1979 Ay Aman Of ZERRİN EGELİLER AYDEMİR AKBAŞ Türk Filmi İzle

Sinemakolik

Ünlü bir sinema oyuncusu Zerrin gangasterler tarafından kaçırılır onu kurtarma işi ise Aydemir Akbaş'a düşecektir

Transcript

00:00Merde, where did this son of a donkey go after leaving the coffee face down, son of a dog again?

00:07Where will Uncle Musta go? Look at the cinema.

00:10Zerrin Egeller's movie is playing

00:23You know that when it's Zerrin Egeller's movie, Hasan won't be of any use to you.

00:27Now inside, go back and forth to Konya for six to six hours.

00:31I'll show him how big the world is

00:34The only left donkey

00:36He's inside now, he's finished his work, if you want, uncle Musta, you can get in a wheelbarrow too.

00:40I may want to or not want to, is that okay, mom?

00:49Look at this woman, master. For God's sake, look at this woman.

00:53What's it to you, you son of a bitch?

00:56Oh, master, whatever you say to me, yes, yes.

01:00Call me whatever you want, but I won't let her say a word.

01:05Man, I'm turning into a skeleton from watching this woman's movies and driving a wheelbarrow.

01:10Hold on to that, my dear, please.

01:13Let it be, let it remain

01:15He is a breathtaking darling

01:17May Zerrin be sacrificed for Egeller

01:21My baby

01:23Oh

01:24Oh

01:25We are pulling the engine

02:33Wait a minute, I won't come back again.

02:34Ok.

02:37Here you go.

02:39They come to Ben Zerrin.

02:43This is the Yıldırım concert office.

02:45My dear Miss Zerrin.

02:46I am the organizer Engin.

02:48Here you go, Mr. Engin.

02:51I wanted to talk to you about a business matter, Ms. Zerrin.

02:55I wonder when we can be together?

02:57One minute.

02:58What time will I finish my work, Mr. Ilku?

03:00We have half an hour of scenes left, Ms. Zerrin.

03:03I'm leaving here in a scene.

03:05I'm waiting for you at my house, Mr. Engin.

03:08Yes, my dear Zerrin.

03:10Subject to.

03:11I'll be with you at four o'clock.

03:13Thanks.

03:20Going up the tunnel?

03:23You are really nice, Mr. Engin.

03:25Everything would come to my mind

03:27I never thought I would go through a tunnel in Anatolia.

03:29From where?

03:30You have millions of fans in Anatolia.

03:33I have received so many offers to take you to Tunli that I cannot tell you.

03:38I understand.

03:39I understand, but what can I do from Tünliye?

03:42What can I do to sing?

03:44Nor how to speak properly.

03:46Look at what you're thinking, Ms. Zerrin.

03:50Which one of those who come from the cinema to the stage does he fuck?

03:54Two bellies and one hip, republic money in the pocket.

03:57Don't be stupid, girl.

04:00This opportunity doesn't always come along.

04:03I think Engin Bey is right.

04:05We have no life guarantee or insurance for the future.

04:09Your mother sold it.

04:10You have been working for all these years, Ms. Zerrin.

04:12What's wrong with you?

04:14Oh, what will happen?

04:15A dummy car given as a gift by the manufacturer Mr. Hüssen.

04:19A necklace and a few bracelets from the odds and ends gentleman.

04:23Oh, if I'm not mistaken.

04:25Who was that girl, the guy from Adana?

04:26Mother.

04:28I think he was a cotton merchant.

04:30He also opened an account with a bank account worth one hundred thousand lira.

04:33Don't worry.

04:34This is the end of the artist for us.

04:37Are you still thinking about going on tour, Ms. Zerrin?

04:40The filmmaker Huseyin brother told me.

04:51Zerrin Egeller is coming to our town.

04:54What is he going to do, shoot a movie in our town?

04:57No, this master theater is next door.

04:59Oh fuck.

05:00Oh I sewed, I sewed a lot.

05:01I sewed it and it was coming.

05:03Tell me, Gundogdu.

05:05Up until now, you had been turning into an imaginary lantern in my movies.

