- 4/25/2025
Miami Vice Season 2 Episode 21 Free Verse
Category
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TVTranscript
00:00I'm sorry, I'm sorry, I'm sorry.
00:30I'm holding your hand, but I didn't enjoy your life story.
00:55Boring.
00:57But you are not boring.
00:59Only your life story is boring.
01:02Yes, indeed.
01:04But it has been nice sitting.
01:07Goodbye.
01:07Goodbye.
01:10Hold it.
01:12The movie stunk.
01:14We have to wait here.
01:16Are all American cops so good looking?
01:19Lieutenant Martin Castillo.
01:22That answers my question.
01:25We have reason to believe your life's in danger.
01:27If my country, a cop in a civilian suit comes up to you, you can, how do you think?
01:33Kiss yourself goodbye.
01:35But my country is kicked me out of there.
01:39Why do you think they ship me here, Lieutenant?
01:42They murder me in my country.
01:43They make me into a martyr.
01:45There's no great intellect to figure that out.
01:47They bought me a first-class ticket to my own killing.
01:54Where's my daughter, sir?
01:56Where's my daughter here?
01:57He's waiting at the safe house for you.
01:58What is a safe house?
02:00Just what it sounds like, sir.
02:02Yeah.
02:02Sounds like house arrest to me.
02:06Right.
02:06Maybe your television is better here than back home.
02:10Privileged diplomatic materials.
02:16Thank you for all your help and your...
02:39Mr. Sandoval, how long will you be in Miami?
02:41Just visiting, just visiting, away to Washington.
02:44And after Washington, back to your own country.
02:45Never, not till the dead squads die in their free elections.
02:49Let us through here, sir.
02:51Let us through.
02:52Please.
02:53How does it feel to be free, Mr. Sandoval?
02:56Beautiful.
02:58Beautiful.
02:58I would like to talk to you at greater length.
03:04My dear, I am all yours.
03:08Okay, that's enough.
03:09Step aside, please.
03:10Come to the museum at the reception there.
03:13I see you.
03:28This old man will be easy to kill.
03:58This old man will be easy to kill.
04:28This old man will be easy to kill.
04:32Anyway, I mean, he probably knew it or didn't.
04:34Yeah.
04:35This old man will be carried away, by the way he was conceived.
04:39But he has been done.
04:40This old woman will bekeep of the room, by the way he now lends hisroom.
04:46Absolutely.
04:52I know he doesn't know.
04:57But I am.
04:57All right, I'm ready.
05:23I'm waiting an hour.
05:24Sure, sure.
05:26Hey, welcome to the babysitting detail.
05:29Any reason why this is our gig and not the Federals?
05:32Yeah, the word came down to Castillo that we're here to do it
05:35because we're so efficient.
05:36And inconspicuous.
05:38Where's Croghett?
05:39In court.
05:40Why did anybody want to kill a poet?
05:43Maybe they don't like his iambic pentameter.
05:45Sandoval's not your Joe Everest poet.
05:48I mean, he's waiting for a phone call from Stockholm.
05:51Nobel Prize, you know?
05:53Yeah, sure.
05:53Is that the word on the street?
05:54He swings heavyweight on international opinion.
05:59That makes him more than a wordsman.
06:01Sally says the poets were unacknowledged legislators.
06:06My government agreed with him.
06:14That was their excuse for arresting me.
06:20To protect me from the right-wing death squads.
06:25As if they were not in bed with the death squads.
06:33I spent a year in house arrest,
06:37during which time I wrote a political memoir.
06:43They took the manuscript and burned it in front of me.
07:00I spent a year in the house arresting me.
07:01Now you can leave, face-to-face.
07:03It didn't matter.
07:08It was all in my head.
07:11And I will tell it all at the hearings in your Congress.
07:17Yes.
07:18Senor Sandoval.
07:19Si.
07:20We have a problem with your itinerary.
07:23Such as?
07:24You want to go to reception tonight, for one.
07:28And an appearance at an award ceremony for a poetry prize at the university.
07:34Yes.
07:35The Porter Prize.
07:36They gave it to me when I was in stir.
07:39Is that your phrase?
07:41Now I can't thank them in person.
07:45Well, for your own personal safety, you should send your regrets to both functions.
07:50Save your personal appearance for Washington.
07:53No.
07:54To address a congressional committee is my duty.
