ജോബി ചേട്ടൻ ചോദിച്ചു ഇത് Native subject അല്ലല്ലോ എന്ന് | Dinjith Ayyathan On Kishkindha Kandam
~PR.16~CA.26~CA.356~ED.190~
~PR.16~CA.26~CA.356~ED.190~
Category
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Short filmTranscript
00:00There is no response from outside Kerala.
00:03In Kerala, cinema is definitely a topic of discussion.
00:07There are a lot of right-ups in the cinema circle.
00:09How is the film industry outside Kerala?
00:11Last day, I got a call from Lucknow.
00:17Lucknow...
00:19I was working in the animation field.
00:22I worked in Pune for Reliance Entertainment.
00:24I went to Bangalore and worked in Pune.
00:27I had a group of friends there.
00:31Yesterday, I got a call from them.
00:33They asked me,
00:35Why are you such a big celebrity?
00:39I said, I don't know what's going on.
00:43I saw the film.
00:45I saw Lucknow.
00:47It's a household.
00:49Lucknow is a household.
00:51It's something we don't hear much.
00:53So, it's fortunate that the film is a household in Delhi and Lucknow.
01:00Not only that,
01:02Even in Dubai,
01:04I called my friends and told them,
01:06I don't have a ticket.
01:08Everyone is angry.
01:10You're not getting a ticket for the film.
01:12I said, I'll arrange it somehow.
01:14So, there are comments like that.
01:16That's the thing.
01:18Some people have discussed the possibility of a re-mix.
01:23When a film like this comes out,
01:25Many people think about a re-mix.
01:27There are many calls.
01:29You must have taken such approaches.
01:31100 percent.
01:33I remember Jowichettan.
01:35Jowichettan hadn't seen the film.
01:37After the shoot,
01:39After the first level edit,
01:41Jowichettan kept asking me.
01:43As a producer,
01:45I had a fight with him.
01:47I had a fight with him.
01:49He said,
01:51We can't show the finest product to a producer.
01:55We always get tensed there.
01:57How does a producer shoot?
01:59How does a producer shoot?
02:01How does he shoot when he sees it for the first time?
02:03Jowichettan was in the UK.
02:05I said,
02:07Jowichettan,
02:09I'll edit it properly in two weeks.
02:11I'll edit it properly in two weeks.
02:13We have to give it with some reference music.
02:15We have to give it with some reference music.
02:17Because there is no music.
02:20I said,
02:22Can't we see it after the music?
02:24No, I have to plan it.
02:26Jowichettan is a planner.
02:28He knows how to plan it.
02:30He knows how to plan it.
02:32Every week,
02:34When he calls,
02:36I say, One more week.
02:38I say, One more week.
02:40One time,
02:42I showed it to him.
02:44I showed it to him.
02:46Before showing it,
02:48He asked,
02:50Is it a native subject?
02:52I said, No.
02:54I said, No.
02:56He asked,
02:58Can we place it anywhere?
03:00I said, Yes.
03:02He said, Ok.
03:04He said, Yes.
03:06He said, Yes.
03:08He said, Yes.
03:10He said, Yes.
03:12He said, Yes.
03:14He said, Yes.
03:16It's a thought. So, we can place this anywhere.
03:20Not just pan-Indian, but pan-global.
03:24That's what he's thinking.
03:26He's very happy that we can show this to any country.
03:30He said, okay, you do it and show it.
03:34Actually, when it comes to this,
03:38Asphalee is an actor.
03:41The choices he makes are always very varied.
03:45It's very difficult to make a film like Kili Boi.
03:49Do you remember the first narration you gave to Asphalee?
03:57I spoke to Asphalee about this before.
04:01I came here without an assistant.
04:03So, I have no connection with the film industry.
04:06Not connection, but I had to make a connection.
04:10I quit my job and joined a company as a VFX director.
04:15My main job was to establish a connection with the film industry.
04:21I wanted to make a connection with the producers and writers.
04:27That's how I came to Kochi.
04:31I met Kakshamalipuram Sanlesh in Kochi.
04:37We made a subject.
04:39I spoke to Asphalee about this.
04:41Asphalee was very happy with the film.
04:44But, he couldn't blame Asphalee.
04:50Asphalee is a new director.
04:53When I approached him, he said,
04:55I don't have an assistant.
04:57The only thing I can show is my short film.
05:02The short film is called Mail Fork.
05:07It's a 3D animation short film.
05:10It won many international awards.
05:13I wanted to show only this.
05:15They liked it.
05:17But, they didn't have the courage.
05:19They had to handle a big crew.
05:21They were very tensed.