The life of Margot Robbie

Brut America

You've seen her as Harley Quinn, as Tonya Harding, and soon as Barbie ...    Raised in rural Australia, she never imagined she'd one day be on the big screen or at the Festival de Cannes. This is the story of Margot Robbie.  #Cannes2023

Transcript

00:00I did not have an epiphany where I thought,

00:02oh, I'm going to be in the movies.

00:03I just never thought it was possible.

00:05But I always loved movies so much.

00:07And I was I would just watch the same VCRs that we had

00:11like on repeat and would reenact them.

00:13And I think if I say that now, it's like, well, it seems pretty obvious

00:16that you wanted to be an actor and work in movies.

00:18But it just I just didn't know it was a possibility at the time.

00:21So always loved movies.

00:22And yeah, then the hustle began to actually get my foot in the door in Hollywood.

00:30Probably getting Wolf of Wall Street was like the most seismic shift in my career.

00:35That moment, I'll never forget it.

00:37I was in the room with Martin Scorsese, Leonardo DiCaprio,

00:41Ellen Lewis, the casting director.

00:43And they called me back into the room and Marty just opened his arms like this

00:47and went, we'd like to offer you the role.

00:49And then I just my whole life changed.

00:51And I was just like, oh, and he hugged me.

00:53And I was like, oh, my God.

01:00She was so well-respected on set on at Neighbors.

01:21She had such a good work ethic.

01:23She was she's just a lovely girl.

01:31To be quite honest, spending all that time with him really helped me just.

01:41I don't know if I'm allowed to swear in this, but just not give a shit.

01:44And honestly, that's one of the biggest lessons I learned.

01:46For some reason, I care so much what people think, but it just doesn't matter.

01:51And and that really, truly is what I took away from it.

02:00We kind of really focused on what we wanted to do and how could we be the

02:18change we wanted to see in this industry.

02:20I, for one, and everyone at the company wants to see the statistics even out

02:24with how many female filmmakers get the same opportunities.

02:27And it's not that I don't love working with male filmmakers.

02:30I really do.

02:31I just think we need to provide more opportunities for the female filmmakers

02:35right now.

02:35They've had less of a shot in the past.

02:50Ponyo was a very small budget.

02:51So this is yeah, it's great because you have to get more creative and inventive

02:56and think outside the box and solve problems without throwing money at it,

02:59which if you're doing a studio film, I mean, they're hard to do for other

03:03reasons as well.

03:04Making movies is difficult, but very, very fun.

03:07That's why I hate it when anyone's ever like, oh, that movie, I didn't like it.

03:11And I'm like, it's a miracle it got made.

03:13Like, it doesn't matter if you don't like it, but it was a miracle that any film

03:16gets made.

03:26I mean, it was clear to me, both reading the script and talking to Quentin, that

03:44she represented the good parts and the innocence of that time and like what the

03:51best, the best of what 1969 had to offer.

03:54But you kind of experienced through showering.

04:09I really care about her.

04:10I feel like there are certain characters in cinema history that stand the test of

04:17time and get to be reimagined by different people.

04:19And that I feel like is a legacy I'd really like to be a part of.

04:24It took Margot years and years and years to get this made because five years ago

04:35she was pitching it and nobody thought a movie like this would do well.

04:38I wish it came out a couple of years ago, but no, it's better late than never.

04:43And definitely, I think there's more eyes on this sort of conversation is so much

04:49more topical now.

04:50And I think that's a good thing.

04:52I think when people kind of talk about it, it holds other people accountable.

04:57You know, if they're not really making efforts to have equal representation in front

05:02and behind the camera, then things are never going to change.

05:10Damien gave us so much freedom in this movie.

05:13There was a lot of improvising, but there was also a beautiful script written.

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