Against the backdrop of 1990s Toronto, a Punjabi singer’s journey from street performer to rising star leads him into dangerous territory.
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00:00I don't have any idea in trafficking, I didn't have any idea.
00:07Sir, I didn't have any idea in trafficking.
00:10Sir, I didn't have any idea.
00:12He's not alone.
00:14There are also people who are running this show.
00:17How's it going?
00:18It may take some time, but...
00:20We can pressurize Sirup to give us niyams of the people he is still working for.
00:24But right now we need to tap Nima.
00:27Because now he is running the drug business.
00:30Nima will become a CD.
00:32To reach the whole network.
00:48Sorry I'm late.
00:49Let's go.
00:52Let's go.
00:53What's up?
00:55You're my friend.
00:56She's my sister.
00:57She didn't want to tell you.
01:03We were going to tell you, bro.
01:05We wanted to tell you.
01:08When?
01:10We thought we'll tell you when the time is right.
01:17You know I was a little embarrassing.
01:20It was embarrassing to date my sister.
01:21No.
01:22To bring it up to you and like...
01:23I'm sorry, yaar.
01:28Sorry, bro.
01:31Oh, sorry, Meri Jaan.
01:34Now...
01:35I'm going to tell you what the interview was like.
01:45You fucking take care of her, bro.
01:47You don't even know what I'm talking about today?
01:49I don't want to throw your hands off.
01:51Okay.
01:52Zuri must be waiting.
01:53Zuri must be waiting.
01:54Yeah, Zuri must be waiting.
01:55I don't want to do this yet.
01:56I want it.
01:57I don't want to do this yet.
01:58I want to do it.
01:59Yes, you are.
02:01You are.
02:02I want to do it.
02:03I want to do it.
02:04Good morning, Vancouver.
02:23Today we have two styles of Asim Mondea Punjabde, Nimmar and Daljit.
02:27Yo, this is Nimmar.
02:28Hey, hey, hey, Vancouver.
02:30This is Daljit.
02:31Tell us, guys, how did it all start?
03:01Daljit.
03:02Daljit.
03:03Daljit.
03:04Daljit.
03:06Daljit.
03:08Daljit.
03:11Doi.
03:14How did you do?
03:21No!
03:24Hey!
03:25Huh?
03:26Take the first one.
03:39What a car!
03:41Shedhi is in front of the road.
03:43I'm so tired.
03:45You have to decide today
03:47You heard it right?
04:01Yes, I did.
04:17You heard it right?
04:21You heard it right?
04:23You heard it right?
04:25Yes, you have to be careful.
04:27You can do anything in any place.
04:29What?
04:31In fact, you will need to keep your life.
04:35You will need to be careful.
04:37You don't need to be careful.
04:39If you have lost, we will not be careful.
04:41You are ready to take over for the territory.
04:43We should have to go to business.
04:45For him, there is no need to be careful.
04:47Gips and the people who are above him will not leave him.
04:51Someone who is responsible to protect him as soon as you come in.
04:59Gips and the people who are behind the people,
05:03they are leaving the other side.
05:05The other is the focal.
05:07It's empty.
05:09The hotel is less.
05:11Those who are involved in the system
05:13and those who are involved.
05:15I don't know everything.
05:17I can do my job.
05:19You understand?
05:21Hindi, Punjabi, Gujarati?
05:23I have had it translated, Patel.
05:30You want me to leave?
05:32Yes.
05:34I'm fired.
05:40One last question, sir.
05:42How you get hold of this recording, sir?
05:45Your people are spread in all four directions, sir.
05:53It was so nice working for you, sir.
05:57Jodina, I'm going to take a photo of you.
06:00I'm going to take a photo of you.
06:07Olivia, it's been almost two years.
06:10I haven't seen any results.
06:11We confiscated drugs.
06:12We arrested Sareb.
06:13Business is still running.
06:14And you know we're close to catching the real people who are running it.
06:17Can you give me another quarter with the unit?
06:20If you don't see results, you won't hear a word from me.
06:22One month.
06:23I'll give you one month.
06:24And then your unit will merge with the crime squad.
06:27Your unit has one month.
06:37Olivia, how are we supposed to investigate with our hands tied?
06:39Especially when we have credible information that there might be a higher crime syndicate at play.
06:43And Gibbs could be the person to lead us in.
06:46But I have no clearance for any investigation.
06:49What the fuck?
06:50Now they have my name.
06:51Nimma is creating nothing but chaos.
06:53Don't worry, Gibbs.
06:54I've handled my department.
06:55The bigger problem is Nimma.
06:57I should have dealt with it the first time.
06:59Fuck that's over.
07:00Fuck that's over.
07:01Such.
07:13I should come home.
07:16Not normal.
07:17I feel bad.
07:19And that happens now.
07:20あぁ,あぁ.