07:57To appear here in Miami is my pleasure.
08:00I want to see my friends.
08:02I want to get my prize.
08:05This is typical.
08:07His vanity means more to him than his life.
08:11My devoted daughter, Blanca, who's been contradicting me since she was two years old.
08:25You're not listening to us, sir.
08:28Call me, Hector.
08:31I'm democratic.
08:32If you insist on attending these functions, you'll make it easier for them and harder for us.
08:48What he's saying makes sense, Father.
08:53I'll not stay a prisoner out of fear.
08:57I will attend these affairs.
09:00It's a free country.
09:03Isn't that what they say?
09:05Is that your final decision?
09:06Si.
09:07All right.
09:08We'll set up security at both functions.
09:13Detective Tubbs, who you met at the airport, will be with you at all times.
09:19Not the ladies?
09:21No.
09:22If you want to attend these functions, you'll do it our way.
09:26Absolutely.
09:27We are going to have a great deal of fun during my stay.
09:40While it lasts.
09:43Now, where is the TV?
09:46You're wrestling, yes?
09:48Cartoons?
09:49I have instructions for you.
09:51Si.
09:52You will not come here again.
09:54If we do, would you still be working here?
09:55And you will receive no more supplies from home after this.
09:56We won't have any more to give if we don't succeed.
09:57The Americans support you only because they fear the guerrillas.
10:02I have instructions for you.
10:07Si.
10:08You will not come here again.
10:10If we do, would you still be working here?
10:15And you will receive no more supplies from home after this.
10:19We won't have any more to give if we don't succeed.
10:22The Americans support you only because they fear the guerrillas.
10:26Let Sandoval speak to the Congress and the dollar part of that support may evaporate.
10:33Nevertheless, we watch your hands of you.
10:39We deeply appreciate the use of your diplomatic pouch.
10:56The American язык was holding suit and the crappy suit and storage.
10:58It sounds good as green.
10:59It'sЖzz.....
11:00What is it going on?
11:01I'm just
11:23Yeah, yeah, I've been raising money for medical supplies.
11:40Why is that a problem for you?
11:41Because the money ends up with the gorillas.
11:45Don't you understand?
11:47That money ends up for medicine for the people in the villages.
11:50Who also end up with the gorillas.
11:53The gorillas at least offer the peasants something.
11:56Yes, they offer them a choice.
11:59Join us or hang from a tree upside down.
12:03They are no democratic.
12:05Only Jose Prentos is democratic and he's dead.
12:09Excuse me.
12:11This is not a good place to stay.
12:14Why not?
12:15Because it's a little bit too open for our tastes.
12:18I thought we were supposed to be safe here.
12:20You are safe.
12:22But inside the house you'll even be safer.
12:25Zito, would you mind helping Mr. Sandoval inside?
12:28Why not?
12:29Tell me something about Shelley.
12:31Shelley!
12:33The Prometheus bound, Prometheus unbound about freedom.
12:39Your father's quite a character.
12:43He's a great poet.
12:45You sound so sure?
12:47History will record it.
12:49His poems are his real children.
12:54So that's why you two argue so much.
12:57I like to argue with him up to a point.
13:01And then I get really mad.
13:03So he wins.
13:05So why don't you back off and then you win?
13:08Before we got onto politics, he used to complain
13:11that I didn't bring any of my young, pretty girlfriends to meet him.
13:16Do you believe that?
13:18Hm.
13:20Well, a man spends a year in prison.
13:25I think he could use some female companionship.
13:28He was that way before he was arrested.
13:32He likes them young and starry-eyed.
13:37Why do you think he wants to go to that party?
13:39For a medal?
13:40So what's in this for you?
13:43I edit a small newspaper for political emigrees.
13:48I'm against the government.
13:50If I still lived down there, they would have disappeared me long ago.
13:57You think he'll ever go back down there?
13:59Maybe after the Civil War?
14:03I don't think there'll be anything left.
14:13Hey, I said easy.
14:15What do you mean?
14:16You call that easy?
14:18There's this flesh you're knocking around like that.
14:21You understand?
14:22Well, you think I can't feel it.
14:24I feel something, you know, that I can't...
14:29Look at this car.
14:31Is this a car?
14:32What do you call that?
14:33A fin?
14:34Yeah, maybe it's a fish, not a car, right?
14:38Look at the way the curves catch the light.