05:08When you see him, you'll have a funeral.

05:11You can lift it too.

05:13My father will be left to you.

05:17Look, there's an old one there.

05:19Oh, my dear.

05:20Cut this guy up.

05:26Look at the situation.

05:27Oh, my dear.

05:29Look at this beauty.

05:30Look at this beauty.

05:33Look at that hair.

05:34The color of those bowls.

05:38Look at those tits.

05:41Those tits.

05:42Look at this box.

05:43Look at this box.

05:45In that box.

05:52Honey pot.

05:54Hlemeli that box.

05:57I wouldn't put my head in that box.

05:59Look at your siren.

06:01That son of a bitch is a donkey.

06:03You should smell that whore instead.

06:05I also recommend the customers' tea.

06:06Master, I'm getting upset.

06:07What do you mean she's not a whore?

06:10Master master.

06:11Come to your senses.

06:12The one who called her a whore.

06:14I'm just saying, let me see what you do.

06:16Bitch.

06:17The one who called her a whore.

06:19I am his mother.

06:20Your wife.

06:21His cinema.

06:22That he has come.

06:23Your past.

06:24Let me see what you do.

06:25He married his mother.

06:27I'll take you to the movies.

13:27M.K.

25:17They are leaving!

25:19They are leaving!

25:21They are leaving!

25:32My dear, my beautiful!

25:35Bye!

25:41They're going, they're going!

25:43Cube!

25:57Goodbye to me There!

25:59Exponential!!

26:01dan face, sent!

26:03They are leaving!

26:05No, you bastard!

26:07Eekucuş Prix!

26:11Wait a minute!

26:13Hurry up, let's move on, kids.

26:21You fan, where are you going, common people?

26:23Come on, you wonderful person.

26:26There's thyme up there, man, this guy is tall.

27:13M.K.

27:43M.K.

28:13M.K.

28:43M.K.

29:13M.K.

29:43M.K.

30:13M.K.

30:43M.K.

30:45M.K.

30:47M.K.

30:49M.K.

30:53M.K.

30:55M.K.

30:57M.K.

30:59M.K.

31:05M.K.

31:07M.K.

31:09M.K.

31:15M.K.

31:17M.K.

31:19M.K.

31:21M.K.

31:31M.K.

31:33M.K.

31:35M.K.

31:37M.K.

31:43M.K.

31:47M.K.

31:49M.K.

31:51M.K.

31:53M.K.

32:55Wait a minute, I'm done.

33:00Now it's time for our friends.

33:02If you want to get out of here alive and return to the city safe and sound, you do what we say.

33:09Crazy people, maniacs!

33:18Come on, it's your turn.

33:29Was it nice, brother?

33:31Peanuts, honey box.

33:34I couldn't get enough.

33:35Oh my mother and my wife, I can't get enough of it.

34:08What happened, you look like you're dead?

34:11Is the person inside happy at least?

34:13Oh, how he fainted because of the color.

34:17Don't say a word to anyone.

34:21Are we caught or burned?

34:22Keep your mouths shut, kids.

34:28If it is heard that we are beating every single woman, it is a sign that we are being thrown into prison.

34:33You looked right.

34:36Then it would be bad.

34:37What kind of tits were those?

34:38That's what it is, just like that.

34:39That's right, you're right.

34:41Still on your mind.

34:42What should you do?

34:43What was that?

34:43Deliciously dynamic.

34:45Yes.

34:47So what will happen now, the woman is unconscious?

34:50Really, we left the woman unconscious.

34:55We left him unconscious, but we made a mistake.

34:57It seems that way to me too.

34:58We made a big mistake.

34:59What happens if he comes to?

35:02Who is the one who will come to himself?

35:04Zerinegels?

35:05Don't talk like you don't know.

35:07So where is it?

35:08You were the last one to leave.

35:10Didn't we leave it in the stable of our elder uncle?

35:12Your grandfather's barn?

35:16I hope they don't find it.

35:17Otherwise, we've gotten ourselves into trouble.

35:27My brother.

35:29Ah, ah, may they love your flower.

