- 5/4/2025
Category
😹
FunTranscript
00:00The name is yours, my name will be my name.
00:30Yes!
00:32And you!
00:33You said that this was the last mistake of you.
00:37We are in a business position.
00:39Cutting is not good.
00:41What do you mean by the way?
00:43Hi, hi, hi...
00:45Peace be upon you, gentlemen.
00:47It took me a job!
00:49How you was in the studio?
00:51Hey, Sultan.
00:52Tell me, I can't believe you.
00:54One or two, I'm going to see you a couple of days.
00:58If you are interested, I will keep going.
01:01This is you.
01:02Yes, but this is a shock.
01:05If you have something, take it.
01:06If you have made a tree, I can also raise a tree and raise a tongue.
01:28The day is over, but we don't see you, we don't see you, we don't see you
01:39Now we do what we do with these dreams
01:44You are your life, you are your journey
01:48How do we do this to our hearts?
01:53It's true to our hearts, but we don't see you, we don't see you
02:03You are your heart, you are your heart
02:06The day is gone, but we don't see you, nor see you
02:14If you don't have a heart, let me see my happiness
02:39What's going on?
03:08I don't know about any story, but I don't know about heroines.
03:13Who?
03:14Who?
03:15You're not.
03:16Look at the rest of the press conference.
03:19I have no idea.
03:21You're a fan of your ideas, Rosie.
03:24You have a list of the best ideas of this industry.
03:30People who are open, don't be surprised.
03:35I don't know.
03:38Who doesn't know her?
03:40She's a new face.
03:42Taylor Master Saifuddin's girl, right?
03:45You see?
03:47But we don't know anything.
03:50What are you thinking?
03:53She's trying to do it with her.
03:56And finally, her deal is over.
04:00Wow!
04:01You're a bad guy.
04:02Who the hell are you?
04:04You're a little bit, baby.
04:07You're a big boy.
04:08You're a big boy.
04:09Golden boy is big.
04:10I'm a big boy.
04:11I'm a big boy.
04:12You're a big boy.
04:13You're a big boy.
04:14You're a big boy.
04:15You're a big boy.
04:16Golden boy is standing there.
04:19So do it.
04:20I'm talking about this.
04:21I'm talking about this.
04:22You're a big boy.
04:23Do it.
04:24You.
04:25Go.
04:26Out!
04:27Rosie, baby.
04:29I'm talking about it.
04:30I'm talking about it.
04:31I'm talking about it.
04:32Because in Golden's studio,
04:34the loudest voice can only be the Sultan Saif.
04:38Golden, don't do it.
04:40Don't do it.
04:41It's the time of it.
04:44It's finished.
04:45It's time to eat food.
04:47Let's go.
04:48Food.
04:49Go.
04:50Go.
04:55Come here.
04:56Come here.
04:59Come here.
05:01Come here.
05:03Try.
05:04Come here.
05:06Come here.
05:07Go.
05:08Come here.
05:09Take care.
05:10Take care.
05:12Come here.
05:14Come here.
05:15Come here.
05:16Come here.
05:17Come here.
05:18If you see the world's story,
05:21you'll be alive.
05:22If you're alive,
05:24you'll be alive.
05:26You can write life.
05:28What do you know about your life?
05:30There is a sin.
05:37You can write it well.
05:43Hiri?
05:45Yes, Abbu.
05:50How was the situation with Sultan Sahib?
05:53I have told them all the truth.
05:59Which truth?
06:01What did you say?
06:03Then you read it?
06:05Who did you read it, Abbu?
06:07They asked me if you have a shock of acting.
06:10I have told them all the truth.
06:12You didn't say that?
06:14No, it's a story of a story.
06:16You've read it again.
06:18What are you asking?
06:20Why?
06:21Uncle Sultan Sultan has no question for me.
06:24I've done a good job.
06:25And I'm back again.
06:27Okay.
06:28Let's see.
06:30Abbu, now I'll leave it.
06:31Abbu, let me leave it for me.
06:33Let me leave it for me.
06:35How do you leave it?
06:37It's a perfect dream.
06:39It's a dream.
06:41It's obvious.
06:43But now, it is a dream.
06:44But it's a dream.
06:46But it's a dream.
06:47It's an dream.
06:49And it's an dream.
06:50And it's a dream.
06:51And people...
06:53...They talk about talking.
06:56Who is which he belongs to you?
06:57What you sent?
06:59People say something...
07:01I am so proud of you.
07:03I am so proud of you,
07:05but I am so proud of you.
