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ജോബി ചേട്ടൻ ചോദിച്ചു ഇത് Native subject അല്ലല്ലോ എന്ന് | Dinjith Ayyathan On Kishkindha Kandam
Filmibeat Malayalam
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11/22/2024
ജോബി ചേട്ടൻ ചോദിച്ചു ഇത് Native subject അല്ലല്ലോ എന്ന് | Dinjith Ayyathan On Kishkindha Kandam
~PR.16~CA.26~CA.356~ED.190~
Category
🎥
Short film
Transcript
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00:00
There is no response from outside Kerala.
00:03
In Kerala, cinema is definitely a topic of discussion.
00:07
There are a lot of right-ups in the cinema circle.
00:09
How is the film industry outside Kerala?
00:11
Last day, I got a call from Lucknow.
00:17
Lucknow...
00:19
I was working in the animation field.
00:22
I worked in Pune for Reliance Entertainment.
00:24
I went to Bangalore and worked in Pune.
00:27
I had a group of friends there.
00:31
Yesterday, I got a call from them.
00:33
They asked me,
00:35
Why are you such a big celebrity?
00:39
I said, I don't know what's going on.
00:43
I saw the film.
00:45
I saw Lucknow.
00:47
It's a household.
00:49
Lucknow is a household.
00:51
It's something we don't hear much.
00:53
So, it's fortunate that the film is a household in Delhi and Lucknow.
01:00
Not only that,
01:02
Even in Dubai,
01:04
I called my friends and told them,
01:06
I don't have a ticket.
01:08
Everyone is angry.
01:10
You're not getting a ticket for the film.
01:12
I said, I'll arrange it somehow.
01:14
So, there are comments like that.
01:16
That's the thing.
01:18
Some people have discussed the possibility of a re-mix.
01:23
When a film like this comes out,
01:25
Many people think about a re-mix.
01:27
There are many calls.
01:29
You must have taken such approaches.
01:31
100 percent.
01:33
I remember Jowichettan.
01:35
Jowichettan hadn't seen the film.
01:37
After the shoot,
01:39
After the first level edit,
01:41
Jowichettan kept asking me.
01:43
As a producer,
01:45
I had a fight with him.
01:47
I had a fight with him.
01:49
He said,
01:51
We can't show the finest product to a producer.
01:55
We always get tensed there.
01:57
How does a producer shoot?
01:59
How does a producer shoot?
02:01
How does he shoot when he sees it for the first time?
02:03
Jowichettan was in the UK.
02:05
I said,
02:07
Jowichettan,
02:09
I'll edit it properly in two weeks.
02:11
I'll edit it properly in two weeks.
02:13
We have to give it with some reference music.
02:15
We have to give it with some reference music.
02:17
Because there is no music.
02:20
I said,
02:22
Can't we see it after the music?
02:24
No, I have to plan it.
02:26
Jowichettan is a planner.
02:28
He knows how to plan it.
02:30
He knows how to plan it.
02:32
Every week,
02:34
When he calls,
02:36
I say, One more week.
02:38
I say, One more week.
02:40
One time,
02:42
I showed it to him.
02:44
I showed it to him.
02:46
Before showing it,
02:48
He asked,
02:50
Is it a native subject?
02:52
I said, No.
02:54
I said, No.
02:56
He asked,
02:58
Can we place it anywhere?
03:00
I said, Yes.
03:02
He said, Ok.
03:04
He said, Yes.
03:06
He said, Yes.
03:08
He said, Yes.
03:10
He said, Yes.
03:12
He said, Yes.
03:14
He said, Yes.
03:16
It's a thought. So, we can place this anywhere.
03:20
Not just pan-Indian, but pan-global.
03:24
That's what he's thinking.
03:26
He's very happy that we can show this to any country.
03:30
He said, okay, you do it and show it.
03:34
Actually, when it comes to this,
03:38
Asphalee is an actor.
03:41
The choices he makes are always very varied.
03:45
It's very difficult to make a film like Kili Boi.
03:49
Do you remember the first narration you gave to Asphalee?
03:57
I spoke to Asphalee about this before.
04:01
I came here without an assistant.
04:03
So, I have no connection with the film industry.
04:06
Not connection, but I had to make a connection.
04:10
I quit my job and joined a company as a VFX director.
04:15
My main job was to establish a connection with the film industry.
04:21
I wanted to make a connection with the producers and writers.
04:27
That's how I came to Kochi.
04:31
I met Kakshamalipuram Sanlesh in Kochi.
04:37
We made a subject.
04:39
I spoke to Asphalee about this.
04:41
Asphalee was very happy with the film.
04:44
But, he couldn't blame Asphalee.
04:50
Asphalee is a new director.
04:53
When I approached him, he said,
04:55
I don't have an assistant.
04:57
The only thing I can show is my short film.
05:02
The short film is called Mail Fork.
05:07
It's a 3D animation short film.
05:10
It won many international awards.
05:13
I wanted to show only this.
05:15
They liked it.
05:17
But, they didn't have the courage.
05:19
They had to handle a big crew.
05:21
They were very tensed.
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