- 3/8/2025
Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo Al Fondo Hay Sitio 12 Capítulo 16 en HD Completo
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Short filmTranscript
00:00And your friend, the owner of the restaurant, can know where to locate Alicia.
00:10Joe, please tell me that this is not going to end like the last time.
00:16No, it's not going to end like before.
00:30This taste is... it's hard to explain. It's like... I haven't tasted anything like this since Lima.
00:45It must be because it's a dish made by someone you know.
00:51Alicia.
00:56Ready. End of my turn.
01:00Alicia! Alicia!
01:08What's going on?
01:09I'm your fan. I'm sorry for being so rude. I wanted to spend more time with you.
01:21She just left. Again.
01:30I love you.
02:00I love you too.
02:31The most beautiful. She is an angel who lives on earth. I don't know.
02:39Each of these cards has come out directly from my heart.
02:44And I hope you get something of yours.
02:48I love you. And it doesn't matter where you are.
02:54Very soon I will be standing in front of you.
03:00No matter where you are, there is no one like her in the world.
03:07I have 21 more cards for you.
03:12Jimmy, how did you know?
03:15Chris told me he was coming, but how am I going to believe him?
03:20When I read my name.
03:24I love you, Jimmy Gonzalez.
03:30I love you too.
04:01Tito! What a good little dance you got me.
04:05I'm dancing. What's wrong with you?
04:07You have to increase the pace.
04:10I don't want to dance, Felix. Don't bother me.
04:13Yes, Tito. It's a good rhythm, but I don't like it.
04:21I don't know what you're talking about.
04:23The one you put me on, love. It's comfortable.
04:27But I'm sleepy.
04:29You're making it up.
04:33Hello.
04:38What's wrong with him?
04:40I don't know. He moves like you.
04:44What do you think?
04:54The bill I'm going to put that old man in to sign.
05:00My favorite manager.
05:02Miss Zapayal?
05:04Let me help you.
05:06This is my job now, thanks to you.
05:08Don't worry, I'm done.
05:11How can I thank you for what you did for me?
05:14Just tell me, and I'll fulfill all your whims.
05:23Doing your work punctually and efficiently
05:26will be the best proof that I wasn't wrong to defend you.
05:31Count on it, Mr. De Las Casas.
05:34I owe you everything. Everything.
05:37And if you ever need anything, anything, whatever,
05:43Juanita Zapayal is at your disposal, day and night.
05:52I'll take that into account.
05:55Now, if you'll excuse me, I'm in a hurry.
06:10Everything on time.
06:13Everything on time.
06:15Everything on time.
06:21Something doesn't add up.
06:23I don't feel myself.
06:27This thing tightens me up everywhere.
06:33Hey!
06:35That's mine.
06:37Huh?
06:38What's yours if Lorena bought me these underpants?
06:40I swear, look.
06:41Hey!
06:44Look what I have.
06:46Keep it.
06:49Huh?
06:50Where did you get that thing?
06:52I put it on my clothes.
06:53Well, it's clearly a mistake, because that thing is Mr. Gil's.
06:59You're right.
07:01Now, take it off.
07:03Give me my underwear.
07:05This thing tightens me up everywhere.
07:07I don't understand how you can wear this thing.
07:09Here.
07:11I'll keep going.
07:18Well.
07:20To Pelayo.
07:25Another thing.
07:27Now, it's me.
07:29There it is.
07:30Congratulations.
07:31Now, what do I wear?
07:32This thing tightens you up, Mr. Gil.
07:34No, thank you.
07:36Now, where are my underpants?
07:39Let's see, write it down.
07:42Ten bags of kilo each.
07:46Ten...
07:48bags...
07:52of...
07:54kilo...
07:56Please!
07:58I don't have all day!
08:00Why are you talking to me like that?
08:03I'm still helping you.
08:05You're a great help!
08:06You're a great help!
08:08I could do it better on my own!
08:10Mr. Gil!
08:12Why are you talking to me like that?
08:14You're always a gentleman to me.
08:19Oh, damn.
08:22It's like...
08:24something came out of me.
08:31I knew that at some point I was going to face Francesca.
08:35But, well, I put her in her place.
08:37Now she knows who's in charge.
08:40She can't be firing ten-year-old people.
08:43No.
08:44That's my place.