14:41Oh, beautiful.
14:43Freedom in metal, that's what it is.
14:48This is America.
14:52Soaring flamboyant.
14:56Slide in front.
14:57Then, Mr. Sandoval, you have to lay down for security reasons.
15:01Later, I want to feel the breeze.
15:03Unless you guys follow close.
15:09Mr. Sandoval.
15:10Let's see.
15:15Mr. Sandoval, you're not listening to me, man.
15:18Lay down for security reasons.
15:24Oops.
15:40Larry, take this blanket off.
15:55No, no.
15:56Give it on.
15:57Make a grand revelation.
15:59You want to take a break?
16:01No, I'll do it when I'm ready.
16:03No, I'll do it when I win.
16:33Thank you, thank you.
17:03Thank you, thank you.
17:40There's knuckles in your hands, but like the mountains of our land, and they remain beautiful.
17:56The shoreline.
18:03You see a picture of a re-education cow?
18:08Sure.
18:11Gee.
18:12There you are.
18:14See you later.
18:18You folks from Iowa?
18:25I think they're from Hawaii.
18:32I think they're from Hawaii.
18:39Okay.
18:40Hello?
18:41Hi.
18:42Hi.
18:45Hi.
18:46Hi.
18:47Hi.
18:48Hi.
18:49Hi.
18:50Hi.
18:51Hi.
18:52Hi.
18:53Hi.
18:54Oh, my God.
18:59You're so good to see you.
19:06Who is he?
19:08It's been a long time.
19:10Oh, you didn't tell me about it.
19:12You know who I have here already.
19:14Where's it been?
19:16Three years.
19:18Have you seen him?
19:19Not yet.
19:20I haven't seen him.
19:21Oh.
19:24Gentlemen, enjoy an evening?
19:29Yes.
19:30And when I say the most...
19:34It's gotta happen evermore.
19:37Not to me, right?
19:39I feel like this.
19:41I'm flattered that you think so.
19:43I know.
19:44I know.
19:45I know.
19:46I know.
19:47I know.
19:48I know.
19:49I know.
19:50I know.
19:51I know.
19:52I know if I'd be too old.
19:57At your age, a man is just beginning to be sexy.
20:02What?
20:03It's your power over the word that I find so exciting.
20:09I've seen that woman before.
20:11The way you get your message across.
20:24I have a message for you.
20:26At the airport.
20:28We had enough of you before.
20:31We're gonna get you disappeared.
20:35No!
20:42This woman moved!
20:44Poliso!
20:46Police officer!
20:51I don't know what she's going to do.
21:21Listen, I've been thinking. I need a gun.
21:41You need a what?
21:42Pistola. Bang, bang.
21:44Why don't we go fishing and say we didn't?
21:54Aren't you concerned about your daughter's safety?
21:57She stayed out all night before without calling, believe me.
22:00What about the gun?
22:02Forget it, Hector.
22:04I may have to protect myself.
22:06Look what happened last night.
22:07Look, why don't you go out there and write some nice poetry about the ocean, maybe, or something.
22:13Let us do the police work.
22:15What the hell's that?
22:17Come on. He's okay.
22:19He's an old friend.
22:21What's the matter with you? You're trying to get yourself killed?
22:23I was perfectly safe with my wedding.
22:26I trust him with my life.
22:27Yeah, you did just that, and your father's too.
22:29Manuel Guerrero?
22:50Blanca, you realize you've compromised your father's safety by bringing him here?
22:54I should say so.
22:59Gentlemen, my old student.
23:02Manuel Guerrero.
23:06I think if you're that good a great,
23:09watch out for him.
23:10He has a penetrating and devious mind.
23:21So, you look in pretty good shape, huh?
23:24They didn't touch me on the outside.
23:29What about you, Guerrero?
23:31You still seated on the left hand of God?
23:35No.
23:36I'm enjoying the bourgeois life too much.
23:39I've moved to the center.
23:42The center cannot hold.
23:46Mere anarchy is loosed upon the world.
23:50William Butler Yeats.
23:53A plus.
23:54I'm sorry to have worried you.
24:02The disappearing act was not a cool move.
24:08Would I be wrong if I thought that your concern was not merely official,
24:13but also personal?
24:16It could get that way.
24:21Maybe after this is all over.
24:25Well, what do you have in mind?
