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00:00:30Ladies and gentlemen, the season is fatal, the date is fatal, and they are fatal good.
00:00:38Please meet the drinks, Gero and Rachko.
00:00:43Thank you!
00:01:43I don't know how to do it.
00:01:45They're doing it.
00:01:47You're doing it.
00:01:49You're doing it.
00:01:51Yes.
00:01:55And now it's time to say
00:01:57Good morning, Bulgaria!
00:01:59Good morning!
00:02:01You are with the show, which is the best for you.
00:02:03With two cups!
00:02:0513-year-old number!
00:02:07The show, which is the Minister of Culture,
00:02:09because it's the best!
00:02:11Backlog!
00:02:13Last week we had a very emotional day
00:02:15which was the highest for the season
00:02:17of the viewership.
00:02:19Thank you!
00:02:21Thank you for the first reaction
00:02:23of the Minister of Culture,
00:02:25who, after the invitation,
00:02:27has been invited to take a commitment
00:02:29to keep the best of the Bulgarian artists.
00:02:33Good morning!
00:02:35Good morning, Minister!
00:02:37In the next day,
00:02:39we will be happy
00:02:41for the birthday of the Bulgarian culture.
00:02:43We will be happy
00:02:45if we will be happy
00:02:47if we will be happy
00:02:49for the great artists in Bulgaria!
00:02:51Thank you!
00:02:53Thank you!
00:02:55Now, for us,
00:02:57because we are the most
00:02:59artists in Bulgaria.
00:03:01But...
00:03:03You are...
00:03:04I became...
00:03:05I was the greatest artist in Bulgaria.
00:03:07But I took
00:03:08not to be happy
00:03:09but definitely I was…
00:03:10a little bit of an artist in Bulgaria.
00:03:12I was the most performing artist in Bulgaria.
00:03:14But...
00:03:15But...
00:03:16I am...
00:03:17or the other artists in Bulgaria.
00:03:21This evening we will have from everything.
00:03:23From Russian to opera.
00:03:25From folk music to rap.
00:03:27But before we turn off,
00:03:29very nice,
00:03:31we will be able to turn off.
00:03:33We will be able to turn off.
00:03:35We will be able to turn off.
00:03:37We will be able to turn off.
00:03:39But before we turn off off,
00:03:41let's introduce the people who have what to say.
00:03:43Our very dear Jure!
00:03:47Bravo!
00:03:51Wait a minute!
00:03:53Wait a minute!
00:03:55This is so optimistic,
00:03:57that the faunet is always full.
00:04:01The most positive is Hilda Kazazian!
00:04:05And he concerns the report.
00:04:07That's what happened!
00:04:08I see,
00:04:10it's nice!
00:04:11To him,
00:04:12my favorite Lewis Hull with Vici,
00:04:17theếle of the nine stars arehape %,
00:04:18the other half is full of fun and joy.
00:04:20The Cardinals.
00:04:21It's basketball!
00:04:23Bravo!
00:04:29Attention! Attention!
00:04:31Attention!
00:04:33I'm sorry, because there are people who don't know.
00:04:35Thank you very much, sir.
00:04:37This morning, he was in 6 hours and 48 minutes.
00:04:43Our sun is...
00:04:45Любов Киров!
00:04:47Gero, I have a question.
00:04:53When will he come out?
00:04:55He never came out.
00:04:59Instead of beer, sex and rock'n'roll,
00:05:01his fans are on lemonade,
00:05:05keks
00:05:07and validol.
00:05:11The big one,
00:05:13Veselin Marinov!
00:05:17And for me...
00:05:19And for him...
00:05:21And for him...
00:05:23And for him...
00:05:25Validol...
00:05:27How do you go to the MDK without Validol?
00:05:29How do you pay?
00:05:31Dear viewers,
00:05:33we will spend a lot of time,
00:05:35because we will spend time for you.
00:05:37Yes, we will spend time for you.
00:05:39We will spend the function
00:05:41ZLATEN PALLEC!
00:05:43And for him,
00:05:45Mr. Raczkov!
00:05:47Mr. Gheorgiev!
00:05:49So, instead of commenting,
00:05:51one of the president of CK
00:05:53will show if the imitations
00:05:55liked him or not.
00:05:57I liked him!
00:05:58I liked him!
00:05:59I liked him!
00:06:00I liked him!
00:06:01I liked him!
00:06:02I liked him!
00:06:03I liked him!
00:06:04I liked him!
00:06:05I don't understand!
00:06:06I liked him!
00:06:07I liked him!
00:06:08He was scared!
00:06:09He was scared!
00:06:11How did he do!
00:06:12We have time to tell you.
00:06:14I did not know.
00:06:16We didn't have time to tell you!
00:06:18His country...
00:06:19Go ahead!
00:06:20Ask him...
00:06:21You want to love everyone!
00:06:22All of you have to say that this is the best one in the season.
00:06:24One of you...
00:06:25But why are you talking about it?
00:06:26Why are you talking about it?
00:06:27Why are you talking about it?
00:06:28One of you, who we are going to talk about today,
00:06:32is not to comment, but only to say...
00:06:34Because there is no time.
00:06:36Because we have to get back to 4 hours.
00:06:38Why are you talking about it?
00:06:40We almost don't want to talk about it.
00:06:42We almost don't want to talk about it.
00:06:44So...
00:06:46Who will hold the finger in front of you?
00:06:48Shava JREBIAT!
00:06:50In this box there are 4 hours,
00:06:52with the name of everyone from jury.
00:06:54Veselin Marinov, Funky, Hilda...
00:06:56...and...
00:06:57...Sluncto.
00:06:58Luisa Staist.
00:06:59Luisa Staist.
00:07:00Yes, Luukirov.
00:07:01I'm going to tell you, someone is a nice guy.
00:07:02My one is a nice guy.
00:07:03Yes.
00:07:04Let's go.
00:07:06Who is it?
00:07:08N!
00:07:09N!
00:07:10Veselin Marinov!
00:07:12N!
00:07:13N!
00:07:14Just give me how many of you have.
00:07:16I don't want to...
00:07:17I don't want to tell you, friend.
00:07:19I want to tell you three or four times.
00:07:21Just to say something?
00:07:22It's still not clear.
00:07:23I can't tell you that.
00:07:24How do you say it?
00:07:25All the layers are Veselin Marinov.
00:07:26No!
00:07:27No!
00:07:28No!
00:07:29No!
00:07:30No!
00:07:31No!
00:07:32No!
00:07:33No!
00:07:34No!
00:07:35No!
00:07:36No!
00:07:37No!
00:07:38No!
00:07:39No!
00:07:40No!
00:07:41No!
00:07:42No!
00:07:44No!
00:07:45Veselin Marinov!
00:07:46It's true!
00:07:47Looking sure!
00:07:48That's what you're saying!
00:07:49It's true!
00:07:50That's not true!
00:07:51That's not true!
00:07:52That is not true!
00:07:53It doesn't matter.
00:07:54It's a money town, see who I was a Aff ж laten.
00:07:55Well, yes!
00:07:56It makes it strong, just to present!
00:07:57Yes!
00:07:58It makes it fun!
00:07:59Yes, exactly!
00:08:00Yes!
00:08:01Okay, who's that?
00:08:02There are my other uses!
00:08:03The other is, who?
00:08:04Zincs!
00:08:05Yeah.
00:08:05.
00:08:08.
00:08:08.
00:08:10.
00:08:15.
00:08:18.
00:08:21.
00:08:22.
00:08:23.
00:08:23.
00:08:24.
00:08:33.
00:08:34The other thing is that you can't do anything like that.
00:08:37And everything is different.
00:08:39No, there's nothing left.
00:08:41I can't do it, I don't want to do it.
00:08:44I don't know what I'm doing.
00:08:46I don't know what I'm doing.
00:08:48You can't do it.
00:08:49You can't do it.
00:08:51You have a concert in Ndk.
00:08:53Sofie, Bredjins, we're not a fan.
00:08:56Yes, gentlemen, in the final, there are only 4 lives, and the general class looks like this.
00:09:03The one with 414 points.
00:09:05The one with 364 points.
00:09:08The one with 350 points.
00:09:10The one with 350 points.
00:09:12The one with Styridis is still in the middle.
00:09:15You can see it.
00:09:17But close to the 4th are still Zvezdi, Roxana, Lashkova, Divna and Dueta.
00:09:22And we can say that this is the most controversial season.
00:09:28I agree with you.
00:09:30And the most beautiful one is Hilda.
00:09:31So, I don't know.
00:09:32Absolutely.
00:09:33I agree with you.
00:09:34I agree with you, Mr. Kazasian,
00:09:38that everyone's voice can change the class and make your favorite in 4th,
00:09:42so that you don't have to keep it in the app,
00:09:45where we start...
00:09:48How are you?
00:09:50I agree with you.
00:09:52Hey, you're welcome.
00:09:53Hey, you're welcome.
00:09:54Hey, you're welcome.
00:09:55Hey, you're welcome.
00:09:56Why are you paying children?
00:10:00Why are you paying children to take care of my children?
00:10:03How much do you give Mrs. Kazasian?
00:10:05$10, but take me.
00:10:06Take me $10.
00:10:07I'll give you $40 to take a bottle back.
00:10:09No.
00:10:10No, it's not paid.
