- 5/9/2025
Films in Public Domain
Category
🎥
Short filmTranscript
00:00The End
00:30The End
00:59You'd better call Mr. Butler
01:00I done called him two times already, Miss Butler
01:03Seemed like he'll never come down till I called him the third time
01:07I think tomorrow morning I'm going to call him the third time first
01:10And save them other two calls
01:12If I did take care of yourself, see you tonight
01:20Henry
01:20Aren't you going to have your breakfast?
01:23Yeah, sure
01:24Didn't I have my breakfast?
01:27Darling
01:27My goodness, I'm so busy I'm way ahead of myself
01:30Memphis, why did you call me?
01:32I did call you, sir
01:33I called you and called you till I was black in the face
01:36Oh, you did, huh?
01:38Very good, Memphis
01:39Very good
01:40Black in the face
01:40Did you hear that, honey?
01:41Pardon me
01:42Pardon me
01:43Let me have this piece, will you, please?
01:44Grace Norman got a divorce from Jack
01:59I picked you in the paper
02:00She photographs well
02:02Wish I photographed as well
02:03That's too bad
02:05They could really have made it successful if they tried
02:08Don't you think so, dear?
02:09Henry, did you hear what I said?
02:13What did you say, dear?
02:15I said Grace Norman has got a divorce from Jack
02:17Oh, that's too bad
02:18Who?
02:20Grace Norman
02:20What about her?
02:22She got her divorce from Jack
02:24My, my
02:25Well, for goodness sakes
02:26This seems such a happy couple to me
02:28Miss Bubler
02:30There's a man on the phone
02:31What wants to know
02:32Do you want dove or bridal stickers on the cake or both?
02:37But the man's hauling the phone
02:38Somebody want me on the phone?
02:40No, dear
02:40It's just, uh
02:41Tell him I'll call him later, Opal
02:42Yes, sir
02:43Hey, honey
02:44Look, I want to call you
02:45See that?
02:46That's mine
02:47Look
02:47See that?
02:50Goldberg's
02:51No wonder he doesn't do any business
02:53Darling, what day is today?
02:56The sermon says Tuesday
02:57I mean the date, dear
02:59The 6th
03:01Does that mean anything to you?
03:04I'll say it does
03:05Why, it's the day before our big annual sale
03:07Look, honey, look
03:08You see that?
03:10Every family in town has us on the breakfast table right now
03:13You know, Henry
03:14Sometimes I think you're married in that department store
03:16Said it to me
03:16Sometimes I think I
03:17Oh, honey
03:18Don't be silly
03:19Uh-oh
03:208 o'clock
03:21Got a big leg
03:22Goodbye, dear
03:23Take care of yourself
03:23We'll see you tonight
03:24Have you got your glasses?
03:25Yeah
03:25And your keys?
03:26Yeah
03:26And a clean handkerchief?
03:28Yeah
03:28Well, Grace
03:32You don't have to worry anymore about someone forgetting your anniversary
03:35Do you, kid?
03:36I should say not
03:39It's perfectly marvelous, Clara
03:41This feeling of freedom
03:42I keep pinching myself to see if I'm really awake
03:44And I got the most wonderful property settlement
03:46Thanks to my brilliant attorney
03:47He comes from the east
03:49He's perfectly charming
03:50His name is Gilbert Wayne
03:51Oh, no, of course I'm not in love with him
03:53Don't be silly
03:54Really, Clara
03:55I don't think I'll ever love again
03:56Hold on a minute, dear
03:59There's someone at the door
04:00Why, Effie, darling
04:06How sweet of you to come
04:07Come on in
04:08I'm talking on the telephone
04:09Sit down, dear
04:10Make yourself comfy
04:11Help yourself with cigarettes
04:12Oh, dear
04:12I always forget you don't smoke
04:14Hello, Clara
04:15What were we talking about?
04:17Oh, yes, love
04:18Well, personally, I'm sure
04:19If there isn't a man living that I'd trust
04:21Not one
04:22They're all born cheaters
04:23It's Clara Drake
04:25Sometimes I wonder how Wilbur ever puts up with her
04:27But then he's such a stuffy boy
04:28Huh?
04:29Uh-uh
04:30Well, listen, dear
04:31I'll have to say goodbye
04:31But then I'll see you tonight
04:32Are they invited to your anniversary dinner?
04:35You're going to Effie's party tonight?
04:37Well, then I'll see you there
04:38Goodbye, dear
04:39That woman, once she gets you on the phone
04:41Well, there's just no getting rid of her
04:43Effie, how sweet you look
04:45Thank you
04:46So, this is your 20th anniversary
04:49Congratulations
04:50I suppose Henry's beaming
04:53Well, as a matter of fact, he forgot it
04:55Effie, no
04:56That's just the way my jack started
04:59I'd look into it
05:00Well, there's nothing to look into
05:01He simply forgot it
05:03He doesn't forget the day he's to leave on his fishing trips
05:05And he didn't forget the day he was to leave for his large convention in New York
05:08But he did forget to come home on the day you expected him
05:11But business kept him off the convention was over
05:14Well, that's what he said
05:16Someday you'll get your eyes open
05:18Men are all alike, liars, cheats
05:20I know
05:21But my Henry isn't like other men
05:24Oh, he's different
05:25That's exactly the way I used to feel about Jack
05:28Then came the awakening
05:30Oh, don't get the idea that I'm bitter
05:32Not at all
05:33Why, Jack and I are the best of friends
05:35Oh, pardon me a minute
05:38Well, hello, stranger
05:43Come right in
05:44Come on, Mrs. Norman
05:45How are you today?
05:45Never felt better
05:46Give me a hat
05:47Come along
05:48I have a friend I want you to meet
05:50Mrs. Butler
05:51Mr. Gilbert Wayne, my attorney
05:52How do you do, Mrs. Butler?
05:53How do you do?
05:54Well, I suppose congratulations are in order, eh?
05:57Thank you
05:57Well, are all the little details taken care of?
06:00Oh, yes
06:01Your husband's been very generous
06:02Oh, you mean ex-husband
06:04Pardon me, your ex-husband
06:06Now, here's your final decree
06:07Signed, sealed, and delivered
06:09And here's your check
06:10Settlement in full
06:12Very generous, don't you think?
06:14Yes
06:14Yes, indeed
06:15But, of course, stinginess never was one of Jack's faults
06:18Not so bad, eh?
06:20Hmm
06:21And I suppose he was just as generous with your fee
06:25Well, if you remember
06:26According to the settlement agreement
06:27That was to be taken care of by you
06:29What's that?
06:30Oh, yes, of course
06:31Certainly
06:32Well, uh, you see, uh
06:36Well, there's no hurry about it
06:37Any time at your convenience
06:38Yes, yes, of course
06:39Well, I'll send you a check in the morning
06:40Thank you
06:41If you'll excuse me, I'll be running along
06:43Goodbye, Mrs. Butler
06:44Nice to have met you
06:45Thank you
06:46If I can ever be of any service to you
06:47Oh, save your breath, Gil
06:48She's one of the happiest women I know
06:50Married 20 years today
06:51And to the same man
06:52So?