07:07You are so proud of me.
07:09I am so proud of you,
07:11and I am so proud of you.
07:13My job is to be done after that.
07:27We are doing this for you.
07:31It's your idea of yourself.
07:33Just trying to keep myself ahead of me,
07:35but I am so proud of you.
07:37You are so proud of me.
07:39And you are part of me.
07:41To make my home priority,
07:43if you will� to die and you will die.
07:45If you are staying adesso...
07:47you will be prettier.
07:49I will come!
07:51You will see you again...
08:01What's going on?
08:06What's going on?
08:10Nothing.
08:14Let's eat some food.
08:17No.
08:19Everything looks good.
08:22And...
08:25...and...
08:27Let's start.
08:29Hey, come on.
08:31I've known you before.
08:33Hey, Mohsin.
08:39This is something about love.
08:41You haven't got any extra.
08:45No, man.
08:47Don't say extra.
08:49Don't say extra, I understand.
08:51No, man.
08:53There's never a heart.
08:55I understand.
08:57It was the first time you saw your eyes.
08:59The girls are back behind you.
09:02No, man.
09:04I don't see the truth.
09:06Don't forget the sugar.
09:08But don't go ahead.
09:09The golden wife is the first warning.
09:11If any girl is coming,
09:13then go to the studio.
09:15For 15 minutes inside.
09:18¿Qué cosa está everything you Bruno Ezra?
09:23This one isönapena trade.
09:25She is young.
09:26Party girl.
09:27She feels like you think she is invece.
09:31Colden ela just plays her too good.
09:34She seems like she looks.
09:36No.
09:37Of you can't get going from the album Eden.
09:39Let's leave everything, let's do our work, make a place, but you can sing a song for acting.
09:56Now I'm thinking that I'm going to study, that I'm going to keep the rest of my thoughts.
10:02Hello, what are you doing? Are you okay?
10:32Hello.
10:39Oh hi. Where are you from today?
10:42You don't get to know. You don't film anyone with anyone.
10:47Oh, I'm having two films.
10:50Yes, but I don't want to support the characters.
10:53This year, there are a lot of films.
10:56Tell yourself.
10:57Hey brother, I'm taking a break.
11:00I'll enjoy a drink.
11:03Are you friends with Sultan?
11:06My?
11:08Yes.
11:09I respect his work.
11:12You'll see everything.
11:14Cheers.
11:15Yes.
11:16Yes.
11:17Yes.
11:18Yes.
11:19Yes.
11:20Yes.
11:21Yes.
11:22Yes.
11:24Yes.
11:25Yes.
11:26Yes.
11:27Yes.
11:28Yes.
11:31Yes.
11:32And I'm coming from behind you.
11:34Yes.
11:36Yes.
11:38Yes.
11:39Yes.
11:41So, I'm sorry.
11:44Yes.
11:45Now I've seen her pistol.
11:48Double roll.
11:50Mr. Ustaz Ji, a man of a man of a hit film.
11:54What happened with them?
11:57Listen, there's no anger.
12:00Give them God.
12:04Hello, Abbu.
12:05What was the meeting again?
12:08No, brother.
12:10I came to find a book.
12:11Okay.
12:12Listen.
12:13He's a young man who has a job.
12:17Who are you talking about, son?
12:19Abub, he's the house. He's the whole house.
12:23Faraad!
12:29I'll give him this book.
12:32What are you talking about?
12:34Come on, Mia. Give him a book.
12:36No, Abub. I'll give him.
12:40Okay, go. Give yourself.
12:43Look, I'll give him a book.
12:45Proceeds.
12:46The Sun battlefields
12:49Who will die from me?
12:52¶¶
13:00¶¶
13:09The sun.
13:11Yeah, there's no direct line.
13:16What is the situation waiting for?
13:19Yes, it's a certainty.
13:27Yes, we will not give up.
13:30Wow, that's it.
13:33We will not give up.
13:35Wow, that's it.
13:36We will not give up.
13:40We will give up.
13:41So, we will give up.
13:42I will say we will give up.
13:44We will give up.
13:46Oh, my God.
13:48You will get up.
13:50But I think that the time of tea and water is not in their house.
13:54The water is breaking us.
13:57Why not?
13:58Let's go here.
14:03Gee, sir.
14:04I'll tell you about tea and water.
14:06Okay.
14:07That's right.
14:09You're a good person.
14:10Yes, sir.
14:11Yes, sir.
14:12I know.
14:13They only tell us the name of water.