00:10:11It's a $1.
00:10:12Oh, my God.
00:10:13I don't see anyone's going to see it.
00:10:15Oh, no.
00:10:16It's a $1.
00:10:17It's a $1.
00:10:18No, no.
00:10:19You're welcome to get a bottle back.
00:10:20You're welcome to get a bottle back.
00:10:21You're welcome.
00:10:22And you're welcome to get a bottle back.
00:10:23Yeah.
00:10:24No.
00:10:25You're welcome to get a bottle back.
00:10:26Yes, yes.
00:10:27Yes.
00:10:28No, Mr. Marinov, I have a bottle back, right?
00:10:29Yes.
00:10:30There's nothing.
00:10:31Yes, yes, yes.
00:10:32There are...
00:10:33Mother, tell me to go to the next one, Mr. Marino.
00:10:36I'm sure I'm sure you get it.
00:10:39I'm sure you're a little bit.
00:10:41No, I'm not sure.
00:10:43I'm on the way to tell you.
00:10:45I'm on the way.
00:10:46I'm on the way to tell you that half of the episode should be.
00:10:48I'm sure I'm watching TV.
00:10:50I'm sure you can change your voice.
00:10:53I'm sure you can change your voice.
00:10:55I'm sure you're watching the TV.
00:10:57I feel like I'm going to hear the voice of the voice of the voice.
00:10:59Yes, yes.
00:11:00So, don't blow it out, I'm going to try on the new play.
00:11:03Then we start the voice of the voice of the voice of the voice.
00:11:05Ne-l...
00:11:06Up?
00:11:07No, not to end everything.
00:11:08It's not.
00:11:09It's an official voice.
00:11:10It's an official voice of the voice.
00:11:11I remember it.
00:11:12We can't wait until you know何 and just do an audience to hear.
00:11:16It's not a real audience.
00:11:18It's not a real audience.
00:11:19It's not worth it.
00:11:20It's not a real mind to do that.
00:11:21It's a real audience.
00:11:22The show that I wonder,
00:11:23was the last week,
00:11:24the new week wasิ with the new one more than the V-sepetation.
00:11:26It was still an imitational voice of the radio head.
00:11:28Today I'm going to change the style and the emotions to turn it into the disco.
00:11:33Jimmy Summerville!
00:11:34To the cosmos of the falcetite, Ivan!
00:11:38Jimmy Summerville!
00:11:43Jimmy Summerville!
00:11:46The button on my head is a unique meeting with my young people,
00:11:50because the songs of Jimmy Summerville were the most famous coupon.
00:11:53I'm going to change the song.
00:11:56Wait a minute, man!
00:11:59I'm going to change the song!
00:12:01So here, from the falcetite, there's a song to be.
00:12:08Believe me, Jimmy Summerville is a musical song.
00:12:11I'll change the song to the stage.
00:12:13Yeah, not date.
00:12:14I'll change the song to the castrate.
00:12:16Yeah!
00:12:17Yeah!
00:12:18Yeah!
00:12:20Yeah!
00:12:21I'll change the song, I'll be praised.
00:12:25Let's see, one of them says the songs.
00:12:27My eyes are real you make
00:12:32looks like a gun, I know, he's a cat.
00:12:33My eyes are real makes me feel great to you.
00:12:40I'm not going to give, but I'll give a dance.
00:12:42There will be the songs.
00:12:43I will be.
00:12:44And you can remind them the things that you can do.
00:12:46Because my first time I was trying to dance.
00:12:48And they were beating.
00:12:51We are ready.
00:12:52Are you ready?
00:12:53Do you want to go with a song?
00:12:54No, no, no.
00:12:56Okay.
00:12:57He's basically doing this.
00:12:59Okay.
00:13:00I'm doing this all the time.
00:13:02So, so, so, so.
00:13:03Maybe if it's ready to go down the head.
00:13:06Okay.
00:13:07And he's fast in the hands.
00:13:09I can't be fast.
00:13:11Because I think I'm going to be a song.
00:13:13You will be Jimmy Summerville, who will be the most likely to be a song.
00:13:18We are in the current stage of the video.
00:13:21Exactly.
00:13:22You know the previous time.
00:13:24You know this LNK?
00:13:25Yes.
00:13:26I'm going to go live.
00:13:27No, no.
00:13:28I don't want to go live.
00:13:30I'm going to go.
00:13:31With you, Coprem.
00:13:32I want to hear something.
00:13:34I can hear that.
00:13:35Why?
00:13:36Why?
00:13:37Because that's the most important thing.
00:13:39I can't wait to go live.
00:13:40I'm going to go live.
00:13:41I can't wait to go live.
00:13:42I can't wait.
00:13:43I can't wait to go live.
00:13:44The people that I have said.
00:13:45I haven't been able to live.
00:13:46I can't wait.
00:13:47I can't wait.
00:13:48I've been able to go.
00:13:49I've got power.
00:13:50But as I saw, as you have people,
00:13:52who believe that you will be one of the last ones.
00:13:54But I don't think that I can't wait to live.
00:13:56I don't think that I can't wait.
00:13:57I said, that when we reached the gym.
00:13:59Yes.
00:14:01We have to turn the gym.
00:14:02that we don't need to do that...
00:14:03We're getting started.
00:14:04We're waiting to get started.
00:14:06We're getting started.
00:14:07We're starting to start a new hormones.
00:14:09We're getting started.
00:14:11We're getting started.
00:14:12We're getting started.
00:14:13We're getting started.
00:14:14What's up with Sophie Marino?
00:14:15Why don't we have a happy feeling?
00:14:18That's the same thing.
00:14:19You're the same.
00:14:20I'm the same.
00:14:22You make me feel...
00:14:23My fear real.
00:14:25Not real.
00:14:26Not real.
00:14:26My fear real.
00:14:27How much is it?
00:14:29What are you doing?
00:14:30I'm going to feel the pain.
00:14:31I'm going to feel alive.
00:14:32I feel happy.
00:14:34What I can do is take care of every second.
00:14:36I take care of every second.
00:14:38Thank you so much for your time.
00:14:40If you don't have a life, I will tell you.
00:14:42Yes, I will.
00:14:44Let me see.
00:14:46Let's see.
00:14:48Let's see.
00:14:50You make me feel.
00:14:52It's done.
00:14:54Just give me a light.
00:15:02You make me feel.
00:15:04You make me feel.
00:15:06You make me feel.
00:15:08You make me feel.
00:15:10You make me feel.
00:15:12You make me feel.
00:15:14Here's my song.
00:15:16Okay.
00:15:18If you shoot a big one.
00:15:20I'm sorry.
00:15:22When I started to play, I'm sorry.
00:15:24I'm sorry.
00:15:26I'm sorry.
00:15:28Pink.
00:15:30I'm sorry.
00:15:32You're so sorry.
00:15:34I'm sorry.
00:15:36I'm sorry.
00:15:38I'm sorry.
00:15:40The winner of Summerville
00:15:42does it take care of you.
00:15:44I'm sorry.
00:15:46Do you want to go?
00:15:48No, it's not a long time.
00:15:50I'm not sure why.
00:15:52I'll imagine you.
00:15:54I don't have any questions.
00:15:56I hope so.
00:15:58There is also a DJ from 99, who didn't let this party go to the party,
00:16:03because it was a part of the club's life then.
00:16:06Let's hear a lot of the shout-out with the f-set,
00:16:10the disco legend Jimmy Summerville!
00:16:28When we're up and dancing, all the blood of you,
00:16:35and I feel like I'm mixing all,
00:16:38and I feel your body lost to mine,
00:16:41and I know my love itself, but the time makes me feel mighty real,
00:16:48makes me feel real, mighty real.
00:16:52You make me feel mighty real.
00:16:59You make me feel mighty real.
00:17:06When we're up and down, like I knew you would,
00:17:10and the music's in me, and I feel real,
00:17:13and you kiss me there, and it feels real good,
00:17:17is not what you love me, like you would share.
00:17:28You make me feel mighty real.
00:17:35You make me feel mighty real.
00:17:42You make me feel mighty real.
00:18:06When you set me going like a new feeling
00:18:22Like music's in the air
00:18:25Feel you cry when you kiss me down
00:18:28And feel you feel there's no fortune on me
00:18:32You make me feel my dream
00:18:53You make me feel my dream
00:19:01You make me feel my dream
00:19:08You make me feel my dream
00:19:15You make me feel my dream
00:19:22You make me feel my dream
00:19:29You make me feel my dream
00:19:31You make me feel my dream
00:19:36You make me feel my dream
00:19:38I'm a dream
00:19:39I'm a dream
00:19:40I'm a dream
00:19:41I'm a dream
00:19:42I'm a dream
00:19:43I'm a dream
00:19:44I'm a dream
00:19:45I'm a dream
00:19:47I'm a dream
00:19:49one thing.
00:19:50Yes.
00:19:51Do you remember what?
00:19:52What?
00:19:53What is the system for a bad news?
00:19:56Yes.
00:19:57Let's try it.
00:19:58Let's try it.
00:19:59Attention!
00:20:01Attention!
00:20:02Attention!
00:20:04There is a technical test.
00:20:09Now!
00:20:10Yes!
00:20:11Yes!
00:20:16Yes!
00:20:18Yes!
00:20:19And that light we lost.