08:46Who does she think she is?
08:49Well, you can't play with Juanita, can you?
08:54Or can you?
08:59Trini, call Greta.
09:05Hello, Cuchi. Are you coming for lunch?
09:08Yes.
09:09And we have guests today.
09:11Are you asking me to cook?
09:13No, please.
09:14Don't even think about it. I'm not crazy.
09:16I saw a delivery and it arrived in 15 minutes.
09:23This is bread eaten.
09:26That old man signed the law session today
09:29and tomorrow he'll put me in jail.
09:34Hello.
09:35Did you send for me?
09:37Yes, Miss Zapayal.
09:39We have a matter to discuss with you.
09:42Ah, good.
09:43It will be to sign my new contract.
09:45Something like that.
09:47Just in case I had nothing to do with it.
09:51Proceed, Dr. Gross.
09:54This is your new contract with the corporation.
09:57With the specifications given by Mr. Zapayal.
10:00Miguel Ignacio de las Casas.
10:02As you will see, it has a substantial increase.
10:07How nice!
10:08Juanita, if you don't want to, don't sign it.
10:11Shh, Bruno, please.
10:13Oh, Mr. Brunito.
10:15But I'm not here to stay as an assistant.
10:22There you go.
10:23Ready?
10:24Now I give you the opportunity to sign the contract.
10:27Ready?
10:28Now I give you the opportunity to resign.
10:31What?
10:32No, crazy.
10:33I want to do a career in this company.
10:35We'll see about that.
10:36Diego?
10:38Do you recognize...
10:41this?
10:45It's a doll of...
10:48one of the players in the national team.
10:51It's not Pablo.
10:52It's not Pablo.
10:54It's not Advíncula either.
10:55Advíncula is Boneno.
10:57Yes.
10:59No, it's not Cueva.
11:01Cueva is Trenchudo.
11:02But if it were blond, it would be Oliver, right?
11:06It's Franco.
11:07No, no, no, no.
11:08It's Corzo.
11:09It's Corzo, yes, yes.
11:10It's Corzo.
11:11The same.
11:12It's the doll of the nuclear man...
11:15that you stole from my house...
11:17and appeared in the house of the González.
11:20It has no proof.
11:22I have the...
11:23confession signed by ten witnesses.
11:28The González.
11:31Well, but that's a thing of the past.
11:34In addition, the owner of the houses...
11:36has not given authorization to fire me.
11:39Miss Sapallal.
11:41Let me read you paragraph B...
11:43of article 314...
11:45of the internal regulation of hiring...
11:47and firing.
11:48Section B.
11:49Section B.
11:51Robberies, thefts and misappropriation of any property.
11:54Come on, man!
11:57And it says...
11:59In the event of evidence of theft of any asset...
12:01or property of the corporation...
12:03the immediate and definitive expulsion...
12:05of the criminal will be carried out.
12:08Without the right to liquidation...
12:10or enjoyment of water.
12:11The withdrawal will be automatic...
12:13without subjecting oneself to voting...
12:15or consideration of any class.
12:17Clearer the water, right?
12:19Neither Miguel Ignacio nor anyone...
12:21can save you from this, Juana Sapallal.
12:25But I have not stolen the corporation.
12:27I just found that doll...
12:29and I gave it to Pepito.
12:30You have to believe me.
12:32Yes, of course, you found it in my room.
12:35And since the Maldini Mansion...
12:37belongs to the corporation...
12:39everything that is inside...
12:41also belongs to it.
12:43Therefore...
12:44Therefore, the nuclear man...
12:46belongs to the Maldini Corporation.
12:48And at this moment...
12:49justice will be done by his own hands.
12:52It is not necessary, Diego.
12:54Sorry, I got excited.
12:55I'm sorry, Juanita.
12:57It was good while it lasted.
12:59Take care.
13:00No, no, no.
13:01You can't do this to me.
13:03It's done.
13:05I'm leaving.
13:15Have lunch?
13:17Obviously.
13:18My Cuchi told me to invite you.
13:21You're not Cuchi?
13:23No.
13:24My Cuchi.
13:26Do you understand this woman?
13:30I don't understand anything, but...
13:32if she invites us to lunch,
13:34what can we lose?
13:36Less and less people come to the winery.
13:39At least we'll eat well.
