Lucio Corsi tra i Big di Sanremo 2025: “Racconto la mia musica”

adnkronos

(Adnkronos) - Il cantautore toscano ha recentemente pubblicato il singolo ‘Tu sei il mattino’, accompagnato da un videoclip che vede la partecipazione straordinaria di Carlo Verdone, con cui ha collaborato nella terza stagione di ‘Vita da Carlo’.

Transcript

00:00It's a love song, but not because it's about a first time that appears in the chorus, but

00:16more than anything else because it talks about the time that passes, that pulls us like the

00:19current of a river, only on one side, but unfortunately I don't like this thing.

00:26And then, yes, about the time that passes, about the trees that taught me something,

00:32about the olives around the house, surrounded by the net, olives that I'm sure can

00:36escape in some way.

00:38So, yes, we wrote the videoclip together with Tommaso Ottomano, with whom I also wrote

00:43the song.

00:44My brother, also him, Maremmano, who lives in Milan, he's a director, but he's also

00:48a musician.

00:49So, yes, it's a love song, but not because it's about a first time that appears in the

00:56chorus, but more than anything else because it talks about the time that passes, about the

01:03time that passes, about the trees that taught me something, about the time that passes, about

01:08the time that passes, about the time that passes, about the time that passes, about the time that

01:13passes, about the time that passes, about the time that passes, about the time that passes,

01:17about the time that passes, about the time that passes, about the time that passes.

01:19So, yes, the moment of the concert must be different than the moment of the hearing of

01:23the record, and when I go to a concert and I hear the perfection of what I've already

01:27found in the record I'm not happy, I want whistling, I want the errors, I want a

01:32real live performance, and so a videoclip is also another moment, another form of expression

01:38that you have available to recount that thing, even in another key, and with this video,

01:43thanks to this evil entity, a cooler, which in an elevator reveals itself, step by step,

01:49more and more majestic, more and more, I also call it divine, this cooler, in the end.

01:54It also wants to make the whole composition of some lives collapse a bit,

02:04I mean, anyway, the human being is ridiculous in itself, it's tragicomical,

02:08so this being, the cooler, in the video manages to make the tragicomicity of the human being disappear.

02:16The fact that Carlo has lent himself to this crazy video is a great thing,

02:21and not for nothing taken for granted, in fact it was really great, I thank him for this.

02:25Meanwhile, working with him was a formative experience for me,

02:29because it was the first time that I ended up in front of the eye of a camera,

02:33and not in the eyes of people when I go to play, it's a different eye,

02:36and having him next to me, who can give you advice or try jokes with him before entering the scene,

02:42it's a blessing, it was a formative teaching.

02:46Then, the thing that fascinates me about Carlo is that he's a bluesman,

02:49not only because he's a music lover, passionate, but really a lover,

02:54and he's a bluesman for how, for that little I've known about him, he approaches life,

03:00he has that intrinsic melancholy in himself, which is the key of blues.

03:05He's a bluesman.

03:08I love those things, I love Ivan Graziani, Conte, Dalla,

03:11those who made music that could have been recorded in 2080 and released in 1960,

03:20or viceversa, those who never cling to a specific historical moment.

03:24When there is actuality in music, it sucks.

03:27I want to look for other things that I don't know in the songs,

03:31not the world around me, which sucks.

03:33I already know what's around me, outside, every day, in this year, in this time.

03:38I want to go elsewhere when I put something in my ears.

03:41I want songs that make me believe I'm someone else.

03:46That's what I'm looking for in music.

03:51Yes, it's also a disappointment, why not?

03:54Because the beauty of forms of expression is that you have a blank sheet,

03:57and you can try to make the world more beautiful, but also much uglier.

04:01This is also a very fun thing to do, and if done well, it's also smart, like Moss.

04:08It's nice to make the world uglier in music.

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