00:20:21We can't get into the house.
00:20:23You can't get into the house.
00:20:25Yes, I'm going to press the button.
00:20:26I want to say,
00:20:27that your voice was a big one.
00:20:29Yes, I know.
00:20:30I know.
00:20:31I can't see the alarm.
00:20:33I'm going to turn the car.
00:20:36After the first note,
00:20:37I'm going to put it on my head.
00:20:38I'm going to put it on my head.
00:20:40Tell me who wins that evening?
00:20:43Ivan or Focet?
00:20:44No, tell me.
00:20:45I don't hear what you're talking about.
00:20:46Who wins this evening?
00:20:50Ivan or Focet?
00:20:53No!
00:20:54No!
00:20:55I'm going to do this with the hand.
00:20:58Let's do it.
00:20:59Let's do it.
00:21:00Let's do it.
00:21:01Let's do it.
00:21:02Let's do it.
00:21:03Let's do it.
00:21:04Let's do it.
00:21:05Let's do it.
00:21:06You make me feel margarine.
00:21:11You make me feel margarine.
00:21:15You make me feel margarine.
00:21:20Very good.
00:21:21Let's go to the tournament.
00:21:23Come on, come on.
00:21:25Let's hear it.
00:21:27Let's hear it.
00:21:29That's three.
00:21:31And Hilda is smiling.
00:21:33If I accept,
00:21:35that what Magi said
00:21:37and Kiko,
00:21:39that playing is not very important for this show,
00:21:41if I accept it,
00:21:43we can say
00:21:45that there is a chance
00:21:47to be a good performance.
00:21:49But in this situation.
00:21:51Yes.
00:21:53It was very nice.
00:21:55What attention did you put in every movement?
00:21:57The tone,
00:21:59which was thrown all the time.
00:22:01Hilda, you're not going to drink before.
00:22:03It's a joke.
00:22:05Okay, sorry.
00:22:07The entire enthusiasm,
00:22:09that they saw on the scene,
00:22:11really impressed me.
00:22:13It really surprised me,
00:22:15because it shows your desire to put yourself in every image
00:22:17as for the last one.
00:22:19And that I felt very strongly in this scene.
00:22:21And I was very happy with everything that I saw.
00:22:23According to me, this is the strongest part.
00:22:25That's what I thought.
00:22:27For all seasons.
00:22:28I don't have to say anything else,
00:22:29except for everything I have to say.
00:22:31Thank you, Mrs. Kazasian.
00:22:33Mr. Kovacev.
00:22:36Thank you very much.
00:22:37I love you.
00:22:38I love you.
00:22:39I love you.
00:22:40My ambition.
00:22:41And I don't have any words.
00:22:42But I want to give up on this song.
00:22:44But I don't have anything.
00:22:45I love you too.
00:22:46Yes, I don't know.
00:22:47That's great.
00:22:48I love you.
00:22:49That's great.
00:22:50One thing, what was really kung fuji my face is the toilet.
00:22:51Who?
00:22:52The toilet.
00:22:53Oh, for what?
00:22:54Jimmy is always with the styling of Teddy Boy.
00:22:59Really?
00:23:00That is, the crotchets...
00:23:02Of course.
00:23:03...you feel like mine are always kind of cute.
00:23:06Yeah, kind of cute.
00:23:07You have to do it, and you have to do it.
00:23:09You have to do it.
00:23:10You have to do it.
00:23:11You have to do it.
00:23:12You have to do it.
00:23:13You have to do it.
00:23:15Thank you for your wish.
00:23:17Mr. Marinov, only with a finger on top or down.
00:23:21On top.
00:23:22On top.
00:23:23I have to do it now.
00:23:25If you're with a finger on top or something else,
00:23:28I'll drop something else.
00:23:30I'll keep it with it.
00:23:32This is the first one.
00:23:34Can I just sit down?
00:23:36I don't want to sit down.
00:23:37You're not going to sit down.
00:23:38You're not going to sit down.
00:23:39On April 27, I'd like to invite all of the Bulgarians
00:23:42who live in Germany or Austria to come out to us
00:23:45to the event of Bulgarian Lonsio-Long.
00:23:48Which will be done in Munich.
00:23:49On April 27.
00:23:50It's free to register!
00:23:52It's free to register!
00:23:54It's free to register!
00:23:56It's free to register at Bulgarialonchee.com
00:23:58It's a way to go!
00:24:00It's a way to go!
00:24:02It's a way to go!
00:24:04It's a way to go!
00:24:06It's a way to go!
00:24:08At the end of the week,
00:24:10we usually present the people who are trying
00:24:12to make every imitation
00:24:14to be cleaned up.
00:24:16For him,
00:24:18he knows one person on the cross.
00:24:20And this is the person on the cross.
00:24:22The speaker is the speaker.
00:24:24The speaker is Etienne Levy!
00:24:26He's a young man!
00:24:28He's a young man!
00:24:30He's a young man!
00:24:32He's a young man!
00:24:34He's a young man!
00:24:36We don't know how many children will be born,
00:24:38but most likely will be
00:24:40five, six, seven, eight,
00:24:42the speaker on the paper, Alex Enema!
00:24:44Bravo Alex!
00:24:46I'm happy to be here!
00:24:48Don't be angry!
00:24:50Don't be angry!
00:24:52Don't be angry!
00:24:54The author of the book
00:24:56How to hold a bad car!
00:24:58The teacher of the imitator's master
00:24:59is Vlad O'Mihailov!
00:25:01No!
00:25:02It's not!
00:25:03It's not in the car!
00:25:05It's not in the car!
00:25:06It's not in the car!
00:25:07It's not in the car!
00:25:09It's not in the car!
00:25:10I like to see you!
00:25:11I'm gonna go to the car!
00:25:12I'm gonna go!
00:25:13I'm gonna go!
00:25:14I'm gonna go!
00:25:15It's a big guy!
00:25:16The show is the time to hang out with the
00:25:18the new one,
00:25:19which has been on the beach,
00:25:20the new one,
00:25:21the new one,
00:25:22the new one,
00:25:23the new one,
00:25:24the new one!
00:25:25The new one,
00:25:26the new one!
00:25:27the new one!
00:25:28The new one,
00:25:29Gary澄
00:25:49A unique tune.
00:25:50Yeah, exactly.
00:25:52And the other one is...
00:25:54And the other one is...
00:25:56He's an angel.
00:25:58This is one of the most loudest songs ever.
00:26:00I'm playing in a very different way,
00:26:02because the songs, which I'm playing,
00:26:04are very different from what I'm doing
00:26:06George Hristov.
00:26:08I'm going to try to make the songs
00:26:11as he does.
00:26:13I'm sure that this is 100%
00:26:15going to achieve, but I'm going to try
00:26:17with great strength.
00:26:18Of course, here somewhere will be
00:26:20my singing, but in many cases
00:26:22I'm going to hear
00:26:24like him.
00:26:30He's my first mentor,
00:26:32because at one night, when I arrived
00:26:34at the reading of Rakovsky,
00:26:36when I was playing with the first group
00:26:38Nogin, he said
00:26:40why don't you ask
00:26:42to candidate for the conservatory?
00:26:44I was very surprised to ask
00:26:45when to candidate for me.
00:26:46He said that the musical academy
00:26:48is to learn music, not only on the music
00:26:50that I did.
00:26:52But the rest of the time is
00:26:53a story.
00:26:54There is something
00:26:56on which I have to pay attention,
00:26:58and that is not a little,
00:26:59that is the outside artistism.
00:27:01His view, his relationship,
00:27:03his relationship,
00:27:04he sits a little like a king.
00:27:06He sits and says,
00:27:07I'm going to see you.
00:27:08I'm going to see you.
00:27:09I'm going to see you.
00:27:10I'm going to see you.
00:27:11I'm going to see you.
00:27:12I'm going to see you.
00:27:14I'm going to see you.
00:27:15I'm going to see you.
00:27:16What do you know, Gheorghe Christoph, do you think about the preparation for the painting?
00:27:23I've heard it a long time ago, but I've been looking at some of the time,
00:27:28and in the years, I've been looking for an emperor.
00:27:33How do you say, you are two universes.
00:27:35You managed to come from your universe to enter the universe?
00:27:38The angel's eyes.
00:27:40The angel's eyes.
00:27:42The angel's eyes.
00:27:44My world is not.
00:27:46My world is not.
00:27:47I can say Funky, that Gheorghe Christoph was a student,
00:27:51and he's very strong and he's acting on his own voice,
00:27:55on the emperor's head.
00:27:57Exactly.
00:27:58Because you are...
00:28:00That's right.
00:28:01So he has nothing to do with him.
00:28:03No, no.
00:28:04What do we do?
00:28:07Here, the emperor.
00:28:09My piano.
00:28:12One one.
00:28:23One one one.
00:28:25It's a great song, but it's a great song.
00:28:55Do you like the big ones?
00:28:57Yes, yes.
00:28:59Do you have an apetite in the evening?
00:29:01No.
00:29:03Do you want success?
00:29:05I'm going to give you a thumbs up.
00:29:07What? What are you doing?
00:29:09Nothing, nothing.
00:29:11Don't you think, when you subscribe now?
00:29:13I'm not satisfied.
00:29:15Ladies and gentlemen!