07:21Everyone's honest.
07:22Look.
07:23Look.
07:24Your call was a surprise. I'm glad you know who I am.
07:29Don't say that. Who knows Nirmal Chahal?
07:35Vancouver's first country rugby player for the prestigious VC Mastiffs.
07:41And then, when that road is closed, it's a new road.
07:45Punjabi rap! You're very famous in Vancouver.
07:49You know from childhood.
07:51Through the 12 committees, which you help with families,
07:55I don't know.
07:56There are so many people, so many people.
07:58Tell me, sir. How can you be of any help?
08:01I've done everything.
08:06Listen, Nirmal.
08:08I'm just a part of this community.
08:14In the country,
08:16only one of the others is the same.
08:21You have that, never say die attitude.
08:23You have that, never say die attitude.
08:25You have that, never say die attitude.
08:27You have that, never say die attitude.
08:29And you have that, never say die.
08:30You have that, never say die attitude.
08:34And you have that rock power, only give it to me.
08:38You have that, never say die attitude.
08:39You have that never-say-die attitude and you have the rock power to give it to me.
08:54With a little discipline, you will only go anywhere with me.
08:58Why are you worried for a lot of women?
09:04This is not necessary to go anywhere.
09:07To go up.
09:10How much you have to go down.
09:12It's very hard.
09:20With a small opinion, you don't have to achieve anything in your life.
09:26You think drugs are right and the trafficking is wrong.
09:30How many people have lost you?
09:32Who has lost you and who is the benefit?
09:35It's none of my business.
09:37I've done the right thing.
09:39I've done the right thing.
09:40I've done the right thing.
09:41I'm a boy.
09:42I'm a rubbish.
09:43I'm a rubbish.
09:44I'm a rubbish.
09:45And I'm a rubbish.
09:46Wait!
09:47I'm a rubbish, sir.
09:48Like, what's happening, and what's going on?
09:49What's your mother's problem?
09:51What's the problem, Biljeev and Benji?
09:53That's got some butter chicken!
09:55I also understand very well, sir.
09:59They explained one thing.
10:02A man is not a dog or a dog.
10:07He has written a letter here.
10:10He should not be proud.
10:12He should not be able to guard.
10:22Matt!
10:25Let's go, Matt.
10:30Drive carefully.
10:32Lot of people breaking signals.
10:35Go for something.
10:55Go for something.
11:25Go for something.
11:55Go for something.
12:25Go for something.
12:27Nima, as he's known in AMPD records, was today the victim of a drive-by shooting.
12:33After being shot three times, he's currently in a critical condition and fighting for his life at Vancouver General Hospital.
12:39It's thought that Nima is linked to some Punjabi drug smugglers that may be operating out of Vancouver.
12:55How are you?
12:57How are you?
13:09How are you?
13:11How are you?
13:15Change.
13:17Why didn't I stop him?
13:27Stop him.
13:29In front of me, he was running in a gangster shit.
13:33I haven't done anything.
13:35Then it was my fault.
13:37It's not your fault, Daljeet.
13:41It's not your fault, Daljeet.
13:43And it's not your fault.
13:45If anything, he's still breathing because of you.
13:47Third cubicle.
14:01Third cubicle.
14:03Third cubicle.
14:05Third cubicle.
14:07Third cubicle.
14:08Third cubicle.
14:09Third cubicle.
14:10Third cubicle.
14:11Third cubicle.
14:12Third cubicle.
14:13Third cubicle.
14:14Third cubicle.
14:15Third cubicle.
14:16Third cubicle.
14:17Third cubicle.
14:18Third cubicle.
14:19Third cubicle.
14:20Third cubicle.
14:21Third cubicle.
14:22Third cubicle.
14:23Third cubicle.
14:24Third cubicle.
14:25Third cubicle.
14:26Third cubicle.
14:27Third cubicle.
14:28Third cubicle.
14:29Third cubicle.
14:30Third cubicle.
14:31Third cubicle.
14:32Third cubicle.
14:33Third cubicle.
14:34I have no idea that the shooter is not good, but it's not Vancouver.
14:54Mantra Tillers.
14:55It's all?
14:56I told the community to tell East Vancouver.
14:58No, it's not anywhere.
14:59How are you doing?
15:03I'm not talking about anything.
15:08Don't talk to me.
15:10I'll leave you here.
15:12You have to stop your work.
15:13I'm not talking about these guys.
15:16I don't understand.
15:18I'm not talking about this.
15:29Hello there.
15:30Come in.
15:31Good to see you again.
15:32Good to see you.
15:33How are you, my friend?
15:34Take a seat.
15:35Yes, good.
15:36I think it was at the funderings of the old boat club.
15:39That's right.
15:40We did, yes.
15:41And since then, Mrs. Batra, you have done an excellent campaign.
