Shikaar _ Episode 04 _ Faysal Quraishi _ Nazish Jahangir _ Asad Siddique _ Green TV Entertainment(1080P_HD)

Drama 4 You

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Transcript

00:00I'll be able to get an election.

00:24I'll be able to get an election.

00:26Because in the election you will stand alone in the election.

00:56Where are you?

00:58Where are you?

01:08Good evening, Mr. Jamil.

01:12How are you doing, Mr. Jamil?

01:15Good evening, Mr. Jamil.

01:16Good evening, Mr. Jamil.

01:18Good evening.

01:20What do you mean, Mr. Jamil?

01:22How are you?

01:23Alhamdulillah

01:24How are you feeling?

01:25Are you tired?

01:26No, it's just that it's an American session.

01:29So you have to prepare for it.

01:31Okay, okay.

01:32Let's go.

01:33Do you think?

01:34There are opportunities.

01:35Of course.

01:48Okay.

01:49I'm coming.

01:50You're coming.

01:51I'm coming.

01:56Let's go.

01:57I'm coming.

01:58I'm coming.

01:59You're coming.

02:00What have you done?

02:01Okay.

02:02I'm coming.

02:03I'm coming.

02:04I'm coming.

02:05I'm coming.

02:06It's good.

02:07What's your thing?

02:08What's your thing?

02:09The habit of the surprise that I got from my dad.

02:13It was a big shock, brother.

02:15You were getting surprise.

02:17They were all surprised and all.

02:21They were all surprised.

02:22They were all with the surprise.

02:24They were all with the surprise.

02:26They were all with the surprise.

02:27What's that, Dad?

02:28Hmm.

02:29This...

02:32This is a little bit of a problem.

02:34All are fine.

02:35I'm going to get angry because the king of the king is not with us.

02:42Now?

02:45I'm going to go to the election.

02:48I'm going to go to the people's house.

02:52I'm going to go to the house.

02:56I'm going to go to the house.

02:58Oh, my God.

03:00You have to be a big need for me.

03:02What do you mean?

03:04I'm going to go to the house.

03:07Look.

03:09Your brother, Bakhtavar Shah.

03:12He's not from his days.

03:15He's from his days.

03:17And if he doesn't even know anyone,

03:21he's going to be happy.

03:24That's why I'm going to be like your brother.

03:28I'm going to say it right.

03:30I'm going to say it right.

03:31That's correct.

03:33Manjai.

03:35Don't drink anything.

03:37Yes, man.

03:38You're going to come for me.

03:40No.

03:41Come.

03:42Come.

03:43I'm going to come for you.

03:45I'm going to come for you.

03:46I'm going to come for you.

03:47I'm going to come for you.

03:48How are you doing that?

03:49How can I do that?

03:50That thought of me.

03:51I didn't have any thought.

03:52I've done a bit of time.

03:53I'm going to ask you some time.

03:56Oh, hello.

03:57You're supposed to ask you?

03:59Yes, you're not.

04:00It's like that you're going to see your brother's father.

04:03and when they don't say anything in the answer,

04:05then they say this line.

04:07You can't say this.

04:09Yes, Dad.

04:11Man,

04:13we were late at home.

04:15My mom got a little mood

04:17off.

04:19And then you know, when my mom got a mood off,

04:21the whole mood was disrupted.

04:23I thought, take a half a day,

04:25take a good mood,

04:27take a chill, I'll talk to my mom myself.

04:29I'll call my dad too.

04:31I'll call my dad too.

04:33I'll call my dad too.

04:35He'll die.

04:37He'll die.

04:39They say something, right?

04:41Come on, come on, come on, come on.

04:43The new actor's job is Rashi Itar.

04:45He took his head.

04:47He didn't take his head.

04:49You just give me a phone,

04:51I'll give him a friend.

04:53Rashi Sahib, everything will happen.

04:55First we'll drink tea,

04:57then we'll do it.

04:59You don't drink tea.

05:01You drink tea, right?

05:03I don't know.

05:05It's very good, Jivran.

05:09I don't like that.

05:11I don't like that.

05:13You, I don't like that.

05:15Hello?

05:19Your mother?

05:21What happened?

05:25My mother.

05:27Hello, my mother.

05:32What happened, Zarina?

05:35My mother, I told you,

05:38I'm not a good person.

05:41She killed our child.

05:44You gave me to me, my mother.

05:47My mother, these are all God's hands.

05:49Why are you thinking about these things

05:51and you're wrong with your relationship?