00:29:17I'm asking the rock-a-j-a-zvests,
00:29:19so that you can see your eyes as a person
00:29:21who has a professional choice.
00:29:23And here is the music,
00:29:25Giorgi Hristov!
00:29:27Zvezdi!
00:29:43Ladies and gentlemen,
00:29:45how will you imitate your friend Giorgi Hristov?
00:29:47We will see you again after the end,
00:29:49and again after the first victory,
00:29:51the first victory,
00:29:53the third victory,
00:29:55the third victory,
00:29:57the third victory,
00:29:59the first victory,
00:30:01and Crisco.
00:30:03We'll be back at the end.
00:30:05Come.
00:30:07We may have a Wort da-j-a-zvests,
00:30:09the second victory,
00:30:11the third victory,
00:30:13the third victory,
00:30:15and that is a tough victory.
00:30:17I don't want to go back in the show.
00:30:19I'm going to go back in Bulgaria.
00:30:21I'm going to go to two cups.
00:30:23I'm going to go.
00:30:25Every day number.
00:30:27And I'm going to go.
00:30:29I'm going to go.
00:30:31I'm going to go.
00:30:33I'm going to go.
00:30:35I'm going to go.
00:30:37From the 1980s to the day.
00:30:39The first one was to go to five years
00:30:41when my dad was on the bar.
00:30:43And he played.
00:30:45The first one was to go.
00:30:47He was a half-year-old.
00:30:49He was a big fan of 18 albums.
00:30:51Two winners in the Orpheus.
00:30:53Two winners in the year.
00:30:55And 40 years in the year.
00:30:57And the last one was to go.
00:30:59George Christoph.
00:31:15The last one was to go.
00:31:17To make the car out.
00:31:19He was a big fan.
00:31:21He was a big fan.
00:31:23And he was a big fan.
00:31:24He was a little fan to me.
00:31:26On the floor.
00:31:28He was a little fan.
00:31:29He wanted to go.
00:31:30And he called me to go.
00:31:31And he kissed me.
00:31:33He chased me.
00:31:34See me.
00:31:36No one made black in the first place.
00:31:47And black and white, hey, sing this song,
00:31:54that the world is black and white.
00:32:00Without happiness, there is no way to be united,
00:32:06no man is living true.
00:32:13Black and white in us,
00:32:18they are in us,
00:32:20they are in us,
00:32:22they are in us,
00:32:25they are in us,
00:32:27they are in us,
00:32:29they are in us.
00:32:30When we begin,
00:32:34our doll's doll is created.
00:32:37They are at home!
00:32:42Oh
00:33:12That we sing in the phrase
00:33:17In the night of the night
00:33:22That we sing in the night
00:33:28That we sing in the night
00:33:33From the day of the night
00:33:37She falls
00:33:47That we sing in the night
00:33:57That we sing in the night
00:34:03We sing In the night of the night
00:34:09The night of the night
00:34:13If you think that Zvezda is the truth, give me the only voice for the new play.
00:34:21Zvezda has a smart voice.
00:34:23It is a smart voice.
00:34:25It is a smart voice.
00:34:27It is a smart voice.
00:34:29Now I will show you my feeling of humor.
00:34:31Zvezda has a smart voice, which means that life is like a zebra.
00:34:35Black-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white.
00:34:39Commencement, I'll tell you!
00:34:41Basically, Black-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white-white Forth mueve-white-white-white-58.
00:34:56Разврашивай жалите о Nej dragệHu frequencies.
00:34:57Москве москва е на земле.
00:34:59Оциоли Христион.
00:35:02По quién вида јта т это алкогурнатаulа?
00:35:05Чек до века...
00:35:08The songs you sing are very different.
00:35:10How does he deal with this challenge?
00:35:18I was known as a child, but then we were two children.
00:35:22First, happy birthday to all of the Bulgarians.
00:35:29Thank you to the team for the award.
00:35:31I would like to sing this song by the way I would like to sing.
00:35:39Oh, great!
00:35:41Thank you very much, Mr. Christoph.
00:35:43Thank you very much.
00:35:45Let's say that the song in the 50th century will be 40 years old.
00:35:52The national tournament will be in the 40th century.
00:35:56Let's applaud the singers of the song.
00:35:58I played with the song in the 50th century.
00:36:01Thank you very much – this has been a mistake.
00:36:04I want to add a little bit to the show of the clip
00:36:07on the show for the show of the song,
00:36:08I would like to sing the other name of the song,
00:36:11and you can see it in the next concert in the Nava Zagora,
00:36:14in Ternovo, D'Obrich, Sosopo, the Ploodive and Siblievo,
00:36:17such as in the college-to-to-mo-tourney.
00:36:19Thank you!
00:36:20I will haveām the page, Mr. Christoph.
00:36:22Thank you very much!
00:36:23For the longت milestone,
00:36:24or threeàd Slobodos!
00:36:26Or three of them?
00:36:28Love?
00:36:29The sun?
00:36:30I love that song.
00:36:32It's like the sun.
00:36:34Yes, I'm true, but I'm not the sun.
00:36:36For me you are.
00:36:38Okay, we don't have to worry about it.
00:36:40Even when you say, I'm burning.
00:36:42You're the moon and the sun.
00:36:46I don't need to talk with you.
00:36:48Yes, I love this song.
00:36:50I love this song.
00:36:52I'm on a street where my composer, Dmitry Gethoff,
00:36:58we are friends with his daughter in Plevens,
00:37:02on a street where she was called Marica,
00:37:04now she was called Emil Dimitrov.
00:37:08You made a memory in which I'm a little bit surprised
00:37:12because I love it a lot.
00:37:14Of course, this is something I've heard.
00:37:17I love that song,
00:37:19I love it a lot.
00:37:21You are the most serious,
00:37:23and I love it a lot.
00:37:25I love it.
00:37:27I love it a lot.
00:37:29I love it, and I love it.
00:37:31I love it.
00:37:33I love it.
00:37:35It's a great surprise.
00:37:37I don't believe that you have the great ones
00:37:39for Joro,
00:37:41but it was different
00:37:43characteristics
00:37:45in your performance, which is not bad, but we have no imitation of Gheorghe Hristov, if we should be honest.
00:37:51Yes, but he said that he would like to do this.
00:37:54This is a big compliment.
00:37:58For me, this is a stable version of the red and yellow.
00:38:04Do you see Marino with the cards?
00:38:06Before you get...
00:38:08No, no, no, the cards?
00:38:10Before I get into it, I have to say that for me it is a big compliment, that Gheorghe Hristov is here.
00:38:16We are students, we are together in our own life.
00:38:22This is one of the most beautiful, Bulgarian songs, which I heard.
00:38:27I don't need to remember, that the songs are on Ivan Tenev.
00:38:30This is a great song, which will always be singing over the generations, over the years.
00:38:36You just don't have to know how to sing, you are singing the song.
00:38:40Good idea.
00:38:42Good idea.
00:38:44Thank you, Gheorghe Hristov.
00:38:46For the Gheorghe Hristov, please vote for the new play,
00:38:49and don't forget that this is the only song for this evening.
00:38:52For Jimmy Summerville, Gheorghe Hristov.
00:38:54Thank you, Gheorghe Hristov.
00:38:56We are all the three of us!
00:38:57We are all up here at the time.
00:38:58We are all up here.
00:39:01We are the winner of the last week, who is the winner of the year.
00:39:03This is the winner of the second.
00:39:04This is the winner of the game and the winner of the game.
00:39:07This is an amazing victory of a Raiders Against the Machine.
00:39:09Today, he needs to be a great jump in the class.
00:39:12When he turns into the game, he turns into the game in the game,
00:39:14no, no, no, no, no, no, no, no, no.
00:39:15No, he turns into the game in the game of the game.
00:39:17Virgo, Boro I and Crisco.
00:39:20But they are four. Virgo, Boro I and Crisco.
00:39:23Yes, four. And my brother.
00:39:25The first, yes. Even the fourth character,
00:39:27in the end of the season, Citeridis!
00:39:35Oh!
00:39:36Just German!
00:39:37Just German!
00:39:38And the three of you are now?
00:39:40Boutonet!
00:39:41As far as I'm aware of you,
00:39:43you have a russian pseudonym, MC Greka.
00:39:46The people, even if they are listening to Citeridis,
00:39:48who is that funny,
00:39:50this evening they will watch MC Greka.
00:39:52MC Greka has no way to be difficult,
00:39:54the only thing that could be able to sleep
00:39:56eventually, when it was a little bit of a russian,
00:39:58because it was a little bit of a russian,
00:40:00dialect.
00:40:02Koshya Prime!
00:40:04Koshya Prime!
00:40:06I want to get out, nice,
00:40:08on all the pictures!
00:40:10Do you know why you don't put it on you?
00:40:12Because Mazda!
00:40:14I have to dance, but in this song.
00:40:16MC Greka, basically, doesn't dance.
00:40:185, 6, 7, 8...
00:40:20Do you continue to dance?
00:40:22Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.
00:40:28It is.
00:40:29It is.
00:40:30It is.
00:40:31It is.
00:40:32It is.