06:53That's right
06:54Congratulations, Mrs. Butler
06:56That's a record to be proud of
06:57Yes, I think so
06:59If we were all like Effie, you'd starve to death
07:02Well, goodbye
07:04Goodbye, Mr. Wayne
07:05Goodbye, Gil
07:08Thanks again
07:09I'll see you soon
07:10Yes, I'll be in my office all day tomorrow
07:12Goodbye
07:13Goodbye
07:14Well, how do you like him?
07:19Isn't he wonderful?
07:20By the way, have you invited Jack to your party?
07:22Well, under the circumstances, no
07:24Well, in that case, do you mind if I bring Gil?
07:26You know, he said he'd like to meet some of my friends
07:28Why, it's quite all right
07:29Bring him by all means
07:30Oh, yes
07:31I mustn't forget to make a place card for him
07:33How do you spell his name?
07:34Gilbert Wayne
07:35W-A-N-E
07:39Oh, we'll put that at the place next to Mrs. Drake
07:44Right there
07:45Yes, ma'am
07:46I'm sure glad to hear Mr. What's-his-name for coming
07:49Why?
07:50Because without him, it would have been 13
07:52And 13 is bad luck, Mrs. Butler, mighty bad luck
07:54Oh, don't be ridiculous, Opal
07:56What did you do with my present for Mr. Butler?
07:58Oh, here it is
07:58Where do you want me to put it?
08:00I'll put it, thank you
08:01All right
08:01Uh, Mrs. Butler, don't you think it's time you get in dress?
08:04It's getting late
08:05Oh, I'm all ready, except to slip on my dress
08:06And that won't take but a minute
08:07Uh, has the ice cream come?
08:09Yes, ma'am
08:09And the cake?
08:10Yes, ma'am
08:10Uh, Memphis, have you put out Mr. Butler's clothes?
08:13Yes, ma'am
08:13Good
08:14I'll let us a change
08:15Yes, ma'am
08:16Oh, Mrs. Butler
08:18Oh, what's the matter?
08:20You done walked under that ladder
08:21Oh, is that all?
08:22I thought something would really happen
08:24Why in the same place?
08:28Best thing
08:29I wouldn't be surprised if this surprise party
08:31Don't turn out to be the wrong kind of surprise
08:34No, no, that doesn't make sense
08:39Uh, get me a bit of Johnson's clothes
08:41With your apartment
08:42I want to speak
08:42Uh, huh?
08:44I want to
08:44Uh, gone home
08:47What did you do?
08:48Take the afternoon off?
08:50I
08:50Seven o'clock
08:52Oh, no, no, no
08:53It can't be seven o'clock this time of the day
08:55Can't be
08:56Oh, it is seven o'clock this time of the day
08:59Goodness
08:59Well, what are you doing here?
09:01Why don't you go home?
09:03Goodness sakes, seven o'clock
09:05How the time flies
09:06Late beginner again
09:08And
09:08It'll be cold
09:10It'll be mad
09:11I can't get enough done
09:19Work all day and do nothing
09:22I like your okay these fashion show numbers, H.J., before you go
09:30See, we're using them the first thing in the morning
09:32I'm disturbed over the shoulder sweep of this sweater
09:35What's wrong with it?
09:36I can't see anything wrong with it
09:42Well, I don't like it
09:44How do you like the, uh, drape of this formal?
09:49I don't approve that
09:50Well, frankly, neither do I
09:51And that, uh, changed to the, uh, turquoise blue
09:54It's a bit daring, but the lines are gorgeous
09:56I'm sure you'll agree that this cocktail ensemble is perfect
09:59I don't like it
10:01But H.J., I don't like it
10:05Well, make a substitution
10:07Change to the, uh, jersey print
10:10Now, H.J., I want you to see my arrangement of the wax models and the window display
10:13I'm sure you'll like it
10:15Do you think you'll have time?
10:17Hmm, I suppose so, sure
10:18Fine, all right, come on, girls, make those changes as fast as you can
10:21Let your button, and I'll be downstairs, and we'll see you there
10:22Now, here's what I mean, H.J., now, you take, uh, well, take the figure, for instance
10:30By the way, I call her Hetty, don't you think there's a resemblance?
10:34Hetty?
10:34Oh, yes
10:35I saw her in that picture called Gone with the Wind
10:38Wasn't she wonderful in that scene with Rhett Butler?
10:41That was Vivian Lay
10:42That was Vivian, who?
10:43Vivian Lay
10:44Never heard of her
10:45But, Hetty
10:46Now, to get back to the figure
10:47We not only call attention to the gown, but we also emphasize the vanity without stressing it too much
10:53Hmm, that sounds all right
10:55Very good idea
10:56Uh-oh, careful there, H.J.
10:59After all, this is my department
11:00I want any changes made, just tell me
11:02What's wrong?
11:04Well, I'm sorry, but I, I, I thought maybe the, the hand should be tilted
11:08Just
11:08Tilted?
11:09Just a little bit
11:10Just a little tilted
11:11But we need to tilt
11:12Like that?
11:16There, now that looks much better
11:17And is there anything wrong with Carol over there?
11:21Oh, Carol, now let me see
11:24Uh-huh, well, I think that
11:27No, nothing wrong with Carol
11:29She looks fine there
11:31Looks very comfortable
11:32Very good likeness, too
11:33It's a good job
11:34Good job, Mr. Sibley
11:35Now, let's see
11:36The bed, the bed
11:41I don't like the bed
11:41And what's the matter with the bed?
11:43Well, I, I just don't like the position of the bed
11:45You see, we are featuring the mattress and the bedding
11:48See?
11:50Not the bed alone
11:51Now, I'll show you something
11:52Anyone passing by outside on the sidewalk
11:54And looking in here, all they can see is the foot of the bed
11:57Just the foot
11:57They can't see the, look
11:59Show you
12:00Just move it over a little bit
12:02And I'll show you
12:02Just a little bit
12:03No harm, no harm, Mr. Sibley
12:05Now, would you mind pushing the bed just a little bit to the right?
12:09That's it
12:09Oh, too much, too much
12:12Back a little bit more
12:13Too much
12:16Now, just a teeny willoply
12:19There, there you are
12:21Now, you see, that looks better
12:22And look
12:23Anyone passing by and looking through the window
12:25Can visualize themselves sleeping peacefully on our double-X slumber mattress
12:29Don't be lost, Wilbur
12:33Effie will never forgive us if we hold up her coffee
12:35Be back in the gypsy
12:36Everything looks lovely
12:40Everything is fun
12:41Now, there's just one more thing, Mr. Sibley
12:44Now, I think that Carol would look much better over here on the bed
12:47Than over there
12:48Because over here, she would attract more attention to the bed
12:51Don't you think?
12:52Definitely not
12:53Well, I...
