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Creation Of The Gods II: Demon Force | Featurette: Behind The Scenes
Cinema Online
Follow
1/31/2025
mystical war epic unfolds as Jiang Ziya and Ji Fa rally civilians and immortals to defend Xiqi against the invading Shang Dynasty forces.
Category
🎥
Short film
Transcript
Display full video transcript
00:00
The treasure I present to you is called the God of Wind Treasure.
00:04
The second part of the God of Wind is still a challenge to the God of Wind Treasure.
00:11
We can see more scale of the war,
00:14
more war and action scenes,
00:17
and also increase the performance of a lot of magic.
00:25
The second part of the God of Wind is an all-in-one battle.
00:29
Yin Shang and Xi Qi are fighting against each other.
00:34
The God of Wind is a whole new world.
00:39
We are going to write a real war.
00:41
How do ordinary people defeat magic?
00:44
This is a big challenge.
00:46
This is also a very special part of the God of Wind.
00:49
Enhance the struggle and growth of people
00:52
and the spirit of the human race.
00:54
We are all listening to a hero's dream.
00:58
We must get the God of Wind.
01:01
The crisis of mankind must be solved by mankind.
01:04
This is also a new way of setting the human, immortals, and demons in the trilogy of the God of Wind.
01:10
I don't want you to die because of me.
01:12
Qi Pa hasn't become the King of Zhou yet in the second part of the God of Wind.
01:15
He is still growing.
01:17
From the first part of the Yin Shang Wangjia Shi,
01:20
he returned to his hometown and became the master of Xi Qi.
01:23
He has to take on this responsibility and protect his home.
01:27
Xi Qi's geographical environment
01:29
has added a lot of our imaginations of language.
01:33
It is a city of agriculture.
01:35
It also has an atmosphere and is very peaceful.
01:37
It is a more ideal home.
01:41
We hope to be able to shoot these films
01:45
in a real environment with a real atmosphere.
01:49
I think it's really beautiful.
01:52
So in the end, we decided
01:54
to realize the streets of Xi Qi and Xiluohou Palace.
01:57
And we didn't build it in a self-sustaining way,
02:00
but in a way that will be preserved forever.
02:02
We built another city.
02:04
Three kilometers multiplied by three kilometers,
02:06
which proves that there is no weight.
02:08
There are about 50 buildings.
02:11
Wow, it's so beautiful.
02:15
There are famous houses,
02:18
there are vast fields,
02:20
and there are a lot of sights.
02:24
This wind can really blow people away.
02:27
Ready, go!
02:30
The visual array of the literary and visual exploration room
02:32
is 10 arrays in the original work.
02:34
But if we summarize it into one array,
02:36
it will be more visualized.
02:39
In the second part of Wind God,
02:41
the fighting scenes and big scenes
02:43
are one of the biggest highlights for me.
02:45
In the second part of Wind God,
02:47
there are more action scenes.
02:49
Ready, go!
02:51
The overall design style of all action scenes
02:53
is realistic.
02:55
Ready, go!
02:57
Each of our action scenes
02:59
has a technical difficulty.
03:01
We need to train and rehearse thoroughly.
03:04
Ready, go!
03:06
Ready, go!
03:08
So we also set a good precedent for horseplay.
03:11
Everyone is nervous every day.
03:13
Ready, go!
03:15
Ready, go!
03:17
Ready, go!
03:19
Ready, go!
03:21
Ready, go!
03:23
Ready, go!
03:25
More situations
03:27
that require a huge environment
03:29
and interaction of, again,
03:31
hundreds and thousands of people.
03:33
Thank you, thank you.
03:35
Let's see what the Mojahedin will do.
03:37
The Mojahedin completely gives up
03:39
the way of action and animation.
03:45
Such 12-meter-tall giants
03:47
are all taken by real people.
03:49
These four actors themselves are very bold.
03:51
They use special effects makeup
03:53
to complete the stylized styling.
03:56
They shoot in depth.
03:58
Their actions are all 36 frames.
04:00
Our normal people's speed is 24 frames.
04:02
To make them act more slowly.
04:05
And then shoot in Mocha style.
04:07
So that we can see clearly
04:09
that they really look like giants.
04:12
Normal army and Mojahedin
04:14
have different proportions of shooting.
04:16
It took a long time.
04:19
The post-production process is very difficult.
04:21
The camera has to do a lot of calculations.
04:23
Layers and layers are stacked inside.
04:25
I think this is a very scary
04:27
computational process.
04:30
There are more complex digital creatures.
04:34
The yellow eagle, the green cloud, the horned dragon
04:36
are all created by Feng Er.
04:38
Action!
04:40
The most difficult part of visual effects
04:42
is the digital characters.
04:44
The most impressive is the horned dragon.
04:47
The digital characters in the second part
04:49
from the skeleton, muscle, fat
04:51
to the structure of the skin
04:53
have all been redesigned and produced.
05:02
In ten years,
05:04
the best creative forces in China
05:06
have come together
05:08
to make this dream come true.
05:11
Chase!
05:12
We hope to use new technologies
05:14
to create a sense of reality
05:16
in Chinese mythology.
05:18
In this respect,
05:20
the biggest achievement is to try.
05:22
Through everyone's efforts,
05:24
I think it is really worthwhile
05:26
to make a Chinese historical film.
05:28
Wind God is a fusion and collision
05:30
between Chinese aesthetics
05:32
and Chinese film culture.
05:34
We can see our creators'
05:36
commitment to Chinese traditional culture
05:38
and we can also experience
05:40
the courage to innovate
05:42
in Chinese traditional culture.
05:44
The elements of Chinese culture
05:46
and Chinese imagination
05:48
we present in the film
05:50
will provide the audience
05:52
with a new feeling
05:54
and bring a brand new experience.
Recommended
1:56:35
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