ജോബി ചേട്ടൻ ചോദിച്ചു ഇത് Native subject അല്ലല്ലോ എന്ന് | Dinjith Ayyathan On Kishkindha Kandam - video Dailymotion

Filmibeat Malayalam

ജോബി ചേട്ടൻ ചോദിച്ചു ഇത് Native subject അല്ലല്ലോ എന്ന് | Dinjith Ayyathan On Kishkindha Kandam                 ~PR.16~CA.26~CA.356~ED.190~

Transcript

00:00There is no response from outside Kerala.

00:03In Kerala, cinema is definitely a topic of discussion.

00:07There are a lot of right-ups in the cinema circle.

00:09How is the film industry outside Kerala?

00:11Last day, I got a call from Lucknow.

00:17Lucknow...

00:19I was working in the animation field.

00:22I worked in Pune for Reliance Entertainment.

00:24I went to Bangalore and worked in Pune.

00:27I had a group of friends there.

00:31Yesterday, I got a call from them.

00:33They asked me,

00:35Why are you such a big celebrity?

00:39I said, I don't know what's going on.

00:43I saw the film.

00:45I saw Lucknow.

00:47It's a household.

00:49Lucknow is a household.

00:51It's something we don't hear much.

00:53So, it's fortunate that the film is a household in Delhi and Lucknow.

01:00Not only that,

01:02Even in Dubai,

01:04I called my friends and told them,

01:06I don't have a ticket.

01:08Everyone is angry.

01:10You're not getting a ticket for the film.

01:12I said, I'll arrange it somehow.

01:14So, there are comments like that.

01:16That's the thing.

01:18Some people have discussed the possibility of a re-mix.

01:23When a film like this comes out,

01:25Many people think about a re-mix.

01:27There are many calls.

01:29You must have taken such approaches.

01:31100 percent.

01:33I remember Jowichettan.

01:35Jowichettan hadn't seen the film.

01:37After the shoot,

01:39After the first level edit,

01:41Jowichettan kept asking me.

01:43As a producer,

01:45I had a fight with him.

01:47I had a fight with him.

01:49He said,

01:51We can't show the finest product to a producer.

01:55We always get tensed there.

01:57How does a producer shoot?

01:59How does a producer shoot?

02:01How does he shoot when he sees it for the first time?

02:03Jowichettan was in the UK.

02:05I said,

02:07Jowichettan,

02:09I'll edit it properly in two weeks.

02:11I'll edit it properly in two weeks.

02:13We have to give it with some reference music.

02:15We have to give it with some reference music.

02:17Because there is no music.

02:20I said,

02:22Can't we see it after the music?

02:24No, I have to plan it.

02:26Jowichettan is a planner.

02:28He knows how to plan it.

02:30He knows how to plan it.

02:32Every week,

02:34When he calls,

02:36I say, One more week.

02:38I say, One more week.

02:40One time,

02:42I showed it to him.

02:44I showed it to him.

02:46Before showing it,

02:48He asked,

02:50Is it a native subject?

02:52I said, No.

02:54I said, No.

02:56He asked,

02:58Can we place it anywhere?

03:00I said, Yes.

03:02He said, Ok.

03:04He said, Yes.

03:06He said, Yes.

03:08He said, Yes.

03:10He said, Yes.

03:12He said, Yes.

03:14He said, Yes.

03:16It's a thought. So, we can place this anywhere.

03:20Not just pan-Indian, but pan-global.

03:24That's what he's thinking.

03:26He's very happy that we can show this to any country.

03:30He said, okay, you do it and show it.

03:34Actually, when it comes to this,

03:38Asphalee is an actor.

03:41The choices he makes are always very varied.

03:45It's very difficult to make a film like Kili Boi.

03:49Do you remember the first narration you gave to Asphalee?

03:57I spoke to Asphalee about this before.

04:01I came here without an assistant.

04:03So, I have no connection with the film industry.

04:06Not connection, but I had to make a connection.

04:10I quit my job and joined a company as a VFX director.

04:15My main job was to establish a connection with the film industry.

04:21I wanted to make a connection with the producers and writers.

04:27That's how I came to Kochi.

04:31I met Kakshamalipuram Sanlesh in Kochi.

04:37We made a subject.

04:39I spoke to Asphalee about this.

04:41Asphalee was very happy with the film.

04:44But, he couldn't blame Asphalee.

04:50Asphalee is a new director.

04:53When I approached him, he said,

04:55I don't have an assistant.

04:57The only thing I can show is my short film.

05:02The short film is called Mail Fork.

05:07It's a 3D animation short film.

05:10It won many international awards.

05:13I wanted to show only this.

05:15They liked it.

05:17But, they didn't have the courage.

05:19They had to handle a big crew.

05:21They were very tensed.

ജോബി ചേട്ടൻ ചോദിച്ചു ഇത് Native subject അല്ലല്ലോ എന്ന് | Dinjith Ayyathan On Kishkindha Kandam

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