12:59Oh, there you are, girls
13:00H.J., will you okay these costumes?
13:03Sure, come here, little girl
13:04Move it right around
13:13Mm-hmm, very good, very fine
13:16Say, now, Mr. Sibley, while we're at it
13:18I just want to show you what I mean about Carol being over here
13:21Now, wait, now, just watch
13:22This one
13:23I'm just going to show you what I mean about Carol being over here
13:32Oh, I'm going to show you what I mean about Carol being over here
13:36What are you looking at?
14:06And on his 20th anniversary, too. Poor Essex.
14:22Well, I guess I've been in the wrong kind of business for the last 15 years.
14:26Well, Bob.
14:27Come on.
14:30Now, look, Clara. You're a pretty good friend of Effie's, aren't you?
14:33Yes, I am.
14:34Well, then, keep your mouth shut.
14:35Now, come on. Get in. Let's go.
14:37What a funny thing.
14:38Never mind. Come on.
14:39Don't you think Clara looked much better here, like that?
14:43I most certainly do not.
14:44Come on, girls. Let's go.
14:46Annette.
14:53Hmm.
14:54I guess you didn't like it.
14:55Oh, my goodness. What have I done?
15:10Oh, my goodness. What have I done?
15:27What does Sibley say?
15:28You know, I've never given a party when it was a surprise for Henry before, and I'm just as nervous as a child.
15:34You shouldn't be nervous about your own husband.
15:36Oh, but all of them are.
15:38Oh, pardon me, please.
15:40Oh, Clara.
15:41Oh, dear.
15:42Well, if we're late, you can blame Wilbur. You know his savings. Always some last-minute business to attend to.
15:52But you're not late, Clara. Henry isn't home yet.
15:54No.
15:55Oh, no. Well, he's probably just working over something at the office.
16:01You know how he is. When he has anything on his mind, time means nothing.
16:06Well, I'd be looking into this, my dear, if I were you.
16:09Well, I'm sorry, dear.
16:13No better kid, Jeffy.
16:14She's spoiled because my work's over at 3 o'clock.
16:17All men don't have bankers' hours, you know.
16:20Oh, there's Mabel and Bert. Come along, dear.
16:23Well, after you later, dear.
16:25Oh, look at that.
16:31What are you laughing at?
16:32These old snapshots of you and Henry.
16:34They're priceless.
16:35Have you come to the one with Henry and me on our honeymoon with Niagara Falls in the background?
16:39No, not yet.
16:41When you see the hat I'm wearing in that one, you'll die.
16:46What an awfully smart dress, Clara. Still becoming.
16:49Don't you think it thinned you down a bit?
16:50Oh, thank you, dear.
16:52Well, you know there's a great deal of competition these days, Effie.
16:54But I'll never leave your breath through my carelessness and appearance.
16:58Aren't you putting on a little weight, dear?
17:00Oh, a little, perhaps.
17:01But it doesn't bother me.
17:03Henry likes it, and he's all that matters.
17:05Oh, yes, of course.
17:07Pardon me, please.
17:08Say, when do we eat?
17:09Shh.
17:10As soon as Henry gets here.
17:11Be patient.
17:12Patient?
17:13I walked out on a deal that would have made me 2,000 bucks to get here on time.
17:18Hello, darling.
17:20Oh, good evening, Mr. Wayne.
17:22Hello.
17:22My dear, my dear, would you ever forgive us for being so late?
17:24We got caught in the most frightful traffic jam in just the one time in my life I wanted to be on time.
17:29Was Henry surprised what he said?
17:30Well, you're not late.
17:32As a matter of fact, Henry isn't home yet.
17:34Of course, he didn't know I was giving this party for him, but he's never been this late for dinner before.
17:38Well, you phoned the store?
17:39No, no, because I expected him any minute.
17:42How's Jack been doing?
17:43How'd he come out on that deal?
17:44Oh, it was simply wonderful what he did.
17:46Well, that's marvelous.
17:47Wilbur, darling, will you get me another glass of punch?
17:54Doesn't it seem strange to you that Henry isn't home yet?
17:57Why, yes, it does seem to...
17:59I could tell them where he is.
18:02Why?
18:02What do you mean?
18:06Well, on the way down, Wilbur had to stop at the office.
18:10That's near Henry's store.
18:11And she got out of the car and went over to the window, and...
18:15And when she peeked in the window, there was Henry.
18:20Still water runs deep, you know.
18:22He was born under the sign of Leo, and they're born playboys.
18:25How do you know what sign he was born under?
18:28His birth date's the same month as mine.
18:30Oh, then what does that make you?
18:34Are you reading the right number?
18:36Garfield, three, six, five, one.
18:39Oh, you are.
18:45I feel so sorry for poor Effie.
18:52If she ever finds it out, it will break her heart.
18:56There he was, sitting on the bed with a beautiful girl.
19:00Not Henry Butler.
19:01Henry Butler.
19:03Well.
19:03What's the matter, Miss Butler?
19:14Looked like you done seen a ghost.
19:16Oh, Memphis, I'm so worried about Mr. Butler.
19:18Will you take the car and go down to the store and see what has happened to him?
19:21Yes, ma'am.
19:22I sure wish you hadn't walked under that ladder.
19:27But it's very important that she, uh, she got an awful blow there.
19:31She, she looks terrible.
19:32It's all the bad.
19:34Huh?
19:35Oh, no, no.
19:36You can't wait until in the morning.
19:37I've got to get her fixed up tonight, but she's got to be in the window in the morning.
19:41Yeah, I'm in a hurry.
19:43Huh?
19:43Yeah, oh, oh, oh, thanks, Max.
19:46Thanks.
19:47All right, I'll drive her right down.
19:48I'll be right down there right away.
19:49Yeah, okay.
19:50Okay.
20:13All right, I'll drive her right down.
20:43Look out for a black sedan.
20:49License in B column.
20:51One, six, B, nine, eight, eight.
20:54One, six, B, nine, eight, eight.
20:56Body of dead woman reported in backseat of car.
21:00Man is dangerous.
21:01May be armed.
21:02That is all.
21:04Rosenberg.
21:05Now, don't worry, Mr. Butler.
21:06She had a pretty bad bump.
21:08But I'll have her back in the morning looking like she just stepped right out of a beauty shop.
21:11That's fine, Max.
21:12That's a load off of my mind.
21:14Now I can go home and have dinner in peace.
21:15Dinner?
21:16Yeah.
21:16What?
21:17At 9.30?
21:19Is it 9.30?
21:20My, my.
21:21Bedtime.
21:22What will that be say?
21:23I'm sorry to have kept you all so late.
21:26I know you must be stalled.
21:28You said it, Effie.
21:29Bertrand.
21:29Well, I'm hungry.
21:31Early yet, Effie.
21:32Let's give him a few more minutes.
21:33How would it be if I did some of my card drinks?
21:35Oh, thank you so much, Gilbert.
21:36But I think we'll have dinner now.
21:38Come along, folks.
21:45Now, folks, let's have a toast.