05:53No, my mother,

05:55she told me my mother.

05:57She told me,

05:59she put it in the juice,

06:01and she killed my child.

06:03She killed my child.

06:05She killed my child.

06:07She killed my mother.

06:09Oh, my God.

06:11Zarina, you're in trouble with me.

06:13Don't worry, people.

06:15Your mind is broken.

06:17Mother, you've always looked at me.

06:21You're crazy.

06:23What are you saying?

06:25I'm right.

06:26You're always doing this.

06:27You don't believe me.

06:29She killed my child.

06:31She killed my child.

06:33Mother, your father died in Islamabad.

06:35Okay, your father died in Islamabad.

06:37I'm talking to her.

06:38Don't worry about it.

06:40Pekhtawad,

06:42he also died in Islamabad.

06:44Peace.

06:46So,

06:48And,

06:49and,

06:51,,

06:52,,

06:53,,

06:56well,

06:57,,

06:58,,

07:00,,

07:02Oh

07:03Oh

07:05Oh

07:07Oh

07:08Oh

07:09Oh

07:11Oh

07:12Oh

07:13Oh

07:15Islaam Sop

07:16Kishe Mild Neha Sop

07:17O antar jakep batao bhehi khe

07:19Malak amana ta hai

07:21Bachtawar Seja ke kau malak saab ko

07:23Acha jake

07:25Acha jake

07:26The script is complete.

07:36One thing I've observed is that you don't look at the accounts.

07:41There are so many great artists and many great artists.

07:44You don't look at them?

07:46I don't look at them. Where are these artists like artists?

07:49How do you look at them?

07:52You look at them. Why are they looking at them?

07:56Because they kept them looking at them.

07:59Are you going to see them?

08:01You're going to see them.

08:03You're going to see them.

08:04This is a matter of fact.

08:06I'm going to tell them that you're looking at them.

08:09If you don't look at them, how can you look at them?

08:17They're taking the phone.

08:20Go inside and tell them not to tell them that they are the king.

08:25Why don't you understand? Go inside.

08:27No, no.

08:28We don't want to go inside.

08:30No.

08:31We don't want to tell them.

08:33We're going to tell them.

08:35You tell them to tell them.

08:39Go inside.

08:41Go inside.

08:54Oh, this is a policy, right? This is not the work of corruption.

08:57One time, you can close your mouth.

09:00After that, I don't have a chance to speak.

09:02Stop it. I'll be in front of her.

09:05That's okay. You better understand it.

09:09I'll be waiting for you.

09:10Stop it. Stop it. Stop it.

09:20How are you, artist?

09:21Are you?

09:23Rشید صاحب آئی کوئی کام کریں

09:25آپ آنکھیں بند کریں

09:35میں اگر آنکھیں بند کر لوں گا تو دیکھوں گا جیسے جناب

09:40یہ بھی کر لیتے ہیں

09:42رشید بھائی اب آپ جب آنکھیں کھولیں گے آپ کے سامنے بہت امدہ آرٹس لا جواب اداکار نظر آئے گا

09:56ہم

09:57بھولے آنکھیں

09:58دو جی

09:59بھولے لگوں

10:00وان

10:02ٹو

10:03ٹری

10:04ٹو

10:07ٹو

10:10اچھے بھلے بندے کا مزاق بنا دیا آپ لوگوں نے

10:12ہیں

10:13نکاہ آئیں اداکار

10:14Oh, my brother! Look at that!

10:18Our fun guy, our brother!

10:31You're a creative man!

10:34Mashallah, Mashallah!

10:36It's amazing, it's amazing!

10:39Do you work?

10:41Rashi sahab ko leja ke rail sale karvao

10:43Amin?

10:44Hathom

10:45Aur khiyar rakhna

10:47Inko character me is tarah in karvao ke inhae bhaar ki dunya ki kooi tension kooi figure yad nahi rahe

10:51Start kar do

10:55Oh, chalo bhaji jivrana bhaai

10:57Ab dekhna me kaise bhajephan ho

11:00Uy!

11:01Dermazha khol do

11:11Uy!

11:24Shah!

11:28Uy!

11:30Midwestern

11:312018

11:35tım

11:36Allah Khaldir Nekut Rukho

11:51Let's see what we're talking about

11:54Loi Jee, Chacha Jee

12:06There is a big difference between the city and the city.

12:11Excuse me.

12:14In the city, the doors are open and open.

12:19Here you can see, you can tell yourself in the city.

12:24I don't understand you. I don't understand you.

