'તારો થયો', આધુનિકતા સાથે સાશ્વત પ્રેમને પ્રતિબિંબ કરવાતી ગુજરાતી ફિલ્મ

ETVBHARAT

જાણીતા લેખક અને વક્તા કાજલ ઓઝા વૈદ્ય દ્વારા લેખિત અને અભિનીત ગુજરાતી ફિલ્મ 'તારો થયો'ની સ્ટાર કાસ્ટ સાથે ઈટીવી ભારતે ખાસ સંવાદ કર્યો હતો.

Transcript

00:00A new film is coming out, Taro Thayo.

00:03The central theme of the film is love.

00:06And if Hiten Kumar is in love,

00:08the chemistry will be amazing.

00:10First of all, Hiten Kumar ji, welcome to ETB Bharat.

00:14And you have brought a film about love again.

00:19So, what is new in Taro Thayo?

00:22Till now, there have been many films

00:24in which we talk about what happens when love happens.

00:28Whether it is in literature, cinema or in a play.

00:31Whether a girl meets a boy or a boy meets a girl,

00:33and they fall in love.

00:35And they go through hurdles.

00:37And somehow they convince each other

00:39and go back to happiness or sorrow.

00:41This story is not just about love.

00:43It is a story of after love.

00:45And it is not about a certain age.

00:48There are four couples in this.

00:50One who is newly married.

00:52But to understand what marriage is,

00:54four to five years of your life will pass.

00:56You are not tied to marriage.

00:58So, you have to understand what marriage is.

01:00To understand marriage,

01:01you have to spend your entire life.

01:03Because many times,

01:04you have to get acquainted with

01:06your person's likes and dislikes.

01:08In that journey,

01:10how can you maintain the relationship between them?

01:13We talk about this with every generation.

01:16It is not about falling in love.

01:18It is about how to tell love

01:20after falling in love.

01:21This is the story of Taro Thayo.

01:23Hiten Kumar ji,

01:24In Taro Thayo,

01:25the heroine,

01:26the writer,

01:27the speaker,

01:28Kajal Ojha Vaid,

01:30how did you feel about acting with her?

01:33How did you feel about doing

01:35on-screen romance or love with her?

01:40As an actress,

01:41maybe the world does not know,

01:43but I have known her for 40 years.

01:45In the beginning of our film,

01:47we did a great job together.

01:50I was working with Parag Shritek and Rang Bhoomi.

01:54I got busy with my own field.

01:57As a writer,

01:58she has such a big name.

02:00As a speaker,

02:01she has such a big name.

02:02She is the only writer in our language.

02:04From the point of view of women,

02:06when a man says something,

02:07it reaches us in a wonderful way.

02:10Normally,

02:11when we write or speak in literature

02:13for a man or a woman,

02:15there is a greater emphasis on women.

02:18There is no difference between a man and a woman.

02:20There is no difference between a man and a woman.

02:23There is a great emphasis on this.

02:25A woman has justified this very well.

02:27When she comes with a film like this,

02:29she has not only dedicated herself to the story of a woman,

02:32but also dedicated herself to the story of a man.

02:35A man is also so sensitive.

02:37A man can also be so soft-hearted.

02:39We never underline this.

02:42She has brought a very beautiful story.

02:44I felt comfortable as an actress,

02:46because I knew the preparation for her role.

02:49I felt comfortable as an actor,

02:51because I knew the preparation for her role.

02:53I was involved in the character.

02:55It was good,

02:57because it was her character.

02:59It was very close to performing for her.

03:02It was a very good experience.

03:04There was no discrepancy in any small matter.

03:07People think that I am so headstrong,

03:09Kajal is so headstrong.

03:11How did we work together?

03:13You asked the entire set,

03:15the entire unit,

03:17that there was a small argument one day.

03:19We had so much trust in each other.

03:21She had trust that she would justify my lines.

03:24She had trust that she would give suggestions.

03:27My experience is so vast,

03:29that it is always said,

03:31I am doing what you say.

03:33If people praise me tomorrow,

03:36the entire credit goes to Hiten.

03:38It is not like that.