24:28Casual sex?
24:31Moments?
24:31So, what do you make of this Guerrero?
24:42I don't know.
24:45It's either a student or a friend or a chowder head.
24:50Reminds them of better days.
24:55All right, I got it.
24:56Thanks.
24:57You got the idea on that assassin I smoked last night?
25:01Yeah, I just came in.
25:03It's known as La Muerta,
25:05a right-wing fanatic who operated with death squads.
25:08It's also wanted in Argentina.
25:09Maybe she was alone.
25:12Maybe.
25:13Maybe.
25:16What do you say we put a string on Guerrero when he leaves here?
25:24Maybe he'll lead us to something.
25:26I'll be downtown if you need me.
25:27Cool, man.
25:28You want to play?
25:58Sure, there's a lot of shaking, but it's not what we're looking for.
26:17Hmm.
26:19He's definitely a man of leisure.
26:22Yeah, well, he certainly doesn't lead a lonely life, huh?
26:28Hey, see what I see?
26:58Miami-Face, freeze!
27:02十二十
27:08Four of them.
27:25There were four of them, and they were armed like NATO.
27:44Sandoval will not forgo the award ceremony no matter what the risks.
27:48We'll need heavy backup.
27:50You got it.
27:53This is the last time Sandoval's going into public in Miami.
27:56What about Guerrero?
27:58We lost him.
28:01Zito and Swiatek are on it.
28:07I got a hunch Guerrero's gonna give up the safe house, Lieutenant.
28:11They won't ask him politely.
28:14We won't take Sandoval back to the safe house,
28:17but I believe in personnel there in case they want to hit it.
28:23You guys feel all right?
28:29Sure.
28:30You got it.
28:33That's it.
28:38You sure you're up for this?
28:40Piece of cake.
28:42What up?
28:46Let's go.
29:00are you looking for me you got it death squad's car has been spotted it's parked off the coast
29:26road by the chic's mansion oh yeah i know the place let's see he bought that never moved in
29:32death squad's probably holding her over there this rt is already on the way
29:38they'll wait and take direction from you okay i'm gonna pick up swatek and i'll be on my way
29:44in the place where i came from the jungles were a jade wall
30:02and the plains were rolled like the sea the mountains carried the wind on their shoulders
30:20but some thoughts the sky was too bright
30:25and they wept
30:31and others thought the sea was too deep and they gasped
30:37for breath
30:39and some said
30:50we use the land it cannot be owned or possessed
30:57and others
31:04we didn't create this
31:10and so it mocks us
31:16and therefore
31:18we will take it
31:28and they said
31:32that which we did not create
31:40we still can kill
31:42and they rolled out
31:51in all their armor
31:54the horses weighed down under the weight
32:02and the rains came
32:03and the mud
32:08and they sank
32:11in the land which they could not possess
32:18upon the earth
32:20which they did not create
32:33at this moment
32:34or
32:38or
32:39which they saw
32:40in the sky
32:41and they said
32:42they could have been
32:42in the sky
32:43and that they could not fly
32:43and they wanted to do
32:44to be able to deal with their energy
32:46can probably get some advice
32:46because they had to act
32:46by the sea
32:47and i thought they would have been
32:48in the sky
32:48and that they needed to continue to do
32:50and they encouraged me to do
32:51and that they had to convince me
32:51and they were very Mt.
32:52I was completely
32:54and i gave him
32:55and i had to have my own
32:55and i did not
32:57because i really want
32:58for me
32:58to carry that
32:59my friends
33:00and i stopped
33:00i
33:01and i
33:02and i
35:40You have any idea where he and his friends might have gone?
35:43They said they were to go to the awards ceremony.
35:46They didn't show.
35:48Where'd they go?
35:53Look, maybe they've given up.
36:00Listen, this guy Gomez, you tell him anything about the safe house?
36:08No.
36:09And even though I seen Sandoval and they didn't ask any questions about a safe house.
36:13Why'd they grab you?
36:15I don't know.
36:17I don't know.
36:18Oh, really?
36:22Wouldn't it be because you support leftist guerrillas with your own personal funds?
36:27I guess I can expect no more protection from you.
36:34This is America, pal.
36:36You can expect the same protection any citizen has a right to.
36:40We don't play banana politics here.
36:45No.
36:46Not at home.
36:47But you're exported abroad.