00:40:34Of course us from today's дилogash gas
00:40:37Rep downtown
00:40:38And we got , in calendar of 4-6 hours
00:40:41Of reminder whats com Об tit Poland
00:40:43And now burning Variana Gadge
00:40:43Of course we got this, mounted
00:40:46Repẫy it from 평 at the 16.00 To 18.00 pm
00:40:51He graduates once again
00:40:53Anyways the viscosity of the wheel
00:40:55all the way
00:40:57Great
00:40:59Of course get
00:41:001
00:41:012
00:41:02And 3
00:41:034
00:41:04Yes, so, after you get a little bit on the left.
00:41:06Yes, after you get a little bit on the left.
00:41:08So, I'll do this three-year-old.
00:41:11I'll do this one, so I'll do this one.
00:41:15MC Greka, MC Greka baby.
00:41:17Yes.
00:41:18Direct from Byzantine.
00:41:19They're a grudger, but...
00:41:21They didn't hear me because I was just killed all of them.
00:41:24I'll do it on the ground.
00:41:26There's a lot of movement for one group.
00:41:28This is unique to me.
00:41:29How do a single group work for a whole week?
00:41:32How do you react, Boniana?
00:41:34You're a great actress, and you're a great actress.
00:41:36Yes.
00:41:37Yes, well, you have a good joke.
00:41:38How do you react when you wrote a song?
00:41:39She talked about...
00:41:40I'll talk about a three-year-old.
00:41:41You've done the two-year-old.
00:41:43With the tail of the tail?
00:41:45The tail of the tail.
00:41:46You're such a three-year-old?
00:41:47Yes.
00:41:48Exactly.
00:41:49You can sing a banger?
00:41:51Yes.
00:41:53You can see my two-year-old dialect?
00:41:54My turn.
00:41:55What do you call me?
00:41:56Or my viewers?
00:41:57Some viewers.
00:41:58Ladies, so many viewers,
00:42:00Let's see the song from Kachalki and their song
00:42:02From Kachalki
00:42:04Let's go
00:42:06Let's go
00:42:08Let's go
00:42:10Let's go
00:42:12Let's go
00:42:14Let's go
00:42:16Let's go
00:42:18Let's go
00:42:20Let's go
00:42:22Let's go
00:42:24Let's go
00:42:26Let's go
00:42:28Let's go
00:42:30Let's go
00:42:32Let's go
00:42:34Let's go
00:42:36Let's go
00:42:38Let's go
00:42:40Let's go
00:42:42Let's go
00:42:44Let's go
00:42:46Let's go
00:42:48The first one is the first one is the third one in this season.
00:42:52The first one is the first one.
00:42:54The first one is the first one is the first one.
00:42:56And Chris Coo!
00:42:58Coo!
00:42:59No Coo!
00:43:01Ladies and gentlemen, what do you get if I'm a rapper from Varna, a rapper from Borgas and a rapper from Gabrovo?
00:43:23Or do we need a subcitri, or do we need a tour of 2024 from Kachalki?
00:43:30Or do we need a tour of 2024 from Kachalki?
00:43:35Virgo, Boro, 1, 2, 3, 4, 5, 6, 7, Crisco!
00:43:47Let's go!
00:43:50Oh wow!
00:43:52Virgo!
00:43:54Zot, Zot, Brr!
00:43:56Oste от малки пахлите брълчим, от Kachalki машите закачим, ако сте жалки няма да възжалим.
00:44:03Колки пускат палки, ма много фърчим, упасна мацката ми не и трябва грим, и не плачна ме на папа само като грешим.
00:44:11Oh wow!
00:44:13Пау!
00:44:14Ще ги убием, кон да напустят сърцата, на главата ще се качим.
00:44:17Блай ня остане, маме не се притеснявай!
00:44:20Виж кой ги права, кой се нъпти не забрави!
00:44:22Че твоето махаресане на мен не се напрягай!
00:44:25Е, съм махалазна и става и съм ахе!
00:44:28Аз стига крахи, бе!
00:44:29И шевай, пам-пам, пия не им кляхи, бе!
00:44:32Няма да се дам, дам, мина се засяги, бе!
00:44:34Само се бъзикам!
00:44:36Много тепесари се събраха, ще ги дригаме!
00:44:39Има ли пара и мен на бръйте като плюс едно?
00:44:43От незаконното имам ли вина, че твой да иска сме в едно легло?
00:44:48Феномен, още от малки пахлите брълчим, от Kachalki машите закачим!
00:44:54Ако сте жалки, няма дуба съжалим!
00:44:56Куки пускат твак, има много фърчин!
00:44:59Куба съм по-анцук, пълен байканю!
00:45:02Най се паре тук, къпях и се паре ва баня!
00:45:05Аз не съм поет, ама кача с алтаря!
00:45:07Пускат ми мулец, после дявола ме кара!
00:45:10Дай ми седем дин!
00:45:11Лизам бискотека и полна промяна!
00:45:13Извикай лекар, шото нещо ми стана!
00:45:16Че на габобенете е полна програма!
00:45:18Габобеде се понякога, стандарта ми го няма!
00:45:21Ти си хоум офис, аз съм на мутика!
00:45:23Сме еднахви!
00:45:24Мое стане страшно, да ма пика!
00:45:26Това са факти!
00:45:27Питат ме да не би да работя в Абека!
00:45:29Що от назякъде си влизам, като по-здравна патека!
00:45:32Караби!
00:45:33Коги в махтите бръмчим!
00:45:34От качалки мъщите закачим!
00:45:36Ако сте жалки нямат дъвъв съжалим!
00:45:39Куки пускат палки!
00:45:41Много фърчим!
00:45:42Искам всеки месец да правам поне по два избинки!
00:45:45Искам да излизам хубав на всички снимки!
00:45:48Знаеш ли защо не ти пускат на теб?
00:45:51Що от маза!
00:45:52Do you want me to become a man?
00:45:54Why am I young? Why am I young?
00:45:56Why am I young man?
00:45:58Why am I young man?
00:46:00Don't give me the job
00:46:02Don't give me the job
00:46:04Don't give me the job
00:46:06You're ready
00:46:08No, I don't have alcohol
00:46:10Now I'm Lola
00:46:12I'm Spanish
00:46:14I'm a girl
00:46:16I'm a girl
00:46:18I'm a girl
00:46:20If we are lucky
00:46:22I'll never care
00:46:24We can push out
00:46:26We put a on a rug
00:46:28I'm a girl
00:46:30I'm an aunt
00:46:32We love them
00:46:34But I'm a girl
00:46:36I'm a girl
00:46:38We can love
00:46:40I'm an aunt
00:46:42I'm a girl
00:46:44I'm a girl
00:46:46I'm an aunt
00:46:48Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo Yo
00:47:18A strong applause for Boro.
00:47:21Boro, how does Nikolaos deal with your imitation, according to you?
00:47:27It was scary. Now I know how to speak to people who are not from Varna, Gabrova and Burgas.
00:47:33Do you feel it? I'm from Burgas, Gero and Truca.
00:47:36Yes, yes, nice people. I just want to say that Nikolaos today has lost me.
00:47:42And that's what I expected.
00:47:44I'm crazy in Varna.
00:47:47Yes, yes.
00:47:49Hey, let's see.
00:47:51Maybe Boryana has some benefit, because she is from Varna.
00:47:56Shum for Varna!
00:48:05I want everyone to vote for Nikolaos, because he is very big.
00:48:09Thank you for Boro.
00:48:11Boro.
00:48:13Boro.
00:48:15Boro.
00:48:17Boro.
00:48:18Boro.
00:48:19Boro.
00:48:20Boro.
00:48:21Boro.
00:48:22Boro.
00:48:23Boro.
00:48:24Boro.
00:48:25Boro.
00:48:26Boro.
00:48:27Boro.
00:48:28Boro.
00:48:29Boro.
00:48:30Boro.
00:48:31Boro.
00:48:32Boro.
00:48:33Boro.
00:48:34Boro.
00:48:35Boro.
00:48:36Boro.
00:48:37Boro.
00:48:38Boro.
00:48:39Boro.
00:48:40Boro.
00:48:41Boro.
00:48:42Boro.
00:48:43Boro.
00:48:44Boro.
00:48:45Boro.
00:48:46Boro.
00:48:47Boro.
00:48:48Boro.
00:48:49Boro.
00:48:50Boro.
00:48:51Boro.
00:48:52Boro.
00:48:53Boro.
00:48:54Boro.
00:48:55Boro.
00:48:56Boro.
00:48:57Boro.
00:48:58Boro.
00:48:59Boro.
00:49:00Boro.
00:49:01Boro.
00:49:02Boro.
00:49:03Boro.
00:49:04Boro.
00:49:05Boro.
00:49:06Boro.
00:49:07Boro.
00:49:08Boro.
00:49:09Boro.
00:49:10Boro.
00:49:11Boro.
00:49:12Boro.
00:49:13Boro.
00:49:14Boro.
00:49:15Boro.
00:49:16Boro.
00:49:17Boro.
00:49:18Boro.
00:49:19Yes, it is.
00:49:21We have two holidays.
00:49:23Day of Dmitrov Day and the color.
00:49:25Absolutely, and the color.
00:49:27Ah, no one is here.
00:49:29But, Hilden?
00:49:31I want to say, but let's all say.
00:49:33Yes, tell me.
00:49:35I don't listen to the color.
00:49:37But, Hilden is the color?
00:49:39No.
00:49:41No.
00:49:43No.
00:49:45Yes.
