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लखनऊ तबला घराने की की हैं खास विशेषताएं, जानें इतिहास
ETVBHARAT
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1/10/2025
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00:00
13, 14, 15, 16, 17, 18
00:30
Today we are going to talk about a musical instrument called Tabla.
00:41
Tabla has not only made its name in classical music, but it has also made its mark in the country as well as abroad.
00:50
Tabla was invented by the great tabla player Zakir Hussain.
00:58
Tabla originates from Delhi Gharana.
01:03
After Delhi Gharana, Tabla came to Lucknow Gharana.
01:08
Tabla's origin in Lucknow Gharana made a different mark.
01:14
In the era of the Nawabs, the capital of the Nawabs was in Faisabad, Uttar Pradesh.
01:19
When the capital of the Nawabs came from Faisabad to Lucknow,
01:23
Nawabs from Nawab Wajid Ali Shah to all the Nawabins gave Tabla to the musicians.
01:29
And Lucknow Tabla Gharana has achieved an important identity.
01:33
Let's talk to that Gharana and find out what has been the history of Tabla Gharana
01:40
and how is Lucknow Tabla Gharana making its name and how are we looking at it in the future.
01:48
Gharana is made from the house.
01:53
And Gharana is made when the people of the house do it.
01:57
And the people of the house do it for at least three generations.
02:01
After that Gharana is accepted.
02:04
And I am thankful to Allah that it is the 9th generation.
02:07
It is the 10th generation.
02:09
And as far as Lucknow Gharana is concerned,
02:13
Lucknow Gharana was made in 1775.
02:20
And its founder was Ustad Bakhshu Khan Sahib.
02:25
He was in Faisabad in the era of Nawab Shujaud Daulah.
02:32
And when Nawab Shujaud Daulah built his capital Lucknow in 1775,
02:38
all the musicians and fine arts artists of that time came to Lucknow.
02:48
And Bakhshu Ji also came with them.
02:51
Bakhshu Ji started Lucknow Gharana in 1775.
02:56
There are a lot of theories about Tabla.
03:00
First of all, there is Nikas.
03:03
What is Nikas?
03:06
How do you make the sounds?
03:09
I will tell you one of my questions.
03:14
The baaj of Lucknow Gharana is known as Sur Ka Baaj.
03:20
It is also called Purab Ka Baaj.
03:23
Sur is more prominent in it.
03:26
As I told you, this is Sur.
03:30
It is also called Law.
03:33
So this is prominent in our Gharana.
03:36
In the beginning, we are taught small words.
03:44
Then we are taught the Qaida.
03:47
After the Qaida, we are taught the Qaida Rela.
03:50
Then we practice it to strengthen our hands.
03:54
There are different types of bols.
03:56
There are different types of Qaida.
03:59
We have to play them and practice them.
04:02
All these small things are very important.
04:05
When the hand is ready, then comes the Tukde, Paran, Gat, Chakardar.
04:12
The most important thing with singing is Sangat.
04:16
At that time, we don't play solo.
04:19
At that time, we do Sangat.
04:21
For Tabla, it is very important to play Sangat.
04:26
In Solo, we can play anything we want.
04:29
But in Sangat, we have to see what the other person's demand is.
04:34
How much they expect us to help them in their program.
04:40
Or what is our duty for them.
04:42
If we feel that we are playing Solo instead of Sangat,
04:46
then we have to pay attention to that.
04:48
And Sangat is very important.
04:50
Lucknow Gharana is such a Gharana,
04:53
that people are not able to play Tabla without playing it.
04:58
There are six Gharanas in Lucknow.
05:03
Delhi Gharana, Lucknow Gharana, Ajranagar Gharana,
05:07
Parokhabad Gharana, Banaras Gharana, Punjab Gharana.
05:10
But all these people are definitely playing Lucknow Gharana.
05:14
And let me tell you one thing.
05:17
It is a compulsion.
05:19
The first Gharana was Delhi Gharana.
05:28
In Delhi Gharana, the Baaj was of two fingers.
05:33
It was a beautiful Baaj.
05:39
It was a ready made Baaj.
05:41
But the hands did not have much freedom.
05:44
For example, I can play it for you.
05:47
But when the Lucknow Gharana was made,
05:51
ten fingers of the hand were used.
05:55
This was not the case in Delhi Gharana.
05:58
Because of that, we felt our hands were more free.
06:02
Now all the people of Lucknow Gharana are using ten fingers.