14:14I'll tell them to be my name too.
14:16Yes, sir.
14:17Yes, sir.
14:18The only thing that you have to remember is a mess of a mess of water.
14:21Yes, sir.
14:22But I'm not at that point.
14:24I'm not at that point.
14:25I'm not at that point.
14:26I'm at that point.
14:27I'm at that point.
14:28Yes, sir.
14:29I'm at that point.
14:30You're a good person.
14:31Yes, sir.
14:32Yes, sir.
14:33No.
14:34What are you drinking?
14:35Here are two.
14:36There's some good people.
14:37Yes, sir.
14:38Yes, sir.
14:39Come on, come on.
14:40Come here, come on.
14:41Your preciousness.
14:42Come here.
14:43Let's bribe.
14:44What are you doing, something?
14:45Do you like me?
14:46I'm working with the work.
14:48Mr. Khaji and Rakhir in the sky.
14:50I mean that you're singing.
14:53How do you bring?
14:54What do you do?
14:56Are you sure you do?
14:57I'm sure you know everywhere.
14:58Please tell me that Khon s'il is out of nowhere.
15:03I don't know.
15:05But Aqeem bhai has read the first one.
15:07Just understand.
15:08I've also put a cup of tea on the table.
15:10Okay.
15:11I'm going to put a cup of tea on the table.
15:13Why?
15:14Put a cup of tea on the table.
15:17It's just like this.
15:19It's just like this.
15:22What a joke.
15:23My husband was there.
15:26It's just like this.
15:28It's just like this.
15:29Wow.
15:30Wow.
15:31I don't know all of you.
15:32I'm not going to write the dialogue script.
15:38Where is the tea?
15:40Where is our tea?
15:42I'm going to put it on the table.
15:44I'm just going to put it on the table.
15:45Who is that?
15:47I'm going to put it on the table.
15:51This.
15:52You read it?
15:54Yes.
15:56I'm going to put it on the table.
15:58You're going to put it on the table.
15:59What are you doing?
16:00Yes.
16:01I'm going to put it on the table.
16:02Good.
16:03I'm going to tell you a new story.
16:04You're going to listen to me.
16:06Okay.
16:07You're ruining your song now.
16:11Where are you?
16:12Where are you?
16:13No, I'm going to leave you.
16:15Hello.
16:34Yes.
16:36Are you the daughter of Taylor Master Saifuddin?
16:41Yes.
16:45You know me.
16:47I was thinking about you.
16:50How did you find a long journey?
16:55Before you go home and see this question,
16:59you'll get the answer yourself.
17:04The training is good.
17:06You need to give them.
17:08It's good to know who you are and who you are.
17:12If you have a name of my brother,
17:15then you'll go home without cutting your hair.
17:19You'll never go home without cutting your hair.
17:21People know them before, now let's go.
17:41Thank you for reading.
17:43I'll tell you about your wife's hand.
17:45I'll tell you about it.
17:51I am telling you that your eyes are in the forest, but your eyes are not visible.
18:12This is a whole studio that you know.
18:16If someone says something wrong,
18:20then you can't even see it.
18:23In the kitchen, we'll get to ourselves.
18:27That's why I'm with you.
18:30I'm not with my own.
18:32I'm with you.
18:34You're just with me.
18:38You're a dissent.
18:40Tell me who's saying.
18:42I'm not telling you.
18:44All the same.
18:47He didn't say anything about the new Bhabhab.
18:51No, Abub.
18:53Whatever anyone else was,
18:55he was surprised by his eyes.
18:59He was just telling you.
19:03Okay, go home.
19:05Don't be worried.
19:07Okay, I'm going.
19:09But you won't ask this question again.
19:14As a student,
19:16you see,
19:22you can't tell me again.
19:23I mean,
19:24you've also told us.
19:26I don't want to lie down here.
19:27I don't know why.
19:28And then,
19:29I don't want to lie down here.
19:30I don't want to lie down here.
19:31You are close to somezeń.
19:32I don't want to lie down here.
19:33I don't want to lie down here.
19:34I want to lie down here.
19:36We only have to lie down here.
19:37I don't want to lie down here.
19:38manifesting.
19:39What happened?
19:40What's happening?
19:41Rosie has done anything.
19:42That is your last question,
19:43This is my last one.
19:45I am sorry.
20:06You know, Master didn't come here for two days.
20:10Yes, he didn't come here.
20:12Yes, he didn't come here.
20:18How are you, Master?
20:20Come here, Master.
20:23Are you doing this, Master?