35:33Was I going to see that you were sacrificed to the Most Creator one of these days?

35:37Ah, now that you see it.

35:39Even if you die, I won't eat you.

35:41Oh, oh, my dear.

35:52Thank you for watching.

36:22Thank you for watching.

36:52I'm done.

36:54Are you finished?

36:56Already!

37:00Well...

37:02...isn't there anything you want from me?

37:06No.

37:08Thank you for watching.

37:10What if there is something I want from you?

37:16Order me, I will give you my life.

37:20Now run straight to the police station.

37:24Good morning my baby.

37:26Is there an incident?

37:28They kidnapped me.

37:30Oh no.

37:32Really?

37:34They kidnapped you, right in your face.

37:36Run to the police station.

37:38Tell him I'm here.

37:40Is it possible?

37:42What happened?

37:44Now...

37:46I will run to Hadise and inform the police station.

37:48To the police station...

37:50Incident...

37:52...we returned to this...

37:54...we returned to this...

37:56...we returned to this.

37:58...we returned to this.

38:00...we returned to this.

38:02This...

38:04...we returned to this.

38:06I might go crazy, Mr. Engin.

38:08I beg you, help me.

38:10I am as upset as you are.

38:12But there is nothing we can do.

38:14It's my baby.

38:15My only daughter.

38:16I feel guilty.

38:18Guilty.

38:19I wish I had stopped him from leaving.

38:20All security forces were mobilized.

38:22The surroundings of the town they left...

38:24...was being searched thoroughly.

38:26I think we may get some news soon.

38:28I mean, all those soda scenes...

38:32...sleeping with men like that...

38:35...he...

38:36...he...

38:37...men like Ayu...

38:38...excuse me...

38:39...passing over...

38:40...isn't it real?

38:41Are they all lies?

38:43This is a common movie trick.

38:45If all those scenes were real...

38:47...can you imagine my situation?

38:49How do I know...

38:51...I've always watched you like that in movies...

38:55I never thought I would meet such a pure person.

38:59This favor you did to me...

39:01...go to the police station and report it...

39:03...I will never forget it as long as I live.

39:07What is your name?

39:10Tell me, what is your name?

39:12Hassan.

39:14If you invite me one day...

39:16...Will you come to Istanbul and be my guest?

39:18Well done, will you?

39:21No, they'll come for nothing...

39:23...it's like making love...

39:24...like sleeping with men...

39:26...if it is a lie...

39:27...what do I do then?

39:29No...

39:30...this invitation is really...

39:32...from the heart...

39:33...sincere...

39:35...yes?

39:36...never mind Istanbulites...

39:38...to me in the movies...

39:40...your imagination in the cinema is enough...

39:42...your truth...

39:43...your truth...

39:44...let there be liars in the city...

39:46...your dream is enough for me.

39:48Thank...

39:50...get well soon.

39:52Get well soon.

39:54Thank.

39:56Get well soon.

39:57Thank.

39:58Thank.

39:59Thank.

40:00Thank.

40:17Thank you for everything.

40:18Are you leaving?

40:26I am going

40:27Goodbye

40:48I would like you to tell us about the events that happened to you, Ms. Zerrin.

41:10There is no incident to tell

41:13It was an interesting perch

41:15I recognized myself

41:17My fans

41:18I am devoted to those who love me

41:20Do you have any complaints or anyone to complain to?

41:33I have no complaints about anyone.

41:34I wanted this tunnel

41:36The outcome also interests me.

41:38Both

41:39I told you

41:41I have no complaints about anyone.

41:44Thank you for your interest, commissioner.

41:53There are no events

41:55My fans invited me

41:57I couldn't say no to these invitations.

42:00I was a guest for two nights

42:03You seem to have forgotten the events

42:12Events yes

42:14But I had a fan who

42:17His name is Hassan

42:18I can't forget him for a lifetime.

42:21Me too

42:32Me too

42:35Me too

42:37Apparently he sent me his signed picture

42:44He says, "To my Hasan, with love."

43:14Thank you for watching.

43:44Thank you for watching.

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