21:48Oh, I love toast.
21:49Make it a funny one.
21:50To our charming hostess, may we all live to be invited to her golden wedding.
21:55Oh, isn't that cute?
21:56That's very sweet.
21:57And to our invisible host, absent in person, but with us in spirit.
22:04I am not.
22:06Now, look at, fresh guy.
22:08What did you do with the blonde woman you had in your car?
22:11I didn't have a woman in my car.
22:13You didn't, eh?
22:14No.
22:17We found these in the back seat of your car.
22:20How do you alibi that?
22:22Oh, I know.
22:24They must have fallen off a car when I carried out of the car.
22:26I thought you said you didn't have a woman in the car with you.
22:29I didn't.
22:29Well, then, who's this Carol?
22:32She's a model.
22:33I suppose a model ain't a woman.
22:35Now we're getting somewhere.
22:37Where did you hide her?
22:38I didn't hide her.
22:40I took her down to Max to get her fixed up.
22:42Fixed up?
22:42Yeah, but Max said he'd fix her up so that Mr. Sibley wouldn't know about the accident.
22:47Accident?
22:48Sibley, Max, wait a minute.
22:51Now let's get started right from the beginning.
22:54Well, to begin with, Mr. Sibley wouldn't let me touch her.
22:57So there's another man in the case.
22:59Jealous, eh?
23:00No, but he thinks a lot of her, too.
23:02This guy, Sibley, and you are goofy over the same blonde.
23:06You take her away from him and, uh...
23:07No, no, no.
23:08No, you see, it was like this.
23:10He left me alone with her.
23:12And after he'd gone, I picked Carol up and I was taking her across the room to the bed.
23:17I want to lay her down there.
23:18But going over there, I tripped and she fell to the floor.
23:21And when she fell, she must have hit her head on the bed.
23:24Yeah.
23:25Go on.
23:26Yeah, I'll go on.
23:27Yeah.
23:27So I turned her over, see.
23:30And when I did, I noticed a big gash in her head.
23:32And I knew that if Sibley came the next morning and found that big gash in her head,
23:36he'd be furious.
23:37If I know Sibley.
23:39Huh.
23:40So what'd I do?
23:41I pick her up and take her over to Max to get her fixed up.
23:44And I was hurrying home to dinner when an officer stopped me.
23:48Well, of all the cold-blooded guys that I ever met.
23:51Mr. Police, I tell you, I ain't done nothing.
23:54No, I suppose you just drove that car in the City Hall Fountain to watch it.
23:57No, sir, I had a nervous shock.
23:59And I was tearing out for home when the fountain just jumped right up in front of me.
24:04I...
24:05Oh, Mr. Butler.
24:08They done catched you, didn't they?
24:11Do you know this man?
24:12Yes, I was for it.
24:14So you're in on a murder, too?
24:16No, sir, not me.
24:17Where's the body?
24:18I don't know what he done with it.
24:20I told you, it's down to Max Waxworks.
24:22Max Waxworks?
24:23Yes, Max Waxworks.
24:24If you don't believe it, go down and see.
24:26Flanagan, lock these mugs up before I go screwy.
24:29I gotta have time to figure this out.
24:30Come on, you.
24:31Hey, you can't do this to me.
24:33Oh, Brian, the whole thing is screwy.
24:35Max Waxworks.
24:36Still be...
24:37Yeah, that's swell time.
24:38No fooling, Effie.
24:39It was great.
24:40Really?
24:40Come along, Clara.
24:41I know just how you're feeling, dear.
24:43But don't worry, Henry will have a good excuse for not coming home.
24:46I hope.
24:46Clara?
24:47Come in, dear.
24:48Good night, darling.
24:49Good night.
24:51Well, as usual, always the last to leave.
24:53Good night, Effie.
24:54Good night, Mrs. Butler.
24:55Good night.
24:55Thanks so much for inviting me.
24:57Well, I'm so glad you joined us.
24:58I hope you have the pleasure of meeting your husband sometime.
24:59I'm sure you will.
25:00What do you mean, Gil?
25:01In court?
25:02Oh, no, no.
25:03I didn't mean it that way, Mrs. Butler.
25:04Oh, I'm sure you didn't.
25:06Good night, Effie.
25:06Good night, my dear.
25:07Come on, Gil.
25:08Oh, so you're Henry's different.
25:12Ha, ha, ha.
25:15The next time you take a wax model down to Max Waxworth, I hope you do it on my day off.
25:20Now get out.
25:21Here, take these with you.
25:23Come on, Mavis.
25:23I'm gone.
25:31What are you doing that for?
25:33I figure the quiet I was getting in, the less noise there's going to be later on.
25:37Yeah.
25:39I think you got something, man.
25:40What's all this?
25:55That was your 20th anniversary dinner.
25:57Which one?
25:58My anniversary?
25:59No, couldn't have been.
26:00Couldn't.
26:02It was.
26:03I said it was.
26:04Yeah, he said it was.
26:06Why didn't you tell me it was my anniversary?
26:14You didn't ask me.
26:15Oh, no.
26:20Good night, boys.
26:21Good luck.
26:22Yeah.
26:23Yeah.
26:23Yeah.
26:27Come on, Papa, tell it.
26:28Come on, tell it.
26:29Why did you say it?
26:30Why did you say it?
26:32Don't tell me no lie.
26:33I didn't know who could know it.
26:34Tell me earlier.
26:35Tell me first.
26:35Did you say that?
26:36No, no.
26:36Please don't.
26:37I didn't know who could know it.
26:39Okay, Shaw.
26:40You
26:51target all you say.
26:52Right.
26:54Bye.
26:57Bye.
27:01Oh.
27:02Bye.
27:02Bye.
27:03Bye.
27:03Bye.
27:34Why all the sneaking?
27:54I didn't want to wake up my wife.
27:56She...
27:57Hello, Effie, dear.
27:58Hello, Effie.
27:59Hi.
28:00I bet she thinks something's wrong.
28:16Whoever the gal is, she certainly has a dainty foot.
28:19What are you going to do about it?
28:20Well, I...
28:21I don't know.
28:23Nothing like this has ever happened before.
28:25Well, how do you know it hasn't?
28:27Just because you didn't catch him doesn't say it didn't happen.
28:29Well, I...
28:30Now, let me know, White.
28:31All men are cheaters at heart.
28:34Now, don't say why Henry's different, because he isn't.
28:38Well, I...
28:39I know it seems a little...
28:41A little?
28:41What does it take to convince you?
28:43Both shoes?
28:44With a blonde in them?
28:45Now, you just let me handle this and be thankful you had your eyes open while you're still young.
28:53If you're calling Henry, I don't want to talk to him.
28:56That's the spirit, but I'm not calling Henry.
28:59Hello.
28:59Mr. Wayne, please.
29:01Oh, is that you?
29:02Hello, Gil.
29:04Well, I've got another client for you.
29:08Uh-huh.
29:08Mrs. Butler.