15:44And a lot of people retained their jobs because of you.
15:48It's just the start of what we want to do and can do.
15:51So, what can we do for you then?
15:54We want you and the associated unions to be the first ones to publicly lend their support.
15:59The unions mean a lot to Vancouver and it will send the right message across right away.
16:03That shouldn't be a problem.
16:05Great.
16:06There's just one thing to make these promises tangible.
16:09An exchange that ensures so we get something for what we do and you have assurance for things
16:15you get done.
16:16Just a small token of appreciation.
16:19I'll be in the car.
16:20For Mrs. Batra?
16:21William, thank you for your time.
16:22I didn't mean to offend you.
16:23Since the attack on the rapper Nimar, their music has been getting a lot of attraction.
16:36So, here's Rashind Nimar's speedy recovery.
16:38And their first song from them.
16:39I see him on Dia Panjati.
16:41As you can see, the events of today have inspired many Punjabi youth to come out in support of Nimar.
17:10After Nimar's shootout, I understood that Nimar was not a gangster.
17:15He was also an artist.
17:17He was a song of Kaneda.
17:19But he was more of an album cover from an album.
17:22Some generations were going to follow his footsteps.
17:26But I wanted him to be able to use only his words.
17:29He didn't give up.
17:31That's why Nimar was necessary to leave him out.
17:45The last thing I found was he wasn't able to leave my team.
17:47I didn't know about that.
17:48I wanted to make a difference here.
17:49I wanted to take a look at her.
17:52Now, at one point, go to auntie.
17:55I could keep two shots.
17:57Then I could no longer take her anymore.
18:00If someone wouldn't touch her, they would kill her.
18:03To knock her.
18:04I can no longer take a look.
18:06I could take a look from the line.
18:08I will not be able to give up.
18:13I will not give up.
18:23I have known my mother.
18:26I left my husband and it left,
18:28and I left,
18:30and I left.
18:32I will not be able to die.
18:35You have to assess your situation.
18:39Before, someone else has reached you here,
18:42and now, what's happened to your gang?
18:46Do you think about it?
18:49I'm thinking
18:52that I'm your bouncing board,
18:55a friend,
18:57or a therapist.
19:00If you know,
19:02then do you have any work?
19:05Look,
19:06don't do all these things.
19:09There was no contract to kill Nimma.
19:13If you think about it,
19:15then do you think about it?
19:17Do you think that I gave this contract
19:20to the jail?
19:22I don't know.
19:25The biggest benefit of Nimma here
19:28is to protect you.
19:31You have to protect you.
19:33You have to leave you here.
19:34You have to take care of yourself.
19:36We are your only hope.
19:40You have quatro.
19:41Hold for four times.
19:42Here we are.
19:43There are four times.
19:44One times a plus at a twenty six thirty thirty thirty thirty.
19:48Just fifteen thirty.
19:49Two times a plus.
19:50One times a plus eighty thirty thirty.
19:51Two times a minus ten hundred hundred pound.
19:52One thousand dollars a plus thirty thirty.
19:53Out field.
19:54Hey,
19:55Hey,
19:57Mate.
19:58Who is he with us?
20:00Baji?
20:01Yo, turn it down.
20:03Who are you with?
20:04Baji, no one. Just Nashville and me.
20:06What do they do with you?
20:08Nothing. We're just chatting.
20:10Don't worry, talk about it.
20:11Yeah, yeah, go ahead.
20:13Chinese shooters gave Nima's contract to some Indian.
20:17Okay?
20:19That's surprising.
20:21Why?
20:23Why is it surprising for you?
20:25No, I mean, why should I kill Nima?
20:30If you have to tell me something,
20:32if you have done something,
20:34you have to tell me.
20:36Now is the time.
20:37No, Baji, there's nothing.
20:39I mean, what do I say?
20:41In our business, there's no problem.
20:43Baji, I'll tell Nima.
20:45What do you say?
20:46Stop.
20:47Stop.
20:48Put the club down below.
20:50From the club, from the house, from the bus.
20:53The club has opened.
20:55It's enough, you understand?
20:56No, but Baji, what are you talking about?
21:00You understand?
21:03Yeah.
21:08Okay?
21:09Yeah, yeah, all good.
21:10Hey, turn it back up.
21:12You're here.
21:13Okay.
21:14I'm sorry, I'm sorry.
21:15You're right.
21:16I don't know why.
21:17I don't know why.
21:18I don't know why.
21:19I don't know why.
21:21The virus are fine.
21:22There's no change.
21:23What does that mean for?
21:24The wounds are healing a lot.
21:25Okay.
21:26So that's good to hear.
21:27I think that's your balance, parents.
21:29Listen, your friends in a very dynamic condition.
21:32Your condition could change in a matter of minutes.
21:35in a matter of minutes.
22:05We'll see you next time.