
11:40I can't see anyone else you're at.
11:42But you're already Papai.
11:44Can't do anything?
11:46Yes, I'll try.
11:48I'll be back here.
11:51I'll be back.
11:53I'll be back.
11:55I'll be back.
11:57We're going to get started.
11:59I'm going to open up the real estate
12:01of the building on the building
12:03behind this building
12:05so that everyone knows.
12:07Let's go to the plan.
12:09We're all going to do this
12:10to make a TV show
12:12for the film.
12:13The film show is over a few years ago.
12:16I had to go to the house and get to the house.
12:20We know that the staff and staff are going to be someone else.
12:25But with the staff and staff,
12:27I have been able to answer questions and answer questions.
12:32So,
12:34I have been here with the staff and staff.
12:37I have been here with the staff.
12:39I have been here with the staff.
12:43In the world of the world, there is a place for him.
12:47If you are interested, the other people are interested in the future.
12:51The world of the world will capture the presence of the world.
12:56The most important thing is the people who are doing the best at the time.
13:00The people who haven't seen the world before he is the one who is not happy.
13:03They are the one who is happy to see the world.
13:06The people who are watching his right is the one who is looking for the world,
13:09she's going back to the side of the side of the side of the side of the side of the side of the top
13:14and doing it with a career purpose
13:29And the other one is the second one.
13:33So it's the only room that is in the city of Folkabori.
13:37This is the same room that is inside the house.
13:41After that, you can see the three-day night of Odisawa Riyu-Gobh.
13:45I thought that the room on Odisawa should give you something.
13:53And the room behind the room is the only room that is ready to come.
13:58From the beginning of the day, I'm going to show you how to get out of the air.
14:02And the next one is the Fujibori Agira.
14:07What is the most important thing to do?
14:11I'm going to give you some advice.
14:13I'm going to give you some advice.
14:17I'm going to give you some advice.
14:19I'm going to give you some advice.
14:21I'm going to give you some advice.
14:25The story of the book tells us that this story is on the NC.
14:28He knows that you are an Elixir.
14:30It's a certain way ahead of us.
14:33The story goes through the это
14:39that is supposed to be a proper training set in the ROHU
14:44The whole world will be aimed at the new County site as well.
14:50The story of the body is being named in the arch.
14:55It's...
14:56That's right.
14:57That's right.
14:58It's a symbol of the atomic bomb.
15:01It's called the atomic bomb.
15:03If you look at the atomic bomb,
15:05I'm going to be the one.
15:07What's that?
15:08Yes.
15:09It's a symbol of the Loha
15:11that's how you use the door.
15:13What?
15:14The ENCOJI is the magnesium.
15:17The magnesium.
15:18The magnesium.
15:20The magnesium.
15:22The aluminum.
15:24The
15:44The metal of the Loha is a symbol of the Loha.
15:48Yes.
15:49The metal of the Loha is the symbol of the Loha.
15:51You don't have to?
15:52At that point, you'll find a corner right now.
15:54Let's have a look at it.
15:56Please.
15:58This is the gas gas hose you want.
16:01It is linked to the barbecue that takes you to drive the project.
16:05Since we look at the meantime,
16:08you will easily use a light light on the main screen.
16:12This is the instrument that you have on the house of Khritha.
16:16It is the same with the window that you do.
16:19If you want to go to the real house, it's time to go to the house.
16:22I'll use the house.
16:24It's better than me, Yuki.
16:26Yes.
16:29You're going to have a place like this.
16:33I don't have a place like this.
16:36It's better than you.
16:38The house is the house.
16:40The house is the house.
16:42It's the house.
16:44The house is the house.
16:46It's the house.
16:49When you saw this house, the house was so close.
16:53You can hear the house.
16:55What do you think?
16:57Yes.
16:58I'm sure he can talk about this house.
17:00I'm sure.
17:01Be sure to see the house.
17:03I am sure that you are up to the house.
17:06I'm sure you can use it to wear the house.
17:08I'm sure you don't wear the house.
17:10I'm sure you are going to use it...
17:12That's the house.
17:14You make a house.
17:16I made the first one of the windows of the room in the middle of the room.
17:19So I made the room for the room for the room just like that,
17:23and then I used the windows on the door when I was the window.
17:27The room didn't cover the window for the door.
17:30The window was getting the window off as soon as I was.
17:33But from this point it was difficult to find the window.
17:36Because if I did the window on the door,
17:39the room would be in the room.