12:27I don't understand you.

12:29Chacha ji, you can understand.

12:32But I think that Mustafa's father is behind him.

12:38That will also understand you.

12:40Which one thing is small?

12:42What happened?

12:43Yes.

12:44This thing is bad.

12:46It's bad.

12:48Okay.

12:49Which one thing is bad for my daughter?

12:51That's it.

12:53You will understand.

12:56Chacha ji.

12:58Chacha ji, you will remember your name.

13:02Why did you keep it?

13:03Why did you keep it?

13:05Why did your daughter keep it?

13:08Why did my daughter keep it?

13:10Why did you keep it?

13:11Why did you keep it?

13:12Chacha ji,

13:14the church was also a good idea.

13:18The Lord had a hard word for the Messiah from the Messiah.

13:27I don't have to read it, then read it.

13:29So why did you say that your father,

13:31the king, the king, the king, the king, the king?

13:34Don't forget it, father.

13:36Don't forget it.

13:38Don't forget it.

13:40When our family came to help,

13:44what did you have done with us?

13:47My father, I remember everything.

13:53That's why your father,

13:54if you don't understand it,

13:57why did you understand it?

13:59Hey, my father,

14:02this is also a bad thing.

14:05You have to go,

14:08you have to go,

14:10but you have to go,

14:13you have to go.

14:16Oh, my father,

14:18I'm very proud of you,

14:19your father,

14:20you have to think about it.

14:21You have to think about it.

14:22You have to think about it.

14:25What's the difference?

14:26Listen to me.

14:27Listen to me.

14:28Listen to me.

14:29You have to say that.

14:31Today, you will be a servant,

14:34or a servant,

14:36you will not have to go.

14:38You know?

14:39You have to go,

14:40and you have to go,

14:44you have to go,

14:46So,

14:46until you've got to go,

14:48you have to go.

14:49Now,

14:50you're not going to be my availability.

14:54First time,

14:56first time,

14:57First of all, my brother, someone took a picture on my friends.

15:04No, you're a young man, my brother.

15:07He is in a new society.

15:09You understand?

15:10There was a pressure of 100 crore on his head.

15:12What did I tell you?

15:14I said, listen, my brother.

15:15I'm going to go to another house.

15:17Whatever you want.

15:18We're just standing with Bokhtavar's father.

15:22Hey, you're alone.

15:25Chacha ji, you've come.

15:28Do you want to stop drinking?

15:31No, no.

15:32What do you do?

15:33Do you want to drink?

15:34Or do you want to eat?

15:35No, no.

15:36I'll teach you later.

15:37I told you.

15:38You have to come to another house.

15:40God has given you.

15:55I'm learning everything with you.

15:56Hmm.

15:57What are you learning?

15:58How do you ignore someone?

16:01Why would I ignore you?

16:02Why would I ignore you?

16:03Why would I ignore you?

16:04Why would I ignore you?

16:05Why would I ignore you?

16:06Because I had to come to the house.

16:08Why would you ignore him?

16:10Why would I ignore you?

16:11Why would I ignore you?

16:12Why would I ignore you?

16:13Why would I ignore you?

16:14Because I would have meant to come to my dad.

16:18Why would I do you?

16:20Because I meant to come to my dad.

16:27What's the matter of it?

16:29Tell me about it in a good way.

16:31Today is not today, right?

16:34Inshallah.

16:36I don't want to be angry?

16:38No.

16:40I'm sure.

16:42I'm sure.

16:44What are you writing?

16:46Let's go.

16:47How much?

16:48Let's see.

16:54Keep your hands.

16:56This is good.

17:04You don't have to do anything like this.

17:06You do a job.

17:08Try to do something in the character.

17:11Look at this.

17:12This is the polio.

17:14What are you doing?

17:16Did you have to do something?

17:18Yes, I did.

17:20And you both know them very well.

17:23Okay?

17:24Who is that?

17:26Mr. Sijawal.

17:28You both want to join.

17:30There is also a big deal of acting.

17:34Happy?

17:35I'm saying that tension is not.

17:37The Rashiita lies here from nowhere.

17:39He's going to go to the ground.

17:41I'm going to the ground.

17:42Okay.

17:43You're coming with me, Rashiita.

17:44You check this.

17:45I told him how to make a stick.

17:47You're sending me in the ground.

17:49How can I do it?

17:50I'll do it.

17:51I'll do it.

17:52I'm going to get out of here.

17:54I'm going to get out of here.

17:56I'll do it.