00:49:47Yes, it is.
00:49:49I heard that it was always a bit scared.
00:49:51Yes.
00:49:53Give it to a man from a man.
00:49:55Yes, it was scary.
00:49:57My heart was in that rhythm.
00:49:59But, I did not work well.
00:50:01That was a difficult role.
00:50:03It was a difficult role.
00:50:05It was a difficult role.
00:50:07It was a difficult role.
00:50:09It was a brawman.
00:50:11I didn't understand it.
00:50:13You either hate you or you don't understand it.
00:50:15I don't understand it.
00:50:17What do you think?
00:50:18I don't understand it.
00:50:19I don't understand it.
00:50:20I don't understand it.
00:50:22You're not in the mood.
00:50:23You're not in the mood.
00:50:24Let's go.
00:50:25It was that one side of the video, right?
00:50:28Yes.
00:50:29I want to tell you that was an incredible Grisko.
00:50:32It was a great Grisko.
00:50:34I asked, Luba, is that Grisko?
00:50:36Because it was a lot more beautiful than Grisko.
00:50:38But now...
00:50:39But...
00:50:40But wait, how do you call the gentleman who is making the show?
00:50:43Virgo.
00:50:44Virgo.
00:50:45You don't know it.
00:50:46Virgo.
00:50:47Virgo.
00:50:48And when I heard him, I heard him more dialect than you made on the stage.
00:50:51Sofia, but...
00:50:52Yes.
00:50:53But with that...
00:50:54That's not true.
00:50:55But Grisko was absolutely extraordinary.
00:50:58Your vision was exceptional.
00:50:59One small.
00:51:00She was the one for our dialect, right?
00:51:01What?
00:51:02You don't deliver me.
00:51:03She was the one for our dialect, right?
00:51:04She is the one for our dialect.
00:51:05So two of the three.
00:51:06Like that's alright.
00:51:07One for the three are absolutely...
00:51:09Yes.
00:51:10So...
00:51:11Admiracy for theniks.
00:51:12In my opinion, Boro Tish became the best.
00:51:15In close relation, because we are an environment.
00:51:20But for me, the entire imitation was super good.
00:51:23Now a little bit is going to say what you put it.
00:51:25Well, what you put it for?
00:51:26So it's not that much.
00:51:28I'm sorry, I'm not sorry.
00:51:30I'm sorry, I'm sorry.
00:51:32But in the first edition, I'm just getting some of these balls.
00:51:38I don't know.
00:51:40How much was it?
00:51:42I don't know.
00:51:44I'm not saying that.
00:51:46I'll give it to you.
00:51:48Let's take a look because this is a way to make three balls,
00:51:54The other one is to do 6.
00:51:58The golden prst.
00:52:00Yes!
00:52:02Wait!
00:52:04Second time.
00:52:08Three times.
00:52:10So I have decided that you will do three times.
00:52:28Guys, the goal of the final is a little bit more than a month.
00:52:32The standard will be 40 million of you.
00:52:34But we did not forget to have two million,
00:52:36which will watch on TV.
00:52:38And since we have the recipe for the quarter,
00:52:40today we have the interesting information about TV.
00:52:44over the television show.
00:52:45And how are you going to perform the stadium without the stadium?
00:52:49Look at it!
00:52:59Hello! We are in the room with two cups of water.
00:53:03The so-called apparatus.
00:53:05Here is the way everyone lives.
00:53:07Here is the way to shoot and show everything,
00:53:09what the viewers see.
00:53:10Here is the director, the assistant director, the director on the pod,
00:53:13the person who has been on the pod, the man who has been on the pod,
00:53:15the video, the audio, the audio, the audio, the audio, the audio, the audio, the audio, the audio, the audio, the audio.
00:53:18And everything, everything, what the viewers see, is the way out of here.
00:53:22All these devices, but, in this room, this room,
00:53:24there is no way to be a stadium.
00:53:26So we will see that it is a machine called PTS.
00:53:32Now we will see what is the PTS and how we will see the final.
00:53:35PTS is a machine called PTS and it is a machine called PTS.
00:53:37Ladies and gentlemen, Ivan Tsakov, Giovanni, tell me, what is this PTS?
00:53:44The abbreviation means the TV station.
00:53:47This represents a truck or a bus,
00:53:50which travels, reaches its various places, where it is every day,
00:53:55and creates a TV studio.
00:53:57So you parking somewhere,
00:53:59this truck or a bus,
00:54:01and it opens like an American caravan.
00:54:05It ensures a place inside of 35-36 people.
00:54:0935-36 people can work inside of them.
00:54:11And they work in synchronicity.
00:54:13How many cameras can we turn into this TV studio?
00:54:17For your choice, the number of cameras must be around 30.
00:54:21There will be a pre-order on working places,
00:54:24on video monitor,
00:54:25so that you can watch them and control them.
00:54:27And, according to everything,
00:54:29you need to have control,
00:54:31which is the most important thing,
00:54:32to create intercoms,
00:54:33which is the most difficult task in the whole job.
00:54:35What means intercoms?
00:54:36Intercoms,
00:54:37that is the interface.
00:54:38Intercoms,
00:54:39that is an illustration,
00:54:40which is an instrument that you can use to talk with operators,
00:54:44and all the people who need to listen to you.
00:54:47So, our viewers should know that one of the most difficult things
00:54:50in the final of the car.
00:54:51It is the communication.
00:54:53Because,
00:54:54you know,
00:54:55how many people have to hear
00:54:56everything that we say in the app.
00:54:58in real time,
00:54:59and they can be done in the live,
00:55:01in the stress environment,
00:55:03in the stress environment,
00:55:04and in a very strong sound.
00:55:05Yes.
00:55:06Tell me about cameras,
00:55:07because, for me,
00:55:08the viewers can't imagine how big these cameras are,
00:55:10and why they are so hard.
00:55:12We have different cameras.
00:55:13When you start with normal cameras,
00:55:15which are small cameras,
00:55:16which are on small cameras,
00:55:17which means that this camera is up to 20 and 50 kilograms.
00:55:21The long-focus objects are mounted on additional cameras.
00:55:25Three huge cameras,
00:55:27which is the same camera.
00:55:28The angle is about 200-250 kilograms.
00:55:30The long-focus objects,
00:55:31what does it mean?
00:55:32What does it mean?
00:55:33It's a 100x object.
00:55:34What does it mean?
00:55:35It means that,
00:55:36that at the National Stadium,
00:55:37from one door to another door,
00:55:39you can have a close-up plan.
00:55:40A close-up plan.
00:55:41A close-up plan.
00:55:42A close-up plan.
00:55:43Do you have a wide inches?
00:55:44Of course,
00:55:44Yes.
00:55:45That's right.
00:55:46That's right.
00:55:47And what are the interesting qualities of wide-up plan?
00:55:48The wide-up plan shows the size of the scene.
00:55:51The size of these objects.
00:55:52The size of the objects.
00:55:53And the size of the images is amazing.
00:55:54The size of the objects,
00:55:55the size of the studio.
00:55:57Take it.
00:55:58So, no time to tell everything.
00:55:59But, though,
00:56:00we'll end our documentary film,
00:56:01which will be coming to the finale.
00:56:02And the fans can see what happened on the 18th of May.
00:56:05It's a strange way.
00:56:06Now, we'll tell them about special cameras.
00:56:10See what are they.
00:56:11Giovanni Tora
00:56:15Here is Estefan Jelankov
00:56:17This is a man who all call Jelankov
00:56:19and will talk about special cameras
00:56:21Let's start with that, that we have three cranes
00:56:23In studio we use one cranes
00:56:25One, which is about 8 meters
00:56:27And in the stadium we have three
00:56:29which will be about 12 meters
00:56:31We have a little more specific cranes
00:56:33which is called Technocrane
00:56:35The most difficult for operating cranes
00:56:37Yes, it is about 2 tons
00:56:39There are three men minimum
00:56:41The cranes can be on high
00:56:43But we have another camera
00:56:45which will move on
00:56:47We have two very high speed
00:56:49by 30 meters
00:56:51We call them farts
00:56:53They are in the distance
00:56:55The other camera is Steadicam
00:56:57This is a camera
00:56:59which has a stable hand
00:57:03It can be on the scene
00:57:05It can be on the whole stadium
00:57:07with a cable
00:57:09Absolutely wireless
00:57:11And with it
00:57:13When we see the cameras
00:57:15around the artists
00:57:17everywhere, this camera is one of the most difficult
00:57:19to operate
00:57:21All these cameras are quite difficult
00:57:23We have a camera
00:57:27We have told you about the recording
00:57:29Now we will tell you about the repetitions
00:57:31Why the process is so interesting
00:57:33The repetitions are the most important thing
00:57:35for us to have a nice show
00:57:37But we will have seven days
00:57:39in which we don't have to repeat
00:57:41but we will build the scene
00:57:43Here in this house
00:57:45Here in this house
00:57:46We will build our scene
00:57:47in real size
00:57:49With the lighting
00:57:51With the lighting
00:57:52With the lighting
00:57:53With the lighting
00:57:54With the lighting
00:57:55Everything will be created here
00:57:56This house
00:57:57How much is Raffi?
00:57:58This is 680 square
00:58:00In our scene
00:58:01How much is Raffi?
