'તારો થયો', આધુનિકતા સાથે સાશ્વત પ્રેમને પ્રતિબિંબ કરવાતી ગુજરાતી ફિલ્મ

ETVBHARAT

જાણીતા લેખક અને વક્તા કાજલ ઓઝા વૈદ્ય દ્વારા લેખિત અને અભિનીત ગુજરાતી ફિલ્મ 'તારો થયો'ની સ્ટાર કાસ્ટ સાથે ઈટીવી ભારતે ખાસ સંવાદ કર્યો હતો.

Transcript

00:00A new film is coming out, Taro Thayo.

00:03The central theme of the film is love.

00:06And if Hiten Kumar is in love,

00:08the chemistry will be amazing.

00:10First of all, Hiten Kumar ji, welcome to ETB Bharat.

00:14And you have brought a film about love again.

00:19So, what is new in Taro Thayo?

00:22Till now, there have been many films

00:24in which we talk about what happens when love happens.

00:28Whether it is in literature, cinema or in a play.

00:31Whether a girl meets a boy or a boy meets a girl,

00:33and they fall in love.

00:35And they go through hurdles.

00:37And somehow they convince each other

00:39and go back to happiness or sorrow.

00:41This story is not just about love.

00:43It is a story of after love.

00:45And it is not about a certain age.

00:48There are four couples in this.

00:50One who is newly married.

00:52But to understand what marriage is,

00:54four to five years of your life will pass.

00:56You are not tied to marriage.

00:58So, you have to understand what marriage is.

01:00To understand marriage,

01:01you have to spend your entire life.

01:03Because many times,

01:04you have to get acquainted with

01:06your person's likes and dislikes.

01:08In that journey,

01:10how can you maintain the relationship between them?

01:13We talk about this with every generation.

01:16It is not about falling in love.

01:18It is about how to tell love

01:20after falling in love.

01:21This is the story of Taro Thayo.

01:23Hiten Kumar ji,

01:24In Taro Thayo,

01:25the heroine,

01:26the writer,

01:27the speaker,

01:28Kajal Ojha Vaid,

01:30how did you feel about acting with her?

01:33How did you feel about doing

01:35on-screen romance or love with her?

01:40As an actress,

01:41maybe the world does not know,

01:43but I have known her for 40 years.

01:45In the beginning of our film,

01:47we did a great job together.

01:50I was working with Parag Shritek and Rang Bhoomi.

01:54I got busy with my own field.

01:57As a writer,

01:58she has such a big name.

02:00As a speaker,

02:01she has such a big name.

02:02She is the only writer in our language.

02:04From the point of view of women,

02:06when a man says something,

02:07it reaches us in a wonderful way.

02:10Normally,

02:11when we write or speak in literature

02:13for a man or a woman,

02:15there is a greater emphasis on women.

02:18There is no mention of mother or father.

02:20There is no mention of father or man.

02:23There is a great emphasis on this.

02:25A woman has justified this very well.

02:27When she comes with a film like this,

02:29it is not just about women.

02:32Men also do the same.

02:34Men are so sensitive.

02:36Men can be so soft-hearted.

02:39We never underline this.

02:42She has brought a very beautiful story.

02:44I felt comfortable as an actress

02:46I felt comfortable as an actress

02:48because I knew her preparations for her role in Rang Bhoomi.

02:53I felt good about being an invert.

02:55because she was playing a role.

02:59It was very close to perform for her.

03:02It was a very good experience.

03:04There was no disagreement in any small matter.

03:07People might think that I am so headstrong.

03:09Kajal is so headstrong.

03:11I have been working with them.

03:13But when you ask a whole set, a whole unit,

03:16that one day there was a small argument,

03:18we had so much trust in each other.

03:20They also had trust that this person will justify my written line.

03:24They also had trust that where should I give a suggestion.

03:26So, my experience is so vast that

03:29they always say,

03:31Hiten, I am doing what you say.

03:33If people wake me up tomorrow and make a joke,

03:36the entire credit goes to Hiten.

03:38It's not like that.

03:39We both had a wonderful experience working together.

03:43In this film, you have said that you will get a new Ramla.

