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The Clean-Sweep Cinema Of Chaitanya Tamhane
Brut India
Follow
4/18/2025
Do you know the Indian director whose movie won a prestigious award at the Venice Film Festival this year? Meet Chaitanya Tamhane. They say he is only two films old but he’s one of India’s best filmmakers already.
Category
🎥
Short film
Transcript
Display full video transcript
00:00
If you want to walk on this path, learn to be alone and self-sufficient.
00:30
I don't know if 33 in today's times is really, really young, you know.
00:49
People were wearing masks and people were practicing social distancing, but the energy
00:53
and the vibe of Venice as a festival, it was my third time going to Venice, but that energy
00:58
was still like intact.
01:08
It was like a bit weird and a bit surreal to even believe that this is happening.
01:23
Pretty much like a journalist in that sense, you know.
01:26
I used to carry a recorder, but then I stopped doing that because I realized that I don't
01:30
have to print this anywhere and people don't really open up if they know that they are
01:34
being recorded.
01:35
So, yeah, I mean, even for this film, I just like started interviewing people, you know,
01:41
and just having conversations, developing friendships to get to know their inner worlds,
01:46
to get to know what people are struggling with in their fields.
02:16
The compliment that I'm waiting for, and this sounds very dramatic and cliched, is
02:38
my parents.
02:39
They do not understand what I do.
02:41
You know, they love the press.
02:43
They love to read about me and the film and they're very happy with the awards and all,
02:47
but when they watch the films, they are like, you know, in Marathi, they're like,
02:51
Yeh kai ke liye is tu, mala kai karat nahi hai chatla type.
02:55
So yeah, I am waiting for that compliment.
03:13
I met a lot of really cool people there who introduced me to world cinema, you know, who
03:20
told me, okay, read Vijay Tendulkar, who said, okay, read Mahesh Elkunchwar, who said, okay,
03:24
watch Vankar Vais film, okay, watch, you know, Lars von Trier films.
03:28
So I mean, in the most unexpected of places.
03:49
So when he saw the finished film, and he, you know, called me and said, Kabron, it's
03:54
beautiful.
03:55
And, you know, I would love to support it in any possible way.
03:59
I think it's great because, you know, it started off as a dialogue between two artists and
04:02
it's transformed into a friendship.
04:04
I mean, of course, he's like a mentor, a father figure, but he's also like a buddy, you know,
04:10
and he's very relaxed and very chill and I yeah, I've learned a lot about, you know,
04:16
being a professional filmmaker about what it is to live a filmmaker's life, you know,
04:20
the highs, the lows, the temptations on the way and on a purely craft level on a technical
04:27
level.
04:28
He's expanded my vocabulary as a filmmaker, I've been given this privilege of being in,
04:33
you know, touch with him now when I do my own work, I need to, you know, not like blow
04:38
it up, you know, and be like, yeh kya kar diya tune types.
04:43
When I was watching the world premiere, so I don't watch my films, I don't have the courage.
04:47
So I was staring at the floor.
04:49
And I was very restless when I looked up a few times for a few minutes.
04:53
I was in tears.
04:56
Because I was like, oh, man, I could do so much better.
05:00
You know, and I told this to Alphonso and he was like, man, if that's what you feel
05:06
after making this film, you're one lucky bastard.
05:09
For me, it's like the new frontier of storytelling because I don't play like those, you know,
05:21
brain dead, kill people kind of game.
05:24
They are more like narrative driven games or gave me a lot of ideas.
05:36
How one relates to the idea of art or entertainment or even storytelling has splintered into so
05:42
many I mean, a vlog is a story or you know, a video game is a story, you know, a board
05:49
game is a story or whatever, Tik Tok or whatever, I'm not on this platform, but an Insta story
05:55
is a story, you know, so how we associate with emotions, I mean, and it's also so paradoxical
06:02
because on one level, you're like, okay, make 30 second videos, because that's what people
06:07
want to watch on their phones and move on.
06:08
And then also they want to binge watch shows for 10 hours, 18 hours, 20 hours, you know,
06:14
without really thinking about it.
06:24
Intent, you know, if you have the right intentions, and which requires work, you know, working
06:31
on your inner world and working on yourself and your worldview, because that's the only
06:36
thing you have to offer as an artist.
06:39
So okay, I don't want to sound too like, you know, gyan giving, but for me, I've realized
06:44
that it's the intent that matters the most in whatever you're doing.
06:48
Everything else falters.
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