00:58:02600 square
00:58:03So almost all the whole scene
00:58:04In the scene
00:58:05In the scene
00:58:06Here in the scene
00:58:07How many people are in this scene?
00:58:11Not very high
00:58:12But for me
00:58:13Very talented
00:58:14But still
00:58:15We have a repetition
00:58:16One
00:58:17What will be?
00:58:18Silent rehearsal
00:58:19The 17th May
00:58:20Absolutely
00:58:21A quiet repetition
00:58:22All the speakers will be
00:58:23with speakers
00:58:25With speakers
00:58:26Ballets
00:58:28Ballets
00:58:29Ballets
00:58:30Ballets
00:58:31Ballets
00:58:32Ballets
00:58:33Ballets
00:58:34Ballets
00:58:35Ballets
00:58:36Ballets
00:58:37Ballets
00:58:38Ballets
00:58:39Ballets
00:58:40Ballets
00:58:41Ballets
00:58:42Ballets
00:58:43Ballets
00:58:44Ballets
00:58:45Ballets
00:58:46Ballets
00:58:47Ballets
00:58:48Ballets
00:58:49Ballets
00:58:50Ballets
00:58:51Ballets
00:58:52Ballets
00:58:53Ballets
00:58:54Ballets
00:58:55Ballets
00:58:56Here we will teach them, Gero.
00:58:58Because with the audience, there is no possibility for you.
00:59:01Because this is the season of...
00:59:02STUDIO!
00:59:04In the 18th of May, we're going to celebrate the National Stadium
00:59:06with one of the most important parts of Queen.
00:59:08We will rock you!
00:59:10Let's try it together.
00:59:12Let's play with us in this kind of rhythm.
00:59:14Yes, gentlemen!
00:59:16And...
00:59:21We will, we will rock you!
00:59:26We will rock you!
00:59:28We will rock you!
00:59:30We will rock you!
00:59:31We will rock you!
00:59:32Next season of the Stadion...
00:59:34So...
00:59:35Next season of the Stadion...
00:59:37In the end of the Stadion...
00:59:39We'll be back to Madoka, who plays a song and sings well.
00:59:42The new favorite in America, Benson Boone.
00:59:45Rocksala is still in front of the first folk-hore for the season.
00:59:49The love of the song, the track, and the great track, and the great track.
00:59:52And now we'll continue!
00:59:54Hey!
00:59:55Look at it!
00:59:56Hello!
00:59:58Do you see the pattern of the costume that are new?
00:59:59Where are you with butter?
01:00:05Let's see!
01:00:06fertig!
01:00:07Ladies and gentlemen, we are with the show, which is the color, not only the color, but with two cups.
01:00:13Show number?
01:00:15The show!
01:00:16The story in the season?
01:00:18The show!
01:00:19And remember that the day of the day of the day of the Hulvajan Kremo,
01:00:22to be alive and healthy.
01:00:24Thank you for everything you have been here.
01:00:27For the styling and the relationship.
01:00:29And for the Pagala.
01:00:31The show has been a long time since the last week.
01:00:34The show has been a very interesting and very detailed imitation of Aziz.
01:00:39The show today is to buy a little more on the West,
01:00:41to turn it into the sensation of the last winners of the Grammy.
01:00:44The pvc with the acrobatics Benson Boone.
01:00:47Let's see how it works.
01:00:48Viramin!
01:00:59It's a difficult task towards artistism.
01:01:01It's a difficult task towards vocals.
01:01:04It's good!
01:01:05I'm getting very high,
01:01:31There is a lot of movement and swings.
01:01:33There must be no place in the scene where you don't get stuck.
01:01:37You have to go anywhere.
01:01:39I'm just like...
01:01:41Stay!
01:01:43It's like Freddy.
01:01:45With two hands in the stairs.
01:01:47And when you make some swings,
01:01:51it's the stairs.
01:01:53So when you move forward,
01:01:55the back,
01:01:57the back, and the front,
01:01:59that's the stairs.
01:02:01For the whole performance,
01:02:03I'm going to make an emotional emotion
01:02:05from the song and the song.
01:02:07I'm going to give a message.
01:02:09I'm going to pay for the beautiful things of life.
01:02:11We need to lose them.
01:02:13We need to keep them in the day.
01:02:15It's so much fun.
01:02:17Many things.
01:02:21I'm going to pay for the great things of life.
01:02:23I'm going to pay for the thanks to my family,
01:02:27my friends.
01:02:29You know,
01:02:31you're a very talented man.
01:02:33You're a very talented man.
01:02:35You're a very talented man.
01:02:37I tell you.
01:02:39I'm a very talented man.
01:02:41You're a talented man.
01:02:43How many years?
01:02:44I'm 27.
01:02:45Yeah, I've heard him more.
01:02:47You're a talented man.
01:02:48You're a talented man.
01:02:49You're a talented man.
01:02:51He's here in this song thanks to God for everything that he has in his life and all the beautiful things that he doesn't want to lose.
01:03:01So I also send one thanks to God for that, that I'm here in this scene, for that, that there are nice things in the moment.
01:03:10I'm in the church, I believe in God and I believe that this is the power that every time keeps me forward.
01:03:18We won't forget about that route. Do we get high tones or wait for him?
01:03:23High tones are waiting for him.
01:03:26How much will he get?
01:03:27How much will he get high tones for him?
01:03:30Yes, I'm going to sing a little bit.
01:03:33Let's see him himself, Benson Boone and Beautiful Things.
01:03:48Don't take these beautiful things that I've got.
01:03:55есть
01:04:10say
01:04:11um
01:04:14you
01:04:16have
01:04:21blessed
01:04:25My name is Ivan Andrei.
01:04:27Ladies and gentlemen, I'm going to ask the bourgeois musician,
01:04:30VVMN.
01:04:31We'll see you in the scene as a young man,
01:04:34who leads the world.
01:04:35Benson Boom!
01:04:37Dames and gentlemen,
01:04:55кариерато му започва в American Idol,
01:04:57където се явява по настояване на приятели.
01:04:59Там той достига до холивудската седмица,
01:05:01най-добрите 24,
01:05:03когато внезапно се отегля с думите,
01:05:05да показва на света някой,
01:05:07който не е.
01:05:09Наричат го певец с задното салто,
01:05:11заради акробатиките, с които подсилва и своите изпълнения.
01:05:13Нека да посрещнем новият шоумен на Америка,
01:05:15певецът с прочувствение и изпълнение с вибрато глас,
01:05:19Benson Boom!
01:05:21Америка
01:05:31Америка
01:05:33Америка
01:05:35Америка
01:05:37Америка
01:05:39But I know the things he gives me he can take away
01:05:44Oh, and I hold you every night
01:05:49And that's a feeling I won't get used to
01:05:53But there's no man as terrified
01:05:57As the man who stands to lose you
01:06:09Please stay
01:06:14I want you, I need you, oh God
01:06:18Don't take
01:06:21These beautiful things that I've got
01:06:25Please stay
01:06:28I want you, I need you, oh God
01:06:32Don't take
01:06:35These beautiful things that I've got
01:06:39Please don't take
01:06:49I found my mind, I'm feeling safe
01:06:54It's been a while, but I'm fighting my fate
01:06:58If everything's good and it's great
01:07:00Why do I see it and wait till it's gone?
01:07:04Oh, I tell you, I know I've got enough
01:07:08I've got a peace and I've got love
01:07:11But I'm up and I'm thinking I just might lose it all
01:07:17Please stay
01:07:23I want you, I need you, oh God
01:07:27Don't take
01:07:30Don't take
01:07:30These beautiful things that I've got
01:07:34And take
01:07:48Oh, I need you, oh God
01:07:49Please stay
01:07:51I want you, I need you, oh God
01:07:56I need these beautiful things that I've got.
01:08:26And if you think that this will be the best imitation of this evening, give me a shout out to Venemim in the app.
01:08:34Congratulations, Venemim!
01:08:36Bravo!
01:08:38Bravo!
01:08:39Bravo, really!
01:08:40I have to buy something like this.
01:08:43And Funky would like this.
01:08:45Yes.
01:08:46Veni, another difficult question.
01:08:48How is it going to be for you?
01:08:50For me, perfect.
01:08:51I think so.
01:08:52Thank you very much.
01:08:54I had a very serious joke with these tones.
01:08:57I can't take them.
01:08:58Yes.
01:08:59From where did I take them?
01:09:00I don't know.
01:09:01I don't know where did I take them.
01:09:03I'm very grateful.
01:09:05I don't know what to say.
01:09:07I'm just in the moment I'm very happy.
01:09:09Good.
01:09:10Good.
01:09:11Good.
01:09:12Let's start with Love.
01:09:13With who?
01:09:14Love.
01:09:15Good.
01:09:16From where did I take them?
01:09:19Good job.
01:09:20Good job.
01:09:21Good job.
01:09:23You have a connection.
01:09:24Yes.
01:09:25You have a connection.
01:09:26ذ áng.
01:09:27That's right.
01:09:28Without a copy of what we watched in the video.
01:09:32As an imitation.
01:09:34Without the hearing as an imitation.
01:09:36Anything is made and the energy that was deserved to be the performance in the end.
01:09:39That was really an incredibly scary one.
01:09:41Very well.
01:09:42Great, great, great.
01:09:43Who should ask me?