17:41Therefore, the room was using the windows on the door,
17:43나며ใช้อุ appsós סaid plac 퀄งที่ลนไฟให้ร้อน
17:46คJA ข้อยทำให้โลหะตรงขอบน้วยทีละนิด ๆ
17:57เมื่อโปลดดานออกก็เปิดประตูได้
18:02ที่เหลือก็ลบนี้จากห้องปิดตาย
18:06โดยจับเล่กาจจางมาไウ้ในห้องปิดประตู
18:08แล้วก็ขัดดานบ้วยวิธีเดียวกับช困禁 Rin
18:11Then you set a block to make the block in the corner.
18:16Then you split the block in the corner of the other side.
18:20Then you edit all the block and remove the block.
18:24Then it's the block to make the block to make it on the corner.
18:28Then you pull the block to make it back up.
18:33It is better to stop at the bottom,
18:36but it's done for a minute.
18:38Although I had to be done with my wife, I was able to take a look at the work.
18:44I had to make a look at the work model.
18:48I would like to ask her to believe she could do it as well.
18:50She could think of it as well.
18:57But I think she could be able to do it in the same way.
19:03And the most important thing about this is that I have to pay for it.
19:08Now, in the house of Fujimori, I feel that it's worth it.
19:13This is the case.
19:16This is the case.
19:18What are you doing?
19:20This is the case.
19:22This is the case.
19:24This is the case for Fujimori.
19:28Why?
19:30Why should I have whatever for you?
19:34That's the case for me.
19:37This is the case for the door.
19:40This door is open.
19:42The door is closed.
19:43So you can withdraw the door open to the door open.
19:47Thus, the door is only closed for my mind.
19:50It's closed and won't fall down when the door is lost until you feelüssel.
19:53Oh.
19:54No, it's a real thing.
19:56The way to the Neue is the one,
19:58the way to the Neue is the one,
20:00it's really true.
20:01But if you have the D-Buck
20:03that is still alive from the D-Buck
20:04and the D-Buck
20:06that is still alive,
20:08then it's another thing.
20:09The D-Buck is very close to the D-Buck.
20:11If you have the D-Buck,
20:13it's not possible to be alive.
20:14It's the same thing.
20:16But the D-Buck is the one,
20:18the one is the one from the other.
20:20You should find the D-Buck
20:22That's all for the main reason.
20:25That's why my mum told me about the
20:2812th century.
20:30I did not want to show you by the new two.
20:35How did you do it?
20:36When I was the first one,
20:39I thought I did not know how to show you
20:42That was a trick of people at 7th century
20:44Because they also used to make them
20:48and have to say something like this
20:49Actually, I'm going to use some of these things that I can use as much as I can.
20:58You can see that there is another thing that you can use.
21:04If you're talking about this, you're going to be able to use this tool.
21:09You can use this tool.
21:11You can use this tool.
21:12You can use this tool.
21:13You can use this tool.
21:15You can use this tool.
21:17That's right. That's what we have to do with.
21:21We don't have anything to do with that.
21:22That's what we have to do with the 50th grade.
21:25I'll tell you that you can't think about it.
21:28But the most important thing is to talk about the most.
21:32Is it right?
21:33It's not because of the fact that you have to do it.
21:37If you are a man who is a man who is a man who is a man who is a man who is a man,
21:42I'm going to make the vocabulary, which is the second part of the second part.
21:45I'm going to be able to make it as if they have to do it.
21:47Hey, hey.
21:49You guys are in the club.
21:52I'm going to open the trick all the time.
21:54I'm going to come back to the real person.
22:12愛を握りしめて 追いつく君の隣へと
22:20ほら手を伸ばせば全部 崩れるパズルのよう
22:29溶ける謎が見つからない
22:34また変わらない10センチの距離
22:41恐れきれない想い
22:46君を抱かす魔法 秘密のパスコート
22:52ずっとずっと解けない 私だけ
22:59近づきたい想い 触れてみたい君に
23:06またそまた遠く 感じてしまうそっと
23:14でもきゅっと心を繋ぎたいよ
23:23嬉しい思いを 驚してくれ
23:30あなたの家にゼントを 増えている
23:34私たちの家には 実家という家によって
23:37新しい家の家に 雑な世話を 迎える
23:39私たちによって 最後に 私を見ることができる
23:43私たちは絶対 ここを 予告している
23:46私たちはプリスの家と全ての家に 励くなります
23:49We will be right back now.
23:51That's the return.
23:53The 5th-4th-4th-4th.
23:56May the entire time come out!
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