13:40Obviously.
13:42Then we'll wait for you.
13:44Goodbye.
13:46Do you want to fart?
13:48No.
13:50I said goodbye.
13:53What is this lady talking about?
13:55Lady?
13:58Yes.
13:59Soon, lady of the houses.
14:04Goodbye.
14:06Now she said goodbye, didn't she?
14:10Well, if they invited us to lunch,
14:12we'll have to take something, right?
14:28And now?
14:30Where am I going to go?
14:34I have nothing or no one.
14:40I have nothing or no one.
14:42I have nothing or no one.
14:44I have nothing or no one.
14:46I have nothing or no one.
14:48I have nothing or no one.
14:50I have nothing or no one.
14:52I have nothing or no one.
14:54I have nothing or no one.
14:56I have nothing or no one.
14:58I have nothing or no one.
15:00I have nothing or no one.
15:02I have nothing or no one.
15:04I have nothing or no one.
15:06I have nothing or no one.
15:08Hey!
15:10What's going on here?
15:15Oh, he had a gun.
15:17Come on, lady.
15:19And you?
15:21Did you put a gun in your engine?
15:24Who has everything under control?
15:26Your aunt Mac,
15:28who trusts Haggis Dermaker,
15:30the softest diaper to protect your skin.
15:32The only one with vitamin E.
15:34Ultra soft and thin.
15:36With protection up to 12 hours.
15:38Baby knows the softest diaper
15:40for your skin.
15:50Stop doing what you're doing
15:52and raise your hands.
15:54Come on, Diego, sit down.
15:56You don't scare anyone with that banana.
16:00You're boring today.
16:02Admit you're not good for that.
16:04Did you find out anything?
16:06A lot and nothing.
16:08I just want to know if Leonardo
16:10is no longer dangerous.
16:12It doesn't seem like it.
16:14All his stay in prison
16:16he spent trying to set up musicals.
16:18And did he set something up?
16:20No, no, no one wanted to participate
16:22in his madness.
16:24Then he was more successful
16:26forming the theater group
16:28Dramas y Barrotes.
16:30And what did he do after he fulfilled his sentence?
16:32He killed his son, but he doesn't have
16:34the talent to kill his own son.
16:36So he spent it on gambling.
16:38Knocking on doors.
16:40But Diego, forget it, that guy is a loser.
16:42That doesn't make him less dangerous.
16:44Look, without his mother
16:46and without his sister,
16:48Leonardo is a zero on the left.
16:50I hope you're right.
16:52He didn't inherit the talent
16:54for the evil that his family has.
16:56That's it.
16:58Yes, yes, I'll still be alert.
17:00That guy with Francesca.
17:02Well, he's her son-in-law, but he'll get over it.
17:04I hope he gets over it soon.
17:24Hi!
17:26Taxi!
17:28Hello.
17:30Hello, where are you going, miss?
17:32Where are you taking me
17:34for five soles and a smile?
17:36Sorry? I'm not taking you anywhere.
17:38What?
17:40Sir, don't do that!
17:42I'm not a beggar here!
17:44Come on!
17:58Oh!
18:00Oh!
18:02It's horrible!
18:04Oh, it's horrible!
18:06It stinks!
18:08Oh, no!
18:10Oh, no!
18:12I don't have anything left!
18:14Oh!
18:16Oh!
18:18Oh!
18:20Oh!
18:22Oh!
18:24Oh!
18:26Oh!
18:30Now what do I say?
18:32Come in, come in.
18:34Welcome.
18:36Thank you, thank you very much.
18:38Oh, good afternoon.
18:40Oh, you know, look,
18:42we brought you a macerado from my land.
18:44Oh, a macerado from the land?
18:46There were no fruits?
18:48No, from my land, from Chahuanca.
18:50Well, if you like it.
18:52But I only drink green juice.
18:54I told you it would be better
18:56if we brought a lion.
18:58And I told you it was too strong
19:00for a lunch.
19:02Yes, you're right, Olivia.
19:04Yes, it all depends on the marriage.
19:06I'm her husband.
19:08Vizcacha Estrellida.
19:10My name is Olinda,
19:12Mr. Vizcacha.
19:14Olinda.
19:16Sorry, yes, Olinda.
19:18Trini, a little music
19:20to honor our guests.