17:57If I'm going to get out of here,

18:12you can't get out of here.

18:14What the hell is this? Why are you mad at this point?

18:37Tell me what he pointed out.

18:39Oh yes, Ronak is a writer.

18:42And the writer knows where to put an int.

18:46Okay, okay.

18:48Take a class.

18:50But you have to do it right.

18:52And you have to do it right.

18:54And you have to do it right.

18:56It's wrong, Natasha.

19:01You have to do it right.

19:03So what do we say?

19:05That's a wrong, Japan.

19:15I have to do it right.

19:16I have to give a half time for Tarle.

19:17That's why I offered an acting.

19:18And they accepted it.

19:19What do you do?

19:20Why did he accept it?

19:21Why did he accept it?

19:22He took the role of Kiyadu,

19:24and took the role of Kiyadu.

19:26He took the role of Kiyadu and gave him a role.

19:28That's a great character.

19:29That's a wrong, Japan.

19:31What's that?

19:32What's that?

19:33No one has to do it right.

19:34No one has to do it right.

19:36Yes, no one has to do it right.

19:38But he can perform good.

19:40He's done it right.

19:41He's done it right.

19:43So the character is his?

19:45But he'll die from the end.

19:47He's a little bit.

19:49I mean, he's a cowardly man.

19:51I mean, he's a cowardly man.

19:53He's a cowardly man.

19:54He's a cowardly man.

19:55He's still standing there.

19:56No, sir.

19:57The small government has to do a little late.

20:00It's fun.

20:01Let's go and take him.

20:03Yes, sir.

20:05No, sir.

20:07What are the lights of the car?

20:09Are the cars ready, sir?

20:11Oh, man.

20:13He's a cowardly man.

20:14He's a cowardly man.

20:15He's a cowardly man.

20:16What's that, sir?

20:23Sir?

20:27Who?

20:28Yes, sir.

20:29I'm a cowardly man.

20:31What is it?

20:32Yes, sir.

20:33You're calling a cowardly man.

20:41Where are you?

20:42Yes, sir.

20:43Yes, better.

20:56Good morning, Chhote Shah Sahib.

21:17Good morning, Bhai Sahib.

21:21You're being a cowardly man.

21:22You're not in the world anymore.

21:26Tension is completely finished.

21:28Come, do you play at the same time?

21:33I'll go back again.

21:34Oh, sir.

21:35When you come up, you're a bit better.

21:38You've been a good partner.

21:39From when you come to your software came to your craft.

21:43Come, come, you're going to see yourself.

21:45I said, you're a good man.

21:47How did you get out of it?

21:49You're a good man.

21:51Oh my goodness,

21:53I love our brother,

21:55I love him.

21:57And that's also because of it.

21:59You need to learn how to learn

22:02about the old and old people's ideas.

22:05Love you, hey.

22:07I'll go with you again.

22:10What is your life?

22:13What?

22:15Don't call me.

22:19If you go back with me,

22:21whatever your investment is,

22:25what will it be?

22:31What are you doing now?

22:33No, no, no.

22:35I'm giving you money.

22:37What do I do?

22:39What?

22:41What?

22:43What?

22:45What?

22:47What?

22:49What?

22:51What?

22:53What?

22:55What?

22:57What?

22:59What?

23:01What?

23:03What?

23:05What?

23:07What?

23:09What?

23:11What?

23:13What?

23:15What?

23:17What?

23:19What?

23:21What?

23:23What?

23:25What?

23:27What?

23:29What?

23:31What?

23:33How?

23:35What?

23:37What?

23:39What?

23:41I'm saying,

23:43what?

23:45What?

23:47What?

23:49You are so happy.

23:51You are so happy.

24:03What a joke, brother!

24:05What a walk!

24:07What a walk!

24:09For any work, you have to be dirty with dirty.

24:12Then you become a victim.

24:14Gibran brother, listen to me.

24:17Get dirty, get dirty.

24:19Same to you.

24:20Rishid bhai,

24:22you have motivated us all.

24:25You are so happy that you are in the showbiz.

24:28Don't let go of that shit.

24:31Don't let go of that shit.

24:33Don't let go of that shit.

24:36Don't let go of that shit.

24:38You are so happy.

24:41Don't let go of that shit.

24:43Don't let go of that shit.

24:46Don't let go of that shit.

24:49Don't let go of that shit.

24:51Come on.

24:52Just do that shit.

24:53Don't.

24:55á

25:16Very nice.

25:19Very nice.