36:49Lady, I'll be glad to debate the issue with you sometime.
36:53Right now we're just trying to keep your father alive.
36:56Let's take a walk.
37:05I don't like it.
37:06Why didn't they kill him?
37:08What's your drift?
37:09We don't know jack about this guy.
37:11He didn't arrange to get snatched and leaned on unless he's suicidal.
37:15You're right, but he's wrong.
37:18Hold it.
37:19Hold it, guys.
37:20Yeah, okay.
37:21Thanks.
37:22Big problem.
37:23We gotta find Sandoval.
37:28I thought our people took Sandoval to the Casablanca Hotel.
37:32They did.
37:33Then when they got through the room, he threw a big fit, said he didn't like the room,
37:37didn't like the hotel, didn't like the way it was being treated.
37:41When they went down to make new arrangements, he gave them the slip.
37:44This guy's out of his mind.
37:47He also has a gun.
37:49Oh, great.
37:50What?
37:51What?
37:52He asked me for mine.
37:53It's my favorite thing.
37:54Beautiful.
37:55Call Castillo.
37:56Tell him we're on the move.
37:57Right.
37:58Come on.
37:59Phone call was Castillo.
38:00Want us to go out on the streets and look for, uh, Sandoval.
38:02Lockup?
38:03Medical center.
38:04With Guerrero.
38:05Come on.
38:06Come on.
38:12Phone call was Castillo.
38:14Want us to go out on the streets and look for, uh, Sandoval.
38:19Lockup?
38:20Medical center.
38:22With Guerrero.
38:23With Guerrero.
38:39Sometimes I try to do things, but it just doesn't work out the way I want it to.
38:44It's like I concentrate on real hard, but it just doesn't work out.
38:57And everything I do and everything I try, it never turns out.
39:01It's like I need time to figure these things out.
39:04There's always someone there to it.
39:06They might, but they don't even notice you've been having a lot of problems lately, you know?
39:10Maybe get away.
39:12And, like, maybe you should talk about it.
39:14You'll feel a lot better.
39:15And I go, no, it's okay, you know?
39:17I'll figure it out.
39:18If you're sitting alone, I'll figure it out, you know?
39:21I'm just looking on myself.
39:23They go, well, you know, if you want to talk about it, I'll be here, you know?
39:27And you'll probably feel a lot better if you're talking about it.
39:30If you want to talk about it.
39:31I go, no, I don't want to talk about it.
39:32I go, no, I don't want to talk about it.
39:33Hey!
39:34Hey!
39:35Hey!
39:36I'm not ready for you to talk, but maybe later.
39:39Hey!
39:40Hey!
39:41Come on!
39:42Hey!
39:43Hey!
39:44You did?
39:45Uh-huh.
39:46Yeah, give me the address.
39:48Okay, thank you very much.
39:49Jackpot, ladies.
39:50Cabbie says he did drop some crazy dude in a wheelchair in Miami Springs.
39:54Party time, huh?
39:55Looks like it.
39:56All night, take it!
39:57Here's the design!
39:58Here's the design!
39:59Get the one that's crazy!
40:00Here's the design!
40:01You don't be crazy!
40:02Here's the design!
40:03They take me in an institute and you can't put me on the suit!
40:04in a wheelchair in Miami Springs.
40:06Party time, huh?
40:08Looks like it.
40:34Hey, hey, I know you.
40:45Yes.
40:47Oh, no, I do.
40:48You're Hector Sandoval, right?
40:50You have found me.
40:52Oh, I read your stuff.
40:54I'm not kidding.
40:56I used to read it all the time.
40:58Cloud Cities.
41:00Oh, that was my favorite.
41:04I heard some scuzz are out to snuff you.
41:07They have faith,
41:09but if they try again,
41:11this is for them.
41:14All right!
41:18What are you saying, Hector?
41:20You ready to rock and roll?
41:22You got it!
41:24Let's go!
41:26All right!
41:28All right.
41:29All right, hey, hey.
41:31Oh!
41:33Hey!
41:34Hey!
41:35Hey, hey, hey.
41:36Hey, hey!
41:37Hey!
41:38Hey, hey!
41:39Hey.
41:41Hey!
41:42Hey!
41:43Hey, hey!
41:45Hey, hey, hey!
41:46Hey, hey, hey!
41:49Come on, let's go!
