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Led Zeppelin: Jimmy Page On Making The Led Zeppelin Remasters - Part 1 | Louder
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3/17/2025
Led Zeppelin's Jimmy Page on the story behind the Led Zeppelin Remasters.
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00:00
Hello there, this is Jimmy Page and you're watching Classic Rock.
00:15
Well, it's interesting that you said, is there an archive that's carefully annotated?
00:22
That's exactly how it started up.
00:24
I started annotating my own archive, listing everything that went back to the very earliest.
00:31
It was all analogue tape that I was doing, and it went back to the early little three
00:37
and a quarter inch reels that were done at home when I lived with my parents, and it
00:41
goes to a five inch reel, and did home demos, and I was going all the way through and it
00:47
got through all the material that I had, and I was logging it and collating it and making
00:52
notes all through the yard birds, and then of course it gets to Led Zeppelin.
00:58
And I'd started to do some of that, but I must say that I'd had an idea that was along
01:07
the lines of the project that we were all now familiar with, the re-releases, but somehow
01:12
the sort of gems that were sitting around could come out.
01:18
I had another plan, but this was far more ambitious and much lengthier, and far more
01:24
relevant I think to the whole picture of what was needed to be sort of presented, an audible
01:32
picture of what went on in the studio.
01:35
Where it comes to the Led Zeppelin aspect of it, it was hundreds of hours, literally
01:41
hundreds of hours of listening to tape, because you've got to listen to it in real time, and
01:45
then say you've selected a title, and you're going and listening to everything you've got
01:49
around that title, and there's copious notes being made, and it's a lengthy project, but
01:57
I knew it was worthwhile.
02:00
Yeah, I had a good idea of the sunset sound mixes, things like that, alternate versions
02:07
of When the Levee Breaks, different versions of In the Light, I knew there was a wonderful
02:13
version on the Led Zeppelin 3, or what I had was an early version of Since I've Been
02:21
Loving You, the track of Whole Lotta Love, I mean they're just total gems, so to actually
02:28
be able to put them out in context with the release of the studio albums is great, it's
02:36
a good way to do it.
02:41
There was one surprise that came up, because I thought we might have a gap, and it would
02:51
be a bit of a nail-biting gap for Presence, and I thought there'd been something that
02:59
had been mixed down at the time, rough mixes, and some songs that didn't make it on Presence,
03:08
and I was relieved to find it.
03:10
It actually wasn't labelled, the box, I had to go through all manner of things, whatever
03:16
was on tape, I had to listen to it if it didn't have a proper, but even if it did, I had to
03:20
check it was in the right box.
03:22
Anyway, the material for Presence turned up, so that was like breathing a sigh of relief
03:28
and wiping your forehead, it was like, oh thank you God, because without the material
03:36
for Presence it would have been tricky, as was the first album, we had to use a live
03:43
performance, because there just wasn't the material left over to make up a companion
03:48
disc, but now there was for everything, so it was cool.
03:54
I'd always intended to make Physical Graffiti's companion disc a single disc, because the
04:01
pure nature of why the studio album of Physical Graffiti was a double disc, or two vinyls,
04:09
or whatever, was the simple reason that that's what it was, and this is what it is, as far
04:16
as a companion disc, there was no point in trying to just put things on there because
04:21
it was too close to something that was already on there, you know, like ten years gone, there
04:27
was no point.
04:28
Sometimes there just wasn't another version to actually pull out, so with whatever there
04:33
was, I made the best compilation I felt, showing the band really at work and at play, and these
04:41
sort of passionate performances from each of the individuals and collectively, and it's cool.
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