20:25If you have to wait for us,
20:28there will be no work.
20:30How are you doing this?
20:32Are you going to wait for us?
20:35We are going to shoot.
20:38Yes, sir.
20:40We are the ones who ask people to ask.
20:43Do you understand?
20:44Yes, I am.
20:46I am going to get a job.
20:48Yes, sir.
20:49Do you have water from the house?
20:50Yes.
20:51Do you have water from the house?
20:53Yes.
20:54Do you have a day?
20:55Yes.
20:56Yes, sir.
20:57Do you have a question?
20:58Yes, sir.
20:59Do you have water from the house?
21:00Yes, sir.
21:01Yes, sir.
21:02Do you have water from the house?
21:03Yes, sir.
21:04Yes, sir.
21:05Yes, sir.
21:06Yes, sir.
21:10Mm.
21:11Okay, sir.
21:13Right now, sir.
21:14Yes, sir.
21:16Look for your nous…
21:18...
21:20Yes, sir.
21:21Yes, sir.
21:23Yes, sir.
21:25What apleasele 하es for you?
21:26Whataccord.
21:27What money do you think?
21:29How did your house to follow?
21:31How do you have here?
21:33Above unsere sonne.
21:35What do you think of your book?
21:37It's a book, Maad Saab.
21:40You're friends with your life.
21:42Look, if we eat here and keep you here, then...
21:46No, Maad Saab.
21:48Ask yourself to your son.
21:50Ask yourself to the Sultan.
21:52You've read 4-5 books.
21:54They were in the studio, so...
21:55Okay.
21:56Just keep your work here.
22:00Otherwise, it won't be a minute outside.
22:05Why are you saying that, Maad Saab?
22:07I understand a little bit.
22:10Our mothers are hiding here.
22:14Due to someone's pain and pain,
22:19we won't be able to get rid of our house.
22:23Oh, how are you?
22:25Jee-jee.
22:26I've got a note.
22:27Is that this President's name?
22:30Jee-jee.
22:31I have a note.
22:33Jee-jee.
22:37Lord, what's up?
22:38No, Maad Saab?
22:39Now, we're working a little bit, but we're busy.
22:41You're busy?
22:43Okay.
22:44Okay.
22:58You called me, sir?
23:00Yes.
23:02What did you study today?
23:04Me, sir?
23:06Yes.
23:08You're the same as reading books.
23:10Yes.
23:12You're the same as reading books.
23:14Yes.
23:16Did you study Shaki Daatwizadha?
23:18How much did you study?
23:20How much did you study?
23:22Good.
23:24What should you share with me?
23:26Great.
23:28And you can go to the reception.
23:30Thanks, sir.
23:42Look, I told you.
23:44Sultan sahab is not here.
23:46And now I'm going.
23:52Hey, Shabiyan.
23:53The camera has locked me.
23:54I have told you to go.
23:56Okay?
23:57Where exactly is Sultan sahab?
24:01Do you know Farhad?
24:06Oh, Mr.
24:07Where is Sultan sahab?
24:12Oh, Miss.
24:15It's locked.
24:16Where is it?
24:17Where is it?
24:18Nadia.
24:19Tell them what it is locked.
24:22Good luck.
24:24Good luck.
24:42Hmm.
24:43What's the freedom for Mr. Sahab?
24:44What has happened to Mr. Sahab's?
24:45Nothing.
24:49Something's no problem is giving you.
24:50Nothing's no problem, man.
24:51You have the help of such a thing as a man.
24:52Isn't that awesome?
24:53The question is,
24:54it is that here is not enough.
24:55It's so hard for you to keep your property.
24:56You're the only problem.
24:57The truth is that these people understand their property here.
25:01There was nothing.
25:04This was my friend.
25:06You didn't do anything with them?
25:10No one asked me what happened with me.
25:17What happened happened to me?
25:20That's it.
25:22Shut up, son.
25:23This is a studio.
25:25You don't hide anything.
25:27You're in your mind now.
25:33I will not leave it at night.
25:35Why?
25:36That's your ship.
25:37That's what I have to leave.
25:39I don't want to leave it at all.
25:41Don't kill my soul.
25:43Or Sheikh?
25:44Don't kill yourself.
25:47Do your things
25:50Don't be tired
25:52You're in your life.
25:54You're in your soul.
25:55You're in your soul.
25:56I want to leave it at all.
25:58Chay
26:23Chay
26:24What happened to this shirin?
26:26What happened to this shirin?
26:28What happened to this shirin?
26:30What happened to this shirin?