41:50Hey, if I'm sitting in my room, my mom and my dad came in.
41:54Hey, what are you doing?
41:56Hey!
41:57Hey!
41:58Hey!
41:59Hey!
42:00Hey!
42:01Hey!
42:02Hey!
42:03Hey!
42:04Hey!
42:05Hey!
42:06Hey!
42:07Hey!
42:08Hey!
42:09Hey!
42:10Hey!
42:11Hey!
42:12Hey!
42:13Hey!
42:14Hey!
42:15Hey!
42:16Truly, my Satan, I had but a dunce and cannot tell the garment from the man.
42:22Yeah.
42:23Ha!
42:24Ha!
42:25Ha!
42:26Ha!
42:27Ha!
42:28Ha!
42:29Ha!
42:30Ha!
42:31Ha!
42:32Ha!
42:33Ha!
42:34Ha!
42:35Ha!
42:36Ha!
42:37Ha!
42:38Ha!
42:39Ha!
42:40Ha!
42:41Ha!
42:42Ha!
42:43Ha!
42:44Ha!
42:45Ha!
42:46Ha!
42:47Ha!
42:48Ha!
42:49Ha!
42:50Ha!
42:51Ha!
42:52Ha!
42:53Ha!
42:54Ha!
42:55Ha!
42:56Ha!
42:57Ha!
42:58Ha!
42:59Ha!
43:00Ha!
43:01Ha!
43:02Ha!
43:03Ha!
43:04Ha!
43:05Ha!
43:06Ha!
43:07Ha!
43:08Ha!
43:09Ha!
43:10Ha!
43:11Ha!
43:12Ha!
43:13Ha!
43:14Ha! Ha!
43:15One human, how it's all magnificent.
43:22The sun of morn, at weary nights they cry.
43:52One, two, three!
44:03What are you trying to do, Hector?
44:06Kill something?
44:10A lot of people knocking themselves out trying to keep you alive, pal.
44:15And you're out here running around the streets waving a gun around like it's legal.
44:19And I want your word you're not going to pull a stunt like this again.
44:26Let's see.
44:27You've got it, pal.
44:29What's going on with you, Hector?
44:48You've got to make it to Washington alive.
44:57Deliver your words to Congress.
45:02Look, Hector, this is too important to shine on.
45:05I look at an empty page.
45:16And I can't only see the emptiness in myself.
45:20The memoir the government burnt is my duty to write.
45:31But the love of words is gone.
45:35That stuff you delivered the other night, it blew everybody away.
45:39It was beautiful.
45:39That was an old piece.
45:45I have written a new poem
45:47in a very long time.
45:56Hey, Hector.
45:57If you lighten up, maybe the words will come back.
46:17I'm forced to be a hero, not a poet.
46:22I was time for something.
46:24That makes me worth killing.
46:32But what makes it worth living?
46:35Hello?
46:43This is hospital security in the lobby.
47:03Your father is down here in a taxi.
47:06I'm afraid he's very drunk.
47:09Oh, that sounds like him.
47:11Thank God he's all right.
47:14We cannot let him go up in this condition.
47:17Can you come down?
47:19Yes, I'll be right down.
47:20Let's do it.
47:23Let's go.
47:28Let's go.
47:29Let's go.
47:34Let's go.
47:35Let's go.
48:06I'll bring it over in a second.
48:09I need you. I need you to have a drink.
48:11Okay.
48:13Hector, can we get you some coffee or something to eat or something?
48:16Coffee is good.
48:17Sonny?
48:18Chubbs, my office.
48:21Mark.
48:30Shut the door.
48:34They found vehicle tracks.
48:36In the woods by the safe house.
48:40Sonny's been eavesdropping.
48:45Guerrero told the death squads where it was.
48:50Gina and Trudy are on their way to the hospital.
48:53Take Guerrero into custody.
48:55Washington says Guerrero's not a civilian.
48:58He's a highly placed, highly motivated operative from the left in Sandoval's country.
49:06Beautiful.
49:08Now that could explain his interest in Sandoval, huh?
49:10He specializes in difficult assassinations.
49:18I thought it was the right that was out to get Sandoval, not the left.
49:23Left want to make him a martyr.
49:24So if the right goes ahead and kills him, Guerrero doesn't get his hands dirty.
49:32He's a dedicated man.
49:37Give me the players any day.