06:06
We are basically from Lucknow Gharana.
06:11
Right now, we are in our 14th generation.
06:16
In Delhi, Sudar Khan Sahib, his grandsons,
06:20
Makku Khan Sahib, Bakshu Khan Sahib, Maudhu Khan Sahib.
06:23
So, two brothers came from Delhi Gharana to Lucknow Gharana.
06:27
At that time, Faizabad used to be the capital of Lucknow Gharana.
06:31
So, we are coming from the generation of Bakshu Khan Sahib.
06:35
At present, we are here.
06:38
My Ustad brother, Ustad Ilmaad Hussain Khan is here.
06:41
His sons are here.
06:43
My daughter is also playing the Baaj.
06:45
So, this is how we are moving forward with Gharana.
06:48
It was an inspiration for all of us.
06:51
When we opened our eyes since childhood,
06:53
we saw them at such a high level.
06:55
Actually, what Zakir Bhai did was that
06:58
when it comes to Gharana,
07:00
you have trained your students well.
07:05
But the life after that,
07:08
it depends on your personality, your intelligence,
07:12
it depends on you.
07:14
Ustad and Gharana are not the same.
07:17
The way you will increase it,
07:19
the Gharana will increase accordingly.
07:21
Now, Zakir Bhai was from Punjab Gharana.
07:24
But Allah gave him a versatile mind,
07:28
gave him intelligence,
07:30
and the maintenance he did,
07:32
for such a long time,
07:34
at such a high level,
07:36
it is his own intelligence.
07:38
It is something above Gharana.
07:40
He used to play in all Gharanas.
07:42
So, to be such an artist,
07:44
is from Allah.
07:46
He is still a source of inspiration for us.
07:49
He will always be for everyone in the coming generation.
07:52
My name is Aamir Hussain Khan.
07:54
Aamir Sahib, how do you want to see the future generation?
07:59
Lucknow Gharana is my Gharana.
08:02
I want to take it forward at any cost.
08:05
What is your response?
08:07
Now, the response depends on the audience,
08:10
how much they like it,
08:12
how much they don't like it.
08:14
But we have to give our 100%.
08:16
My name is Ayat Fatima.
08:18
I am the daughter of Ilyas Hussain Khan.
08:21
Right now, I am learning Tabla.
08:23
My grandfather used to play Tabla.
08:28
Ustad Afaaq Hussain Khan.
08:32
Right now, I am learning Tabla from my father.
08:35
I am in Class 3rd.
08:37
I am a student of Lucknow Gharana.
08:40
I have done my PhD under Ustad Ilma Hussain Khan.
08:45
Ustad Ilma Hussain Khan was my guide.
08:51
Professor Mukund Bhalia was my PhD guide.
08:56
Ustad Afaaq Hussain Khan was my father.
09:05
I have done my PhD on Ustad Afaaq Hussain Khan.
09:10
I have written a book.
09:13
I would like to show it to you.
09:15
Tabla by Ustad Afaaq Hussain Khan.
09:18
Ustad Afaaq Hussain Khan used to play Tabla and sing.
09:25
I have given all these things in this book.
09:28
I am also trying to contribute to my student tradition.
09:35
My name is Rudrakh Shukla.
09:38
I study in Class 4.
09:40
I study in Lama Junior College.
09:43
Are you learning Tabla?
09:45
What is your future plan?
09:47
I want to play Tabla like my father.
09:53
He is my Guru.
09:55
What is your future plan?
09:58
How will you play Tabla?
10:00
What will you do in the future?
10:02
What will you do as a career?
10:04
Will you go to the World Cup?
10:06
Will you go to the World Cup?
10:09
I want to play different programs with my Guru.
10:14
My name is Abhishek Rawat.
10:16
I study in Awasi Public Intercollege.
10:21
I am a first year student.
10:25
I learn with my Guru.
10:28
Why are you learning Tabla?
10:30
I want to do something in Tabla.
10:34
I want to play programs with my Guru.
10:38
I am interested in learning Tabla.
10:41
I want to learn Tabla for the rest of my life.
10:45
The new generation of the Lucknow Tabla Gharana
10:48
is still playing Tabla with the same enthusiasm
10:52
when it started.
10:54
Ustad Almas Khan and his son
10:57
are not only playing Tabla,
10:59
but also teaching it to the next generation.
11:02
The next generation is also taking interest in it.
11:06
For ITV India, I am Khursheed Ahmed
11:09
from Lucknow with Vijay Verma.
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