29:14Mr. Gilbert Wayne to see you, sir.
29:18I don't want to see anybody.
29:20Nobody at all.
29:22I'm a very sick man.
29:24Very sick.
29:25Yes, sir.
29:26I'm sorry, sir, but...
29:30Mr. Butler, my name is Gilbert Wayne.
29:32How do you do, Mr. Wayne?
29:34What can I do for you?
29:35I'd like to talk to you about your wife's divorce.
29:37Yes, yes, go on.
29:43Divorce?
29:43Yes.
29:44Being a gentleman, you naturally won't fight the case.
29:47In fact, I'm sure you'll agree that the more quietly it's handled, the less scandal will be attached to it.
29:51Now, about the property settlement...
29:53Wait a minute, wait a minute.
29:55Just a moment, just a moment.
29:58Just a moment, please.
30:02Now, the first thing I should have ended is that Mrs. Butler be given the house free and clear, and then...
30:06Shh, shh, shh, shh, shh.
30:08Hello.
30:09Who is this, Opal?
30:10Oh, this is Mr. Butler.
30:12I would like to speak to Mrs. Butler.
30:14As far as the automobiles are concerned, I shall be perfectly willing to allow you to retain yours.
30:21Hello.
30:22I'm sorry, Mr. Butler, but she says she ain't home.
30:25Oh, she did, huh?
30:32Well, shall we get down to business?
30:35Yes, Mr. Butler?
30:36Tell my attorney, Mr. Kimble, to come over right away.
30:42Despite your objections, Ms. Kimble, the fact remains that my client wants her freedom, and has employed me to act for her.
30:47I concede your point, Mr. Wayne, but I protest that you are not giving my client, Mr. Butler, the respect and consideration due him.
30:54Naturally, we will file objections to the charges in Mrs. Butler's complaint.
30:57Very well.
30:58If you and Mr. Butler want to fight, we'll give it to you.
31:00I was hoping that we could come to some mutually satisfactory agreement, but obviously I was wrong.
31:04I should hope so.
31:07Effie, you don't know what you're doing.
31:08If you'd only let me talk to you as a friend.
31:10Mr. Kimble, I shouldn't have to remind you that your actions are rather unethical.
31:14I apologize.
31:17Now, the first step is for you to establish another residence.
31:20You're out of my home?
31:21Yes.
31:22Oh, no.
31:24I don't want to do that.
31:26With all my pretty things, furniture, my pictures.
31:31Oh, no.
31:33No, I won't do that.
31:35Very well, in that case, it's up to Mr. Butler to move out.
31:37Who, me?
31:38Yes.
31:39I won't.
31:40Out of my own home, I won't budge.
31:42And you can't make me.
31:43Can he?
31:44No.
31:46Very well.
31:47Then I shall insist, Mrs. Butler, that you install a third person in this house as a witness,
31:51who can testify in court that you and your husband are living apart.
31:53In that case, I shall insist that Mr. Butler have a witness also.
31:57Yeah, yeah.
31:59I have a complete list of the community property and shall insist upon Mrs. Butler receiving
32:04her full share.
32:05What did you say about community property?
32:07Just a moment, please.
32:09Mr. Kimble and I will take care of the details.
32:11If you will just sit down and be quiet.
32:12Be quiet?
32:13In my own home?
32:14About my own divorce?
32:16Well, this is a fine state of affairs.
32:17I can't open my mouth in my own home.
32:19Well, let me tell you something.
32:21I'm a free American citizen.
32:22I pay taxes.
32:23And I have a right to free speech, liberty, and pursuit of happiness and all that stuff.
32:29And I can't talk, eh?
32:30And you stand there and tell me to get out of my own home.
32:33And leave behind all the things I paid for.
32:35I paid for this.
32:36And this.
32:37And this.
32:38And that.
32:38And that.
32:39And that.
32:40And this here.
32:41And that.
32:42And that.
32:42I didn't know your husband had such a violent temper.
32:48Neither did I.
32:49I shall take steps to protect you from any further outburst.
32:52Oh, thank you.
32:53I think I'll go to my room.
33:02When I got your telegram, Annette B, I couldn't quite figure it out.
33:05What do you mean by my being a witness?
33:07What's it all about?
33:08I'm divorcing Henry.
33:10Divorcing Uncle Henry?
33:11Oh, you're not serious.
33:14Never was more serious in my life.
33:16But you two have always been so happy.
33:19Yes.
33:20We were until...
33:23Well, if you must know, there's another woman.
33:26Oh, I don't believe it.
33:28I can't believe it.
33:30Nevertheless, it's true.
33:32Uncle Henry a playboy?
33:34It just doesn't make sense.
33:36It doesn't, eh?
33:41If you had a husband who stayed out all night and came home with these in his pocket and guilt written all over his face, perhaps you'd understand my present frame of mind.
33:53Well, that's certainly of a shock.
33:56Oh, what shall I do with these?
33:57Oh, they're Henry's.
33:59I moved him across to the guest room.
34:01I must have forgotten me.
34:02Just take them over to you and put them in his dredger, will you please?
34:06The second drawer.
34:08The right-hand corner.
34:09Take them off.
34:22Oh!
34:23I have ordered to shoot all intruders.
34:26No trespassing allowed.
34:27Oh, you must be Uncle Henry's keeper.
34:31Something like that.
34:32Well, I'm on the other side of the fence.
34:35So that sort of makes us enemy.
34:36Does it?
34:37Well, can't be compromised and be sort of friendly enemy?
34:41Why not?
34:42I never quarrel with lawyers.
34:43Hey, how did you know I was interested in law?
34:45Purely elementary, Watson.
34:47For one thing, you're wearing a Phi Beta Kappa key, and you use such words as compromise and trespass.
34:52Marvelous.
34:53Such deductions, Sherlock.
34:55But I still have some hurdles to jump before I become a full-fledged lawyer.
34:58Simple little things like passing my bar exams and finding some clients.
35:01And when you do hang out your shingle, what are you going in for in divorce cases?
35:05Uh-huh.
35:05Not me.
35:07I think divorce is, well, sort of tragic.
35:10I'd rather be the kind of a lawyer who keeps couples together.
35:12Take this case for instance.
35:14It's all wrong.
35:14It just doesn't add up.
35:15Gee, I'm glad to hear you say that.
35:17That's the way I feel.
35:19Well, I better be getting back to Aunt Effie.
35:21Say!
35:22How's about telling the fellow your name?
35:26Jane Forbes.
35:28Forbes.
35:29That's pretty.
35:31I like that.
35:32And yours?
35:35Kindly step this way.
35:36Miss Forbes, allow me to present Mr. Bob Grant.
35:44Charmed, I'm sure.
35:46Oh, the pleasure's all mine.
35:47Well, I'll see you later.
35:51You need your old?
35:56Well, the grand old man, it begins to look like his job has possibilities.
36:00They don't mingle, but I can't get you no quicker.
36:08Is this the Butler residence?
36:10Yes.