19:22Putting music
19:24to honor our guests.
19:34Let's go in marching.
19:36What an honor.
19:38Yes, yes.
19:40We feel very honored.
19:42Trini,
19:44put something more appropriate
19:46for the occasion.
19:48Don't you have something more vernacular?
19:50Putting vernacular music.
19:54Oh,
19:56how beautiful.
19:58How beautiful,
20:00really.
20:02Can you sing
20:04El Guainito?
20:06Rio Grande, Chahuanca.
20:10Trini,
20:12silence.
20:14Shall we have lunch?
20:16What have you prepared, Greta?
20:18I didn't prepare anything.
20:20You told me to order some tapas.
20:22Are we going to eat tapas?
20:24From a pan.
20:26You don't eat that.
20:28No, it's a Spanish food.
20:32Spaniards are kind of weird.
20:34Haven't you heard that
20:36they eat callos?
20:38Yes, I remember.
20:40Fortunately, we brought our chocolate cake.
20:42Let's see, Greña.
20:44Miss, can you distribute this?
20:46She's a good employee.
20:48Trini,
20:50can you distribute this equally?
20:52I'm not qualified for that task.
20:54Of course not,
20:56I'll teach you.
20:58Where are you?
21:00Olivia, it's Trini.
21:02Well,
21:04let's talk business,
21:06Mr. Gilberto.
21:08Sit down, please.
21:16I'm sorry.
21:30I can't get a cab.
21:34My house is too far away.
21:40Damn nuclear man!
21:42It's all his fault!
21:46Oh,
21:48I'm hungry.
21:52Oh,
21:54I'm going to save my car.
21:56I'm going to save my car.
22:00Oh, what luck!
22:04What luck, my empanada!
22:12It's so good!
22:16It's so good!
22:42Sign here, Mr. Gilberto.
22:44You already read it in the morning.
22:46But now,
22:48it's only ten pages long.
22:50It doesn't look like it.
22:52It must be the translation.
22:54To Quechua?
22:56No, to English.
22:58Just sign it.
23:00We're friends.
23:02Well, I'll do it,
23:04but after eating the chocolate cake.
23:06No!
23:08I mean,
23:10why waste time?
23:12Mr. Gilberto will thank me.
23:14Okay.
23:18I'll give you 100 soles.
23:20No, Mr. Gilberto.
23:22How can you do that?
23:24Don't be silly.
23:26You have to put all your money.
23:28Cigarettes are not a safe business.
23:30Give it back to me in less than a year.
23:32What do I say?
23:34A year and six months.
23:36Gilberto, you don't know
23:38that Trini was an artificial intelligence.
23:40It doesn't surprise me.
23:46Here's the strained biscuit.
23:48It's encouraging me
23:50to invest
23:52all my money
23:54in the plumber's business.
23:56All your money
23:58in a plumber's business?
24:00No, I'm afraid.
24:02What if the business doesn't work?
24:04We'll be left with nothing.
24:06No, my dear lady.
24:08I promise I'll give you the money.
24:10Really?
24:12Of course.
24:14You just have to fill out a form
24:16that I have here.
24:18How much could it be?
24:2050,000 dollars?
24:22Perfect.
24:2450,000 dollars.
24:2650,000 dollars.
24:30It says you have to put something
24:32as a guarantee.
24:34What could it be?
24:36No, I don't have it anymore.
24:38Oh, well, then...
24:40Let's see...
24:42Do you have something of value?
24:44My little basin!
24:46Your little basin!
24:48How funny, Mr. Gil!
24:52I know!
24:54It could be the land.
24:56Don't worry.
24:58It's just a formality.
25:00I'll get it back in less than a year.
25:02Ready? You can sign it.
25:04Yes.
25:06Well, in six months
25:08we'll get the double.
25:10Yes, but our little house...
25:12Don't worry.
25:14It's just a formality.
25:16Ready? Sign it, Mr. Gil.
25:18Sign it.
25:22I did it.
25:28Delicious.
25:30Delicious.
25:32Perfect, Mr. Gil.
25:34Perfect.
25:36You've done a great business.
25:40But what is this?
25:42It says opa.
25:44What does it mean?
25:48Did you think I was opa?
25:50Naked biscuit?
25:52But, Mr. Gil, it's just a business.