25:20You've done great, Rashid.

25:23What are you talking about?

25:26Rashid, you'll like to say something about your performance?

25:30I mean, you're saying this copy.

25:33Copy?

25:34Yes.

25:35Niranak, brother.

25:37I remember the script from a big man.

25:40Sit, late, late, late, late, and run.

25:43But I didn't understand anything.

25:45I was like that being hit in a white sea.

25:49And then I was taking a mobile off my own.

25:52And I was being paid for every single day.

25:57That means that the people who are for me have cut it for me.

26:01Actually, that was for the Buddhist and Buddhist.

26:04And the people who are being paid for me.

26:06And the people who are being paid for me.

26:07Ahhhh.

26:08Ahhhh.

26:09And the people who are being paid for me.

26:12Ahhhh.

26:13G1

26:15G1

26:17G1

26:19Fon lana me ra

26:21G1

26:29G1

26:31G1

26:33G1

26:35G1

26:37G1

26:39G1

26:41G1

26:43G1

26:44G1

26:47G1

26:48G1

27:07G1

27:08G1

27:09What the hell?

27:11Did you tell me that you went there or not?

27:14I went there, Sajawal. I also gave an audition.

27:18But, I don't know. I think that those people will not select me.

27:22Sir, I don't have to think about anything about it.

27:26Whatever will happen, whatever will happen.

27:28Sajawal, there's no answer to my brother when he comes back.

27:32You're just ready, Ajrat.

27:35We'll meet.

27:36And tell me that you're going to leave your right place.

27:42I can't do this every day.

27:45My position is wrong. If someone is confused.

27:49What's wrong with you?

27:52Everything will happen.

27:55You're just ready.

27:59I'm going to get out of here.

28:02When I come back, I'll call you, okay?

28:04Okay.

28:06Bye.

28:20Rishid, you've got your performance, right?

28:23You've got to stop talking.

28:25You've got to stop talking.

28:26God, don't say that.

28:27Don't say that again.

28:28Don't say that again.

28:29Don't say that again.

28:30No, Rishid.

28:31I'm telling you.

28:32What's wrong with you?

28:33What's wrong with you?

28:34You're such a good actor.

28:35You've given us all a challenge.

28:38How do we show you?

28:40I'm so...

28:41I'm not going to do that.

28:42Hey!

28:43I've done this.

28:44I've done this.

28:45We'll have to.

28:46The action is all.

28:47The action is all.

28:48The action is all.

28:49The action is all.

28:50The action is all.

28:51I didn't say that I didn't give up.

28:54Oh, wait a minute.

28:55Oh, who is that?

28:57Oh, Sajabal Sahib's phone.

28:59Oh, wait a minute.

29:00Hello?

29:02How are you?

29:03We're up there, sir.

29:05Oh, I was here looking at your admission

29:07and I wanted to interview you.

29:09Oh, I wanted to interview you in acting.

29:11Huh?

29:13Well, it's been a while.

29:15It's been a while.

29:17Can you tell me what's happening?

29:19Oh, nothing.

29:20We're all in the academy.

29:22We're all in the theater.

29:24Oh, okay.

29:26Then I'm coming.

29:28Oh, come on.

29:30Come on, come on.

29:32Rashi Tala will receive you in the gate.

29:34Inshallah.

29:36Oh, okay.

29:38Oh, Sajabal Sahib.

29:40Oh.

29:42I don't understand my father.

29:46Why does Sajabal have to do acting?

29:48He will be acting with us.

29:50If he wants to do Skype,

29:52then do it.

29:54Yes, but he's an investor

29:56so I think he needs to be an investor.

29:58One, two, two things.

30:00Why are you so touching?

30:01If he wants to do it,

30:02then do it.

30:03It's not touching.

30:04He was concerned.

30:06Okay.

30:07Anyways.

30:08What will you make the story?

30:09When will I compute the story?

30:10Script.

30:11Script.

30:12Inshallah,

30:13I'll be able to improve the night.

30:14Inshallah.

30:15Hey!

30:16Dadu, how are they?

30:17How are they?

30:18How are they?

30:19I haven't asked.

30:20Dadu, totally fine.

30:22How are you concerned about it?

30:24Call me and ask.

30:25Tell me.

30:26Tell me that I have to call Dadu.

30:28I'll tell you.

30:29Don't do it.

30:30You can tell me when to do it.

30:32Okay, let's go.

30:34Oh, hi.

30:36I'm Dadu.

30:37Oh, boy.