36:11Well, step aside eight ball and tell Mrs. Butler that Gooch Mulligan's here.
36:15I'm Miss Butler.
36:16What do you want to see me about?
36:19Well, lady, I'm a private detective and a bodyguard.
36:22Mr. Wayne sent me around.
36:24He said I was to protect you in case that tough guy you're married to gets violent again.
36:27He did?
36:28Yes.
36:30Well, just make yourself at home.
36:34Right.
36:42Here.
36:43Put it away.
36:44Never mind about that.
36:46I'll take care of it.
36:51Hello, Memphis.
36:52I...
36:52Oh, I beg your pardon.
36:55I thought I was in...
36:56I must have had the wrong house.
36:58I thought it was 814.
37:04This is 814.
37:05What is this, a game or something?
37:07What do you want?
37:08I want to come in.
37:09This is my home.
37:10Are you Henry Butler?
37:12Yes.
37:12Who are you?
37:13Never mind.
37:14Who are you?
37:16I'm going to go inside.
37:22Oh, fresh guy, huh?
37:24Tough guy.
37:24I guess you got something.
37:25I'm going to fix you.
37:26What do you got?
37:29Oh, what?
37:30Oh, just a pipe, huh?
37:33Just my pipe.
37:34Just a pipe.
37:38Careful.
37:38Look out for that thing.
37:39Look.
37:39Careful with that.
37:40It's loaded.
37:41Look out.
37:41Put it the other way.
37:42Man, look out.
37:43Look out.
37:44That's loaded, man.
37:45Let's get up.
37:51Tonight?
37:51Oh, now, don't tell me you're going to waste another perfectly good evening with some old...
37:55Waste another evening?
37:57Do you know of any better way of getting some easy dough?
37:59And big dough, too.
38:01You may get that fur coat and a diamond necklace.
38:03And what about the honeymoon in Hawaii?
38:06Oh, sure, sure.
38:07Well, just be patient, honey.
38:09You're not giving me the runaround, are you, Gil?
38:11Runaround?
38:12Well, I mean, whatever puts such an idea into your pretty hair.
38:15Oh, I don't know.
38:15It's just that you're mixed up with so many women all the time.
38:18Look.
38:19In the divorce racket, the smart guy always represents the woman.
38:22That's where the big dough is.
38:24She gets the cash settlement.
38:25And the bigger the settlement, the easier it is to get a good-sized jug of it, see?
38:28Come on, let's have a little smile.
38:31That's more like it.
38:33Look, I want you to come along with me tonight.
38:35If the old girl has weakened and won't sign, I may need your help.
38:39Okay.
38:40Please, I'll get a smell of an idea.
38:44I'm so glad things turned out this way.
38:46It's much better.
38:47I am, too.
38:47Say you're all right.
38:48It's nice.
38:49Yeah.
38:52Well, I guess there's nothing I can do here, so I'll be running along.
38:57Oh, my watch must have stopped.
39:00Have you the time?
39:02Quarter past eight.
39:03Come on, Mr. Butter.
39:04We've got four hearts to make here.
39:10I hope I haven't broken up the game.
39:12Who's winning?
39:13Oh, we just started.
39:14It looks as though Henry's on the way to a little slam.
39:17Oh, darling, we just happen to have all the cards.
39:19Well, it's pretty hard to beat someone who has all the cards, especially if he knows how to play them.
39:23Mr. Butler in.
39:27Yes, ma'am.
39:28Well, tell him that Evelyn would like to see him.
39:30Evelyn?
39:31Yes, Evelyn.
39:33Yes, ma'am.
39:34Well, I tell him he was here.
39:40Excuse me, Mr. Butler, but there's a Miss Evelyn to see you.
39:45Evelyn?
39:45Yes, she's right out here in the hole.
39:49Evelyn?
39:50Not in the hole?
39:50I don't know any Evelyn.
39:53Excuse me.
39:58Henry, you old darling.
40:00What was the idea of going home so early the other night?
40:04Well, the party was just getting hot.
40:06Why, Evelyn, you got me mistaken for somebody else.
40:09I don't know you.
40:10You don't know me.
40:11No.
40:12Why, Henry Butler.
40:15That is a good one.
40:16You don't know me.
40:17Oh, why, lemmy pie.
40:20And by the way, where's my shoe?
40:22What was the idea of running away with it in the first place, you cute little dick and you?
40:26Shoe?
40:26I'm running away with it.
40:28Well, I don't know what you're talking about.
40:29I don't know.
40:29Henry.
40:32Oh.
40:34Sorry.
40:35I didn't mean to get you in trouble.
40:37Just give me my shoe and I'll run along.
40:39I tell you, I haven't got your shoe.
40:41You've got your shoes.
40:42Oh, watch.
40:43Right.
40:43Have it your own way.
40:44But get this, playboy.
40:46The next time, don't carry a joke so far.
40:48Good night.
40:51Oh.
40:51Shoes.
41:04That's funny.
41:06She said I had a shoe.
41:07I didn't have her shoe.
41:08I don't know that woman from Adam.
41:12She's telling me she...
41:14Give me your paper and your pen.
41:17Oh, Effie.
41:19Uh-oh.
41:19Here we go again.
41:21You know what you're doing now, Effie.
41:23Is that all?
41:23Yes, thank you.
41:24Evelyn.
41:27I mean, Effie.
41:29Effie.
41:31Effie.
41:32Effie.
41:33Effie.
41:34That's a mistake.
41:35Say, where do you think you're going?
41:36You know, things like that depress me.
41:38Well, good night.
41:40Good night.
41:42Say good night to Mrs. Butterfield.
41:44Yes, you will.
41:44Stand aside, sir.
41:45Stand aside at this point.
41:46Oh, yes.
41:47I want to bust you, huh?
41:48Well, what's your verdict?
41:56Something's rotten in Denmark.
41:58I think so, too.
41:59This is the end, Jane.
42:01Absolutely the end.
42:02Oh, no, Auntie.
42:03Please, you...
42:04There's no use of talking.
42:05It's as plain as day.
42:06Well, I saw it with my own eyes.
42:08You old darling.
42:09Lambie pie.
42:10You cute little dickens.
42:13You can't argue me out of that.
42:15Butler, are you sure you don't know this girl?
42:17Try to think.
42:18Think hard.
42:19I don't have to think.
42:20I know.
42:21I tell you, I never saw it before in my life.
42:23Are you positive?
42:25Don't you think I know who I know and who I don't know?
42:28Yes, but I...
42:28I tell you, I never saw that woman before in my life.
42:32Light down, you.
42:35I tell you, I never saw it before in my...
42:38Say, what is this?
42:40Me whispering in my own house.
42:42What am I, a mice or a man?
42:44Why, he can't stop me from talking to my own wife.
42:46I'm going over there and clean this whole thing up.
42:55None of that, Pappy.
42:59Well, that's telling them.
43:00I'll bet this isn't the first time.
43:05No wonder Grace Norman gave me that laugh.
43:08I'll bet she knew the whole time of it.
