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Black Sci-Fi | movie | 1992 | Official Clip
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11/23/2024
Black Sci-Fi | movie | 1992 | Official Clip | dG1fX2xBWEpRbG1GVVU
Category
🎥
Short film
Transcript
Display full video transcript
00:00
It's a wonderful way to think about possibilities.
00:05
It's a wonderful way to explore exotic politics.
00:09
It's a wonderful way, it's a freedom.
00:11
It's a way of doing anything you want.
00:14
There are all sorts of walls around other genres.
00:18
Romances, mysteries, westerns.
00:21
There are no real walls around science fiction.
00:24
We can build them, but they're not their natural life.
00:28
Hustle on over here.
00:30
When I was 12, I saw a terrible movie called Devil Girl from Mars.
00:35
One of those sad 1950s movies.
00:39
The Martians had for some reason lost all their men,
00:42
so they'd come to Earth to get some more.
00:45
And for some reason, in spite of the fact that the Martian women were beautiful,
00:48
the Earth men didn't want to go.
00:50
And I turned off the television and said to myself,
00:54
I can write a better story than that.
00:57
And from what I've heard, that's the way a great many people start writing.
01:00
Just the idea that what they're seeing is so awful, they can do better.
01:04
I sat down and began writing my first science fiction story,
01:08
which also turned out to be my first patternist story.
01:16
My patternists are people, a gathering of mutants, really.
01:22
They're not extraterrestrial or anything.
01:24
They're not gathered for any particularly good purpose.
01:26
They're gathered because a rather odious character is lonely and very long-lived.
01:33
So he breeds them.
01:35
He also eats them, in a sense.
01:39
I think, really, a lot of my early writing had to do with my own feelings of powerlessness.
01:45
So I dealt often with power, with what it did to people,
01:50
what they did with it when they got it.
01:52
And what I do in the xenogenesis books is explain what that is.
01:56
I have aliens who arrive and who are interested in us
02:01
because they are natural genetic engineers.
02:04
They are gene traders, as a matter of fact,
02:06
but who tell us that we have this conflict within ourselves.
02:10
All too often, our intelligence serves our hierarchical tendencies,
02:15
so that we tend to one-up ourselves to death.
02:19
And I have all this going on after a nuclear war,
02:22
when we really have one-upped ourselves to death.
02:41
Most of the world, from what little we know of it today,
02:44
is scarred with strips of impassable land.
02:47
The sea is run through with deadly currents.
02:50
Toramon may be the only fragment that can hold life, for all we are sure of.
02:57
Once man flew to the moon, even to the moving lights in the sky.
03:01
There were many empires.
03:03
Often they fought with one another, and that was called a war.
03:08
This notion that war is something that makes the whole society pull together,
03:12
war is something that turns boys into men,
03:15
and that was a view of war that science fiction writers,
03:19
such as Heinlein and Poole Anderson, were very much enamored of.
03:24
And when I looked around at what was happening to the people
03:28
that you saw coming back from Vietnam, or going off to fight in Vietnam,
03:32
this isn't what I saw.
03:34
A small bead of light dropped from one of the airships.
03:38
For five seconds, a sound came on, a concussive rumbling.
03:42
The broken stud of burning masonry, the remains of the tower,
03:45
flickered above the hem of buildings.
03:47
Chaos roiled on the concourse.
03:49
The newsspeaker grill began humming.
03:51
Remain calm, citizens, remain calm.
03:53
It behooves the writer to realize that certain kinds of questions
03:57
are going to be asked, like who wins?
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