25:54Nothing else.
25:56Do you think I'm stupid?
25:58First you tried to take over
26:00my little house.
26:02And now you want to do it
26:04with my house?
26:06That can't be.
26:08It's not right.
26:10Well said, Mr. Gil.
26:14Let's go.
26:16And take the cake.
26:18He doesn't deserve it.
26:20Don't take it.
26:22It was delicious.
26:24But it doesn't matter.
26:26The cakes are the same.
26:40Do you want a cake?
26:42I don't want cakes.
26:46I want that house.
26:52Thank you, Lucio.
26:54You're welcome, Mrs. Francesca.
26:56I don't want to bother you,
26:58but could we talk
27:00about my fees?
27:02Lucio, didn't you say you didn't want to bother us?
27:04Yes, sir.
27:06Then don't bother us.
27:08But, sir, I don't know how much...
27:10I have to talk in private with my wife.
27:12Bye.
27:14What do we have to talk about?
27:16Are you still seeing Leonardo?
27:18I haven't seen him
27:20since the afternoon
27:22Leonardo is just a nexus
27:24to remember Isabella.
27:26I just want to ask you
27:28to be very careful.
27:30The guy is useless,
27:32but he's still dangerous.
27:34Do me a favor.
27:36Yes.
27:38Totally.
27:40Today I helped you.
27:42And I thank you.
27:44The nuclear man appears
27:46at the right time.
27:48You were great.
27:50Just tell me one thing.
27:52How did you get the confessions
27:54of the González?
27:56Check it yourself.
28:08They're blank.
28:10Fran, you know them all.
28:12Juana has a dirty conscience.
28:14She knows she's guilty of theft.
28:16And after this,
28:18I don't think we'll see her again.
28:20At the corporation?
28:22No.
28:24And Miguel Ignacio
28:26I don't think he'll be able
28:28to protect that little woman.
28:36Who are you?
28:38Mrs. Normita, it's me.
28:40Juanita.
28:42Juana Zapayal?
28:44Zapayal?
28:46What happened to you?
28:48You look horrible.
28:50Yes, yes, I know.
28:52I'm embarrassed.
28:54Please let me in
28:56to change my bathrobe.
28:58No, I'm sorry.
29:00You owed me two months of rent.
29:02I was waiting for you all day.
29:04Oh, I'm sorry.
29:06I've been walking from far away.
29:08But I swear I'll pay you all together.
29:10Oh, they turned me on at work.
29:12Yes, of course.
29:14Bye.
29:16I already rented your room.
29:18No, no, ma'am.
29:26Here.
29:28Ma'am.
29:42Ma'am.
29:56You should have seen
29:58how he got, my Gilguerito.
30:00He got the Indian, Mr. Gil.
30:02I got the demon.
30:04That guy thought
30:06he could fool me.
30:08You have to be careful
30:10with Ignacio.
30:12He almost made him sign some papers.
30:14What? Be careful with that.
30:16He could get the house.
30:18What's wrong with you?
30:20Do you think I'm a fool?
30:22Mr. Gil, don't get like that.
30:24Your heart is going to do something to him.
30:26I'm not talking to you, Green.
30:28Oh, Gilguerito, what's wrong with you?
30:30Yes, you're always very gentlemanly.
30:32Why are you talking like that?
30:34Because the duck bites me.
30:36Wait, wait.
30:38He's using my underwear.
30:40What? What are you talking about?
30:42Of course.
30:44You mixed the clothes
30:46and Mr. Gil touched my underwear.
30:48That's why he's talking like that.
30:50Stop talking nonsense.
30:54I'm going to
30:56walk the duck.
30:58He definitely has
31:00Uncle Ray's underwear.
31:02How ugly.
31:04Don't worry. I'll take care of it.
31:06An old man's underwear.
31:10Don't laugh.
31:12Enjoy.
31:36Don't laugh.
31:38Enjoy.
31:40Enjoy.
31:42Enjoy.
31:44Enjoy.
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40:00Get rid of me.
40:10It can't be.
40:13My alarm didn't go off.
40:14I have time to take a shower with the things.
40:18No, Juana.
40:19You are not welcome here.
40:22Cousin, cousin, cousin.
40:24I know I have behaved badly.
40:26But I swear, I swear.