43:10Hello?
43:15Hello?
43:17Oh, hello, Grace.
43:19No, I...
43:20I'm not in the mood for a party tonight.
43:22No, I don't feel...
43:25Who?
43:27He is.
43:29That might be a good idea.
43:31All right, Grace.
43:35All right, goodbye, Dad.
43:37Going out?
43:39Yes.
43:39Grace Norman's having a party.
43:41Mr. Wayne will be there.
43:42And I'm going to celebrate my divorce.
43:48And am I going to get tight?
43:49Well, good night, dear.
44:14Oh, excuse me if...
44:15My, you look beautiful.
44:17I want to see you about something.
44:23Don't wait up on me.
44:24I won't be home until morning.
44:33What do I care?
44:35It means nothing to me.
44:37What's good for the goose is good for the gander.
44:47Don't wait up on me.
44:56I mean, I'll be back until morning.
44:58And I don't know what morning.
45:02Boy, are they both putting on an act.
45:04Yes, a couple of Pagliacci's.
45:06Doggone it.
45:06We had that situation.
45:07Why in the palm of our hand
45:08until Aunt Evelyn came looking for a shoe?
45:11Isn't anything that sounded mighty fishy to me,
45:13didn't it to you?
45:14Yes.
45:15But you know Uncle Henry did come home
45:16with a shoe in his pocket the other night.
45:18He did?
45:20Certainly.
45:20That's what started the whole thing.
45:21Didn't you know?
45:23No.
45:23Come in here.
45:24Exhibit A, as you lawyers would say.
45:33What size do you think this is?
45:34Oh, five, five and a half.
45:37I wish I'd paid more attention to that girl's feet.
45:39Did you notice them?
45:40As a matter of fact, I did.
45:41So?
45:42Well, she's no Cinderella.
45:44That makes it fissier than ever.
45:45I wonder who she is.
45:46Gooch knows who she is.
45:48Huh?
45:49A wise look passed between them.
45:50I caught it.
45:51You've been reading too many detective stories.
45:53I'd still say Gooch knows her
45:55and probably knows where she lives.
45:56That makes it easy.
45:57Perhaps easier than you think.
45:59Another idea?
46:07Are you sure that dog is dead?
46:11Uh-oh, another customer.
46:14I'll be back in a play.
46:15All right.
46:18Effie, darling.
46:20Hello, Grace.
46:20I'm so glad you decided to come.
46:23It'll do you good.
46:24Gil will be here in a minute.
46:26He's breaking another date.
46:27Come on and meet the gang.
46:29Hey, gang.
46:30This is Effie Butler.
46:31She won't be using the butler much longer.
46:34You remember Miss Hill and Mrs. Thornton.
46:36And you know Dick Gordon.
46:37Hey, Dick, get Effie a drink.
46:39What would you like?
46:39Oh, I'm so glad.
46:40Get her a bourbon and soda.
46:41Oh, no, but I don't know.
46:42Hey, Ronnie, come on.
46:43I think you're good.
46:44Come on.
46:44Hey, what'd you give me?
46:57A bourbon highball.
47:00A what?
47:01A bourbon highball.
47:03Oh, oh, that's a different thing.
47:05That's it.
47:06Makes it a lot of difference.
47:08It's a lot of nonsense.
47:15The whole thing's a lot of nonsense.
47:18Everything is a lot of nonsense.
47:21Yeah.
47:23It just doesn't make sense.
47:30And all about a shoe.
47:32It's all about one little shoe.
47:36A little bit of shoe.
47:38Psst, don't say anything.
47:39It'll all come out all right.
47:41No, you don't have to worry about it.
47:42You don't have to worry about it.
47:45You know, there's a solution.
47:47There's a solution.
47:48Don't you tell me.
47:50Don't you tell me.
47:51Let me get it.
47:52I'll get it.
47:53I'll get it.
47:57I got it.
47:58I got it.
47:58Goodbye.
47:59Goodbye.
48:00Take care of yourself, pal.
48:01Take care.
48:03Oh, wrong direction.
48:08Oh, Mr. Gooch.
48:13Yeah?
48:14You're wanted on the phone.
48:20Thanks, lady.
48:24Hello.
48:25Hello.
48:27Hello.
48:28Hello.
48:28Hello.
48:31Wasn't nobody there.
48:32Oh, she must have hung up.
48:34Well, didn't she say who she was or nothing?
48:36No.
48:37That's funny.
48:38I got a couple of girls on the string, but I never gave in on this number.
48:43There's only one girl I know who'd call me here.
48:46Maybe she's the one, pal.
48:48Well, you thought wrong.
49:14It wasn't me.
49:15Goodbye.
49:18Did you get it?
49:21The Royal Arms, apartment 216.
49:28Come in.
49:31Right on time, aren't you, darling?
49:34I'm all ready.
49:36Oh, boy.
49:37I can hardly wait till I get on that dance floor.
49:39Seems too good to be true.
49:42What's that?
49:43I'm awfully sorry, hon, but I've got to disappoint you.
49:46A business date has just come up.
49:48A business date, huh?
49:49It's a business date, and I mean it.
49:51Well, I don't believe you.
49:52What do you think of that?
49:59I'm through listening to you, fed up with being shoved aside.
50:02You can't tell me you're going on a business date and get away with it.
50:04Why don't you come clean and tell me you're rushing one of those rich clients of yours?
50:07How do I know you're not planning to marry one of them?
50:09Give me the air.
50:10In fact, you're acting like a fool.
50:11Well, I'm sick of the way you're treating me.
50:13I stay in here night after night while you drag those rich mamas around nightclubs.
50:17You're beginning to think that honeymoon in her eyes is a fairy tale.
50:19And I'm beginning to get tired of hearing the same old squawk all the time.
50:21Oh, you are, huh?
50:22Yes.
50:23Well, if you go out that door tonight, all bets are off.
50:25I'm through.
50:26Is that the way you feel about it?
50:27That's the way I feel about it.
50:28Well, that suits me.
50:57Come in.
51:03You better save that for Wayne.
51:05He might come back, although I doubt it.
51:09What's the idea?
51:10Oh, nothing.
51:11Just checking up.
51:14I wanted to get a few things straightened out.
51:16This little frame-up on Mr. Butler, for instance.
51:18I don't know what you're talking about.
51:20Oh, I think you do.
51:21Now, let's get down to facts.
51:22You're working with Gilbert Wayne on this divorce record, aren't you?
51:25Great.
51:26Okay, I'm crazy.
51:28But that gag of the missing shoe didn't ring true to me.
51:30Nevertheless, the fact remains, he took it.
51:36When did he take it?
51:37That's my business.
51:38Oh, I see.
51:40And you had to come home on only one shoe, huh?
51:41Yes.
51:42Where is it?
51:43Where's what?
51:44The shoe that you had to hobble home in.
51:46Oh, well, well, it's in there.
51:48Let's see it.
51:50All right.
51:56There.
52:07So this is it, huh?