01:09:45Who is going to ask me, Mr. Ratzko?
01:09:46No, I don't know.
01:09:47I'm going to ask Ms. Kaza Siava.
01:09:50Kamaka.
01:09:51Kamaka, yes.
01:09:52Mramura, mramura.
01:09:53It was just everything that made.
01:09:55These tones were just a bonus on this imitation.
01:09:58Because the most important thing is,
01:10:00that the opening of your ears,
01:10:02the turning of your ears,
01:10:04the turning of your ears,
01:10:05I'm very sorry.
01:10:06The turning of your ears?
01:10:07Yes.
01:10:08Because I saw it very carefully,
01:10:10and I saw it a few times.
01:10:11The turning of your ears.
01:10:12All I saw it.
01:10:13But my colleagues, you can see what he did.
01:10:16Excuse me.
01:10:17Let me see what he did.
01:10:19To the most small detail.
01:10:21That I want to say.
01:10:22Stop, please.
01:10:23To the most small detail.
01:10:24But you still feel like I'm going to tell you.
01:10:26How do you say?
01:10:28To the turn of your ears.
01:10:29Because I looked at him.
01:10:31Everything was one to one.
01:10:33You had to see every detail.
01:10:35Yes.
01:10:36To the turn of your ears.
01:10:37Congratulations.
01:10:38I want to go to Hissaria for three months.
01:10:41And Hissaria for three months.
01:10:43Just from the name of Hissaria.
01:10:44And the Hissaria and Hissaria.
01:10:45And the Hissaria and the Hissaria and that Tazaria and and there are tears in Hissaria.
01:10:51With the eyes of Hissaria,
01:10:52I couldn't let the eyes of you talk about these things.
01:10:57I mean, you can't do that as a woman,
01:10:58what did someone on the scene,
01:10:59in the scene,
01:11:00which is a event.
01:11:01And I agree.
01:11:02All of this event was that event,
01:11:04which you did.
01:11:05Bravo, bravo, bravo!
01:11:07Funky!
01:11:09Funky!
01:11:11She's talking about the clipage.
01:11:13The tones that they didn't have, and today they didn't have.
01:11:17You know.
01:11:19You don't have an illusion.
01:11:21Yes, of course.
01:11:23They are very high.
01:11:25It's very high.
01:11:27This is not important.
01:11:29When I created the energy,
01:11:31we used to call the tones,
01:11:33but in general...
01:11:35Of course, in the clipage,
01:11:37there are two.
01:11:39I am!
01:11:41I am!
01:11:43I am Benson Boone.
01:11:45You are a plasticine for me.
01:11:47Let me tell you.
01:11:49Let me tell you.
01:11:51The energy is provided,
01:11:53which is very important.
01:11:55The painting is very important,
01:11:57which is the most important part of this story.
01:11:59Yes.
01:12:00You know how much it is showing me.
01:12:01Yes.
01:12:02Tell me something.
01:12:03Tell me something.
01:12:04Tell me something.
01:12:05I didn't see them.
01:12:06You didn't see them.
01:12:07Mr. Marinov.
01:12:08Here.
01:12:09A little bit.
01:12:10A little bit.
01:12:11You tell me that you are...
01:12:12For me you are...
01:12:13For me you are...
01:12:14I just tell you.
01:12:15That Viniamin is already a constant of imitation.
01:12:18Exactly.
01:12:19He is a person who is the best to imitate here.
01:12:22Mr. Marinov.
01:12:23Just a second.
01:12:24Who?
01:12:25You will get Viniamin the date in the NDK.
01:12:28He has to do this.
01:12:29You have to earn years,
01:12:30and do your job,
01:12:31and make your own ranges,
01:12:34and make your own successes,
01:12:35and the halls will come.
01:12:40We are definitely impressed with the image of your image.
01:12:42The new play.
01:12:44The new play.
01:12:45The new play.
01:12:46The new play.
01:12:47The new play.
01:12:48The new play.
01:12:49The new play.
01:12:50Let's continue with the proudest of the Queen of Maita,
01:12:57who showed that it is better than what people know about us,
01:13:01with the emotional and emotional image of Adel.
01:13:03Today we will turn to the national family
01:13:05and turn to one of the greatest national musicians,
01:13:07the proudest of the Trakiya, Nedialga Keranova.
01:13:09We're going to get the thumbs up to Rosara.
01:13:13On the 18th May, we'll be the king of the Stardewa.
01:13:17Nedialga Keranova!
01:13:20Nedialga Keranova
01:13:22Nedialga Keranova
01:13:23is one of the best traditional traditional Trakiya in the country.
01:13:26I think Adel will be the best,
01:13:29will be the most difficult.
01:13:31It's exclusively a serious song,
01:13:33it's exclusively a tough song.
01:13:34It's a scary song.
01:13:36It's a beautiful song.
01:13:38It's a special song,
01:13:39which other musicians have not heard.
01:13:41For this, I think I'm close to this song,
01:13:43because first, the blend is very hard,
01:13:46and the ornamental is like a carcass,
01:13:49and I'm going to play a song.
01:13:50I'm going to play a song,
01:13:51and I'm going to play a song.
01:13:52I don't know where to go.
01:13:53I don't know where to go.
01:13:54The song is a non-cassion.
01:13:55The song is a non-cassion.
01:13:56That's why you have to feel the song
01:13:58on the accordion,
01:13:59what you have to do.
01:14:00I believe that the national music is the most difficult song.
01:14:04That's why the song is the most difficult song.
01:14:07It's not that.
01:14:09No, it's necessary.
01:14:10No, it's necessary to do it.
01:14:11It's necessary to do it.
01:14:12It's necessary to do it.
01:14:13It's necessary to do it.
01:14:14It's necessary to do it.
01:14:15There is a song that I have a song,
01:14:16but I don't know it's necessary to do it.
01:14:18so I don't know whether it will come out.
01:14:20Her way of presenting the song is a little bit of a man.
01:14:24Yes, and I want you to see it.
01:14:27I want you to see it exactly like this.
01:14:29I'm confident in myself.
01:14:31I'm sure I hope it will get me
01:14:33and I appreciate my hard work this week.
01:14:38Hello, my friend.
01:14:39I want you to be confident.
01:14:41Listen to him.
01:14:43He gets the signal with the bell and the bell.
01:14:46I'm sure she'll do it.
01:14:48I'm sure she'll do it.
01:14:50Of course, I'll do it.
01:14:52I'll leave it to the end.
01:14:54I have a lot of fun.
01:14:56I'm not sure about it.
01:14:58I'm not sure about it.
01:15:00I'm not sure about it.
01:15:02I don't know.
01:15:04I can tell you that I'm not sure about it.
01:15:06I'm not sure about it.
01:15:08I'm not sure about it.
01:15:10I don't explain what I'm doing.
01:15:12He's always with us.
01:15:14We don't think he's always with us.
01:15:16He's always with us.
01:15:17Absolutely.
01:15:18You tell me that this ornament,
01:15:19as a cardigan,
01:15:20a little bit like that.
01:15:22I'm sure you'll do it.
01:15:24Did you tell me that it was really nice?
01:15:26No.
01:15:27You tell me that it was really nice.
01:15:30Now let's see the original one.
01:15:32Get out of here.
01:15:33Get out of here.
01:15:34Get out of here.
01:15:35Get out of here.
01:15:36Get out of here.
01:15:37Get out of here.
01:15:38Get out of here.
01:15:39Get out of here.
01:15:40Get out of here.
01:15:41Get out of here.
01:15:42Get out of here.
01:15:43Get out of here.
01:15:44Get out of here.
01:15:45Get out of here.
01:15:46Get out of here.
01:15:47Get out of here.
01:15:48Get out of here.
01:15:49Get out of here.
01:15:51Get out of here.
01:15:52Get out of here.
01:15:53Get out of here.
01:15:54Get out of here.
01:15:55Get out of here.
01:15:56Get out of here.
01:15:57Get out of here.
01:15:58Get out of here.
01:15:59Get out of here.
01:16:00Get out of here.
01:16:01Oh, oh, oh, oh, oh, oh.
01:16:31Даме и господа, тя е родена в село Татарево и една от най...
01:17:00и една от най-иконичните български народни певици.
01:17:04Заради плътния си глас е да рича на най-мъжката певица,
01:17:07българската Ела Фиджералт и черната перла на Тракия.
01:17:10Да послещнем жената, която твърдеше, че един народен певец
01:17:13не може да се научи да пее, той се ражда певец.
01:17:17Незабравимата недялка Керанова!
01:17:20АПЛОДИСМЕНТЫ
01:17:22Городжа!
01:17:34Городжа!
01:17:41Городжа!
01:17:42Городжа!
01:17:43Городжа!
01:17:44Городжа!
01:17:56Rosano, Rosano, mi amor
01:18:10Rosano, Rosé, Rosile
01:18:24Rosano, Ros kelpiter
01:18:40Rosano, Ros
01:18:45Rosano, Ros
01:18:52The Lord has been here,
01:19:03I have been here,
01:19:08I have been here,
01:19:13Like I do
01:19:17I do
01:19:21I do
01:19:27I do
01:19:33I do
01:19:39I do
01:19:55I do
01:19:59I do
01:20:01I do
01:20:03I do
01:20:05I do
01:22:07Uh-huh.