40:28I swear I have changed.
40:31Why would I trust you again?
40:35Because, because, because I am like your sister.
40:39And despite, despite my mistakes,
40:42you know that I am a good soul.
40:48What happened at work?
40:50They probably found you stealing, right?
40:53No, no, no, no, no, no, no, no, no.
40:56What happens is that I was working at Mrs. Francesca's company
41:02as an assistant to her ex-husband, Mr. Tom Bruno.
41:07But what's wrong with you, girl?
41:11How can you think of such a barbarity?
41:14After all the problems you had with the lady.
41:18No, no, cousin, cousin.
41:20The street is hard.
41:22And there was no one who wanted to pay me fair.
41:24So I went to work without her knowing.
41:27But then he discovered me and fired me unjustly.
41:31Unjustly you wanted to steal his safe
41:34when you worked there in front of the house.
41:37I know, I know, cousin.
41:38I know, cousin, that my past condemns me.
41:40But I swear I have changed.
41:42Oh, cousin, please help me.
41:45Please, I beg you.
41:46I need your help.
41:47I'm just going to stay for a few days
41:49until I get a new job.
41:51No.
41:54No, Juana.
41:56I can't help you.
42:02Well, no way.
42:07I'll have to reason with everyone
42:12and dedicate myself to bad life.
42:15To steal? To scam?
42:21What do I have left?
42:24I'm sorry, cousin.
42:26I'm sorry for bothering you.
42:29I swear it won't happen again.
42:45I swear it won't happen again.
43:08I swear it won't happen again.
43:12This can't be.
43:13He canceled my taxi, damn it.
43:18Cousin!
43:19Hi, uncle.
43:20What are you doing?
43:22Trying to get a taxi.
43:24When we played soccer.
43:26I remember you were as good a player as I am.
43:28Yes, one of these days, uncle.
43:30Uncle, I'll let you go.
43:31I'm going to look for a taxi on the corner
43:32to see if I can get it, okay?
43:33Let's go, Tejano.
43:35Really?
43:36Let's go.
43:37Let's go, uncle.
43:47What a stupid face
43:49Juanacha has to come here
43:51to ask for asylum
43:53after all the problems he caused.
43:58And on top of that, he threatens me.
44:01He threatens me saying
44:02he's going to dedicate himself to bad life.
44:06To bad life.
44:12And it just so happens today
44:15that I dream of her again.
44:22What if my cousin is telling me the truth?
44:27What if my cousin is in the last straw?
44:31I can't allow her to sink
44:33into the pit of crime
44:35If there is a possibility of saving her,
44:39I have to try.
44:42Cousin!
44:43Wait for me!
44:45I'm coming!
44:47Wait for me!
44:51So you're working
44:52at the restaurant
44:53that Francesca set up for your dad?
44:55Yes.
44:56I also work as a photographer.
45:01Don't stay, nephew.
45:03You have to aim for bigger things.
45:05At your age,
45:06I was already a junior manager.
45:08I don't know,
45:09you have to aim for directives, politics,
45:11or finally,
45:12a millionaire and famous photographer.
45:15But never settle for being
45:18a poor and sad guy.
45:20Do you understand?
45:21I understand.
45:28And why
45:30did your dad never give you
45:31a decent position in the corporation?
45:34Well, one,
45:35because I didn't ask for it.
45:37And two,
45:38because I spent all the money
45:40he gave me for the university
45:42to travel around Europe.
45:46But you won the world.
45:48That's a great experience.
45:50You met another reality.
45:51My dad doesn't see it that way.
45:53Well, your dad is a well-educated man.
45:55That's why he stayed in the kitchen.
45:58But he's the best chef in South America.
46:00Look, nephew.
46:02He already did his path.
46:04Now it's your turn to do yours.
46:08Look,
46:09you have to take advantage of your looks,
46:11your intelligence, your last name,
46:13your social position
46:15to get jobs at your level.
46:18You have the potential, nephew.
46:20It's just a matter of
46:23using it correctly.
46:26Thank you, uncle.
46:44I'll be right back.
46:48Juanacho!
46:52Cousin!
46:54Where are you?
46:55There you are!
46:57Cousin!
46:58Cousin Juanacho!
47:00No, no, no, no, no, no.