52:08Yes.
52:10You're pretty much of an amateur at this sort of thing, aren't you?
52:12The smart girl would find out the color of the missing shoe first, and then do her bluffing.
52:17This is the shoe Mr. Butler brought home.
52:21Mighty poor match, I'd say.
52:23And both from the left foot, too.
52:25All right, wise guy.
52:26It was a frame-off.
52:28So what?
52:29So?
52:29Thanks.
52:32You hear that?
52:33Great work, Sherlock.
52:34Elementary, Watson.
52:35Purely elementary.
52:38And which would you like to ride in?
52:40Patrol wagon or a taxi?
52:42Okay.
52:42You win.
52:43Let's go.
52:48Carol, you're the one I want.
52:50Listen, Carol, you got me into a mess.
52:52Now you've got to get me out.
52:55You know what I'm going to do?
52:56I'm going to take you home and show my wife.
52:59Come on.
53:00Come on.
53:01Oh, excuse me.
53:03You can't.
53:05Come on, can you?
53:05Come on.
53:06I'll take you everything.
53:10Take you home and we'll clean up this whole affair.
53:18Take a bite ahead.
53:19Take a bite ahead.
53:21And then we all rode home on the milk wagon in evening clothes,
53:24and we gave the driver five bucks to help us deliver the milk.
53:31Oh, that must be Gil.
53:35Well, hello.
53:36Hello.
53:36Come on in.
53:38So sorry to be a little late.
53:39Better late than never.
53:40Looks like you're all way ahead of me.
53:41Will you excuse me, please?
53:43Good evening, Mr. Wayne.
53:44Good evening, Mrs. Butler.
53:46Now you look like a new woman.
53:47I feel like one, too.
53:48Don't believe a word he says.
53:49He tells that to all his clients.
53:51Come on in.
53:52Forward march.
53:57You don't have to worry about these men flirting with you.
54:00I'll protect you.
54:01Go on.
54:01Go on.
54:02Go on.
54:02Go on.
54:02Mind your own business.
54:03Go on, you old flesh.
54:05Come on, Carol.
54:06I'll...
54:07Carol!
54:10Carol!
54:10Come back here!
54:11Come back here!
54:12Hello?
54:18Cleveland headquarters?
54:20Are you fellas still looking for a lawyer by the name of George Wilson in connection with
54:23a divorce ragged?
54:25Well, he's here, pulling the same stuff.
54:28Yeah.
54:29You got a fancy name.
54:30Gilbert Wayne.
54:32Tie that, will you?
54:33You want us to pick him up for you?
54:35Okay.
54:36Call you back.
54:38Your boyfriend gets around, doesn't he?
54:41Austin?
54:41Miami?
54:42Cleveland?
54:43Any idea where he is right now?
54:44No, but wherever he is, I'll bet Mrs. Butler is with him.
54:47In that case, I suggest you call Mrs. Grace Norman.
54:52Yeah, this is my home.
54:55It was.
54:56Well, I guess everybody's going to bed.
54:58Come on, we'll go upstairs and make a mug.
55:02Yeah, everybody's going to bed.
55:04Well, it's a little late.
55:09Oh, now watch yourself.
55:11Now watch yourself.
55:11I know you're tired.
55:13Put yourself together.
55:14Now all I want you to do, Carol, is explain everything to my wife, and then you can go home.
55:20Get the idea?
55:21Come on, now.
55:23Come on.
55:23Up-see-goes.
55:24Up-see-daisy.
55:26Up-see-daisy.
55:26Up-see-woo-see.
55:27Up-see-woo-see.
55:27Up-see-woo-see.
55:28Up-see-woo-see.
55:28Up-see-woo-see.
55:29Up-see-woo-see.
55:29Up-see-woo-see.
55:30Thanks very much.
55:31Goodbye.
55:31Goodbye.
55:33He was there, but he just left.
55:34He's taking Mrs. Butler home.
55:35I think we'll give the gentleman a little surprise.
55:38Oh, Connor.
55:39Dombruski.
55:41Oh, what a party.
55:51Still is as far as I can see.
55:54Good evening, Mr. Wilson.
55:56My name is not Wilson.
55:58You can tell that to the judge in Boston or Miami or Cleveland.
56:01Take your choice.
56:02Well, officer, what is this all about?
56:05That's Mr. Wayne's past catching up with him, Aunt Effie.
56:08Yes, it seems you're not the only victim of his little racket, Mrs. Butler.
56:10Racket?
56:11You remember Evelyn and her little shoe?
56:13That was one of Mr. Wayne's little tricks.
56:15That's right, Mrs. Butler.
56:16Why, you dirty little chiseler.
56:18Oh, the shoe's on the other foot, Gil, and you're going to get it.
56:20Come on, you get going.
56:22You've got a long train right ahead of you.
56:29I'm sorry for everything I did tonight, Mrs. Butler.
56:32Except that.
56:33But if you ask me, I think we're both well rid of a big headache.
56:36Oh, dear.
56:38I don't seem to see what this is all about.
56:42Well, what's my next move?
56:44Why, you've never been in Boston, Cleveland, or Miami, have you?
56:47No.
56:47Well, then, forget about it.
56:48Thank you very much.
56:50Oh, I almost forgot.
56:52Oh.
56:52The wrong one.
56:54No use breaking up a pair.
56:55Thanks.
56:56You're welcome.
56:57Good night.
56:57Good night.
56:58To think that I ever mistrusted him.
57:03Now, Auntie, all you have to do is go upstairs and tell him your story.
57:06Sure, Mrs. Butler.
57:07That's all there is to it.
57:08Oh, I hope you're right, Bob.
57:10But I...
57:13But he still hasn't told me where this came from the night of our wedding anniversary.
57:16Auntie, now, don't get excited again.
57:18Take it easy.
57:19Don't worry about anything.
57:21I'm sure he can explain it.
57:29Yes, just give him a chance.
57:30It's one step in the loop.
57:32Yes, you're right.
57:33Easy now.
57:33Easy, easy.
57:34Oh.
57:36Sorry.
57:37I won't be sorry this happened, but you know how things are, when you're not ready.
57:43All right, folks.
57:44Oh, Henry Butler.
57:47Oh, honey, I want you to meet my Carol from Max Wexworks.
57:51Oh.
57:52Yeah, Carol, this is my wife.
57:55Hey, that's what we've been looking for.
57:56Give me, give me, give me, give me.
58:00There you are.
58:01One, two.
58:03That's what I've been trying to tell you all the time, honey.
58:05Come on, come on.
58:06Quick, quick, quick, quick.
58:07Now, we start right from the beginning.
58:09Oh, no, I don't want to hear anything.
58:12And I was carrying her over to put her on the bed.
58:14And she slept and fell in the bed.
58:17And the bed's got a big gas down inside of her head.
58:19You, darling.
58:20So I picked her up to go, Max.
58:22Max said he picks her up so that they wouldn't...
58:24So on the way home, I said...
58:29And I looked around.
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