30:40Dude,

30:41Mohsin and Naveed told him to take care of him.

30:43Great.

30:44Where did he stay?

30:45In the studio.

30:46And he went to the gate

30:48to help him.

30:49Okay.

30:50How are you going to meet him?

31:00Hello, Dadu!

31:01How are you?

31:02I'm not fine.

31:03I'm not fine.

31:04You're fine?

31:05But Dadu,

31:06didn't tell him that you're okay?

31:07How are you doing?

31:08I don't care.

31:09I don't care.

31:10I don't care.

31:11I don't care.

31:12But Dadu,

31:13I thought that you were fine.

31:15Well, I'm fine.

31:16What does he know?

31:17I don't care about it.

31:18I don't care about it.

31:19I don't care about it.

31:21What happened to you?

31:22I...

31:23I...

31:28Two people who are sweet.

31:29I'm sorry.

31:30It's a good thing.

31:31You've been so bad.

31:32I've never done anything.

31:33I've never done anything.

31:34But then, what kind of thing happened to you?

31:35For you.

31:36For me?

31:37For me.

31:38For me?

31:39For me.

31:40For me?

31:41For me?

31:42For me?

31:43For me?

31:44For me?

31:45For me?

31:46For you who came to the house and left me.

31:49For me?

31:50For me?

31:51For you?

31:52I'm not saying the truth.

31:55For me, I'm not saying the truth.

31:57For me, I'm not saying the truth of my life.

32:00If you come to my life, I'll end up in a mask.

32:06My brother, I'll get used for this truth.

32:09Give me a lot to you dad.

32:13What are you doing?

32:15Just do it.

32:16What will you do to dad?

32:18Then come to the cafe.

32:22Dadu, I'm taking my phone.

32:24I'm not asking you to cry.

32:26He is the only man of the world.

32:28Okay, good luck, good luck.

32:32Hey, look, I can't see anything?

32:36This is a dumb guy...

32:43I want to tell you something.

32:45Say, sir, let's do this. We all hear it.

32:48Oh, no, no, it's not a law.

32:50It's only a small request.

32:52Where?

32:53Because I've become a brother-in-law, so I want to say that you don't say that you don't say that.

33:00And in the middle of my money, I'm going to give you a gift.

33:05I've come to make friends and make friends.

33:10I've come to give you a relief, so I want you to forgive me.

33:15I don't want to forgive you.

33:17I've kept myself so I can understand.

33:19You're okay with your own.

33:21Now all the confusion has been delayed.

33:23Now we're friends.

33:24I'm going to say one more thing.

33:27You're not going to believe it.

33:28No, no, I'm not going to believe it.

33:30It's just a request.

33:31Why don't you sit and talk about it?

33:33You do what you have to talk about, just like you are okay.

33:36Look, what can you do?

33:39When the person has taken himself to give him a gift to him,

33:44then no one can stop him.

33:46So, we need to exchange numbers of each other.

33:51It's good that the knowledge of each other will grow.

33:53Let's do it.

33:54Let's do it.

33:55Let's do it.

33:56Let's do it.

33:57Let's do it.

33:58Let's do it.

33:59Yes.

34:00Please.

34:01Zero, three, two, one.

34:07What about double two?

34:09Triple two.

34:11I'm going to go to Gulberg's side.

34:14So, if someone has dropped, I can drop them.

34:18There's Natasha too.

34:19There's Natasha too.

34:20Tell Natasha.

34:21It's good.

34:22It's good.

34:23It's good.

34:24No.

34:25No.

34:26It's not.

34:27I could go out of the way for friends.

34:29Let's go.

34:30Let's go.

34:31Let's see.

34:32Mohsen and Naveed have worked.

34:33Yes.

34:34Let's do it.

34:35If you have any other work, please tell me.

34:37No.

34:38Let's do it.

34:39Okay.

34:40Take care.

34:41Okay.

34:42Take care.

34:55How many times are you coming to the academy?

34:58MashaAllah.

34:59I think it's been a few days now.

35:01I've joined now.

35:02I'm a new one.

35:03I'm a very old one.

35:05No.

35:06No.

35:07No.

35:09I guess Natasha too.

35:10You can ask her.

35:11Okay.

35:12Inshallah.

35:13Inshallah.

35:14Inshallah.

35:15I think it's aku for the future.

35:17I guess Natasha is coming to the side.

35:18So you can ask her.

35:20Okay.

35:21Inshallah next situation.

35:22Di endlich bir ne.

35:23Sure.

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