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Michel'le Interview with Mason & Starr
Beasley Digital
Follow
4/22/2025
Michel'le Interview with Mason & Starr
Category
😹
Fun
Transcript
Display full video transcript
00:00
All right, Detroit. We have Michelle Lay with us this morning. Good morning, Michelle Lay.
00:09
Good morning.
00:10
Yeah, that's that boy. Something in my heart.
00:13
Okay, no, you can't.
00:14
I know I can't.
00:15
Don't even try.
00:16
I can't do it like her.
00:17
Good morning.
00:18
Welcome to the show today.
00:20
She was in key, though. You can't say that she was in key.
00:24
She was in key?
00:25
I love you. I love you. That's my girl.
00:28
Hey, let me tell you.
00:29
Hold on, hold on.
00:30
Okay.
00:32
I don't know how she just made my morning.
00:35
Oh, boy.
00:36
Michelle Lay, you were in Detroit, I want to say maybe three or four months ago,
00:41
and I had the privilege of being backstage and hearing your voice.
00:46
You just have an amazing, I call you one of the vocal wonders of the world.
00:51
I love your voice, and it sounds like the first time I heard you with the Wrecking Crew.
00:56
What was it? Turn off the lights.
00:58
Tell me about that experience, working with them.
01:01
Were you working in a store first?
01:02
I saw the movie, the documentary about you.
01:06
Can you tell us a little bit about that?
01:08
Yeah, we did.
01:10
I did the Netflix, Thank You Lifetime.
01:13
Big shout-out to Leslie Gry, who convinced me that this was a wonderful idea to tell a story,
01:21
because I don't think anybody knew that I was going through that.
01:25
But, well, to make a long story short, and I always have to because I'm just so vocal with it,
01:32
I went in a studio because Mona Lisa didn't show up that night, and I had met Alonzo.
01:39
And it wasn't my gig.
01:42
I went to just sing back up for some guy that came into May Company.
01:46
I worked in at the time, and he said, she's in the Army.
01:50
She can't make it.
01:51
Can you just do the vocal?
01:52
I mean, just sing on top of the track and do whatever.
01:54
I said, well, listen, I can't sing on top of what she'd do,
01:56
but I'll just listen to what she did and do what I can do.
02:00
And Lonzo called me back and didn't call him back.
02:03
And so I got to know Lonzo a little bit.
02:06
And when she didn't show up, I got the opportunity to come in,
02:10
and they were in the studio, and I saw, I remember seeing Dre and Yellow behind the board.
02:16
And I walked in, and as I said something, they were laughing and everything.
02:19
I'm in the booth, and I don't know what they're saying because I can't hear them.
02:23
All I'm going up is body language.
02:26
And then they said they gave me the lyrics because Alonzo evidently wrote that hook.
02:31
And they gave it to me, and they didn't give me no melody or nothing.
02:35
He just said, here, just sing this.
02:38
And I'm looking at him like, well, just sing it.
02:40
I don't know the song.
02:41
Can I hear it?
02:42
So they played the beat.
02:43
Dre played it.
02:44
And I heard them rapping.
02:45
And in my mind, mind you, I'm young, so I'm going, these are some real old dudes, right?
02:50
I didn't know how old Dre was.
02:52
I didn't know how old nobody was.
02:54
They just sound like old dudes rapping.
02:56
So I just went like, oh, they sound kind of old and mature,
02:58
so maybe I should be old and mature in my mind.
03:01
And I said that.
03:02
And so, and then it just came out of my mouth, and it just, it worked.
03:07
And from there, I heard it on the radio two weeks, three, maybe, not even a month later,
03:12
two, maybe three weeks or something later, my daddy told me, like, that's you.
03:16
And then my grandmother was like, baby.
03:18
And I was like, oh, my God.
03:20
That was me.
03:21
There you go.
03:22
You nailed it, girl.
03:23
You nailed it.
03:24
No money.
03:25
No contract, no money.
03:27
No contract, no money.
03:28
But, you know, like I tell people, sometimes you have to jump, and you don't know how deep it is.
03:33
But go live, because you're going to fall somewhere good.
03:35
There you go.
03:36
And just woman to woman, after I saw Surviving Compton, you, to me, are such a role model,
03:45
and I thank you for sharing your story, because you're going to inspire so many young women that watch it.
03:51
So just thank you for being a light and just being, grow your voice.
03:55
I'm telling you, you have a gift, and you are going to be in town.
04:00
It's called a Master Reset.
04:02
It's a wealth, health, self-care conference.
04:05
You're going to be on stage singing live.
04:07
Do you have anything you want to say to Detroit about that performance, what they can look forward to?
04:12
Yeah, I need them to come out.
04:14
I need them to help me sing these songs, because, you know, I need that inspiration,
04:18
and I definitely need the backup.
04:21
So I do it.
04:23
I come, listen, people think it's, this is how I always say it.
04:27
I come to see you.
04:29
You don't come to see me.
04:30
I get on six flights to do what I need to do, but I do it because I love seeing it.
04:38
And I wouldn't be able to do what I do without them, without you guys.
04:42
So I look at it like, when I get there, here's someone who shares in the same collective space,
04:48
same energy, same thought process, something that you go through, and if you get in, you'll learn something.
04:54
You know, and it's just that.
04:56
I mean, songs are written to feel and heal.
04:59
I think I did that at a very young age, and I already went through it.
05:02
So who better to tell you those stories than me?
05:05
Yeah.
05:06
Anybody else in your family can sing like you?
05:11
Not like me, but no.
05:12
My brother, actually, my brother played the drums.
05:16
He was in a band.
05:16
My dad, swear to God, he can sing country.
05:19
One day, I'm going to let y'all, I'm going to post it in so y'all can hear my daddy.
05:23
And my brother, he played, my half-brother played the guitar.
05:26
So, yeah, I think music is always there because it was always in the households back then.
05:31
All of us.
05:32
All of us.
05:32
What did we do?
05:33
Nothing.
05:33
Music.
05:34
We cleaned up the music, didn't we?
05:36
Yep.
05:36
What?
05:37
We woke up to music, didn't we?
05:39
Oh, my God.
05:40
We got McCarter music.
05:41
I mean, musicals, it was such an essential part of our lives that it's almost crazy that
05:47
everybody don't sing.
05:49
Well, listen, you get on that plane, you come on here because we're waiting for you.
05:56
Well, yeah, I'm okay, I'm coming to see you.
05:58
I just told you.
05:59
I know.
05:59
You better.
06:00
It's going to be good.
06:01
It's going to be good.
06:02
We thank you for the time today, this morning.
06:05
Are you on L.A. time?
06:09
I'm on L.A. time.
06:10
I wake up every morning early, so this was nothing for me.
06:13
I'm already up.
06:14
I just missed my shower right now, but I'm going to go get it, though.
06:17
But I'm always up.
06:20
I'm always up because I'm still in mommy mode, although my daughter will be 20 and my son
06:24
is 31.
06:25
I still can't get out of the routine.
06:28
Well, cool.
06:29
Michelle A.
06:30
Yeah.
06:30
Michelle A.
06:31
You're such a joy.
06:32
Yes, and a musical gift to the planet.
06:35
Thank you for working in excellence all the time, and we're looking forward to you coming
06:38
and signing for us in the D.
06:42
Thank you very much for having me.
06:44
You guys have a prosperous day.
06:47
Mwah.
06:48
Hahaha.
06:49
Yay.
06:49
Yay.
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