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Simone Ashley gets nostalgic for Christmas and Sex Education
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13/12/2024
She returns to screens this month with festive animation, The Night Before Christmas in Wonderland Report by Nelsonj. Like us on Facebook at http://www.facebook.com/itn and follow us on Twitter at http://twitter.com/itn
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Lifestyle
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00:00
The Christmas tree and the presents and Santa Claus and we sang all the songs.
00:03
Sometimes I miss that whenever I talk about sex education, especially I get really nostalgic.
00:07
Might I say, to start off with, fair play on sex education because I was late to that party,
00:12
but that really got me through like a big bulk of lockdown,
00:15
kind of becoming obsessed with that show.
00:17
Oh, I'm so glad.
00:18
It just got me thinking like you kind of broke out in that show,
00:22
which was a very like familial thing.
00:24
You worked with the same team for a long time, into Bridgerton, similar sort of vibe there.
00:30
How are you feeling about this next stage of your career where you kind of step away
00:32
from what seems like two kind of comfortable family support networks
00:36
and into the kind of the big bad world of acting, I guess?
00:39
Yeah, it's, I mean, you've just put it so well.
00:44
That is exactly how I feel.
00:45
Sex education was the most special experience because it was before a lot of us stepped into
00:53
really unexpected things like the public eye.
00:55
We didn't realise how big that show was going to be.
00:58
We were all in like kind of our early to mid twenties and,
01:01
you know, we were just all starting out really.
01:04
And we filmed in Wales and we had each other, you know,
01:09
when we would rap, we would all hang out with each other and we became real best friends.
01:13
And yeah, and then Bridgerton was a whole other thing.
01:17
I think it kind of came with the pressure of a show like that being just so big
01:22
and so many eyes on it and fans.
01:24
And yeah, I think it's really special.
01:30
And I don't take for granted, you know, having that kind of familial
01:35
sense in a cast when I'm on set.
01:37
So, yeah.
01:38
And then you go on to different films and you film for a couple of months
01:41
and you never see those people again sometimes.
01:43
And it's in and out.
01:45
I think I love to make friends wherever I work and connect with people.
01:49
And I think we have a job that allows us to meet just really interesting people
01:54
and we get to know ourselves even more.
01:56
So I'm just in for the ride.
01:58
And whenever I talk about sex education, especially, I get really nostalgic.
02:03
Well, the ride has taken you to Christmas.
02:07
I don't know if this is going to be one of those films where you
02:09
kind of make those connections and things because it is animated.
02:12
It is going to be voiced.
02:14
I don't know if you guys ever saw another cast member in the whole process
02:19
of making it.
02:20
But let's talk about Christmas in general first.
02:22
This movie reminds me of the Christmas radio times,
02:25
which used to be big back in my day.
02:27
You'd look forward to it.
02:28
You'd have the front cover would be like,
02:30
Robbie the reindeer or the snowman or something like that.
02:34
And I wondered what kind of memories evoke for you,
02:37
because I know your parents were like first generation Indian Tamils.
02:40
So I don't know if traditions changed there or whether you had some sort of like
02:45
hybrid kind of celebration on Christmas.
02:48
What did it look like for you?
02:49
No, we had very traditional English Christmas.
02:53
I think, you know, when it's not Christmas, you know, we we eat Indian food.
03:01
My mom would practice prayer, all of those kind of things.
03:04
But I think, you know, and it is something having parents who immigrated to England.
03:09
I think my mom just wanted us to feel like we fitted in at school.
03:13
And we did go to schools that we sang a lot of songs about Christmas.
03:18
And it wasn't anything to do with my heritage.
03:20
So she just wanted us to kind of just be kids
03:23
and like get involved in the experiences of Christmas.
03:26
So we had the Christmas tree and the presents and Santa Claus,
03:29
and we sang all the songs.
03:30
And yeah, I'm very grateful that my mom did that for us.
03:35
So what were your go to's?
03:36
Were you into kind of your Christmas movies and that whole thing?
03:39
Because it used to be, you know, there'd be one at around 11 a.m.
03:42
And there'd be one around 2 p.m.
03:43
And then maybe you do family stuff and you'd look forward to a film coming on around 6 or 7.
03:47
That's how my Christmas worked.
03:48
Same.
03:49
So what were the movies that kind of stuck out to you?
03:52
Every Christmas, there would be like Aladdin or some classic Disney animation movie on
03:57
in the morning, usually after you've unwrapped your presents,
04:01
you would watch that with your breakfast.
04:03
And then there's usually like a Harry Potter on and then something in the evening.
04:09
But that was back when, like, we used to use like the TV guide
04:12
and you didn't have all these options.
04:13
What was on is what you watched.
04:15
And sometimes I miss that because now there's just so much to choose from.
04:19
But sometimes I'm a bit spoilt for choice.
04:21
But I really hope that this movie,
04:25
The Night Before Christmas and Wonderland is something that people choose.
04:28
Because I think it does make me feel nostalgic to back when I was a kid.
04:32
And I would have loved to have seen something like this when I was a child.
04:35
Yeah, I think the kind of the drawings and the animation
04:38
are evocative of a lot of the kind of older sort of animations,
04:42
which I'm really happy about because we see so many of those CGI.
04:46
They call them, oh, we're doing a live action movie.
04:48
And it's all CGI because it's so good.
04:49
Yeah.
04:50
And it's nice to see something that actually reminds you of kind of growing up.
04:54
Something simpler.
04:55
Talk me through the process,
04:55
because I read in the production notes you guys were doing it in like February or something.
04:59
So it's kind of like you get over Christmas
05:01
and then suddenly you're trying to wrap yourself up for Christmas again.
05:04
I actually first went into the studio last summer.
05:09
Oh, wow, even worse.
05:11
Yeah, last summer.
05:13
And then I recently was in the studio about a month ago.
05:16
It was my last day where we recorded the acoustic version.
05:19
It's called To Be Kind, which was one of my favourite days.
05:23
So, yeah, that's just kind of how it is, though.
05:26
Like, do they do anything to kind of like get you in the mood
05:29
or do you just have to turn up and switch it on?
05:30
Like, do you get there?
05:31
There's mince pies out.
05:33
You get to put on a little Christmas hat or something, a lot of stocking.
05:36
No, no, there wasn't that.
05:38
I think as soon as I'm in the booth and, you know,
05:40
I could see on the screen like sketches or storyboards of like the scene
05:45
or the scene like, you know, fully animated.
05:50
That was enough to get me in the mood.
05:52
What about singing then?
05:55
I know you like a lot of actors have kind of musical backgrounds
05:59
and you're used to performing and you can, you know,
06:01
hit a switch and switch off like the nerves
06:03
and the kind of anxiety that most people feel about singing,
06:06
either in public or just like even in a booth
06:08
with some professional recording artists around you.
06:11
How comfortable were you in that world?
06:15
Is it something we're going to see even more of going forward?
06:18
Yeah, we are going to be seeing more.
06:21
I'm very excited for all of that to be at a position where I can talk about.
06:27
And I don't get nervous.
06:28
I actually feel very at home in the recording studio.
06:31
And I grew up with music since I was like six years old.
06:35
I've been singing, playing piano.
06:38
And yeah, so I felt very much at home and really relaxed.
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