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સપ્તક સંગીત સમારોહનો 8મો દિવસ "હરિ"મય બન્યો, દિગ્ગજ કલાકારોએ શ્રોતાઓના દિલ જીત્યા
ETVBHARAT
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1/9/2025
અમદાવાદ એલડી કોલેજ કેમ્પસમાં આયોજીત સપ્તક વાર્ષિક સંગીત સમારોહ 2025 નો આઠમો દિવસ શ્રોતાઓ માટે યાદગાર બની રહ્યો, જેનું એકમાત્ર કારણ પંડિત હરિપ્રસાદ ચોરસિયા...
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00:00
Today is the 8th day of the week.
00:02
On the 8th day, Ashwini B.J. Deshpande will be presenting vocals.
00:09
Ashwini ji, first of all, welcome to ETB Bharat.
00:13
Thank you very much.
00:15
Now, in classical music, there is a trend of vocals.
00:20
So, what has been the tradition of vocals in Indian classical music?
00:23
Yes, the tradition of vocals has been there since ancient times.
00:30
Earlier, it was said that the music that touches you the most is Kanta music.
00:39
Then comes instrumental music, where you get the beauty of tonal variation.
00:45
And then comes percussion.
00:47
But today, it has happened that all three are on the same level.
00:51
Ashwini ji, which gharana do you belong to?
00:55
And what will you perform today?
00:57
My gharana is called Jaipuratravali.
01:02
And I would say that gharana is a style of singing.
01:08
The students who have learnt from different gurus follow their gurus.
01:15
Sometimes, someone does the work of a sura.
01:17
Sometimes, someone does the work of a laya.
01:20
Sometimes, someone does both.
01:23
So, when you listen to a student, you will know who his gurus were.
01:28
So, that gharana became one.
01:30
So, basically, it is a style.
01:32
So, that is why gharana…
01:34
And this is very common in kanta music.
01:37
Similarly, gharana is also there in tabla.
01:41
We have all heard that there is Punjab gharana, Delhi gharana, tabla gharana.
01:46
There are different gharanas.
01:48
Similarly, in kanta music, apart from Jaipuratravali,
01:51
there is Kirana, Gwalior, Agra gharana, Rampur Sahasran.
01:56
There are many gharanas.
01:58
Stylistic differences, basically.
02:00
In vocal music, which words do you sing?
02:06
This is a traditional thing, bandish.
02:10
Here, we believe that the poetry…
02:14
In kanta music, we have words.
02:18
In instrumental music, there are no words.
02:20
There is no poetry.
02:22
So, our poetry will be very small.
02:26
One line's length and one or one and a half line's breadth.
02:30
But, in that small poem, the germ, the emotion,
02:36
we will move it forward through raag.
02:41
So, once we have taken the poem and entered the realm of raag,
02:47
we leave the strong emotion behind and go into the abstract.
02:55
And, purely by giving importance to the raag,
03:03
we go into the abstract.
03:09
So, the importance of words is there, but we have to leave it.
03:16
How important is the importance of vocal music in today's film music?
03:26
This music has been around for a long time and will continue to be.
03:31
Good music is good music.
03:34
Bollywood music, khyal sangeet, dhrupad, thumri,
03:41
all these are labels given by us.
03:45
Music is music.
03:47
Music can be good or bad.
03:49
So, in good music, the importance of sura and laya is there.
03:56
And, in bad music, there is a lack of both.
04:02
So, it does not touch the mind.
04:04
The music that touches the mind is good.
04:07
For our understanding, we call it folk, film, or classical.
04:13
These are labels that we have made for us to understand.
04:17
Music is music.
04:19
What are you going to sing today, on the last performance of the 8th day?
04:24
I have thought of a raag for Jai Jai Banti,
04:27
and then a raag for Sampoorn Malkaus.
04:30
What is special about this time for prahar?
04:34
We are going towards midnight.
04:39
So, I have decided to suit that time.
04:43
What else is special about that time?
04:47
There are 8 prahars, 24 hours.
04:50
They have been divided into 8 prahars.
04:54
For each prahar, there are different raags.
04:57
There are many raags of our raag music.
05:01
200, 250, 300, I don't know how many.
05:03
So, the raag that is suitable for the prahar,
05:09
that is sung at that time.
05:12
It should be sung, in my opinion.
05:15
I believe in this.
05:17
That is why, I am thinking of singing for midnight prahar.
05:23
So, we will stay tuned for midnight prahar.
05:25
Ashwini ji will conclude her 8th day with her raag.
05:31
With cameraman Mukesh Jodia, Parish Dev, ETV Bharat, Ahmedabad.
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