03:49The character of Ramla is still alive and kicking inside you.

03:54Love is always alive.

03:56There is no end to love.

03:58Ramla is a symbol for that.

04:00Roganiswami Chhannu,

04:01earlier an industry used to say that

04:03when the industry was about to shut down,

04:05the reason for that was two-way communication.

04:08Two-way communication, comedy,

04:10a very strong symbol.

04:12Unfortunately, 7-8 years ago,

04:15the industry was about to shut down.

04:17The industry shut down after 2-4 years.

04:20Since God has given me a chance,

04:22I have been trying to maintain purity,

04:24so that when I tell my daughters and mothers,

04:27even the smallest details of love,

04:30I will keep it so pure that I can see it with my family.

04:33And because of that,

04:35I have played so many roles,

04:37from Mahiyar to Palavde.

04:39Even today, if you leave the city,

04:42more and more people love me as Ramla.

04:45At any age, whether it is a 7-year-old or a 70-year-old.

04:49The purity of that character was there.

04:52Just two days ago, I said that

04:54Mahiyar is my Mahiyar of today.

04:57Based on which, the Hindi film Vibhav was made.

04:59I feel that Mahiyar was the first film

05:02from which Rajshri had taken rights.

05:04And in 4 languages, as it is,

05:06Vibhav is the reverse version of Mahiyar.

05:09In Mahiyar, there is a tragedy with a boy.

05:13Here, they have converted it to a tragedy with a girl.

05:16So, what will happen?

05:18For that time, for the characters,

05:21for the reasons that people wanted,

05:23for that element, I said that

05:25the story of today, at this age,

05:27is Mahiyar of today.

05:29We have said about this film that

05:31there is no instruction in this film.

05:33You have to accept it and live with it.

05:35You will live with it for 3 hours in this film.

05:37So, what is it that a person

05:39lives with his love?

05:42See, it is a very basic thing, brother.

05:45In the beginning of life,

05:47when we meet our partner,

05:49the excitement of meeting him is very high.

05:51After meeting him,

05:53whatever you give him to make him happy,

05:55you have to give him everything

05:57so that he remains very happy.

05:59We forget that to live with him,

06:01you have to live with your partner.

06:04After giving him everything for years,

06:07you realize that

06:09the person for whom I started this race,

06:11how much time have I given to that person?

06:13If you see,

06:15the weather has changed,

06:17whether he will be able to live or not,

06:19that is why this film was made for him.

06:23Kedar and Mitali,

06:25as a lover, as a person,

06:27as a companion,

06:29should be seen in the same way.

06:31Because this Kedar, this Mitali,

06:33is stuck somewhere in everyone's house.

06:35When a person starts his life,

06:37until he does not have

06:39a generation of his own children,

06:41there is time for both of them.

06:43But when a generation is formed,

06:45you all get separated.

06:47And while separating,

06:49you go so far,

06:51for whom you have done so much.

06:53You live as a father,

06:55you live in other religions,

06:57you live as a mother,

06:59but you yourself,

07:01from where you started,

07:03the person in your heart,

07:05that man and that woman,

07:07with whom you started your journey,

07:09how much did you live with them?

07:11This is a question,

07:13when people watch those

07:152 hours 15 minutes films,

07:17you will change inside,

07:19but when you reach home,

07:21you realize that

07:23and try to tell your partner,

07:25I am in your love.

07:27This is very simple and very common.

07:29Everyone keeps saying,

07:31I love you, I love you, I love you.

07:33The way you say I love you,

07:35do you love me?

07:37Do you love me?

07:39Do you love me?

07:41It is an expectation.

07:43I am yours.

07:45Do whatever you want.

07:47Whatever situation you bring,

07:49I am yours.

07:51There is no expectation.

07:53I am yours.

07:55I am yours.

07:57I am yours.

07:59I am yours.

08:01I am yours.

08:03I am yours.

08:05I am yours.

08:07I am yours.

08:09I am yours.

08:11I am yours.

08:13I am yours.

08:15I am yours.

08:17I am yours.

08:19I am yours.

08:21I am yours.

08:23I am yours.

08:25I am yours.

08:27I am yours.

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