49:39At least you know going in, they're motivated by the money.
49:42It's the greed.
49:44But with these politicos, man, they just like it.
49:48Excuse me, Lieutenant.
49:49There's a call for Sandoval on the line.
49:51She's not dead yet.
50:03She will be if you don't make her meet at the beach.
50:08If you want your daughter to live, you do exactly as I say.
50:14You understand?
50:15I understand.
50:17And no cops.
50:21My life for hers.
50:31Did you agree?
50:33I have no choice.
50:35An old life for a young one.
50:38You have a choice.
50:40Check to see how much we got on the wire.
50:42Alert SRT.
50:43No police.
50:44No police and no helicopters!
50:47Listen, just relax.
50:48We can handle this.
50:49Tell us everything that they said to you.
50:52Where's the meat?
50:55I have to go.
50:56I have to go.
50:58Hector.
50:59Stay with us, buddy.
51:00Come on now.
51:02Just relax.
51:03Relax.
51:03Relax.
51:03Relax.
51:03Relax.
51:03Relax.
51:05Relax.
51:07Relax.
51:08Relax.
51:09Relax.
51:10Relax.
51:11Relax.
51:12Relax.
51:13Relax.
51:14Relax.
51:15Relax.
51:16Relax.
51:17Relax.
51:18Relax.
51:19Relax.
51:20Relax.
51:21Relax.
51:22Relax.
51:23Relax.
51:24Relax.
51:25Relax.
51:26Relax.
51:27Relax.
51:28Relax.
51:29Relax.
51:30Relax.
51:31Relax.
51:32Relax.
51:33Relax.
51:34Relax.
51:35Relax.
51:36Relax.
51:37Relax.
51:38Relax.
51:39Relax.
51:40Relax.
51:41Relax.
51:42Relax.
51:43Relax.
51:44Relax.
51:45Relax.
51:46Relax.
51:47Relax.
52:18My daughter.
52:21Your daughter is in the hotel.
52:23She's with someone who wants to see you.
52:27No!
52:29Bring them down!
52:35Oh, no.
52:36They're gonna do them now, Rico.
52:39Please, my device!
52:48Hey!
52:49Oh!
52:59Come on!
53:09As good as your word, huh?
53:19You?
53:21Are you as good as your word?
53:39You're all right?
53:42You're all right.
53:43You're all right.
53:44You're all right.
53:54Maybe we will not agree, but you need to show me new ways to see.
53:59Victor, I want you to go outside.
54:04Don't let the system fool you.
54:07All it wants to do is rule you.
54:16Pay attention to the void.
54:19You need him and you know it.
54:31The void follows us everywhere.
54:34We are the walking wounded.
54:39See?
54:42We are alive.
54:46You would have given your life for me.
54:51In your place.
54:54I might not have done the same.
54:57But you better not either.
55:02Because if you do, I will be very, very angry with you.
55:08You all right?
55:09You all right?
55:10Shouldn't I be asking you that?
55:11Why aren't you in the hospital?
55:13The death squad described this place in great detail.
55:14Where is the illness?
55:15I think you'll find him inside.
55:16I think you'll find him inside.
55:17I have business with you, Edgar.
55:19I have business with you, Edgar.
55:20I have business with you, Edgar.
55:24I have business with you, Edgar.
55:25I have business with you, Edgar.
55:29I have business with you, Edgar.
55:30I have business with you, Edgar.
55:31I have business with you, Edgar.
55:34I have business with you, Edgar.
55:37I have business with you, Edgar.
55:40I have business with you, Edgar.
55:44That's the only way you get the other day.
55:49I have business with you, Edgar.
55:50I should have known.
55:52What do I know?
55:55I have always loved you both.
56:00I've always loved you both.
56:05This has nothing to do with my feelings.
56:08You lost your feelings when you gave your soul to the revolution.
56:12It is a historical necessity that I do this now.
56:16The revolution will honor your name, Hector.
56:18Your revolution, Guerrero.
56:21I spit on it.
56:25Goodbye, old friend.
56:26And what?
56:30Free, peaceful, or disorderly.
56:39Maybe you and you will not agree, but you need to know your ways to see.
56:51Don't let the system fool you.
56:54All it wants to do is rule you.
57:00Pay attention to the poet.
57:06You need him and you know it.
57:09I'll see you next time.
57:32Transcription by CastingWords
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