03:40It was a wonderful experience to work with her.

03:43In this film, you have said,

03:45that you will get a new Ramla.

03:47You will get Ramla again.

03:49The character of Ramla,

03:51is still alive in you.

03:53Love is always alive.

03:55There is no end to love.

03:57Ramla is a symbol for that.

03:59Roganiswami had an industry before Chhannu.

04:02When the industry came to a halt,

04:04the reason for that was,

04:06long conversations.

04:08A lot of comedy.

04:10A lot of pratik.

04:12Unfortunately,

04:14the industry came to a halt at the age of 40.

04:16The industry came to a halt.

04:18The industry came to a halt for 2-4 years.

04:20Since God has given me a chance,

04:22I have been trying to maintain purity,

04:24so that when I talk to my daughters,

04:26I will tell them,

04:28even the smallest details of love.

04:30I will keep it so pure,

04:32that I can watch it with my family.

04:34Because of that,

04:36I have played so many roles.

04:38Even today,

04:40when I leave the city,

04:42more and more people,

04:44love me as Ramla.

04:46At any age,

04:487 or 7.5 years old.

04:50The purity of that character,

04:52I just said 2 days ago,

04:54is the standard of today's generation.

04:56Based on which,

04:58Hindi film Vibhav was made.

05:00That standard,

05:02I think,

05:04Vibhav is the reverse version

05:06of Mahiyar.

05:08In Mahiyar,

05:10there is a tragedy with a boy.

05:12Here, they have converted it

05:14to be a tragedy with a girl.

05:16So, what will happen?

05:18Based on the reasons

05:20for people's love for those characters,

05:22based on that principle,

05:24I have said that

05:26the story of today's generation

05:28is the standard of today's generation.

05:30We have said about this film,

05:32that you have to believe in this film

05:34and live with it.

05:36You will live with this film for 3 hours.

05:38What is it like

05:40when a person lives with his love?

05:42It is a very basic thing.

05:44In the beginning of life,

05:46when we meet our partner,

05:48the excitement of meeting him

05:50is very high.

05:52When you meet him,

05:54you give him everything

05:56to make him happy.

05:58We forget that

06:00it is very important

06:02to live with each other.

06:04After giving him everything

06:06for years,

06:08you realise that

06:10you have given a lot of time

06:12to the person for whom

06:14you have started this race.

06:16If you look back,

06:18you will see that

06:20the weather has changed.

06:22The film was made for that.

06:24Kedar and Mitali,

06:26as a couple, as a person,

06:28why should the audience

06:30watch the film?

06:32Because Kedar and Mitali

06:34are stuck in each other's house.

06:36When a person starts his life,

06:38till the time he does not

06:40get tired of his child,

06:42there is time for both of them.

06:44But when a generation is formed,

06:46you all get separated.

06:48And you go so far

06:50that you do so much

06:52for the one you love.

06:54You live as a father

06:56and you live as a mother.

06:58But you yourself

07:00have started the race.

07:02You have started the journey

07:04with the man and woman

07:06in your heart.

07:08How much did you live with them?

07:10This is a question

07:12that people ask

07:14when they watch the film.

07:16You will change inside,

07:18but when you reach home,

07:20you realise that

07:22you have become yours.

07:24There is another definition.

07:26I am in your love.

07:28This is very simple and very common.

07:30Everyone keeps saying I love you,

07:32I love you, I love you.

07:34When you say I love you,

07:36do you love me?

07:38Do you love me?

07:40It is an expectation.

07:42When you become yours,

07:44there is no expectation.

07:46I am yours.

07:48Do whatever you want.

07:50I am yours.

07:52This event is always for the woman.

07:54What can a man do?

07:56It is for her.

07:58It is not only for that generation.

08:00The newly married,

08:0222-23 year old,

08:04what is marriage?

08:06What is love?

08:08It is a story of four layers.

08:10It is a story of four lives.

08:12It is a story of four lives.

08:14And this music

08:16which is the expression of love,

08:18will the audience

08:20accept it?

08:22And then the audience will say

08:24that I have also become yours.

08:26I have become yours.

08:28I am yours.

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