26:32When she came, she was closed in her room.
26:34One or two, I called her.
26:36She didn't come outside.
26:38You're tired.
26:40Just keep your eyes closed.
26:42What does it mean to you?
26:44What does it mean to you?
26:46The world you've been eating.
26:48She didn't become the world for this world.
26:50She didn't come to this world.
26:52You're afraid to be afraid.
26:54You're afraid to be afraid.
26:56You're afraid to be afraid.
26:58My daughter is here.
27:00My daughter is here.
27:02What did I have to tell her?
27:04My daughter is here.
27:06Why are you giving her love with her?
27:10Who will she be filming this film?
27:12I'll tell you.
27:14Look at her.
27:16I believe there will be two-four cows.
27:18Who will she be filming this film?
27:20Who will she be.
27:22I will never have a good relationship with her.
27:24I'm looking for the first need.
27:26I'm looking for the first need for the first.
27:28She has a nice name.
27:30He will make a career before.
27:32Who will she be running his career?
27:33How?
27:34Then...
27:35The world will have a curse.
27:36That's not who will he either.
27:38Look at me.
27:40If someone will come back to me.
27:42Please.
27:43All your life, you both believed me.
27:48But when the time comes to the decision,
27:52one thing was Abbu,
27:56and the other thing was not.
28:00When someone wins me, tell me.
28:05I'll be like that.
28:13I'll be like that.
28:20What's that?
28:34Abba is watching my family.
28:36What?
28:38Yes, some people came.
28:42I'm very scared.
28:44Why are you not talking about home?
28:47What can I talk about?
28:51And that's it.
28:53Abba will not know me.
28:56What will you do then?
29:01You can take my brother.
29:04But what will he do?
29:07And that's it.
29:09Abba will not know me.
29:11Abba will not know me.
29:13But if my brother came here,
29:15then Abba will never do this.
29:19Do you know your brother?
29:22Yes.
29:24Everything.
29:26I'll send my mother.
29:28What's the name of Abba?
29:31I'll send my son.
29:32I'm sorry.
29:33I'll send my son to him.
29:34What's the name of Abba?
29:35I'll send a son to him.
29:36What else?
29:37I'll send my son.
29:38Let me tell you about the phone of Farhad.
29:56Thank you very much.
29:58Thank you very much.
30:00Thank you very much, brother.
30:05Yes, brother.
30:07What's going on?
30:08The phone came from Farhad.
30:10She told me.
30:11So she told me the message?
30:13You don't like her name too.
30:17Three times the phone came from her.
30:20So she means to talk with her husband
30:23in a empty house.
30:26She's not at home.
30:30I'm sorry, brother.
30:32That you can keep your heart up.
30:34Don't worry.
30:36Don't worry.
30:38Don't worry.
30:55Today we will go to the house of your house.
30:58What is my fault?
31:01Why do you get this every thing?
31:04I'm not going to any of this.
31:07After 10 days, your marriage.
31:10No, my god.
31:12You can't do this.
31:13God can't do this.
31:14I can't do this.
31:15I can't do this.
31:16I can't do this.
31:17I can't do this.
31:18I can't call my brother.
31:20I can't hear my brother.
31:21I can't hear my brother.
31:23I can't hear my brother.
31:24I can't do this.
31:26I can't hear my brother.
31:29I can't hear my brother.
31:30I can't hear my brother.
31:32I can't hear my brother.
31:38Come on, brother.
31:39Studio.
31:40Everton Studio.
31:41Yes, Everton Studio.
31:42Thank you sir, brother.
31:43Yes, I can't hear your brother.
31:44Come on.
31:45Good.
31:46I'm sorry.
31:58I'm sorry.
32:00Wa alikum wa salam.
32:02You are not here.
32:04I'm still here.
32:06He was my friend for you.
32:10He was my friend.
32:16। । । । । ।
32:46। । । । ।
33:16। । । । । । । । । । । । । । । । । iqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt eqt e
33:46What? How long have you been here?
33:51Yes, I'm fine.
33:53Let's see you in the studio.
33:57I knew that Abba Ji would like this.
34:00You'll have to do something at night.
34:05Where is the girl?
34:07I don't know anything.
34:09I just know that Shamsa doesn't want to marry there.
34:12She called you.
34:14You'll be able to marry your sister.
34:19Shamsa doesn't like anyone?
34:22Yes.
34:24Who?
34:27Me.
34:44I don't know anything.
34:45I do.
34:46I do.
34:47I do.
34:49I do.