47:01If you're going to come and
47:03rub my mistakes in my face,
47:05please don't do it.
47:07I...
47:09I didn't understand
47:11how trashy a person you are.
47:13No, no, no, don't say that.
47:16You are not a trashy person.
47:20I'm sorry for treating you like that.
47:22No, no, no, no, no, no.
47:24I would have expected it,
47:26but, but,
47:27that you turn your back on me.
47:30You have stuck a knife in my heart.
47:33I wanted to teach you a lesson,
47:36but what I really should give you
47:38is my support.
47:41Forgive me.
47:44Look,
47:46let's do something, cousin.
47:48Let's go home.
47:52We're going to gather the whole family.
47:56We're going to tell them
47:59about your situation
48:02as nicely as we can.
48:07No.
48:10No, cousin.
48:11No, cousin.
48:12I don't want to bother you.
48:14Just leave me here
48:16alone and sad.
48:18It's what I deserve.
48:20Of course not.
48:23You, if you really regret it,
48:26you deserve another chance.
48:28And like me,
48:30everyone will understand and forgive you.
48:39You're the best.
48:43It's nice, it's nice.
48:49It's nice.
48:56Cousin,
48:59there's something I haven't told you.
49:02It's about a condition I have.
49:14Good afternoon.
49:15Sorry I'm late.
49:16Did you forget
49:17what time you're supposed to come in?
49:19No, dad.
49:20It's just that...
49:21I don't care about your excuses.
49:23Look, Velazquez,
49:24you live on the tip of a hill,
49:26but you're here on time,
49:28as you should be.
49:29And Mrs. Li
49:30had to fix all the tables.
49:31Why?
49:32Because Mr. Tardón
49:33didn't show up
49:34because he fell asleep.
49:35I'll tell you later, okay?
49:37Do whatever you want, dad.
49:40Sorry?
49:41Do whatever you want.
49:44You're getting insolent.
49:48Look, Cristóbal,
49:49I remind you
49:50that you're not my son here.
49:52From the door to the outside, yes,
49:53but not here.
49:54You're an employee here,
49:55and not the most efficient of all,
49:57just in case.
49:58Go to work.
50:10Damn it!
50:13I didn't have Mr. Gilberto.
50:14That old fart lied to me.
50:19Well,
50:21today is a new day,
50:24so it will be a reason
50:27to ask all the favors
50:29of Miss Zapaial.
50:34As she herself said,
50:36she is very grateful to me.
50:41Please,
50:42send me the coffee shop
50:44and photocopy.
50:48I want to be the fifth Teletubbies.
50:52I want a brand...
50:53Are you calling me?
50:54Yes, Juanita,
50:55come in, please,
50:56with...
50:57Ah!
50:58But who are you?
50:59Where is Juana,
51:00I mean Miss Zapaial?
51:02Mrs. Maldini
51:03fired her for robbery.
51:05What?
51:06I bring you a coffee.
51:09Juanita,
51:10what do you like
51:11about that hobby
51:12of leisurers and shepherds?
51:13It's not like that.
51:14No?
51:15No.
51:16It's a very nice career
51:17with a lot of options
51:18to specialize.
51:19I can do television,
51:20cinema,
51:21digital content,
51:22even radio.
51:23I would like you to listen
51:24to someone who wants more forgiveness.
51:27I'm sorry,
51:28but I can't.
51:29I'm sorry,
51:30but I can't.
51:31I'm sorry,
51:32but I can't.
51:33I'm sorry,
51:34but I can't.
51:35I'm sorry,
51:36but I can't.
51:37I want your forgiveness
51:39more than anything else in this world.
51:51Hello, dear family.
52:00Is there anything I can do to help you?
52:02He brought the wrong order.
52:05I brought the right one, maybe you're confused.
52:07I'll take care of it right away, okay?
52:09Hey, idiot, how are you going to contradict the beggar?
52:11I'm going to change his plan.
52:13No, you're not going to do anything, I'll take care of it.
52:15No, I'll take care of it.
52:17No, you shut up and get in the kitchen, idiot.
52:19I'm not an idiot.
52:21If you're an idiot, get in the kitchen and don't make trouble.
52:23Or else what?
52:25Or else you leave this restaurant forever.
52:27You take your things and leave.
52:29You would be doing me a favor, dad.
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